A COMPLETE UNKNOWN - Movie Review

[@1965zimmy]

Robert Zimmerman did the best Bob Dylan portrayal.

[@Psyfi85]

Perfect.

[@musik102]

@@1965zimmy Very true.

[@LK_Ireland]

Brilliant, thank you

[@LucyLennon909]

I watched this film on Xmas alone in a theatre half full of people. I loved every minute. I cried, I laughed and was left wanting more. I'm hoping for Part 2. Thnx for your review

[@Elephant2024]

The Cohn Brothers 'Inside Llewyn Davis' is a film that came to my mind during your review. For every Bob Dylan, there are a lot more Llewyn Davises we never hear about.

[@gourmetghost]

that is the much better film also, I kept being reminded of wanting to watch that for the fourth time while I was watching this one in the theater

[@Elephant2024]

@@gourmetghost Thanks for the response. Interesting how the movie about the unknown, fictional musician played by an actor (Oscar Isaac) a lot are unfamiliar with turns out be a much better film than that of the legendary Bob Dylan played by the star (Timothee Chalamat) everyone knows. Guess the Cohn Brothers direction makes a big difference, along with the script, storyline, etc.

[@gourmetghost]

@@Elephant2024 definitely agree with you. I also just rewatched the Todd Haynes film I'm Not There and I think even that was far better than the brand new biopic. Instead of just showing us that time, the Haynes film gives you more of a feeling of what it was like to be around Dylan personally. and I think having different actors portray him at different times of his life is a bold and unique take, it pays off well in my opinion

[@thedudeabides3138]

Merry Christmas Maggie 😉. Thank you for another terrifically well observed review. Thank you too for all your hard work throughout the year, it’s always a real pleasure to watch your work. Looking forward to you being my first port of call for all things movies in the year ahead.

[@uranuslad9855]

Merry Christmas! The scene you spoke about with Dylan and Baez I saw somewhere and it's pretty great. I will definitely go see it. I met him in 1975 (he's related to one of my best friends) and my fave album of his is the lesser known "Desire", but he was nice to me, and I appreciated that, being a complete unknown myself.

[@SabiJD]

Were you very young when you crossed paths with him? I love a fair few albums, but I don't think I'll ever love one from him more than Blood On The Tracks. It's just gorgeous, and borderline perfect. There's some acidity and bite, but there's an immense, warm lyricism, too. Soulful, sweetly/humbly introspective at times.

[@uranuslad9855]

@SabiJD College age. Probably 19. I liked a lot of his stuff just generally. Bit s and pieces off of different albums. "Desire" might have been the first I owned, and therefore listened to with frequency.

[@stevecatanio8532]

Your reviews challenge my assumptions all the time. I don't like it...but it forces me to think which makes me uncomfortable but necessary if I am to improve.😊😊

[@GA-1st]

"I live for the dirt!" Best quote of the day! You're never gonna get it with this type of Hollywood gloss. That's a spot-on reference to "Amadeus." But without the insight provided by what I perceive are essentially "needle drops" of his greatest hits sprinkled throughout, the film provides no clue as to who Bob Dylan is. The biopic as a subgenre is - more often than not - singularly uninteresting.

[@Icecreamforcrowtoo]

Exactly

[@rics1883]

Cate Blanchett did the best Bob Dylan portrayal

[@lucan9750]

What movie was that again?

[@1183newman]

@@lucan9750 No Direction Home, wasnt a good movie though.

[@rics1883]

@@lucan9750 I'm not there by Todd Haynes

[@Ben-bs4od]

Blanchette did the best Dylan. Expressive and humorous and happy and sharp. Dylan didn’t speak like he sung. He was a normal person.

[@elbowjuice2627]

Cate’s simply one of the best

[@davidcoleman757]

It's tough to better 'I'm not There' or 'Don't Look Back', but I'll definitely give this one a look when it opens in the UK. Dylan really brought the Greenwich Village scene to life in 'Chronicles' and I'd loved to have been around at that time. I'm always a bit wary with biopics because the raw stuff gets sanitized, especially if the artist is still alive. Really liked your take, particularly the provisos and reservations.

