Making Godox AD200 as powerful as AD600

The Godox AD200 (same as Flashpoint eVOLV 200 TTL R2 Pocket Flash) is an amazing powerhouse and super portable for travelling. If you want to pimp out your lights, here's how you can get the same power as a Godox AD600 (same as Flashpoint XPLOR 600 HSS Battery-Powered Monolight with Built-in R2 2.4GHz Radio Remote System - Bowens Mount (AD600)
Here's how to DOUBLE the power... even more than using a Godox AD-B2.
4.5" reflector for ad200 and ad360 www.bhphotovid...
bracket used in video www.amazon.com...
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[@photo2000]

just was watching this vid again.... amazing that in the testing how much difference the AD-S2 reflectors made, over that of the single one on a AD-B2

[@desantisphotography]

It's 2024 and this advice remains relevant! Thank you, Markus! I would never have attempted using an AD200 in the mid-day (Florida) sun. Adding that small 4.5" reflector made all the difference...even at less than full power.

[@roadcrewfilms]

This is seriously one of the most underrated KZbin channels, this is pure gold!!!!!! Thanks so much for mate!

[@melkelrossette1725]

I second that!

[@malonephotography]

Agree with that！🎉👍

[@tongdaiuc]

truly

[@corykphotography]

Because of you Markus, my wife and family are getting me an ad200 pro kit for christmas. Like you, ill be taking non stop photos of my wife! Thank you for sharing all your ad200 work! You have really inspired me!

[@hmg7871]

Love, love, love the AD200s. Have 18 for what we do and the following rig set up for each. We use the Flashpoint Bowens head (Flashpoint eVOLV Dual Power Twin Head with Bowens Mount AD-B2) that can also use just one bulb and one AD200 (versus two & two). Single bulb goes to the center prong set. We never take the single bulb out of the head, just dismount the single AD200, collapse the Glow Foldable Beauty Dish With Bowens Mount (Silver, 40"), slip on the covers, done. Very light, very portable, very powerful for our needs. Fantastic light fill, make inverse law adjustments as needed, go for it. Kick them all with Flashpoint R2 Pro MarkII 2.4GHz Transmitter for Fujifilm (your flavor may vary). Great review of this underestimated little light, keep up the great work.

[@RizandroNapone]

So you can do single bulb on the center? Copy that chief.

[@_HMCB_]

This comment is gold. Some of this is over my head but I’m gonna save it for posterity. Thank you 🙏

[@matrixate]

Yep. 2 AD200s is a cheat code for photographers. No limit with the capability. If you have one, get a second. You won't regret it. That you so much for imparting this valuable information.

[@Jorda5s]

Even get a third and then use the adb2 for your other 2 for even more results

[@omegaman1409]

Used to have the AD-B2 and two ad200s great setup for indoors and outdoors scenarios. I now have the ad600bm. I got it on a black Friday sale 3 years ago for $350 sick deal. Best buy ever.

[@Marshcreekmini]

Love my AD200s, and the AD-B2. The entirety of my lighting kit is 2x AD200, 1 AD-B2, and the extension heads, 2x of the Zoom II r2 (AA type), a V350, and the R2 trigger. I've never run into a situation where I needed more. Being able to split the smaller units up, mount them anywhere, and not need super heavy equipment has been awesome. Without a studio to work from, the portability has been key.

[@gwydionjhr]

Love the AD-B2 and the extension heads. I put the brains and battery in a tiny back pack meant for runners and it makes the flashheads suuuper lightweight.

[@sokuna2404]

I often use a bracket to mount to AD200s so I can put them inside a 45" reflective umbrella. Works great for me on the go because it folds down like a briefcase without completely breaking it down

[@anthonyreid7221]

Recently picked up that reflector for my ad200pro and it's amazing. Your advice as usual, is well researched and tested.

