How To Edit H265 Footage | FUJI X-T3

[@MitchLally]

Thanks for watching everyone I hope this helped! 🐢

[@zepzop8471]

You transfer the files into 3840*2160, in actual this camera📷 has a resolution of 4096*2160, The question is , is there is no option in this software for 4096*2160 resolution

[@MitchLally]

BD sexy the camera can do 17:9 (4096x2160) and regular 16:9 4K - I choose to use 16:9 in camera. If you do shoot 17:9 then you can export at that res too.

[@adrianphotovisions2308]

As mentioned below, Davinci doesnt recognise h265 with the free version, but why not buy the full version and use Davinci as your main editing program? There is an optimise media function that effectively does the same as you are doing without the need to save seperate files. This too results on nice smooth footage on playback

[@user-ph1ob6nj7i]

Thanks for the video. In ProRes codec we can choose between 8-bpc and 16-bpc (at least in the Media Enconder ProRes settings). What would you choose? Because the H265 has 10-bit. If we choose 8-bpc, don't we loose dynamic range to grade the footage?

[@mc25141]

🐢 3 Years later still helps me a lot. Big Thank you 🙂

[@Imsyab]

Man u r the best. Life saver. Only xt3 user who shoot video knows the pain of H.265. now i can playback in full resolution. Lovely, Thanks alot

[@DesertCookie]

I have yet to see problems with H265. I have all my movies in 4K H265 10bit and my system plays even 60p effortlessly. R5 3600, GTX 1660S. I know my 2015 phone had some problems with anything above 1080p H264 10bit 30p, but my 2018 phone does fine with 4K60 10bit HEVC. I guess I got lucky with my choice of hardware.

[@ShutterLifeCaptures]

@@DesertCookie playing the footage is one thing. Actually editing it and playing back on the editor itself is where things slowdown.

[@DesertCookie]

Yea, if I throw more than 10% AI denoising at it, it starts chugging once it runs out of GPU memory (which happens fast with 6GB). The LUT, exposure correction, color modification, sharpening, and animation I have on the clip seem to be quite lightweight.

[@ShutterLifeCaptures]

@@DesertCookie interesting. I'm editing H.265 4K footage long GOP on similar gpu and with a ryzen 9 3900x 64gb and as soon as I start color grading it stutters like crazy on normal play back. This is with me putting my footage on a nvme 4.0 drive. I need to test using intra.

[@DesertCookie]

I found myself being more than fine with a fast SATA SSD when it comes to storage. While my playback framerate is great, scrubbing often takes a moment. When jumping from one side of a thirty minute project to the other it takes upwards of ten seconds to load the previews. It likes to fill my 32GB of RAM at that point. If I'd not wait for the older footage to be discarded Resolve often crashs as both my RAM and page file are full (combined 64GB). I only see 12-15GB used in the task manager, but the GPU offloads 6-10GB too. The weakest part of my rig is the RAM. I've been inconsiderate for a while whether 140€ for another 32GB kit are worth it for my casual style of editing 4K projects. I plan on doing a lot of fusion-only videos on the future; do you have experience with the RAM/VRAM usage of that (when it comes to simple animation without particles for example)?

[@TrenchfootSalvador]

What would you say the best quality coding is that would work on windows, for Fujifilm X-T3 10 bit 4K footage? MP4?

[@GeorgeXian]

DNxHD? You might need to install something first though I think...

[@achu2691]

DNxHR HQX 10-bit

[@TrenchfootSalvador]

@@achu2691 Thank u. Idk how that works with Windows and Magix Vegas Pro 17 but....🤷‍♂️ I can see...

[@achu2691]

@@TrenchfootSalvador switch to davinci resolve, you wont regret it

[@TrenchfootSalvador]

@@achu2691 I tried it im still learning.

[@ImCorrosive]

📸🙌🏽🎞📽>🖥⌨️>😩😭😡😔>finds mitchs video>🤯🤯🤯 Edit: Apparently Prores isn’t available for Davinci on windows dude to some licensing mumbo jumbo. The folks at reddit recommend Dnx HR. I just went with using Adobe Media Encoder and converted thru there. Adobe is licensed to use Prores. If you have an alternate video converter, let the people know. God knows how long I’ll put up with Adobe lmao. Other than that great video! Probably one of my favorite color pallets I’ve seen on KZbin, Mitch!

