Lindell MU-66 Tube Compressor | Walkthrough - How to use - How it sounds | Timeless tube compression

Lindell Audio's Mu-66 delivers a nice vintage feel and adds pleasant harmonic distortion. The function for setting the high and low frequencies separately is very practical. The plugin is well thought out, offers some great functions and delivers a really nice tube sound.
Link: www.plugin-all...
Manufacturer's description:
OVERVIEW
In the '60s and '70s, artists like the Beatles, Pink Floyd, and Stevie Wonder elevated popular music into art. Analog tube limiters played a pivotal role in transforming those classic songs into monumental recordings. The Lindell Audio MU-66 Tube Compressor captures this era’s holy grail of analog tube limiters. It gives you all the control, character, and smoothness of an iconic piece of hardware, with expanded features for those who want to do even more with its incredible tone.
Timeless color and tube saturation
This precise emulation of the most revered Vari-Mu compressor captures everything that makes the original gear timeless. Its fast attack times ensure tight dynamics control while preserving the punch of transients. The adjustable knee enhances the versatility of the Lindell Audio MU-66, while the tubes and transistors deliver its signature golden tones.
Your new favorite vocal compressor
This Vari-Mu compression is perfect for vocal production, preserving the charm and enhancing the character of vocal transients while adding cohesion and warmth. That’s why you can hear this style of Vari-Mu compression all over the tracks of legendary voices, including Adele and Amy Winehouse.
Analog compression with modern control
Use exact replications of the original parameters on the holy grail of tube compressors or push beyond. The Lindell Audio MU-66 includes various sidechain options, a SMASH switch for heavy compression effects, and a NIVEAU filter that leads to natural-sounding compression.
‪@officiallindellaudio5879‬
‪@PluginAllianceTV‬
0:00 Introduction
0:12 The Features / Bass
2:48 Guitar
4:58 Knowledge
6:23 Vocals
7:38 Drums
9:05 Conclusion
#pluginalliance #mixingtips #tubecompressor #compressor

[@lucasturney4269]

Lindell isn't quite on par with NEOLD for me, where it's an automatic buy whenever something drops, but despite that, I demoed this thing and ended up grabbing it almost immediately. 💯 (A suggestion/request: This video is largely an overview+walkthrough with an A/B demo throughout; the talking distracts from the nuances of how it's affecting the tracks. These type videos are helpful to some people, but maybe in these cases, you could add a second, strictly A/B demo video, or even just remove the voice-over track from the walkthrough.)

[@ColorfulTonesStudio]

Many thanks for your comment and the tip! I'm always happy to receive feedback like this. :-) That's a great idea and I'll see how I can realize it. I will try to remove the voiceover from this video and recut it a bit. If that works, I'll upload it. Thanks again!

[@danceswith7wolves]

Neold stuff is great, but I like the additional functionality like m/s and multi band. Neold doesn't even give you an output trim they stick to the original hardware design a little too much in that regard

[@ColorfulTonesStudio]

@@danceswith7wolves Good point. I think advanced functions for some Neold plug-ins would be a great thing.

[@danceswith7wolves]

@ColorfulTonesStudio I take it back, I love Neold the way it is. The LA2A has a gain input and a peak reduction. That's the way you drive it 🚗💨 they did add age and drive controls which was a nice touch

[@bakharandi]

​@@ColorfulTonesStudio . . . Yes . . . I just watched your version with no talking . . . And I enjoy Both. ! . . . Yet the version without talking , allows my ears to Stay In Tune with the Music and the Processing . . . ! . . . A potential compromise would be . . . Briefly Run through the GUI layout and Controls . . . ! . . . Then be silent through the sound examples . . . ! . . . :-) (-;