[@andreak4280]

fantastic demo vids of the ad200’s! the Hawaii vid too 🌟💪🏼💪🏼🌟 thanks so much Markus

[@robkennedyphotography1766]

My favourite thing about AD200’s and 600’s? No cables to trip over and super easy to set up and control with the X-Pro controller. I use the AD200 with bare bulb in Octoboxes and I love them for indoor shoots. I have ordered one of the AD-S2’s to try it out on one of my AD200’s at the next event I shoot. Bought one of the Fosoto light stands as well so going to try that as well for mounting the AD200. Thanks for taking the time to make these videos 👍👍💯😊

[@MarkusPix]

You're gonna love the AD-S2. Its the most used modifier ever for me kzbin.info/www/bejne/ioSXlayma62gZpY

[@robkennedyphotography1766]

@@MarkusPix Just ordered another set of each. Thanks for the tips Markus 👍👍

[@keithbarrett4630]

Love the 200's. Best BANG for the buck! So many photographers fall into the the "Bigger is better" theory, when that's not always the case. The word for the 200's is "versatility." The power main difference between the 200/600 is two stops of light. If youre shooting wide open, you can just adjust the ISO to compensate of just move the flash closer to the subject...

[@pointeroverflow]

Thats not the way stops work. The power difference between a AD200 and AD600 would be 1.5 stops. The power difference between a AD200 and a AD1600 is 3 stops, not 8 stops. It is a sad state of affairs when this ended up as the top comment and everyone else who viewed or up voted it is dumb enough to not know how stops work either. Also the point of using strobes is so you dont have to shoot wide open.

[@TechnoBabble]

@@pointeroverflow The point of using a strobe is to control the light. Not shooting wide open is not the explicit purpose of strobes.

[@mariogravina4495]

Wow! How enlightening, even after watching the last video. Always appreciate the practical approach along with brutal honesty.

[@vonpotatostein]

Great video as always Markus!! There's one thing I LOVE about the AD200 that the new units don´t have: spare head included the box in case of accident without paying extra! Not only the Ad200 gives you the option of barebulb/mini fresnel but one head serves as an spare in case something happens with the other, I carry an extra barebulb in my back pack so I have triple redundancy! Something the AD100 and AD300 don't have.

[@juangrisales-k2p]

That`s good, and how (2 x AD200) VS (AD400Pro). Thank you.......I like your videos because you always explain with real examples.

[@davidtzeng475]

I wish I would've found Marcus a lot earlier. People always think bigger is better. As a solo, amateur street photographer, I recently started to take portraits and thought I needed all this stuff to haul around. I've been holding off on doing the HSS thing and came across this series of videos and tried both HSS and using an ND filter without HSS. I think it may have been the quality of the ND filter or my lack of experience, but the HSS photos came out a little sharper. I have one AD200 with the Fresnel head, so I gave it a shot. The little ad200 was powerful enough without any modifiers and still had a little room to go. I have a little 4-5-inch reflector that came with my AD200 as a package. I'm gonna go out next weekend and give it a shot with the bulb.

[@frankiecalabro2617]

Thanks Marcus, I have 4 ad200s and this reflector is just the ticket!!!

[@jasonthreet2688]

You always have cool simple ideas. That bracket, I would have never thought of that👍. I use S2 brackets to mount soft boxes on my ad200. Works for me. I'm diggin the daily videos from you as well. Keep it up.

[@ROBOTRIX_eu]

We love to see you happy, and i hope you find soon what you're looking for..some new tecnologies trying to get into market, maybe.. it would also be fun to watch you, doing experiments with plasma strobes, or Diving Underwater Torch .. Stay well everybody!

[@bradleyjohnson452]

I'm convinced. I am now looking for a good deal on a pair of AD200s. Thanks for the review

[@free_re_fells]

You’re AD200 vid was a game changer for me. Thanks as always for sharing your knowledge freely.

[@MarkusPix]

Glad to hear it!

[@paristo]

Totally have missed this channel for some odd reason, and must just love the real enthusiasm about the content with great amount of sense and "foots on the ground". One reason although why I don't like the HSS modes, is that it can be seen as scanlines in some of the gradients, like in example the "greycard" on left of the head.

[@jzsanchez]

Wow great work. Thanks for the links

[@AeronDC]

i got my ad200 pro used, but looks and works like new for $200. i am very happy with ad200pro i love the portability and the power

[@tongdaiuc]

I love your channel so much, super informative, straight to the point, like watching a documentary. THANK YOUUUU!!!

[@Anonymous99997]

My typical headshot setup is using three AD200s, one on each side with another as a hair light using a remote head on a boom stand.

[@MileyonDisney]

Seriously, thank you for sharing your great information. Godox AD200 is next on my list... some time in the future.

[@njrivetelite]

I have those small dishes for my Streaklight 360 & AD200.. they work great.