[@stevenorman612]

Don't Look Back is the best movie and documentary about Bob Dylan and is probably the best rock-n-roll movie of all time.

[@eltravos99]

I think they kept Bob Dylan mysterious on purpose because that's just who Bob Dylan is. They explain it within the movie a LOT. He doesn't want to be what anyone wants him to be. And that's what the movie portrays. He's interesting because he can't be cracked.

[@markkavanagh7377]

Agreed. Dylan in Pat Garrat and BtK does not have any presance on screen, he comes across as almost CGI, he's an empty shell that somehow writes universal songs. He's a mystery.

[@sub-jec-tiv]

⁠@@markkavanagh7377Yeah it’s interesting to see how many people who knew him were like “pretty hard to believe that guy wrote all those amazing songs.” And not in a complimentary way. Dylan himself doesn’t pretend to be a genius, and when he has done interviews when asked about his early work he himself admits he has no idea how he wrote those songs. He’s a mystery even to himself, how can anybody else crack the shell and really portray him in any way than how he really is, which is a reflection on the waves, tangled up in blue.

[@timtrek]

art is about getting out of the way so something more interesting can be born. most people's sense of self is too rigidly fixed to make anything unique or interesting, it was Dylan's not quite there-ness that gave him access to that universality ..he was a vessel for the spirit of the age

[@disastervillain]

100% agree came here to say this - The elusiveness in the film is by design - the literal title is "a complete unknown". This isn't a documentary meant to uncover new previously unreleased knowledge - its a snapshot of his life (which I'm glad they chose to do a limited portion of time and not his entire career) and who he was THEN. Which we don't even know more about who he is now even. The film was excellently made and Timothy Chalamet's performance was incredible esp considering he learned all those songs for the film.

[@jeffreybrown4015]

@@markkavanagh7377 I'd almost call him an NPC in that movie, but I get your perspective. Great insight!

[@fifaculture]

An articulate and insightful review as always. As a massive Dylan fan, it feels like I'm obligated to go see it, and I say that without any reluctance. I realize a biopic like this may have a limited ceiling, but it's an impossible task to distill the enigma of Dylan. Even a hint of his essence and some enjoyable cuts of music along the way will be worth the price of admission. Even before seeing this, I've gained a lot of respect for Chalamet and Mangold just from listening to Chalamet's perspectives in his Apple Music interview recently. That they eschewed the doomed aims of mimicry, knowing it to be unachievable with such an impenetrable character like Dylan, is a promising sign for all the Dylan snobs out there.

[@stevenorman612]

Anyone who watches this movie needs to watch, "Don't Look Back" by Pennebacker, a documentary came out in 1965.

[@RetakeRemakeAlanSmithee]

Maggie needs to review that.

[@Psyfi85]

DLB is the real Dylan, before the smack, speed, etc.

[@freegadflyathome]

Merry Christmas, Maggie! The problem is that Dylan is still alive. You can't just fill in the blanks. The title of the movie says it all. How is a director of a biopic supposed to go deeper without moving into the territory of just going overboard with assumptions, wishful thinking, or, as you described, abstraction. Watch the Scorsese docs, and that's just heaven as a Dylan megafan and as deep as you're gonna get. I'm going to see this today and am sooo excited. I'm glad they only covered those years and that the performances are getting such great reviews. I am a fan of all the actors (I don't know the actress that plays Joan, but have only heard good things). That's the best I could ask from a Dylan biopic. I like that he's a "complete unknown."

[@dropthumb2]

I agree. I don't understand the obsession with expecting to "crack" Bob Dylan, especially in a film about Bob Dylan. It's not necessary to try and is rude and pretentious to even attempt.

[@Luke7304]

Merry Christmas!

