How to Grade DRONE Footage with a PRO Colorist!

[@talltaleradio]

"....so I bought a drone and drove to Italy" is like the coolest sentence I have ever heard. Great tutorial!

[@DarrenMostyn]

I don't mess around when I want to get something done right!

[@skyracer7]

agreeeeeee!!!

[@paulchernotsky6827]

That was already a sign I’d be lost in the rest of the video 🙄

[@nemesis9410]

Average day for a European, the North American mind cannot comprehend ☹️

[@laniakeasupercluster4606]

D-Log is different to M-Log which is now common in the newer DJI drones. AFIK M-Log is not yet available for use in a CST. You’ll have to use a LUT which may not bode well depending on how you use CST’s in your workflow.

[@AllThingsFilm1]

Fantastic tutorial. Not only for drone footage, but you included tools that help with exposure and color in any shot. Well done!!

[@DarrenMostyn]

glad you appreciated.

[@elbanzo8110]

One thing I always do on consumer drone footage, is taking of the sharp edges with „edge detect“ and put out the alpha to a gauss blur. Works great to match with cinema cameras. Secondary masks or depth map can also help to make the shot look more interesting

[@DarrenMostyn]

Thats a great tip - Thank you!

[@DennisSchmitz]

Even better, adjusting sharpness and noise reduction on the mini 3 pro in camera to -2. The image doesn't need any filtering then anymore and matches perfectly well with professional cameras then.

[@RoyGregorio]

Can you provide some steps on how this is accomplished? I'm in color page and add a node with edge detect. The colors become inverted to show the edges. Then I add a second node with gauss blur and connect the nodes with alpha. But I'm not getting the intended effect.

[@elbanzo8110]

@@RoyGregorio I use the "Edge Detect" on a parallel node. Then I feed the video out signal of the node to the alpha of a node further back in the node tree. I set a strong blur in that node to see the effect. Then adjust the edge detect and blur, depending on the footage. With this method, you only blur the edges, not the whole image.

[@DennisSchmitz]

One important thing to mention: To get a less digital and crunchy looking image on the Mini 3 Pro, just adjust sharpness and noise reduction both to -2. The image will also look much cleaner in low light situations then.

[@DarrenMostyn]

thanks for the tip

[@TheForgeFunctionalFitness]

Great tip, thanks.

[@purplemonkeyelephant]

Colour Stabiliser for Brightness is going to absolutely save my life for my outdoor work!! All those annoying clouds changing the light constantly, I wish all cinecams had E-VND

[@DarrenMostyn]

enjoy.

[@joeymorelli2511]

Just when I thought you couldn't get any cooler...shooting your own drone footage to show how you grade it...and driving to Italy to do it. Man, you rock!

[@DarrenMostyn]

Was a fun trip! Thanks Joey!

[@joeymorelli2511]

Really wish I could relocate my fam to a region (UK / Euro) where we could take such epic trips spontaneously!! Were there any issues with authorities or people giving you a hard time about drone shooting? Do you have to carry license papers or anything like that? @@DarrenMostyn

[@DarrenMostyn]

I did my research - each country has its own laws on drones. Please make sure you check before flying!

[@hadirazmi]

Expecting a sit down tutorial but this man also suddenly gave me an amazing and refreshing travel vlog.

[@DarrenMostyn]

ha! glad you enjoyed that - not my specialist area but enjoy delivering every now and again. There's a few more vlog style here - Thanks kzbin.info/aero/PL6VNHhfsVYJZZFJPCAgEc_BJ0lut_Qdbf&feature=shared

[@yorkunt]

Darren is just buying a drone for a tutorial, I remembered the keyboard hoarding episode! Cheers, always nice to see you on platform!

[@DarrenMostyn]

I like buying tech tbh! Glad you appreciate it.