[@CoolBreeze031_Photography]

Dude, that bracket suggestion is amazing! I've got the AD-600, but love the smaller kit of 2 AD-200. Thanks

[@MarkusPix]

Glad you like it!

[@Mr31formula]

Just ordered an ad200 pro. I get into some remote areas. Easier to carry. Thank you for the video.

[@jasonbodden8816]

Individual AD200s can be used with MANY softboxes and beauty dishes quite easily with the S1 or S2 flash brackets (and even though it's one extra thing to carry, it doesn't take up that much space. I do it all the time. Just did it on a beach shoot and a wedding. I love my AD200 Pro. I think I'm going to get a couple more. I also love my AD600BM (old model. Like you I have no interest in the 600Pros)I like these lighting vids, though. Keep 'em coming.

[@MarkusPix]

In the shade or sunset or cloudy days or indoors, yes AD200 softboxes are fine. But I shoot in full bright sunlight and need to overpower the sun and darken the sky and shoot at f1.8. A couple 200's can do that if I use the reflectors, but not with softbox

[@softbely]

You are the best! Thanks for such an informative video. My thinking about modifiers, strobes and speedlights has forever changed.

[@stevesmith76]

Even though your latest collection of lighting videos are extremely good ……my all time favorite was the one about “Sliders”

[@charliejg]

You're the ultimate experimenter! Thanks for the info... Have a great week.

[@diegoeidelman]

Thank you for your videos Markus! I always get a lot of fun and useful info. BTW, I own three AD200 and I love them. Powerfull, portable, versatile (and expensive in my country 🙁) Cheers!

[@wendythomas4501]

incredible video! Thank you. Magmod has an adaptor that allows you to mount the ad200 to a softbox. This is a great value product.

[@_HMCB_]

Thank you. First time watcher. There was a lot of practical advice which as a newer photographer really helps. When budgets are tight, it’s hard to figure out where to spend money most wisely. I’ve always liked the Ad200s. I do some product photography and everything else I shoot is generally indoors. Seems like those 200s would be perfect. My only thing is I bought 3 older Nikon SB950 speed lights which actually do amazing and if I don’t get the 200s, then I’ll buy the Godox remote trigger system for them. Sorry for the long comment but i really like your channel. I’m subscribing. Peace.

[@CaptainJack63]

This video really helpped me answer a few questions I had about 600 and the 200s. Thanks Markus!!!😉

[@IvanToman]

Thank you bro! Now I realized that I purchased that little reflector for AD200 Pro, and never ever used it, forgot that I have it. I found it in one of boxes, and it has also color gel filters! Ahhh stupid me, thank you for bringing my attention to it. Finally I can use AD200 Pro as I wanted before (using color gels haha) and AD400 Pro as main light (I love it over 600).

[@john2000l]

I like it !!......This is a great way to stay in budget, and still get what you need and want !

[@davisone76]

Thank you sir for all you do. Making videos with a busy schedule is so hard!

[@09591000]

Спасибо. Каждый раз очень полезные уроки. Очень доступно и качественно.

[@westyavro]

I can use the AD200's in soft boxes because there is a third party bowens mount holder for the AD200. It was made for speedlights but since the wide of the AD200 is similar to a speedlight it fits perfect. I love the modifers you are using on the AD200 I got some for mine and its very nice. I also got that reflector you had in your video with the odd pattern inside to help increase a stop of light. Works perfect.

[@MarkusPix]

I've made numerous videos about AD200 modifiers including the S-bracket you mentioned. My comment in this video was not that modifiers cannot be used, just that the AD200 was not designed for modifiers like the Ad300, 400 or 600.

[@westyavro]

@@MarkusPix Yes Sir. I understand. Always enjoy your work very much. Thank you for giving back to others the way you do.