[@TheCbRockefella]

Happy Chanukah!

[@GoneButNotGone]

Perhaps the mythos of Dylan can’t be cracked, and that’s what makes him as subject so difficult to tackle. Todd Haynes did a magnificent attempt of cracking this enigmatic nut in I’m Not There, but even in that film what we get is a riddle within the mythos, uncracked, via several Dylan personas. I haven’t seen this Mangold film yet, so can’t review your review. I can say, for me, sometimes a formulaic biopic is all I want from a director. It’s mostly about the music for me. I heard that Mangold et al went to extraordinarily lengths to replicate the same sound gear, including amps, studio stuff, mics that Dylan used at the time, which is no small detail. I enjoyed your thoughtful review. Can’t wait to see it.

[@HotepMafia]

Happy holidays! Great review as always. Hoping you do a review for The Brutalist as well

[@vincentdriscoll3472]

Hope to see this soon here in the UK. Your review confirms my fears that a biopic on such a legendary, complex figure as Dylan cannot explore the deeper, nuanced aspects of his rise to fame, his impact on the culture and the people closely involved in that story. Still, I am looking forward very much to seeing Timothee Chalomet's performance - he looks perfectly cast to play Dylan - and enjoying the film as a weekend matinée, as you suggest.

[@carlkligerman1981]

I think the biggest issue here is a kind of scripted ‘teleology’ common to biopics.., Chalamet is talented but falls into that trap of knowing who his character is destined to become, so even as he arrives he *saunters* into New York from nowhere USA; self assured in a fashion that doesn’t ring true for any young artist who doesn’t yet know who they are or what they might become… meh, seen it all before…

[@plath1756]

Enjoyed your review and insights into Dylan. I kinda avoided watching this with a critical eye, maybe because a part of me still wishes I were rock star in the sixties: at one point in my early twenties, me and my friends were gonna be The Beatles Part II. We mostly just lacked the musical talent. Agree with all your criticisms. 8/10 Thanks again for all you do. My appreciation continues to grow.

[@michaelhurley3171]

I'll see the Will Farrell/John C O'Reilly spoof of this.

[@darrylgreen5655]

The likely reason the filmmaker wouldn’t get his hands dirty is the limitation of doing a biopic of a living person.There must certainly be fear of facing a defamation lawsuit if anything the film depicted was not entirely accurate or offended Dylan himself. It’s much like an ‘authorized biography’ where any dirt has been sanitized.

[@musik102]

As to the Newport performance, take it from me the sound that the audience heard would have been dreadful. Too loud. Too distorted. And, that is what would have bothered Pete. Remember, 1965, wasn't the first time an amplified band played at the folk festival. Muddy Water's band had previously played there with no controversy.

[@jraelien5798]

Yea, the movie did not do that scene justice.

[@larryzink8978]

Yeah, exactly, nobody mentions that .

[@PapaMetal47]

Can anyone think of a biopic that falls in line with the parameters of "Mature, ambitious and more complex "? I think of Control...the Joy Diviision movie. Any others like this?

[@waynechapman9823]

“I’m Not There” isn’t a traditional biopic, but it’s more intriguing for that reason. “Love & Mercy” is quite good.

[@bradleybeal9354]

Merry Christmas! (what are yall fav christmas movies?)

[@AverageJoe483]

Klaus ( this is a Netflix movie , but man it surprised me how great it was ! )

[@thirtyyearoldmulberryfield]

“Tokyo Godfathers” all da way bb! Although this year I’ve been having a lot of fun with “Gremlins” as well.

[@fkcamry88]

I’m a music lover and enjoy many genres and contemporaries of Dylan. I’ve tried to get into Bob’s music but beyond his biggest singles, I can’t seem to get into his voice, cadence and how repetitive his verses can feel. Having that information, can I still enjoy this film? Thanks

[@stevenorman612]

I would recommend the movie Don't Look Back, a documentary by D.A.Pennebacker. It takes place in the UK in 1965. B Black and white.

