Montage as Conflict: Sergei Eisenstein’s October: Ten Days that Shook the World

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IUCinema

IUCinema

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In this video essay, Laura Ivins considers Sergei Eisenstein's infamous theory on montage through the lens of his 1928 epic October: Ten Days that Shook the World.
Visit IU Cinema's blog, Establishing Shot, to read the accompanying blog post: blogs.iu.edu/e...

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