[@theoldgitwatgames4640]

Excellent video, and couldn't have come at a better time for me, as someone's just dropped a job on me at he last minute with a ton of drone footage. Also using the colour stabiliser to even out the exposure of the footage was a "bloody hell" moment. Much appreciated

[@fadah_fpv]

Finally! The tutorial I was looking for 🔥 I'm wondering if you can do the same tutorial for Action Cameras such as the Gopro?

[@joshcullum88]

I was scrolling through the videos like “I wish Darren did a video on this” prayers answered

[@gergelymuli]

Köszönjük!

[@DarrenMostyn]

Thank you very much. Appreciated. All the best, darren

[@senpera]

Darren, how should you approach d-log M? Many DJI drones don’t have d-log but only the d-log m version and there it’s not an available input color space unfortunately. Thanks.

[@DarrenMostyn]

You'll need to use the LUT from DJI website until its added to Resolve CST's.

[@senpera]

@@DarrenMostyn thank you 🙏🏻

[@shayrealestatephotography]

Input color space and choose RED> DRAGONcolor/REDgamma3. It's a great conversion for Dog-M

[@Jaconiel]

@@shayrealestatephotography tried it - it's actually very nice!

[@roody9986]

@@shayrealestatephotography huh, just saw this now, actually impressive

[@BProfly]

Darren, thank you for this! I have the Mavic 3 and this is helpful as an apples to apples color grade. I am right now working on some D-log footage. I have always struggled with whether I am setting it up correctly from the beginning. Now I know. Also was unaware of the color stabilizer and what it did. Great video!

[@DarrenMostyn]

Glad it was helpful!

[@andreacolletto9843]

Beautiful video! What about Dlog-m , what would you change? I'm struggling to get a decent color from dlog-m

[@tarask9971]

Great lesson Darren! As always. Thank you very much for finding a time to teach others.

[@DarrenMostyn]

Glad you enjoyed it!

[@tarask9971]

@@DarrenMostyn no big deal, but you didn't put the link to the DJI luts in the description

[@DarrenMostyn]

@@tarask9971 ah! thank you. adding it now!!!

[@Snider-Films]

Great tips, Darren. The Texture Pop effect is now one of my new favs. Thank you!

[@FoolWithACamera0]

THANK YOU for this video. It has addressed many issues I've experienced while working with DJI drone footage.

[@DarrenMostyn]

Glad it was helpful!

[@Lloydbar]

Been waiting for this! Don't know how much time I have wasted treating D Cinelike as log footage and getting nowhere. Thanks for putting me on the right path.

[@DarrenMostyn]

Glad to hear your future grades will be improved ! Enjoy.

[@shan8274]

Great introduction for color stabilizer tool, gonna try it in one shot that was taken in a cloudy day. Thank you! Really helpful.

[@shredingerscat6180]

Hey. Hope you are still reading comments on this one 😅 When not having proper color management for dlog m: Would you prefer setting the drone to HLG and use color management or use DLOG M with the DJI lut? Thanks for teaching us a ton 🤙 Cheers

[@DarrenMostyn]

Of course RCM would be great but Im very happy with the DJI Lut with a bit of fine tuning in the grade! I can only work with what i have.

[@Moscizwysokosci]

Yes! Yes! Yes! This is what I love! Drones and your videos. Awesome 🤩🤩🤩

[@DarrenMostyn]

haha - it was the only decent shot I got TBH!! Im definitely not a drone op!! Thanks anyway!

[@chrisbogart687]

You made a couple of very useful points that were very helpful and key to understanding Drone footage issues and causes. Thanks. ❤

[@DarrenMostyn]

Glad it was helpful!

[@through_the_lens_art]

Brilliant work as always! Davinci is such an amazing tool when used correctly.

[@e30project]

Thank you Darren, made my day!

[@DarrenMostyn]

My pleasure!

[@ChristiaanRoest79]

Very useful video Darren! Thanks for sharing your drone video grading method. My workflow is similar. Good to know that i am doing it right 👍

[@DarrenMostyn]

Great to hear!

[@mohammad.hammal]

This is literally the best channel fir color grading on KZbin! you deliver the information like a true master, grateful for that! Can you please show us how to color grade the new iphone Log footage ? whether shot natively through apple prores log or through blackmagic app! would be interesting and am sure will benefit lots of people !