[@digimysore]

Truly Epic!...Such An Eye Opener With Hard Lights🥰🥰👏👏

[@tintin69rr]

Would love to see the 2 ad 200s mounted into a parabolic reflector to see how that looks with those two

[@slyosskoul8034]

Ad200 is the best thing happened for photographers

[@carlosdias1940]

Hi Markus! Just came across the channel and what an amazing content ! Treu straight forward and an awesome community from what I could read form comments section. Sports photographer, took my step forward in the use did flash, loving the knowledge regarding the control of light. Fascinating!!! Cheers

[@HR-wd6cw]

One mod I've seen people do is to get the frosted half-dome diffuser for the bare-bulb and remove the dome so you're just left with the back (the reflector plate) and you can use that to push more light forward). Even using the dome diffuser with the barebulb produces quite a bit of light (I'd say at leaest as much if not more than using the round head or Fresnel head with a standard reflector mounted in a Bowen's mount. And the bare-bulb dome diffuser is cheap like under $10 each (i bought two of them -- modded one and remove the dome, and kept the other one with the dome attached -- and I have a spare dome in case the one breaks). Some tests suggest that you can get 1/2 to almost a full stop of power doing this (with the diffuser dome removed and only using the reflector plate).

[@snowwalker9999]

You’re saving us all heck of a lot of money and time having to watch other KZbin videos. Can you do a video on how you choose your flash and camera settings?🙏🏼

[@elainecanals7739]

Thanks for this video! Love your creative solutions :)

[@jennifergraham5397]

I use one ad 200 in a large softbox with a bowens mount holder for the ad200. It gives me plenty of light for in studio

[@MarkusPix]

if you ever take it outside, watch this video kzbin.info/www/bejne/jZappWh8oLyLnLc

[@Itskhyshot]

Thank you so much markus i learned a lot from you about ad200pro and success on shooting outdoor apperal shoot keep update more about ad200pro sir !

[@215tabby]

Thanks for the tip! I'm gonna look those up today!

[@GilbertTV]

great stuff Markus ...ad200's for the win

[@eustacevictor2177]

More love from the Caribbean island of St Lucia

[@eustacevictor2177]

I know you're always here it would be a great honor to meet you if you ever come back.

[@ThePandaPhotographer]

Great explained and I already did something like this with Godox TT600s of 8 with 2’s in one group each

[@chris-dempsey]

super clamp with the ad200 screwed into the pin would be a quick and dirty way to mount 2 next to each other as well

[@steveparkins6854]

great video and comparison-Thankyou

[@heathermtaylor7683]

Hi Marcus. Love your videos. I have a MagMod Octobox which will take 2 x AD200 side by side - must get the 4.5" reflectors though! Thanks again.

[@jefferynelson6381]

Would love to see a comparison between 1-2 AD200 and the 2-3-4 speed light setup. That multiple speed light setup in the last vid is really interesting to me. Great content as always!

[@MarkusPix]

1 ad200 is more powerful than 3 speedlights

[@johng5819]

Very informative. Thanks!

[@photo2000]

great review! will have to go get a few of those small reflectors

[@burneshollyman2621]

I shoot 4 x 5 which sucks up light for indoor portraits. Fast apertures starts at f5.6 or more ! You need at least 500ws. What do you recommend? (BTW leaf lenses can sync at any speed but you know that.) The challenge is I don't need all the fancy Godox/strobe/speedlight features because I am taking a simple snap, metered slowly with a Sekonic meter. I can get something used for way less. The question is: what should I get? A used Bowens? Great video, yet again!

[@ThePandaPhotographer]

Markus it’s been a long time friend. I’ve been busy and haven’t seen any of the content recently, so I am trying to play catch up…. But thanks for the videos my dude and keep up the good work.

[@rayg1022able]

Nice video Markus!

[@FadjarKumara]

Nice explanation.. Want to buy another ad200. Thanks

[@sclogse1]

Always appreciated. Now, can we get a couple dozen of those when the Georgia grand jury....

[@stevesmith76]

I like it , I like it a lot! Fun and highly informative. I’m currently using some very old Dynalite Baja battery powered strobes (400s) I’ve been wondering what to replace them with-your latest video helps, thank you

[@ayhancapan]

You forget to mention about the battery lives? Thanks for the video.

[@cadmus777]

I use my AD200 Pro's inside 42" umbrella softboxes (super cheap Neewer), using the bare bulb (one in each). This way the weight is in the middle, and if it falls over then the flash itself doesn't hit anything, as it's encased in an umbrella protective shell. Using an X-Pro transmitter means I never have to go in and touch the flash itself, as I can control it from the transmitter, and the only time I have to touch the flash is to wake it up if it's been idle too long. I also have 2 TT685S's and a v860ii, plus a bunch of other flashes, and I am looking forward to replacing them with AD200 Pro's soon!