[@fkcamry88]

@ thanks!

[@PenjaminFranklyn]

Saw "The Fire Inside" today, definitely worth your time to whom ever may read. Cheers!

[@nationalcoasternews5798]

Hope you have a great Christmas Maggie!!

[@DukGef]

I'm Not There! Edit: I first wrote He's Not There because I'm an idiot ...

[@freegadflyathome]

Cate Blanchett ❤️❤️❤️

[@craigplanting8804]

I'm glad they avoided the biopic cliche of dramatizing some childhood incident which somehow explains everything about the future artist and their art.

[@danielbarrero2815]

Happy holidays! ❤️

[@thebookmarket2964]

It's astounding how well the actor imitated Bob Dylan's singing voice... 🗣 I could still hear it's not quite BD. But he came THIS close 👌 Really admirable

[@StephenAKatz]

(g) Before Dylan, being a folk singer meant being a noble loser. Dylan wasn't having any of it, and so he hired Albert Grossman to bring in real money. The movie shows Grossman, but it doesn't explain Grossman's significance.

[@seldonplanB-24]

Merry Christmas!! 🎄🥳

[@adrianr87]

Beautiful performances all around. Refreshing performance from Ed Norton. This movie struck a chord with me. Really needed it.

[@ZUIKMedia]

"struck a cord with me" ....pun intended hehe Jokes aside, glad you liked the film

[@TUMNIAISETU]

David Bowie wrote a "Song For Bob Dylan" "Robert Zimmerman I wrote a song for you" back in 1971 that's how I got introduced to him. I have no clue why I wrote all this.

[@asan1050]

Thanks Maggie! Merry Christmas from Mexico!

[@daniellavaladez7820]

Happy holidays, Maggie!

[@ssssssstssssssss]

It was pretty well-made for a mainstream biopic and I rather liked it. I think the main problem was it did not portray him as someone who we want to find out more about but never do. Also, the formulaic plot made him seem familiar and clashed with the themes.

[@Hemlock2323]

Great review, but I'd rather watch a well crafted documentary over a bio pic any day.

[@complicatedshoesproductions]

Biopics are the worst. The only good one was Mishima!

[@fifaculture]

There are very few good ones, but Oppenheimer was stellar. Nolan had no business adapting American Prometheus as well as he did.

[@hannahpumpkins4359]

Mishima was awesome!

[@MirthLogic]

i was hoping they would get messy, or try to have some kinda message to say... judging by the trailers i could tell it would be probably well produced, but much like most Things today... Devoid of substance , and depth the stuff that keeps the viewer coming back every few years and seeing multiple different messages, meanings, realizations as we grow older hopefully this inspires the next generation to get into music, and unique artistic expression everyone just goes along with trends now and that can be soul crushing to aspiring musicians / artists as it was to younger Millennials and Zoomers

[@Wulfpack1]

Man these reviews give me way more information than most movie review channels.

[@yankrizzuto6760]

Do you get sent screeners now?

[@randomguy6679]

Merry Christmas Maggie!

[@dianaswan7655]

I remember when Sissy Spacek portrayed Loretta Lynn(a long,long time ago),she said how difficult it is to portray someone who is still alive& performing.Kudos, Mr.Chalamet❤

[@NECROSHADE-USA]

The movie is perfectly brilliant. Everyone should see it.

[@f18a]

Erudite and frank review. Enjoyable too. Thanks!

[@moz7777]

No one has "cracked the mythos of Bob Dylan" in 65 years. Anyone thinking this movie was going to do it in 2 hours was way beyond optimistic.

[@matttorrence2900]

Saw it last night and really liked it. Also, let's play checkers.

[@ronbock8291]

I’m Not There, All Is By My Side. Buddy Holly Story. That’s about it for rock biopics for me. Maybe Backbeat too.