[@adarshjogani5961]

Do you replace the ProRes proxy with the original H265 files once you are done with the edit and grade?

[@aight365]

would be really great to see a follow up video about the editing processes of fuji xt3 files. i want to be able to get the BEST image quality possible from it.. also would be really helpful if you can compare canons c-log vs fujifilms f-log. thanks man! keep going! 🐢

[@turpakiinnisaatana3361]

Agreed!!

[@fenixtech1342]

Man I had a video for this in the works for Resolve :). I've been using "optimised media" but it loads on the fly, doing a full transcode will actually save a bunch of time for larger edits, well done.

[@MitchLally]

There's plenty of ways to do it - this is just the one that works for me. Until I learn to edit in Resolve.

[@KevinMaschke1]

Since recently Adobe Premiere/Media Encoder do support the Apple ProRes coded. This conversion from H.265 to Apple ProRes can be done through media encoder directly. This is useful on Windows since Davinci Resolve does not support ProRes on Windows :)

[@naturmedia]

thank you!

[@solvm1652]

Interesting yet cool workflow. I never thought of using Davinci only for kicking out ProRes clips.

[@MitchLally]

SOLVM Thanks for watching!

[@DagiNyaga]

Thank you man. With Davinci Resolve can you also change files to Mp4 editable in adobe premiere pro without lag ?

[@marting974]

You could use the advantage of proxies (premiere) or optimized media (Davinci) instead of transcoding. I personally edit in DaVinci and simply generate optimized media from the source with the same codec you mentioned. You can then edit with the optimized media perfectly, output final edit from it or from the source file, then delete the optimized media once project is done :).

[@MitchLally]

I'm not the biggest fan of the proxy workflow - especially in Premiere. It locks up too much and its REAALLY slow in my experience. Also I know you can create custom presets for the outputs but the defaults give you the wrong aspect ratio!! Super annoying and a lot of people asked me about that so I stopped recommending the proxy workflow and instead go for a manual, master file route. Hope that makes sense!

[@marting974]

@@MitchLally Totally, it's personal preference at the end :). I also don't like the proxy workflow in premiere but I use it every time in Davinci as they are easier to manage. I usually do a quick rough-cut of my footage, then I do the proxies for those interesting clip only. Source footage can be stored anywhere and I work with proxies locally. At the end I will export from the source and simply click "delete optimized media" once I finish the project. If I need to rework my edit in the future it's super easy to redo the proxies of what's used in the edit only instead of converting all the footage from that shoot. Have a nice week end !

[@marissachabria]

What computer do you use to edit your xt3 footage?? I want to buy the xt4, but I've had such BAD experiences editing 4k footage on my macbook pro (2015) even with proxies, so I'm afraid the same might happen if I buy this camera. I also think that my bad experience was because of my computer and the lack of specs it has, but thinking about buying the new macbook pro 2019 with 32 RAM and the 8gb memory card, so maybe with those specs the xt4 might not give me a problem. Any thoughts on this? and also would love to know what your computer specs are!

[@skaterat321]

How do I export using with the original files?

[@tomkent4656]

How important is the video card in solving the cpu problem?

[@jaysun070476]

Are u suppose to do the color grading with hevc 10 bit files then convert to something else like h.264 for easier editing? Or would you loose the 10 bit qaulity if converted first then color grade?

[@KarlMarkusAntson]

Hey, Mitch! My free Davinci doesn't recongnise h265 files. says media off pc. can you please help with this problem?

[@alexandrepasquali9472]

Hi Karl, I guess you had your answer before, anyway the free version of DaVinci does not support h265, you need the full one

[@thesurfer4114]

@@alexandrepasquali9472 Its not true. Windows 10 does have a H.265 codec adaptation for 0.99 Bucks

[@shivamnandiofficial]

hey thanks for the video! what about colour profile? my original video was in clog3 and it looks weird and blown out after the prores conversion in mac directly. Do you do suggest doing colour transform in da vinci and then export in prores?

[@LUTOSINGBELA]

Hey Mitchy, Thanks for your time in producing the video. My Davinci shows Media Offline error and Its not a re-link issue. Don't know if you have an idea of what that is.

