Lucia di Lammermoor - Conversation, sextet, and finale.

[@MightyTenor]

My God- to think that this is a SCHOOL production!!!!!!!!!!! Better than a performance of Lucia in many a professional house!!!!

[@miketeacher9016]

which school?

[@Dylonely_9274]

Amazing, thank you for the useful subtitles.

[@ewasierpien8179]

Dzięki za taką pieśń i wspaniale WYKONANIE THANK YOU danke Ryszard Kulesza

[@BellaFirenze]

Jason Duika... Mamma mia! Bellissimo uomo. Voglio il tuo corpo. Saluti da Firenze.

[@allenjones3130]

A fine performance. The lead soprano, tenor and baritone had such rich and powerful voices!

[@doctorsoo]

Magnificent! especially sextet is one of my favorite. 4:03 sextet.

[@Dylonely_9274]

4:04

[@melvinbernard4541]

Great cast

[@rossmcl1776]

Very, very good. Deserved better applause at the end.

[@crazyorganist1609]

No it didn't. It's awful

[@ryan.engstrom]

All so young! Where is this? Lovely set and costumes and exciting singing. I wish you all the best!

[@ronkalinovsky6898]

This was in the Musical Arts Center at Indiana University in 2018!

[@rugby8-Philadelphia]

Bravi!!! 😎😎😎

[@sanfordpress8943]

Some school kid is being inspired by this production. Some of you are ignorant 😒

[@rossmcl1776]

Well said my friend. I think this is a really strong production. Singing, music, production, constumes, - everything.

[@partituravid]

Nicely done. Needs to follow score markings more, tho

[@crazyorganist1609]

Absolutely.

[@chocolatesouljah]

I thought this was admirable and the singers held their own. Lucia was able to have heft over the group at the end of the sextette. I didn't agree with every directorial choice but I gotta say I love that there was clear motivation and intention. I love hated the smelling salts that revived Lucia just before singing, super smart concept, just wish it had been earlier and a wee more subtle. Edgardo have a great open sound, was that rally Terrence Chin-Loy? Anyway he was good. Also love how bad boy Enrico held his own and not easy to carry over over the higher squillo of Lucia and Edgardo.

[@fballiache]

Love the black schottisch men, and the voiceless singers. Great for drinking nights.

[@joaquimcevallosmorales8944]

You will struggle with Turandot, Aida and Butterfly, then...

[@atr46]

Джейсон Дука звучал хорошо. И сопрано. Тенор, который пел Артура, еле справлялся с верхом

[@konradottingen7187]

[@manolitotg]

La opera es LUCIA DI LAMMERMOOR, la escenografía, ambientación y vestuario... no se que será

[@pliniussenior9131]

Dagli alberi di banane al melodramma..!! Dove andremo a finire.!

[@jakeo1209]

Lucia was very good. I prefer a slightly deeper tone, a soprano with a little bit of mezzo in her voice. But that's just my personal preference. Edgardo was good, but he is one of those tenors who winds himself up to high notes. I am probably not describing it well. Jose Carreras was one of those tenors. Great voice. Great technique. I absolutely hated the way he was singing. Arturo was not very good. Very weak. Raimondo - what the hell is this man doing on stage? He was godawful. He had a hoarse voice. He sounds like a man with a cold. Enrico was amazing. Just spectacular. Bravo.

[@sachseco]

jason duika has a throaty voice!

[@crazyorganist1609]

Lucia's main roles are notoriously difficult due the technique required to sing them properly without struggle. These singers are so unsuitable for these roles and the half hearted applause says everything

[@Dylonely_9274]

11:24

[@manrico41]

Ma se l’autore l’ambienta in un’epoca storica perché ci sono dei geni che decidono di cambiare ambientale e costumi? Nessun rispetto per l’autore, per questo non vado più a teatro

[@ian.marais1202]

Was that really "Lucia di Lammermoor?"Voices quite good but the production lacks too much to really convince.

[@rugby8-Philadelphia]

....and you are evaluating the whole production based on a 12 minute video - that contains some good singing??? 😎😎😎

[@crazyorganist1609]

They shouldn't have sung it. They're not roles for young singers. The roles are so difficult to get right

[@ian.marais1202]

@@crazyorganist1609 I couldn't agree more. Thank you for your keen observation.

[@ransomcoates546]

Huh??

[@numtot2172]

Don’t care for the tenor playing Edgardo. Too bright and forward in his tone, not really sounding like an opera singer.

[@crazyorganist1609]

He doesn't. They're too young to be singing these complex and difficult roles

[@elenayakovleva2135]

A MUPPET SHOW ...

[@rossmcl1776]

Must be quite something to be such a horribly unkind person.

[@josephnicholas9812]

Good tenor. Soprano? Not ‘bel canto’, a whisky non operatic voice.

[@igorpedrofarias7318]

what a disaster!

[@Michael-mh4vr]

Horrible bass.(was he sick).good baritone

[@rugby8-Philadelphia]

Horrible comment (are you always so rude?) 😎😎😎

[@atr46]

Баритон и сопрано неплохие. Тенор, певший Артура, бедный еле выдавливал верхние ноты, при чем не самая высокая тесситура

[@thomasdahlen8533]

Silly production.Fat Lady of the bedchamber.Call 112.This is awful.

[@rugby8-Philadelphia]

......rude .....shhhhhhh

[@Bivolari]

Why the cut in the stretta?