[@muledogrecords]

Just what I needed! Working on a clip from Google Earth Studio, and needed help with the color. Great tutorial. Thanks!

[@DarrenMostyn]

Glad it helped!

[@muledogrecords]

@@DarrenMostyn You da man!

[@TinkerVisionMedia]

This was great! So much packed in here, so well explained!

[@DarrenMostyn]

Glad you enjoyed it. Lots of good advice in here for you.

[@sergiobasilioli384]

First of all i'm glad you come to Italy and that you also helped me how to colorize Dji cinelike video and with the exposure tip too! Great video!

[@NaturalBornQuerdenker]

FANTASTIC tutorial! I've learned a lot. Thank you very much! 😃👍

[@DarrenMostyn]

Glad to hear that!

[@movie-trailer19]

💥Thanks for the clarification with the DJI material. There was a lot of confusion about the development of the material in REC 709. It was displayed incorrectly and with distortions. Now you have clarified the situation, how to properly evaluate such personnel.

[@DarrenMostyn]

very welcome

[@subbbass]

thank you Darren ! I needed this tutorial so much ! great work as usual!

[@DarrenMostyn]

Glad it was helpful!

[@worldwidewayman]

Perfect. Just what I was looking for as a Mini-3 Pro & Mavic 3 Classic flyer. Brilliant... thanks.

[@londonztoa6359]

Thanks Darren. You covered a lot of detail there as always. Great stuff..

[@DarrenMostyn]

My pleasure!

[@foaly8]

There are actually some d-cinelike luts from dji as well. Works quite well for me.

[@DarrenMostyn]

correct.

[@exploring_thailand]

Could you say where they are? On their LUTS page I can find only LUTS for d-log.

[@DarrenMostyn]

@@exploring_thailand I can see some in their forum but they not officially from DJI. Just grade as I explained in this video for best results.

[@exploring_thailand]

@@DarrenMostyn Thanks for that, Darren. Would a viable alternative be to use a CST to go from Rec709 to a genuine LOG colour space and then use a LUT or CST on that LOG colour space?

[@jamied6166]

Really great ! I love the look on the video - and really handy tips on the Dji stuff!!

[@DarrenMostyn]

Glad you enjoyed it!

[@RasMarty_]

great tutorial Darren this helps greatly because I live by the beach and get a lot of tonal ranges; from intense blues/cyans to beautiful warm hues on the setting sun reflecting off the clouds, do you have any set ups for go pro cams maybe I've them on your tutorials-Thanks cheers!

[@DarrenMostyn]

No i dont have anything that specific.

[@markramer]

Thank you so much for these pro tips! I can learn so much from your videos.

[@IsaacBaboki]

This has popped up at the right time. Thank you Darreen

[@kcaokim]

that's grand, great information, thank you for your precious work, Darren

[@DarrenMostyn]

My pleasure!

[@stefanofilmmkr]

Thank you for this. What about D-Log M of the Mavic 2 Pro?

[@NickinNashville]

This was the most helpful video, very well done sir, you’re a great teacher , no fluff

[@DarrenMostyn]

Glad it was helpful!

[@thecalloftheroad]

Excellent tutorial Darren! I took your original color grading course, but grading this kind of footage is much more the reality of my everyday work. (and kudos for using the mouse [well, really your Wacom tablet] vs the your color panel, I know that takes time)

[@DarrenMostyn]

Glad it was helpful and pleased to hear you were on my first course!!

[@WiseCityLife]

What about working with the newer DJI format D-Log M, which DaVinci can't detect correctly, so far. What is the best work around? I'm looking for a complete answer: App Settings>General for Mac users, Project Settings>Color Management, And then your Color tools approach. I can't find any video that is this specific for users like me. Thanks in advance, super helpful clear videos!