[@gabriel-andreimocanu9983]

I have the same issue and can't make it work

[@gabriel-andreimocanu9983]

@Neru Thank you so much, that worked :). Thank you.

[@matepauletic3675]

Thank you. Why can't I just edit the file trough the final cut?? I mean. do I need Davinci for this?

[@RockyColaFizz]

You can. And if you have a 2018 Mac Mini or a 2018 or newer MacBook Pro, or any of the new MacPro or iMac Pro’s they have the T2chip which does all the heavy lifting on H.265 files. They playback and edit on those perfectly without transcoding needed.

[@matepauletic3675]

Liquid Valium thank you :)

[@nigerian-nightmare]

Thanks a lot for this video. Now I do get it. No more afraid to record in h265.

[@hcaphoto]

How do you export after you edit the proxy files in premier? Do you have to relink the original h.265 files? Thanks!

[@MitchLally]

No you don’t you just export as usual. Quality is the same. The original H265 files can be deleted if you like or you can keep them for later.

[@hcaphoto]

@@MitchLally Perfect! Thanks, Mitch!

[@rodroyo]

Thank you Mitch. Shall we do the same with Panasonic GH5 H264 422 10 bit 150 or 400mbps bitrate clips? Convert them to Prores Proxy to have a better experience when editing in Premiere?

[@MitchLally]

Yes, correct

[@multireel7590]

Be aware that you can’t in every situation just say “Let’s match the bit rate in ProRes as closely as possible” when transcoding from H265. On the contrary: you will always need a much higher bitrate for ProRes to keep the same quality because of its lower compression. Compared to 200mbit H265 there is no lower then the lowest ProRes Proxy 363mbit (which is almost double the bitrate and probably fine) But I wouldn’t be surprised if a little quality is still lost.

[@angelrobles4325]

I followed your process but the transcoded files came out with more contrast than the original... do you know what happened?

[@terrencebibbphoto]

Mitch. Thank you Thank You 🐢 I do have a question why not use the Adobe media encoder?

[@MitchLally]

Terrence Bibb I did once upon a time. Its a lot slower - would constantly get crashes and encoding errors - also when I run HLG footage through it any clipped highlights turn black.

[@kaybhee6]

where did u get apple pro res,,, cant find in free version

[@sinorox6849]

yeah same issue lol they dont have it there

[@GuidoGautsch]

Great stuff! Why use Resolve rather than AME though? Can't that transcode to ProRes as well now? Also, how come you're not shooting at 400 Mbps? I just got a UHS-II card that's supposed be able to handle the bitrate but haven't had a chance to try it out yet!

[@SayWhaaaaaaaaaaaaaaaaaaaaaaat]

UHS-I handles 400mb fine. I use sandisk 90MB/s uhs-i card with no problem with xt3 400mb. But anyway i rarely use that bitrate cause it gives no advantage vs 200mb in almost all cases.

[@MitchLally]

Resolve is faster, crashes less and AME gives me strange black highlights when I encode my HLG footage. 400mb/s I would use if it wasn’t just for KZbin. I’m happy with 200 for online projects. UHS II is fine - I’m only using UHS 1 and they’re working great.

[@aybee5908]

Also useful for Phantom 4 owners. Also has h.265 possibilities.

[@iammcmags6557]

Why when i try to import my videos in davinci, the video is not showing just the audio?

[@a-view7091]

hi , I have a Fujifilm X-T3 and a xt4 I like the function of making SlowMo videos at 240 FPS but recording in H.265 full HD 24 FPS davinci (studio) cannot read the files (* .mov), it shows me a warning red "Media Offline". Strangely I have no problems with the 4k h265 of both cameras, so If I want to use Slowmotion, I have to film in h264. why?

[@dukodatv]

Hey great video! When I do the same with my Canon r6 its only the audio there is in resolve Is the R6 not supported or am I doing something wrong?

[@MitchLally]

Try the beta versions from the support page

[@EirikAven]

So if i record in 4k 10bit f-log i want to transcode to Apple ProRes Proxy? People always told me to use Apple ProRes HQ haha?

[@Kashyapine]

🐢thanks man! You made it so easy for me as I am sitting here trying to edit an entire mv with .h264 footages... now first thing I am doing is converting all of it to prores!

