A Raga's Journey (English) - Raga Hamsanandi (Part 1)

A Raga's Journey (English) with Charulatha Mani
Raga Hamsanandi in Classical and Film Music (Part 1)

[@isaipayanam]

More on Raga Hamsanandi - charulathamani.blogspot.com/2011/12/ragas-journey-heart-rending-hamsanandi.html

[@sureshpolali4616]

Carnatic music is most scientific in the world. The BHAAVA of these raggas are amazing. These are divine. Does not ruffle your mind like what western music does. If you love peace go for Carnatic music.. Thanks for uploading these priceless gems.

[@udayshankargd7562]

Qqqqqqqqqqqqqqq

[@addieroxrev09]

Vedam from Salangai Oli, Raaga deepam from Payanangal mudivathillai and Thesulavudhe are exemplary pieces in this raga .. haunting and involkes deep emotions.. can be easily confused with Vasantha

[@kousalyaparthasarathy7787]

Liricks please

[@vasanthakulathuiyer4070]

Me too confused with Vasantha ragam. The song 'pavanaguru ' in mella thirantha kadavu tamil film casting mike mohan & amala

[@kuntalmusic5449]

Kya baat kya baat I'm student of hindustani classical vocal music .....it knows as sohini in north Indian classical music

[@SmartKavachYantragnyanis]

Right

[@itsmeanakha1235]

Mam please upload a detailed raga study of valachi,..

[@amarendradayal60]

Simply amazing ! I have no words to eulogise,a performance,that has an everlasting impact.

[@bhavanaelamarthi3031]

When I am listening to srinivasa kruti my soul felt that it is nearer to venkatanathas feet.thanks a lot for your musical services Mam.

[@phanibabuivaturi7689]

one of my most favorite raga. Amazing rendition Charulatha beti!

[@ramnextgen]

Thank you, CM

[@kiney0713]

Lovely. madam, you are great! simply, thank you. you took me somewhere else.

[@geetagudi2241]

Marvellous raga by great artist

[@sukanyav1]

superb explanation mam..I really love the way u narrate about ragas and compositions by great scholars and musicians around us

[@sreeramakrishna369]

Amazing madam🙏💐♥️i fall in love with your voice 🌹

[@adarshguptak]

Vedam Anuvanuvuna Naadam.. :)

[@travinderrao9855]

I like very much this raga, great Devine voice. God bless you sister.

[@neerajanera706]

Wow superb singing ma'am 🙏🙏💖💖

[@ramsridhar2462]

Excellent rendition by youngster Charulatha.

[@lakshmikrishnaswamy6204]

Super rendition..what a voice?..very melodious..

[@ramanaraju7770]

It is simply superb

[@pcgopi]

Great voice ...Hypnotizing...melodius. Great to hear Maam...

[@pelathope]

Beautiful. Thanks. Would be even more so if the artist would slow down the bhrikas. Slower by a whole lot as to linger on each note to soak its bhava. The urge to roll out as many variations in the few minutes in order to exhibit (what?) has negative impact. Leisurely emotion, rather than rapid and drastic movements is the key to the heart. Thanks for fine music.

[@sreesspacesreenath3636]

really great maam.. expecting more raagas and keerthanas

[@07srramanan]

Truly Divine..........

[@spkeraianban]

Isai thaye vanakkam 🙏

[@rarunadri8033]

Great as usual!

[@cloudversity]

HamsAnandi 53 gamanashrama janya Aa: S R1 G3 M2 D2 N3 S Av: S N3 D2 M2 G3 R1 S

[@bijivijay-balasivan5660]

but in 1st part she is saying its kaishika nishadam....did u hear..but is kakali nishadam..

[@rvbsmurty]

Super madam

[@jayaseelanrajendran878]

Om Shivoham Om Shivoham rudhra namam bhajegam

[@SanthoshKaitheri]

1] Its Kakali Nishadam.. Not Kaishiki Nishadam...Hope its was a tongue slip. 2] I too felt Hindustani flavor in the beginning..as pointed out by Jyoti S below.

[@JananeNarayanan]

Santhosh Kaitheri

[@highsparrow1347]

how to understand all these terms? how shuddha rishabha? i don't understand the grammar. in hindustani we have 12 notes but to understand raga swarup of Carnatic, we need to know all terms. i don't understand when they R2 G3 in aroha avroha. we have S and P as constants. Komal Re, Shuddh Re, komal means flat (1 semitone low), and teevra means sharp (one semitone High). so 4 ReGaDhNi are komal and Ma is teevra. 12 notes in all. how to understand Carnatic arrangement of notes and grammar?

[@பாமாகாமா]

This raga will give determination in facing great danger, boldness

[@sridharkarthik64]

🙏🙏

[@rajchari3497]

delightful

[@GeethaSreenivas-j5n]

Mam is it not kakali Nishada....

[@YogeshMaster]

Can u give me the subtitles .

[@sandeeppalla004]

Venuvai vachhanu Vedam anuvanuna Mahaprana deepam

[@rajasekharg9240]

Only Vedam anuvanuvuna is composed in hamsaanandi raagam Other two are composed in Shubha panthu varali ragam

[@rajdhan2275]

🙏

[@rajdhan2275]

🙏👍

[@arasiarasi9947]

iam very much intrusted to hear

[@hariharaputhiran6492]

👌👍

[@sukanyav1]

I have your other Isai Payanam

[@poojarejipoojareji1512]

Supr

[@sarmagv1982]

I think it is kakili nishad

[@mastercreator4901]

Really, Kaishiki Nishadam???????

[@mastercreator4901]

2:13

[@srivallikondapalli]

Kuhu kuhu bole koyaliya......

[@JyothiScopywriterSEO]

I know I can clearly differentiate between hindustani and carnatic. And this rendition sounds like a hindustani one. I don't see carnatic style at all. I wonder why these musicians mix the styles. I don't think anyone questions them too. Pity.

[@inder19852000]

Do you think Carnactic should sound in such a way which is not pleasable to ears? Then you would say Bombay Jayshree and Yesudas in Hindustani style. I like Carnactic and Hindustanic music. I cant hardly bear listening to some carnactic musicians when they sing through nose.

[@kumar7359]

Absolutely true. The gamakas are very hindustani and even the approach is more tilted towards Hindustani with very plain notes.

[@sureshpolali4616]

Jyothi S madam.. Carnatic and hindustani are like two eyes both are indian classical. Let us accept these divine music with bhakthi.

[@shailakamath9832]

The distinction between 2 styles of music is just a 200 year old development.prior to that it was all one

[@anusjv4565]

Jyothi S Well said.

[@AnilKumar-hh6kx]

Nishada is kakali, mada you toke absalute rong

[@GeethaSreenivas-j5n]

Mam is it not kakali Nishada....