[@MarkusPix]

I ssume you shoot mainly indoors

[@cadmus777]

@@MarkusPix Yeah, mostly, but I've shot them outside with sandbags, and while they have blown over (42" is a big sail!), the AD200 is always in good shape as it doesn't hit anything.

[@scottrobert]

agree A200 best value and best power per size!

[@ModMax69]

THANKS MARKUS!!

[@mindseyeproductions8798]

great info Thanks!

[@katjunket7305]

Thanks for the great content. But I noted that you said you can't use a softbox with the AD200s? Can simply attach the AD200s to the AD-B2 twin head and you're good to attach any Bowen mount softboxes.

[@MarkusPix]

kzbin.info/www/bejne/jZappWh8oLyLnLc

[@katjunket7305]

@@MarkusPix ....gotcha

[@yukonica4560]

Fun , Fun Fun... how I describe watching a Markus video. I am in Canada; can't find the 4" reflectors online (Amaz..N) nor in stores. This fall I took a magic arm, a super clamp and two 7" reflectors on a 20" bar fed through a knuckle ... mounted the rig to the luggage rack of my ATV and had a mobile studio for a shoot in the woods. The smaller reflectors would have been better.

[@MarkusPix]

www.bhphotovideo.com/c/product/1383786-REG/godox_standard_reflector_with_diffuser.html and www.amazon.com/Godox-Standard-Reflector-Speedlite-Accessories/dp/B071R1WZ1P and www.aliexpress.com/i/2251832615055582.html?gatewayAdapt=4itemAdapt

[@Garbid]

Have you compared the power output between bulbhead with that reflector and bare fresnel? Buy the way. You can make ad200 equall to ad600 single in HSS just moving ad200 1 feet closer!

[@corykphotography]

P.s. i just ordered that reflector!

[@nash100ful]

Honestly when I use the ad-b2 with the reflector vs the ad200 with the the small reflector I noticed the light being so much more harsher especially on darker skin tones. Ad-b2 just always been easier for me. Funny thing is while the video was going I was just about to ask you to compare the two and then that part of the video came up just in time lol. But yeah I love the AD200s am able to use them with almost anything. One even work good in a 60in umbrella. So I was able to put one in the umbrella and one in a beauty to get a punchy look. And that was enough for a inside studio shoot. All I needed is 400w split up the right way. What I might try tho is the small reflector on one ad200 inside a 60” umbrella 🤔

[@YoungEarthCreation]

👍👍👍

[@ArthurvanH0udt]

Little remark when saying just 1 stop difference (around 1m mark), please note that the stop is a kinda logarithmic scale!! Thus: 1 stop difference means double the amount of light!

[@MarkusPix]

Yes.

[@yodouble2]

I recently had a gig and used my ad200. I would say maybe 2 hour of shooting it started to not flash. The battery wasn’t dying it was fully charged. I turned it on and off as well as the transmitter. It would flash a few and start acting up again. I had it powered at 8. I was thinking it started slowing the recycling time. That’s something that I can’t have going on. My help on this issue or maybe you experienced this. Can you share anything on this. Thank you for your time.

[@wendystumbaugh695]

Amen to the old vs new 600s!!! And, Markus, have you noticed the battery on the old 600 is better than the new 600? Curious.

[@dennisdavidson4271]

Helpful Thanks

[@tngcwa30403]

Markus, I always enjoy your videos. Thanks for educating us in flash photography. I have a question about the AD600 in this video. Where did you purchase the diffuser for the 7 inch reflector. I have been trying to search for one without any luck. Thanks Gord

[@MarkusPix]

www.adorama.com/fplfxp006k3.html

[@tngcwa30403]

Thank you@@MarkusPix

[@njrivetelite]

I love options, so.. I have 2x AD200's 1X AD360 1X AD600 2x V860III 1x V1 plus I have an ADB2 & 2-3 of those 4.5in dishes So I'm probably going to grab the bracket just so I have more options when using my lights. I can have various different set ups as is.. I may add one more AD600 to my kit so if needed I could have 2 600ws lights. And Note you can get the adapter to turn 2 AD600's into 1 1200ws light.

[@MartinV.]

cool video!!

[@squadboitv6284]

Great comparison, I was wondering about that. What I don’t have is more than 2 ad200s or any nd filters.

[@zacharyjohn1615]

Hi Marcus, thanks for the tips! I always come back to these videos for advice. Curious why you would use the AD600 while traveling instead of an AD200 or two? I have 3 AD200 pros and considering another to go with my AD-B2. Thanks.