[@Jaconiel]

I think D-Log M is just another flavour a'la D-Cinelike and by far not a real Log format - and should be treated as Rec709. Or try a CST with @shayrealestatephotography's advice: Input color space RED> DRAGONcolor/REDgamma3. It actually works really well!

[@WiseCityLife]

@@Jaconiel Yeah DR labels it as Rec709 and DJI seems like they will never release any spec for it. So I now shoot in HLG and manually change input format in DR as *HLG (Scene)* instead of what DR id's it as just HLG.

[@clintclarkson1325]

@@Jaconiel Red Wide Gamut RGB is even better for the input

[@Fuffuloo]

Definitely run into these problems myself. Thank you for the solutions! Also love the vlog bits!

[@teejaysimon]

Two things: 1) love the story leading up to the "how to". Mostly because I just love Europe and am jealous of how all of that is so close compared to the the US (which everything is so far apart here). 2) Very jealous of the California and wish we had those over here in the states!

[@DarrenMostyn]

thanks. Its not a California, its a VW T6 regular van converted and lowered and extras added of course, but works out cheaper than a Cali. Lots of fun driving it!

[@ThePixelSurgeon]

As always, thanks for clarifying. What a Boss !

[@acaiv1797]

Going above and beyond to get the content! Keep up the excellent work. Would have loved to take your color grade course, but I was swamped.

[@DarrenMostyn]

thanks. I'll run it again in 2025. It sold out

[@acaiv1797]

@@DarrenMostyn I will be looking forward to it.

[@howzchannel9843]

Love the new style Darren!! Great tutorial, btw ;)

[@DarrenMostyn]

Glad you like it!

[@BruceMoyle]

Excellent tutorial. The D CineLike definetly got me first time I tried to grade it. I suspect this will be a very popular video for you mate.

[@masterof]

Thank you - I have always wanted to know how to grade the D-Cine-like! I have DJI Pocket 2, probably very similar camera as like on the drones.

[@DarrenMostyn]

yes, treat it as REC 709 like this episode and you'll be good

[@SimonSimonology]

Thanks so much for this tutorial! It helped sooo much 👍🏻 However I’m stuck with D-Log M … any idea what input colour space & gamma to use?

[@Snider-Films]

Always great insight, Darren. Thank you!

[@DarrenMostyn]

Thanks Tim!

[@petermclennan6781]

Excellent, Darren. My Mini 3 will love you. My Sprinter is envious of your VW's interior. He wishes he could drive to Italy, too, but he has to be content with North America. Please consider a tutorial on of grading log footage from the new iPhone 15 Pro. Lots of us will be shooting this seemingly ground breaking camera.

[@DarrenMostyn]

Thank you. Yes, just need an iphone 15 now!

[@2calzinifilms]

Saved my day with the cinelike thing. 🙏

[@epicbucketlist]

Thank you, Darren! I really appreciate you taking the time to make this useful video. :)

[@DarrenMostyn]

Glad it was helpful!

[@UraFlight]

Amazing tutorial Darren ! I did learn new things today 😊

[@DarrenMostyn]

Makes me happy!

[@weekendatbernies2011]

G'day Darren - Great video. Had a question, however, - You have the Mini 3 pro but the LUT's you downloaded were for the Mavic 3. Checked the website - there don't appear to be any LUTs for mini 3 / Pro ...Dji are stating "Generally, only products that support D-Log mode will have LUT files. However, for some products that support D-Log mode, the LUT file is not available. In this case, the customer needs to complete the color matching on their own." Is it just that the mavic LUT is the best fit ? Thanks. Keep Creating. Keep Sharing.

[@DarrenMostyn]

Correct. The LUT I downloaded is for the first shot which S DJI Mavick, The Mini Pro3 has no luts for the reason explained in my video. I show you step by step how to do mini pro 3 - Watch it again - it's all correct! Thanks Darren

[@sodhicreativefilms]

You got my subscription for being so knowledgeable and concise 👏🏽

[@DarrenMostyn]

I appreciate that! welcome.

[@martinekwall4671]

Thanks for a very helpful video! Your tips makes me get more professional videos.