[@TUMNIAISETU]

I sneaked into this movie twice after watching Nosferatu, during the Christmas vacation. A perfect combo!😂

[@jonathanthomas4722]

I'm a Dylan fan, but not a 'Dylanologist.' This film definitely exceeded my expectations, although they were pretty low- I'm not a fan of either Mangold or Chalamet. But, yeah, it is pretty much a strong, if basic, Hollywood biopic. I think Timothy stated if the film gets more people introduced to Dylan's music, then it's a success. I hope it does. Probably will.

[@robotubetwob]

The best Dylan movie is Don't Look Back, but it really isn't about Dylan. Maybe that's the best approach.

[@flixatdawn]

i’d love to see maybe a couple sequels traversing the different stages of dylan’s career.

[@josephpetrilli5419]

I love your insight and reviews. But every movie doesn't have to be a mind-bender. When you think that the actors played the instruments and sang as well, I think you underestimate the effort taken to pull this off. Happy New Year!

[@brianwashines2645]

Biopics always bite more than the movie can chew when it comes to careers as expansive as Dylan's. His can be measured in stages or eras so the filmmakers tend to ask themselves if they can do it one way or the other. "Walk the Line" and "A Complete Unknown" chose to take the latter route and look at a period of the artist's life. "A Complete Unknown", at its core, wants to try and find a balance between these important factors in Dylan's life at this time which is why you don't get more of what you would rather see in the film, a single dynamic instead of other ones playing out at the same time. Ultimately, though, the film is about the art and its traditions, what their values are, and what their limitations are as well. This was the paramount meaning behind Dylan going electric. Yes, it is a film that is fully aware that there are other films about or around Bob Dylan and the folk scene in the 1960s. There's a movie called "Control" directed by Anton Corbjin, about Ian Curtis and the band Joy Division who, despite existing for only a few years, still resonates. Their iconography is everywhere now but it is a band that existed for a short time and so it didn't have as many problems in telling a story about a person, a time, and the music of that time even though another exceptional film, Michael Winterbottom's "24 Hour Party People" also told a shorter version of it; that film was about an entire history of a music scene in Manchester. "Steve Jobs" and "Jobs" were biopics that exhibited another issue with the genre, the surviving estates and the families of the subject at hand. The former was made outside of the family and was derided by them as being false but Danny Boyle and screenwriter Aaron Sorkin did create a better film that got right into the contrasting layers of Jobs' legacy whereas the family would rather make a multimillion dollar tribute video to the departed. This means a sanitized version of that life. I don't think James Mangold did that though he did want to make an enjoyable film as well. Unlike Oliver Stone's "The Doors" which was too much like its subject, Jim Morrison, and his ethos concerning decadence and chaos that surviving band members lambasted Stone for character assassination. Yet Stone conveyed an essence of the music and the period that it represented that it mirrored a scene in the actual film where Morrison attended film school in California, where there was nothing but contention about his art. I think about what a biopic should do, and it should do what Corbjin and Stone and Boyle did in trying to capture the disposition and character of its subject and use it to build the story, visually and spiritually.

[@richardwalling845]

Thanks and Merry Christmas and Happy Hannukah.

[@FonsieClaw]

Merry christmas all!

[@CARTOONIVERSE2.0]

Happy holidays. 😊🙏

[@SoulKnightKing]

Ironically, I dont think anyone will ever embody Bob Dylan as cinematically as Cate Blanchett did. She didnt care about gender, status, getting the mimicry down. She just lived for the music and went with the flow as BD did. Thats usually what most depictions are missing with BD

[@georgebarrett2132]

will stream this. thank you and Merry Christmas Day to you and your loved ones.

[@anthonymusto3537]

Ring Them Bells!

[@AfternoonDaydream8809]

They should make more biopics about pro wrestlers random but just wanted to say that

[@MicahMicahel]

Tor Johnson... the movie

[@tiredhub3270]

Merry Christmas Maggie

[@aaronsalazar746]

Please review the brutalist!