[@mohdrifi1930]

I dont have that codec in davinci resolve below that quicktime colume.. How can i get that? Someone please help me 😢 im using windows 10

[@eduardoherrera6330]

You save my life bro! Thanks !!!

[@NafisAhmed73]

I use a windows pc..so in premiere pro apple pro ress doesn't support.. hence I use dnx hd.. do you prefer dnx hd or dnx hr ?? And also does transcoding manipulate the log footage data or just the codec only ??

[@MitchLally]

Any transcoding is manipulating data. But that's why I showed you the apple pro-res white paper so that we can rest assured we are not throwing data away. Use DNX HD - should be fine :)

[@movielover2172]

Should I apply lut of H265 or H264?

[@YBPlaysMusic]

Do you have to use the same method if you want to edit h265 files in Final Cut Pro X? Thank you for the helpful video man!

[@madeonfilm3174]

Thanks for sharing:) I guess it depends on the computer, but don’t you use proxies for 4k video in premier pro?

[@joshdiditt]

My laptop is a spec out 2019 HP and it plays back H.265 without dropping frames but rendering takes hours. Is there a way to render faster with 4k H.265 files?

[@SultanEdhingo]

JoshDidItt my 5 min 4k h265 video took 6 hours to render

[@eye-films-prod]

Why you edit color on premier pro ?

[@chacko1813]

is xt3 the best camera in the market right now?

[@MitchLally]

Chacko I don’t think there is such a thing as the best camera on the market. Only the best camera for you. It depends on what you do / need from a camera.

[@docrakidocraki8067]

Chacko it depends, for the price range it’s the best dual camera. But if you only need video I’d go with BMPCC 4K. But if you need both video and photo then yeah the Fuji is the best at that $2000ish price range

[@JanKratochvilcom]

Please could you share what computer configuration (Mac and/or Win) would be suitable for X-T3 video editing? Thank you a lot in advance.

[@jcdiedericks]

You can also select all the clips you want to transcode, go to File, Media Management, then transcode each clip separately from there.

[@MitchLally]

Thanks for the info!

[@MrBazsi888]

If I recorded with my Fuji XT4 in H265 slow motion 100p, what should be the conversion format for editing my files ? Are there any H265 editors available by now ? Thank You for your work.

[@LelynMac]

Bro just make proxies

[@IgorTrifonov]

so this may be the problem I had with my fuji xt3, I recorded all my project in 4k 60fps h265, then in final cut I created new timeline 4k 24fps, after exporting my footage in not smooth and stutter, but when I create 30fps timeline and then export it super smooth, can you help me with it, I asked so many video creators and all of them told me I need sony because it does not have this sort of issues. Thanks!

[@MitchLally]

I have to say I've never had this issue. I don't use Final Cut so I can't tell you 100%. Are you using an updated and legit copy of FCP?

[@IgorTrifonov]

@@MitchLally I even tried the latest Premiere Pro and it was the same :( this is just so annoying and a huge disappoint, got this camera for my behind the scene video when I'm shooting weddings and now I need to go with 30fps timeline always which is not making any sense for me, I can even send you the footage :) for a test

[@npoorta]

Hey Igor, follow the 180 degree shutter rule and make sure your shutter speed is double that of your frame rate. That should fix your footage

[@miroslavnenchev1179]

I never had such issue with the X-T3. Do you reduce the speed of the clip when is on the timeline?

[@mVisualProductions]

how many gigs does your weddings come out to be when filming H.265?

[@MitchLally]

It depends on the wedding really, maybe between 300-500.

[@BrendanWhelan]

the part I don't get is why you switch over to Premiere? You could have just stayed in Resolve for the whole process... lol

[@MitchLally]

This video is old. Since august 2019 I do everything in resolve!

[@jacobdoes]

Yewwwww 🐢. Killing it as always man!

[@MitchLally]

Jacob Morgan thanks bro!

[@StevePradhan]

Remembering how much of a hassle h.265 was till 2 years ago, I am so greatful of M1s in the macbook. I have a base model 2020 macbook air m1 and still be able to run through h265 footages like butter.