[@DarrenMostyn]

thanks

[@Stigcrafter]

That colour stabilizer tool is a game changer

[@casperfranz9787]

Thank you Darren. This answers my question regards to grading protocol when CST is not available and only have a manufacturer Log to Rec.709 LUT to work with. I do both stills and video and thinking about getting the OM-1 for its weather sealing, but want to perform my grading professionally by the book.

[@youngken_lakehousestudio8188]

the dji mini 3 pro doesn't have its own lut on dji website,please which would you recommend? thanks

[@DarrenMostyn]

This video shows you exactly how to grade d cinelike which is the mini pro 3 format. Please follow the steps carefully. Thanks.

[@MBerthiaume]

Hi Darren thanks for all the amazing content. I’m wondering if you’ve seen a difference between the H264 and H265 from the Mavic Series?

[@JoshConnectMedia]

Another non hustle way to keep consistency for your exposure when flying from a lighter environment to a darker shade is to lock your exposure on the drone. 1. long press on the RC controller to lock the exposure or 2. set your C1 or C2 button to lock exposure . and viola , you are done. I have to sit down hard to get my hands dirty on Davinci. I see it as trying to understand the physics behind a space rocket's engine .

[@MIHAO]

Thanks for this, Darren. Mini 3 Pro owner here :)

[@DarrenMostyn]

Nice one!

[@DavidWinstead]

Wow, thanks for that man, I've never found a use for Color Stabilizer and I color grade a lot of drone footage. I've always had to use keyframes which takes a bunch of time to get right! You Rock!!!!

[@DarrenMostyn]

Glad I could help!

[@kevin-haggerty]

Dude you are the man. I’m battling color on the drone footage. This will help heaps!!

[@markwarren3743]

Hey Darren welcome back, looks like you had a great time... Toscana is amazing, we loved living out there, just come back from Rimini my old town, loved every second, weather is still amazing, anyway as always fantastic content and learnt alot, I have the dji mini 2 that doesn't have loge unfortunately but there is an app called Litchi For DJI Drones that gives you more wiggle room (bringing it to the centre) for colour correction and getting a better start, need to play with it more but it indeed helps when there is no Log, not sure if let's will work the same... will have to give it a go. Anyway thanks again, glad your back safe and sound, the night I got back there was a fire at Luton Airport.... eeeesh, just missed it

[@DarrenMostyn]

hope this episode helps anyway. Yes had a great trip thanks. Love Tuscany! Thanks Mark.

[@markwarren3743]

@@DarrenMostyn Thank you Darren, for sure any video, with your content, for me is always a great help with a learning curve straightened out and much appreciated by me and I am sure the DR Community. Like I have said before, its like learning from a friend... the best way👍🏼 All the best Darren and have a great week.

[@-PiP-]

Loved the vlog bit of course! Saw the short as well, loved it! Great drone footage! You get the clap 👏👏👏

[@frenchiecolorgrading]

Superb tutorial ! Hope you had a lot of fun in Italy and in the French Alpes ! The color stabilizer will be a life changing tool for me ahah, thanks a bunch !!!

[@DarrenMostyn]

you Arte welcome Chloe. I had a fab trip!!

[@JunsMiniCam]

Can you make a tutorial video for color grading D Log-M? Thank you..

[@Prashant.Khapane]

Darren, thanks for this. So if one uses node based grading, you have your in node as dji->dwg and out as dwg->rec709. no need for the LUT, right? Ta

[@DarrenMostyn]

That is correct

[@Prashant.Khapane]

@@DarrenMostyn Have I mentioned I love your teaching style and videos. Really good and deserving 100k+

[@QualityAntics]

Another banger video mate!

[@64_northernlatitude]

What input colour space and gamma would you suggest for D-Log M footage in DaVinci YRGB workflow?

[@DarrenMostyn]

Try the LUT vs D-LOG CST and see which is best for you. I had no D-LogM to try.

