Hieronymus Bosch Time-lapse Oil Painting The Garden of Earthly Delights

In this video I try to recreate a favorite detail from Hieronymus Bosch's painting, The Garden of Earthly Delights.
Materials used:
Canvas panel 11x14”
Oil Colors(Ultramarine Blue, Burnt Umber, Lemon Yellow, Carmine dry pigment, Green Earth dry pigment, Alizarin Crimson, Yellow Ochre, Cadmium Red Light, Cerulean Blue, Hansa Yellow Deep, Lead White, Mars Orange)
Nylon brushes
Damar/Safflower Oil/Canadian Balsam medium.
Some information from Museo Del Prado's site:
The Garden of Earthly Delights Triptych
1490 - 1500. Grisaille, Oil on oak panel
The Garden of Earthly Delights is Bosch’s most complex and enigmatic creation. For Falkenburg the overall theme of The Garden of Earthly Delights is the fate of humanity, as in The Haywain (P02052), although Bosch visualizes this concept very differently and in a much more explicit manner in the centre panel of that triptych than in The Garden of Earthly Delights. In order to analyse the work’s meaning the content of each panel must be identified. On the outer faces of the triptych Bosch depicted in grisaille the Third Day of the Creation of the World, when the waters were separated from the earth and the earthly Paradise (Eden) created. At the top left we see God the Father as the Creator, according to two Latin inscriptions, one on each panel: For he spake, and it was done and For he commanded, and they were created (Psalms 33:9 and 148:5). On the inner face of the triptych, painted in brilliant colours which contrast with the grisaille, Bosch painted three scenes that share the single common denominator of the concept of sin, which starts in Paradise or Eden on the left panel, with Adam and Eve, and is punished in Hell in the right panel. The centre panel depicts a Paradise that deceives the senses, a false Paradise given over to the sin of lust. This deception is encouraged by the fact that the centre panel is shown as a continuation of Eden through the use of a single, continuous landscape with a high horizon line that allows for a broad, panoramic composition arranged as three superimposed planes, in the panels of the earthly Paradise, the Garden of Earthly Delights and Hell.
In the centre panel, from which the triptych derives its name, Bosch included a large number of naked human figures, with the exception of the pair at the lower right, who are usually identified as Adam and Eve after the Expulsion from Paradise. Men and women, both black and white, are generally seen in groups or pairs, maintaining amorous relations (some of a forbidden nature) with a powerful erotic charge that refers to the panel’s pre-eminent theme, the sin of lust. The animals, both real and imaginary, are much larger than their proper scale. Among them, Bosch particularly emphasizes two different types of owl that evoke evil. Staring straight out, they direct their disturbing gazes at the viewer at the two lateral edges of the panel, slightly set back from the immediate foreground. Also present are plants and fruit, which are again much larger than their scale dimensions. The entire composition is dotted with pieces of red fruit that contrast with other large and small blue ones, these being the two principal colours in the scene. In contrast to the apparent confusion that prevails in the foreground, geometry imposes itself in the middle ground and background. In the former, Bosch depicted a pool full of naked women. Around it, in an anti-clockwise direction, rides a group of men on different mounts (some of them exotic or imaginary), who have been associated with different Cardinal Sins. In the background of the scene Bosch included five fantastical architectural constructions in the water, the central one similar to the fountain of the Four Rivers in the Paradise panel, although here broken to symbolize its fragility and the ephemeral nature of the delights being enjoyed by the men and women who fill this garden. And now the owl depicted inside the fountain in the Paradise panel is replaced here by human figures in sexually explicit poses.

[@pogogogo9002]

Thank you for delighting my sensibilities. Perfect accompanying music.

[@olddirtymasters]

Thank you, Odin roars!

[@amanda11cabral]

AWESOME!

[@allergies9099]

Amazing

[@estherbourboulas-mostafa263]

Sehr interessant, warum so wenig likes? Kann ich gut gebrauchen um zu lernen ❤️👍 Danke fürs Hochladen!

[@olddirtymasters]

vielen Dank!

[@eliezerbarrientos1526]

Thank you Maestro for share you vision. Your channel is a hughe contribution to those of us who love painting and drawig.

[@olddirtymasters]

Thank you Eliezer Barrientos, I’m glad you enjoyed it🙏

[@tanishsingh5260]

Awesome work brother, appreciate the effort.

[@olddirtymasters]

Thanks Clickbait!

[@marla.terhoven]

Sending love from Poland!

[@olddirtymasters]

Dziękuję!

[@eduardomerisi7103]

Hello how are you doing today, I love your work i was wondering if I could buy this painting

[@eduardomerisi7103]

Hello how are you doing today I love your work I was wondering if I can buy this painting from you,

[@glennphillips4803]

Your attention to detail is staggering. What paint medium do you use?

[@olddirtymasters]

Thank you! Mainly used safflower oil in this painting. Sometimes a drop of alkyd based medium or dammar in each color helped layers dry quickly so glazes could be added the next day. Description has some more info.

[@TheGreendpark]

nice work, could you please tell me which is the size of the canvas?

[@olddirtymasters]

Thanks TommasoM97. 11x14 inches

[@jasonblanton5229]

You're obviously a talented artist. But, I've noticed on this channel that unifying glazes and fat over lean aren't being taught. I get that most people can't take the long version, but it's a really noticeable difference. For start, old masters didn't paint on white backgrounds, there's a dead layer for the structure and light source to illuminate, and to finish it was a dance of glaze and scumble until it was fini! Then varnished for protection and future cleaning.

[@SYWYRD]

This isn't a how to video. It's a how this person did video.