[@sigurdgullev7619]

I know your comment is a year old, I have the same macbook as you, but when I edit 4k 60fps 10bit 4:2:2 footage straight from xt3 I run out of memory, and crash... Any advice from you, or how you do it would be awesome!

[@mister_alaska]

since you transcode the files back to h264, why dont u record straight in h264 from the camera ? is the difference visually noticeable ?

[@MitchLally]

naim che it’s a good point. One I’ve always maintained - if the output is going to be h264 then why bother? I guess there might be more perceptible difference depending on the footage and picture profile. This is more for people who want to get the largest possible amount of data out of their images. Also who knows - maybe in the future h265 will be commonplace? In which case shooting in h265 could be looked at as sort of future proofing the raw data?

[@adrianphotovisions2308]

Its like TIFFs and JPGs, do all your processing on the TIFF which has 16 bits of data and therefore more range, colour and data, then once done, save to JPG, same for 265, 264

[@moritzvongraevenitz4684]

Hey Mitch! Interesting workflow. But one Question: Why are you not using the Proxy-Codec in Premiere Pro in the Import-Settings? You can choose 1024x540 Apple ProRes 422 Proxy there as well? Isn't it much easier?

[@MitchLally]

Moritz von Graevenitz no, it’s slower and I always get errors with AME. Plus some black highlights for some reason.

[@freelancesociety]

Just curious if you delete the original camera media files after transcoding to ProRes or do you keep both? Thanks!

[@MitchLally]

1:53

[@jamesclark1152]

Great stuff, thanks Mitch. As a newby to video editing with my XT3 this has been very useful. As a long time stills photographer I'm new to video and just started on what looks like a long journey of discovery. I appreciate this and will be following you some more.

[@Rogier1969]

Same here. Thanks.

[@AllthingsE]

im having issue with importing my videos.I import them to my i mac pro photo library and when i play them back it freezes mid way and do not show the rest of my video. What should i do?

[@holdmedear]

how do you expose for HLG mate?

[@MitchLally]

TheNorthernWandered watch my ‘how I color grade’ video! All info is in there.

[@baronbrierley]

Great video, top tips & clear points simply explained. An nice and easy to replicate work workflow. This video will be going into my favourites for future reference, thank you!

[@contatofelipesoares]

With the free version of Resolve, can I create the proxy?

[@MitchLally]

Felipe Soares you sure can

[@tomaspolujanskas4345]

Great video, thanks. I am a pc user, would it be the same if I would transcode H265 to prores via media encoder? I have tried with Davinci, but since I am a pc user it does not have the option to transcode to prores. Thanks in advance

[@EverydayFamilyFL]

That is my way of doing it. I am not a tech savvy guy, but I believe the principles are the same with the end result the same. I don't have Resolve, however, so I can't say for sure.

[@adarshjogani5961]

Check DNxHD or DNxHR Codec for windows

[@manchumuq]

Since you are using DaVinci Resolve, wouldn't it be much easier and quicker to edit with the optimized media option within the DaVinci Resolve workflow?

[@MitchLally]

Roy S. If you watch til the end you can see I’m using Premiere for editing.

[@ZackDowdy]

Another great video!! Thanks Mitch, always providing some solid expertise.

[@MitchLally]

Zack Dowdy Thanks Zack!

[@DatBoiGABE]

what codec and format for windows ?

[@mandrael]

DNxHR SQ for optimized media. ProRes 422 LQ for Mac.

[@samuely1-v3z]

How can I check the bit rate if I have forgotten the setting while filming ??

[@MitchLally]

Samuel Yiau Just go for a higher bitrate to be safe. Doesn’t have to be perfect :)

[@milankucera7304]

I cannot find the menu at 9.10. Please help! :-)

[@itsjusteii]

So I have an xt3 and when I uploaded my video to my MacBook Pro and some of my video did not play all the way through. Do you know what this issue could be?

[@marissachabria]

This might be because of your computer and the graphics card it has an amount of RAM. What are the specs on your computer?

[@azaelmartinez4716]

Dude your video helped me so much

[@arnijonsson]

thanks for the vid! I am wondering what your workflow is when you are editing 120fps videos from the X-T3?