[@BSRWeddingFilms]

Any idea why even on the Studio version I have drone clips that say media offline? Shot on Mavic 3 Classic at 5k 50fps, h.264 High 10

[@BransBowler]

Love videos like these!! Would be awesome to see a similar type of video for GoPro footage!

[@danimac2028]

Hi Darren, I really appreciate your professionalism and the way you explain everything..however I just started to learn Da Vinci and I really struggle to understand some steps...do you mind tell me from which of your videos I should start to be able to learn clearly all in the right way? Thanks!!

[@ErikWerlin]

Great video! I never knew about color stabilizer tool. Thats something I'll be using in the future for sure.

[@DarrenMostyn]

thanks Erik

[@mranderson978]

Thanks for the interesting and useful tutorial. One thing I don't understand is why you'd shoot in 10bit D-Log M, and output in Rec.709. Wouldn't you lose your HDR when you do that? What if we wanted to stay in 10bit? would we still want to apply DJI's supplied Rec.709 LUT?

[@aetaefilms]

Very nice tutorial, thanks! But for the Mini 3 Pro which is in Rec.709, does it really make sense to convert the Color Space to Davinci Wide Gamut at the beginning of the node tree and then back to Rec.709 at the end or would we have identical results without any Color Space Transform?

[@DarrenMostyn]

kzbin.info/www/bejne/oZW3foWHhcSJbac

[@AetherScout]

Brilliant video yet again and answered a question I had on one of your other videos... Can I ask how you would export mini 3 Pro footage to HDR, or would rec2020 gamma 2.4 be good enough?

[@Hyrxxx]

Great video! I have the DJI air 3 witch shoots d log m does this mean I can only use the LUT way? CST will not work because there is no d log m option in it. Because DJI hasn't released the d log m info. Do I think the right way like this? Big thanks in advance!

[@DarrenMostyn]

That is correct

[@Hyrxxx]

@DarrenMostyn Thanks for confirming 👍🏼. I can also color grade without the lut, right? Doing it manually. So 2 options if I'm right???: The conversion lut, dlogm - req.709 Or manual without lut Big thanks in advance!!!

[@Coatsey007]

How spooky, I don't know when you were there Darren, but I've just literally returned from a five week motorbike tour around places nearby. As always love the video and hope you and yours are well.

[@DarrenMostyn]

Hi - I did the same trip on a motorbike back in 1994 - no mobile phones or trip advisor then to ruin the magic!! Hope you had fun! Was quite nostalgic seeing some of the old places again, albeit this time in a van!

[@ayeeeck4512]

Wow! What a tut. Need a video on how to grade Iphone 15 Pro Res Footage correctly please!

[@DarrenMostyn]

I have a 14 Pro, sorry.

[@stehume]

Hi Darren great video, question for you if you don't mind. You have your output to gamma 2.4 as thats what your monitor is set to, i have a m1 macbook pro, what should my out put be set to. Many thanks and hope that you are well . Ste

[@DarrenMostyn]

Your output should match what your are grading on. So, REC709 2.4 in my instance - if you are grading on a mac set to gamma 2.2 then tat should be your output. Always match output with your monitor. Hope that helps, all the best, darren

[@keithlogan3212]

Great video. If I should in HLG on my Mavic 3 Pro, what settings do I add in Color Space Transform? Thanks

[@AlanzFPV]

Great tips! I’d love to see you do a video on using CST on D-LOG-M footage. This is key because with the Mavic 3 Pro, it’s the only Log-type color space that’s consistent across the 3 cameras. (The 7x zoom is the weak link, the other 2 have D-Log). Apparently DJI will not publish the details of the ‘M’ color space… so it’s a mystery to solve

[@DarrenMostyn]

There is not a cst setting for d log M. Use a Lut from dji or build from rec709.

[@AlanzFPV]

@@DarrenMostyn thanks. Now I believe it after hearing it from you. Keep up the great work!

