John McLaughlin Modern Jazz/Fusion Guitar Chords [Part 2]

[@georgdelgold]

very interesting and useful stuff I discovered today !!👍

[@CliffordMartinOnline]

Thanks mate, appreciated!!!👍

[@julianamartinvlog]

Hi Cliff Watching & listening here dear😊

[@CliffordMartinOnline]

Hi Juliana, thanks, much appreciated👍

[@beatniko]

Inspiring and SO valuable...THANK you

[@CliffordMartinOnline]

Thanks Warren!👍

[@blackarrow9072]

You are both a very good player and teacher. Thank You!.

[@CliffordMartinOnline]

Thanks Black Arrow, appreciated!👍

[@ivonsmith2024]

Some of those dim chord blues reminds me of Blues for LW

[@CliffordMartinOnline]

Yeah, it's a lovely sound really rich and spacious👍

[@fabiosky4368]

thank you thank you!! after 50 years a real Saint explain us john mc laughlin chords!!! ciao from italy

[@CliffordMartinOnline]

Thanks Fabiosky! Really appreciated!👍

[@ivonsmith2024]

Wonderful Mclaughlin tonal harmony!!!! Thank you again!

[@CliffordMartinOnline]

Thanks Ivon!

[@sonicstoryteller]

Lovely speed accuracy and articulation cliff your very fast great playing mate quality video have a great week Phil 👍

[@CliffordMartinOnline]

Thanks Phil, very kind, really appreciated!

[@jimdep6542]

Fantastic. Thank you ! For some reason, when you were going through these diminished slash chords, Vision is a Naked Sword came to mind from Apocalypse , using similar chord structures in the beginning with horns and strings added to create tension....and very successful at it, as one feels relieved when part 1 transitions to part 2 of the song. Well done explaining all this.

[@CliffordMartinOnline]

Thanks mate, Yeah, I agree. They're lovely chords and highly original sounding still today. John's known as a great guitarist, but, I also feel that he is a really inventive composer too👍.

[@jimdep6542]

@@CliffordMartinOnline Absolutely.

[@jeremyking9185]

I just discovered your channel today. You have some of the very best content that I’ve found in a long time. Great work on what you’re doing for the guitar community!

[@CliffordMartinOnline]

Thanks Jeremy, very kind words!👍

[@jimmaculate5]

This is really good.

[@CliffordMartinOnline]

Thanks Jim! 👍

[@JasonMarco]

So thankful for your videos. I have been such a fan of Mclaughlin’s use of harmony as you have taught here. Learning so much here. I’d be interested on a video how you create your “Shakti” style backing tracks

[@CliffordMartinOnline]

Thanks Jason, much appreciated! 👍

[@helmutlosert90]

I prefer a fusion of django,hindu,and bepop. Yor material inspired me to a fusion of hindu,villa lobos and myself,a liitle bit atonal.the key is bepop and django. Thank you,Cliff.I have much to too the next years! Special Thank! Paco.

[@CliffordMartinOnline]

Thanks Paco, really appreciated, I'm glad these videos have been of use. Yes, I agree, the key is to mix together different styles/concepts that you like and create your own unique style. 👍

[@pascalcoldefy5535]

Magnifique leçon !❤

[@CliffordMartinOnline]

Merci Pascal!👍

[@johnnyengelhard648]

Great stuff, thank you!

[@CliffordMartinOnline]

Thanks Johnny!👍

[@joanvivecomas8887]

Boooooo🎉❤

[@CliffordMartinOnline]

Gracias!

[@burtmantooth8913]

You sound more like McLaughlin than he did.

[@CliffordMartinOnline]

Thanks mate!👍

[@carstenmanz302]

There are no special jazz scales or jazz chords at all - it's all ancient, well-known stuff from church music and classical music, only it was used differently there or used in a pointed way! Popular music including jazz is more based on special rhytm/metrics (patterns), that`s the main difference.

[@CliffordMartinOnline]

Hi, yeah, rhythm/syncopation/anticipation makes all the difference. But, there are chords from scales e,g melodic minor and more synthetic scales like diminished which can be exploited and made more interesting with "Slash" chords.. Also lots of ambiguous harmony works well with "Slash" chords and also for re-harmonising. And then yes I agree, It is then the art of the improviser to create rhythmical musical phrasing from this 👍.