[@0xwadee]

Is there any reason why you don't use Davinci also for color grade your footage :o ? (and even for editing)

[@MitchLally]

chester wade Just switched

[@zaiddagamseh]

What is that sound that sounds like a paper being turned in the beginning of your video?!?

[@czatron78]

Going from an interframe compression like h.265 to an intraframe codec like pro res and keeping the same bit rate is a huge red flag for me. Since you’re building individual frames in pro res shouldn’t your data rates be higher?

[@MitchLally]

You could definitely argue this - but when target data rate is the rule that the codec follows to create frames we can't really know what the multiplier would be to maximise quality across the frames. I think this question is too deep for most people and I would just refer to my own findings that Proxy or LT is enough quality for the transcoding and I don't notice any perceptible difference, no added banding or artefacts. I honestly don't want to recommend people to encode to HQ or 4:4:4:4 when their original target bitrate is less than a quarter of those codecs (like other youtubers do) because its definitely overkill in my opinion.

[@ikestrom]

@@MitchLally It can be difficult to see the artifacts by just watching the video. But they are definitely there and with ProRes Proxy they are pretty nasty. To actually see how bad it is, place the h.265 video on the timeline and then place the transcoded video right on top. Then select a transfer mode of "difference" from the compositing setting of the top video (slightly different UI depending on which NLE you're using). Then apply a color correction (or color page in Resolve) and raise the shadows a lot. You'll start to see how much different the pixels are between the two clips. You'll even see clearly the macro blocking that you get with the low bitrate ProRes Proxy. If you want to minimize the difference you definitely want to use at least ProRess 422. Even ProRes 422 HQ doesn't completely eliminate the artifacts, but they're pretty minimal. Another workflow you can use is to create proxy media and edit with it. Then output the final product with the original h.265 clips.

[@richardcarlson112]

Thanks. Very easy to understand.

[@MitchLally]

Richard Carlson Thanks Richard! ✌️

[@moonlitmedia6513]

Could you look into the fringer ef fox pro ii adapter that just came out? Thanks! Also mice vids man

[@MitchLally]

I would but Fringer haven’t reached out to me yet. From my limited knowledge it is just a design change right?

[@mankindanddestiny7798]

Can an I7 9700k and an rx580 playback 1080p vp9 and Hevc 10bit main10 profile using VLC or MPC smoothly ?

[@MitchLally]

mankind and destiny haha I have no idea!

[@iMeze]

On my PC I dont have an apple pro res as an option, just the Dnxhr

[@MitchLally]

iMe ze just use dnxhr it’s fairly similar

[@MitchLally]

Only macs can use prores

[@iMeze]

@@MitchLally Thanks man, much appreciated

[@avs2396]

@@MitchLally can you confirm that only MACs can use Prores? You mean that if I shoot with BMPCC4K in Prores I won't be able to edit the footage in Resolve and/or Premiere on a PC?

[@marcelr.4627]

Good video, thanks! Still I wonder why you dont use Premieres own proxy function. At least for me it works like a charm since I can operate in one single program and still easily switch between resolutions and quality. Let me know what you think :-)

[@MitchLally]

Probably should have covered this in the video but the proxy function is slower than resolve.

[@cloud9photography126]

will davinci convert 10bit hevc 4.2.0 to 10 bit h264 4.2.0? i dont want to suffer any reduction in bit depth or the 4.2.0 in the conversion. im working on pc not mac...also can you work with pro-res on windows?

[@MitchLally]

Cloud9Photography yeah you can select ‘encode maximum bitrate’

[@ASMRtown]

That was a huge help. Thanks, Mitch! I've been wondering about this since your grading video!

[@MitchLally]

ASMRtown yeah a lot of people wanted to know how I transcode so I decided to make this video!

[@ASMRtown]

@@MitchLally By the way, not sure if it's because I'm using Windows or what, but my version of Resolve didn't give me the option for ProRes :(

[@adarshjogani5961]

@@ASMRtown Check DNxHD or DNxHR Codec for windows

[@iRequiresoup]

I just use proxies in premiere pro. Either process works fine. Just a matter of preference. :)

[@MitchLally]

Ben Wallace yup! Although I find proxies frustrating because you don’t get a clear time estimate while they’re rendering and its also wayy slower than the resolve way.

[@jaydels8937]

Which SD card did you use in the XT3?