[@ianjmcdonnell]

@@DarrenMostyn Switched to Color Managed after watching your videos on that, where previously was using a combo of CST and LUTs on the timeline - I shoot with 3 camera types pretty regularly, sometimes more. After reading some forums I tried out HLG on my Log-M footage and really do prefer it to the LUT. I flagged the Log-M footage as Rec. 2020 HLG ARIB STD-B67 and love the result but am not sure that's the correct choice.

[@DarrenMostyn]

@@ianjmcdonnell if you prefer it it is perfectly acceptable to do that! I use array cat on footage sometimes that is not arri

[@AlanzFPV]

@@ianjmcdonnell I am going to try your settings and see if I like them. Seems better to me to at least pick something in cst than to work in the limited Rec 709 space. Thanks for posting!

[@IdRatherBeHiking]

Wow didn't know about that texture pop or color stabilizer. Thanks mans good stuff.

[@DarrenMostyn]

great tools beyond just drone too!

[@IdRatherBeHiking]

@@DarrenMostynI use dji pocket 2 for some of my hiking films and this is just want I've been looking for to take the edge off that clinically sharp footage

[@bauriedlmarkus]

Thank you, great tips!

[@FloCo-On-Tour]

Thanks for the great video. What exactly is the difference between D-Log and D-Log M, e.g. in the Mini 4 pro? How would you grade d-log M?

[@DarrenMostyn]

more DJI videos coming - osmo 3 next

[@djinrich]

Thank you for your tutorials. Do you have any colorgrading advice for DJI footage in D-Log M (Air2S, OsmoAction 4, ect.), what is the best setting in CST or should i use just DJI LUT?

[@BelinskiyDenisLKS]

@DarrenMostyn I have a question! Why don't you use RCM full time so you don't waste time with cst placement?

[@johnwaldmann5222]

I would guess that some of Darren’s grades are quite complex in several colourspaces across his node tree. A CST node structure places the management in directly in his hands, allowing greater flexibility. DWG/intermediate workflow has its own visual flavour which may not entirely suit some of his projects.

[@BelinskiyDenisLKS]

@@johnwaldmann5222 I work with RCM since version 16 and see all its changes. I also started working in DWG space from the moment it appeared simply because it is more comfortable for me (I am not trying to impose an opinion - please understand me correctly). In case we are talking about RCM, the difference with output through CST will not be (provided the timeline working luminance 10k nits). Flexibility in this case I would say a dubious plus because all material is transformed into the workspace automatically (of course, provided there is a metadata). Difficulty will be only with the material rec709 which probably should not be mapped for example in DWG but it can simply bypass. In case of translation through RCM it is just saving time + broadcast safe. This is my opinion and please do not take it as the only correct way I advise to work. Thanks for the answer, but I still want to hear Darren's opinion.

[@fortifiedfitnesscoach]

love this tutorial, helped with my pocket 3 also, would you still colour under the lut if you were to use a node tree ?

[@IoRisparmio]

I hope you enjoyed my beautiful country! I hope you are coming out one day or another with a full "color grading course!" Love your videos

[@DarrenMostyn]

A full colour grading course is coming! Sign up to my free email list here bit.ly/2RrjvpN - announcement this week as a YT live so you need to subscribe and hit notify so you don't miss it - My first one last April sold out very quick !

[@IoRisparmio]

@@DarrenMostyn done it already! Looking forward to it

[@FrancescoPaggiaro]

Cool the color stabilizer, I never use it, cool to know. And thanks too for the link about official DJI LUTS 💪💪

[@DarrenMostyn]

No problem 👍

[@stehume]

Hi Darren. thank you for the replies to my other questions. I use a dji mini 4 pro, dlog-m and an imsta 360 x3, would it be possible to do a video from start to finish. With the insta as far as i know you have to export it as 709 as it does not support exporting it in log, unless i have missed that. many thanks ps using footage from the insta and the dji in the same project

[@pavlikondracek]

Can I use dlog-m luts in color management? It is used everywhere in YRGB, but I did not see anyone in the administration. I understood that dlog m does not use dji in the color space, but rex 709