[@MarkusPix]

For fun trips I take the 100s or 200s, but when going to once in a lifetime places around the world like Bora Bora, I take some 600s because I never know what I'll be dealing with. I also take 600s sometimes when I take road trips because size and weight doesn't matter and if I'm shooting in Death valley in the middle of the day where the sun is blindingly bright and Im in wide open desert with a wide angle lens and want lights out of the shot...

[@Jwitherow1964]

Keep it coming yeehaw

[@MarkusPix]

ok Jethro

[@RaspberryTea-sz4mt]

nice🎉

[@Beautybyjorge]

I normally agree with you in all of your videos but this comparison simply is not equal. The AD 600 is much more powerful. And having to 2 ad 200 is still not the same power as the A.D. 600

[@MarkusPix]

Jorge darling, you must have missed the intro where I said most people use their 600s in HSS, which significantly cuts the light output. By using two 200s in non HSS and using specific reflectors, you can get the exact same output as 1 AD600 in HSS with a 7" reflector. Now if the 600 was in non HSS, it would be a different story. The mode and the modifier makes all the difference. A 200 cannot match a 600 in a large softbox.

[@Beautybyjorge]

@@MarkusPix OK that’s what I meant. Sorry. Didn’t mean to upset you. I love your videos and I always learn from them. God bless

[@MarkusPix]

@@Beautybyjorge Try it sometime. One AD600 with a standard 7" relfector vs two AD200 side by side each with a 4.5" reflector. The two AD200's with those particular relfectors actually out out half a stop more! Its not just the WH rating of a light, but how a modifier focuses the light. It amazed me to when Idid the tests. I had to redo the tests several times to make sure. And this was both set to HSS!!! Try it!

[@Beautybyjorge]

@@MarkusPix will do!! Thank you Markus

[@ramumolugumati94]

Super bro

[@wrektangul]

try using the qf63b on a ad200. even more power! It is a very narrow beam.

[@rickymcc8624]

Hi Marcus, love your straight forward ,'tell as you see it's videos. l wonder if Godox isn't just using different color biased tubes on their newer kit AD100/300 vs older 360/AD200? If so does it mean we eventually need to adapt? I too love my AD200s and use 3 regularly instead of a larger battery pack twin head strobe.

[@_trismegistus]

2:45 Hmm, not really, man. Looks like 1/3 - 1/2 stop lower still after your adjustment? Not bashing it, because I just picked one up, great lights.

[@AlanWheatPhotography]

Hey Markus, what do you think of the planned obsolescence of the AD200Pro now that the version 2 has come out? Godox says the attachment heads from version 1 will still work on version 2 but not the other way around (version 2 heads won't work on version 1 bodies). I would have liked to take advantage of the new bulb head's modeling lamp without having to buy all new equipment but it looks like Godox engineered it to be impossible. From photos, and since version 1 heads work on version 2 bodies, the connectors are the same except for one little connector on the side on version 2 bodies. I suspect that's the thing that tells the version 2 head it's on the version 2 body and it's okay to operate. The version 2 head probably fits the version 1 body but without that indicator it doesn't work. What do you think? Is this something you might test? I bet you could fool the version 2 head into working on the version 1 body and let those of us who already invested in the ecosystem have a modeling lamp for our version 1 bulb heads. 😁

[@slglasius]

awesome vid! @MarkusPix, what is your take on the best brand/ type vs value of ND filters that do not screw up the colors to much? as HSS outside is a bit of a bitch indeed. I have cheap ones, but it cost me an hour to correct it (should use a grey/ color card I know) but I also feel like with my particular type of ND filter, I do lose color. Always love your vids, so much more information in them than what the title suggests, real gems and a lot of work put in to them. Inspires me to play with light more!

[@jj_Kamelleon]

Thnx for the series Markus. How about a test between the older Ad360 vs Ad300 or vs Ad400?

[@MarkusPix]

Here's my video on the 360. It was more powerful than both of those and had better color kzbin.info/www/bejne/bnPRlpqDm72Jq6M

[@onegreenev]

We need a way to use old film on camera flash speed lights to be usable with modern digital cameras. Still have not found any articles that show how to modify them for modern use. Those flash tubes are still good in many of the old speed lights. Why waste them. Lets use them. Any ideas?