[@DominicDelormePhotographie]

Really useful!

[@avs2396]

Anyone can confirm, please, if this conversion is for Resolve in MACs only or also for PCs running Resolve? Thanks

[@Holyeddybear]

Aureli Vs did this for pc as well.. 👍

[@dualtrx]

You should say in the video that this is an Apple OS Only solution for Resolve. Cuz on Windows this codec doesn't exist in Resolve...yet.

[@MitchLally]

Dualtrx Thanks I didn’t know that

[@MelvinGarcia]

It might actually support it if you use another program to transcode. I do it on Linux.

[@evka8709]

Thanks for this comment, I just imported all of my clips to Resolve to see "Media Offline" for each one.

[@JaymesMedia]

Hi I use Adobe Media Encoder to transcode my footage to Proress 422 HQ and it plays and edit beautifully if you’re editing off an externally hard drive

[@adarshjogani5961]

Check DNxHD or DNxHR Codec for windows

[@DuffTV]

Love your videos Mitch, great job

[@Phalaibert]

What about the noise when filming on HLG?

[@dongerramarco9617]

does pro res work good on windows

[@TrenchfootSalvador]

Just doesnt work on magix vegas pro...yet

[@markchen4381]

🐢Great video. Appreciate the contribution of your time and knowledge.

[@MitchLally]

Thanks for watching!

[@arshadkhiljee]

Thank you dude!

[@DesertCookie]

Sadly doesn't work for my h265 videos (h265 10bit encoded with Handbrake). Resolve (and any other program) just refuses to import them.

[@KamalChandraBoro]

same issue here.

[@DesertCookie]

I finally figured it out. You need to buy the HEVC addon from the Microsoft store for 0,99€. It's silly that Resolve depends on Windows to include the codec where media players come with it out of the box.

[@UnstoppableBird]

is this available in the free davinci resolve version , or only the paid one?

[@DesertCookie]

It doesn't work for me in the free version. I therefore think it's not available in its full capability in the free version.

[@batyrenko]

Amazing tutorial. Exactly what I needed! 👍📸

[@Noealz]

very informative mitch : )

[@MitchLally]

Noealz Photo thanks Noealz!

[@AtomicPixel]

Hey bro, do you find doing the extra transcoding work worth it? Wondering if you find a super noticeable difference when editing for highlights/shadows or colour grading when using h265. It’s clearly better, but is the THAT much better to make the extra work with it, you know? Thanks in advance, T.

[@MitchLally]

Well in my workflow we make sure we use a codec so that we’re not compressing the signal further - ie overcompensating with the data rate. I would say yes its well worth it to be able to play back your clips at native fps for speed and accuracy.

[@AtomicPixel]

Mitch Lally sorry, I meant overall using h265 vs h264. Is the 65 so much better that it makes the extra step of transcoding worth it

[@WraithDesignz]

Build yourself a Gaming Rig. You will not only be able to play and edit 4K video (and higher depending on your GPU), but it will cost you less then any MAC you would buy to do the same otherwise. You can even emulate iOS on a PC as well. :D Best of both worlds, but with the best hardware for what you need to do.

[@supertrendingTV]

Great video! Which sd card do you use for filmmaking on the X-t3?

[@MitchLally]

Details are in the description :)

[@supertrendingTV]

@@MitchLally Didn't expect the extreme pro to be good for 4K film that's dope

[@Albovsky]

What’s the point of making ProRes and then deleting them?

[@iebe4388]

prores uses a lot of drive space h265 way less

[@zeromav2268]

Anyone having problems with H.265 10-bit footage from the XT-3 in premier pro? All the highlights that are clipping show a black spot in the videos..kinda like they are baked into the footage. =\

[@MitchLally]

zero mav Yeah that’s partly why I was transcoding in resolve and not in AME

[@paulrubens3048]

dear quality video editor :) whats that constant clacking sound in your video?

[@seamydobbsno1]

Yo Mitch, another great video, I've watched this one a few times so probably commented before lol Just wanted to request a possible video on your storage solution as I'm sure you have video files coming out of your ears at this stage!

[@MitchLally]

Hey man - I made a video on this already on my channel :)

[@Craig07L]

Free version of resolve doesn't display 10bit video. You only get the audio.