[@biguy617]

I love all the supporting actors. They were all great.

[@MistaShawn]

Your shirt has major Freddy Krueger vibes!! LOL I'm just teasing....ehhh sorta. 😃

[@waynechapman9823]

Of course, there’s always “I’m Not There” if you’re looking for a non-traditional biopic about Bob Dylan.

[@Edowin-jz2sj]

I really enjoyed this and there are only a small handful of music biopics that I like, Bohemian Rhapsody is probably my favorite by far. I got the sense that Bob Dylan did not participate in this movie and that's one of the reasons why the audience is left in the dark about the character portrayed, but also, Dylan is a very private person as well. I think the movie did a great job of showing Dylan's negative experiences with fame (getting mobbed when he just wanted to go listen to live music, for example) which likely had something to do with his aloofness from fans. I really appreciated the presence of Joan Baez as a character in the movie and both actors did a tremendous job. The one thing that felt a little odd to me was the large number of songs that are played throughout the movie - it felt disproportionately large when compared to other music biopics to the point where nearly 50% of the movie was music.

[@hummingrhizomes]

Thank you for your perspective! Seasons greetings!

[@philipheubeck]

I propose the 2024 Barbenheimer: Bobferatu!

[@Mooseman327]

Well done. Perhaps the current Bob Dylan should have played Nosferatu. No makeup necessary, except for longer fingernails.

[@DavidStewart-v5e]

Thank you for this intelligent review.

[@justinrussell9391]

When I see Chalamet in a film. He always does well with the performance but I can still tell I am watching an actor-he doesn’t pop on screen.

[@thedudeabides3138]

I have to agree…but I’d never thought about it.

[@justinrussell9391]

@ he is a good actor. For example when I saw Austin Butler in Elvis he disappeared in the role and made me believe he was Elvis

[@Spractral]

What you said doesn't make sense.. If an actor is "popping" then you obviously know you're watching an actor...

[@astralnight3493]

@@justinrussell9391 lol

[@senaitmessele8641]

Your comment it doesn't give a wow pop.lol

[@Littleneddygtw]

good review. I felt torn too. good music. light on movie

[@MarcoPolo-ze3ie]

I liked your review the best of the 5 I watched. Very informative and intelligent. As A lifetime Dylan fan I am very happy with I’m not there as my go to Dylan movie. Which is probably confusing to non Dylan fans. This period of his life has been done to death but maybe this movie will introduce a new generation to the wonderful discovery of his lyrics, music and entire career.

[@JEEDUHCHRI]

Great review as usual. Preeshy.

[@mickeyalba]

"Casual entertainment'''.....perfect description......

[@roblincolnsongs]

Your review is thoughful and intelligent but I believe that most people who have a connection in some way to Dylan will be very moved by this film. In fact, I know that not only I was, but everyone I have spoken with so far has been. I think critics are trained to be "tough" on a movie. I appreciate you acknowledged that you were being tough. You are a good film critic but it seems the job of a critic is to find fault. I was not constantly thinking about how he was portraying Dylan. I think a film critic does that. Only a poor performance would make the average viewer focus on that. For many non critics, this was an incredibly powerful film, not only to those who love Dylan but also those who have never realized the impact of his art until they see it in the context of the times through the eyes of those around him. Part of this film's greatness are the songs themselves and how they are presented. Of course the acting is superb. It was one of the best portrayals of a living person I have ever seen, and perhaps the best ever of a living musician. The whole cast was outstanding. You did not dispute any of that. I have no beef with you. Thanks for reading. As I am not a critic, this is not a criticism of your review, just a general criticism of critics in general.

[@shaharm2898]

Walk Hard the story of Dewie Cox is the only good and honest biopic.

[@bassplayinben]

Great insight that Dylan saw the entire world at once.

[@ShadyPlatinum777]

So a pretty straightforward biopic

[@freegadflyathome]

It sounds a little different. It only covers four years, he doesn't have some great obstacle to overcome like addiction or past trauma that haunts him, no huge love story. It's just Bob Dylan being Bob Dylan during the most influential time in his life.

[@bmla88]

I wonder, as little as I know about Dylan, and what I read about his involvement in the film (he annotated the script and gave notes to the actor), if he wanted a more complex, dirty portrayal.

[@eximusic]

I'm torn on your review in the same way you had mixed feelings about the movie. My criticism of any criticisms on the film is . . . knowing Dylan, his discography, the Don't Look Back film, and Scorsese's documentary No Direction Home (same lyric line this film got their title from) - what possible film would capture Dylan's essence? You could add more dialogue and drama, at a huge risk of completely mythologizing Bob. The film medium is a visual medium. It's not as dependent on dialogue at theatre. And filmmakers like Andrei Tarkovsky have used film as a form of moving paintings. A Complete Unknown does a great job of recreating Greenwich Village in the 60s, creating the atmosphere of that fertile artistic environment. And there is no other person who could have personified Dylan better than Chalamet. More compelling dialogue with tension/resolution cliched film storytelling would have just been kitsch. And not true to Dylan in any sense. There is no conceivable better Dylan film in an alternate universe. As soon as you pitch how you would do it, it would already sound dumb. I wish I could permanently erase Joaquin Phoenix's portrayal of Johnny Cash from my mind.

[@123rockfan]

I adored the simple nature of this film and that it wasn’t trying to “crack” Bob Dylan. That would’ve been completely insufferable in my opinion. And I actually loved the production design, it wasn’t the typical fetishization of the 60’s that we see in a lot of historical movies

[@WhyWeWatch1]

It's less a biopic, more a cover concert film, and more than Walk the Line was. And if you know that going in, it's great. If you don't, you want a lot more I watched Don't Look Back the morning of, so I wanted more That said, I haven't seen a music setpiece that goes wrong the way the festival does, which was very interesting. (It helps that I'm an idiot and forgot Dylan was the one who caused controversy by going electric)

[@14AspenDrive]

Best reviewer on youtube

[@Kyle_Riel]

Happy Honda-Days!!!!

[@jraelien5798]

Great review!!

[@andrewmccall837]

Merry Christmas

[@mattmalek2218]

Robbie Robertson and The Band were his back up band when he went electric.

[@musik102]

@@mattmalek2218 Not at Newport.

[@user-is6sb8cp1w]

What happened to the lower part of your sweater?

[@jonathannoble9465]

Surprised you’d see this before Nosferatu

[@sagarsaxena6318]

Another thing to love about Maggie..she remains unpredictable.

[@freegadflyathome]

This came to theaters on Chrismas Eve

[@jonathannoble9465]

@@freegadflyathome they both did. Thursday release dates are the norm now

[@freegadflyathome]

@@jonathannoble9465 oh ok, no theater near me was showing Nosferatu until the 25th. I live in northern Florida though, idk

[@richardichard4237]

" she remains unpredictable "....you do realise thats an oxymoron right...?? And an incorrect statement too...always the same silly location, leaning on a bookcase on her knees instead of sitting on a chair, we have chairs these days....!! Theres even an unused sofa as a chair clue for her...!! And always the same contrived right hand position, trying to look thoughtful but really just holding her hair back....Unpredictable you say, I think not...!

[@danielbarrero2815]

Movie looks decent

[@MrCineMayo]

I loved the movie, and I don't usually enjoy biopics.

[@rudyciavarro]

not a bad film, but but both "i'm not there" and "inside llewyn davis" capture more imho.

[@Spractral]

Merry Christmas lady

[@doomedhuh]

he sure made this fast after indiana jones last year

[@Longleke.]

Have you seen Todd Haynes’ Dylan biopic “I’m Not There”? It’s more stylish but not so intangible as to take nothing from it

[@acrophobe]

Finish line queen! 🏁

[@StephenAKatz]

The speaker is articulate.