Monteverdi - L'ORFEO (recording of the Century: Nikolaus Harnoncourt, Concentus Musicus Wien ..)

Claudio Monteverdi (1567-1643) L'Orfeo / Favola in Musica.
🎧 Find this recording in our Spotify playlist : spoti.fi/2VuUZWT
Click to activate the English subtitles for the presentation by N.Harnoncourt (00:00-13:52)
00:00 Toccata - Prologo - Ritornello
02:21 Dal mio Parnasso / La Musica
Atto primo • Act I • Erster Akt • Acte I
07:16 ln questo lieto e fortunato giorno / Pastore Il
09:13 Vieni, Imeneo / Coro di ninfe e pastori
10:16 Muse, onor di Parnasso / Ninfa
11:18 Lasciate i monti / Coro di ninfe e pastori
13:08 Ma tu, gentil cantor / Pastore I
13:58 Rosa del Ciel / Orfeo
15:57 Lo non dirò qual sia / Euridice
17:00 Lasciate i monti / Coro di ninfe e patori
17:56 Vieni, Imeneo / Coro di ninfe e pastori
18:58 Ma se il nostro gioir / Pastore Il
19:50 Ritornello: Alcun non sia che disperato
Pastore Il, Pastore III, Ninfa, Pastore l, Pastore IV
23:26 Ecco Orfeo / Coro di ninfe e pastori
Atto secondo • Act Il • Zweiter Akt • Acte Il
24:17 Sinfonia: Ecco pur ch'a voi ritorno / Orfeo
25:48 Ritornello: ln questo prato
Pastore Il, Pastore III, Coro di ninfe e pastori
27:45 Ritornello: Vi ricorda / Orfeo
30:25 Mira, deh mira / Pastore Il, La messaggera
31:44 Lassa, dunque debb'io / La messaggera
33:20 Donde vieni? / Orfeo, La messaggera
37:02 Ahi, caso acerbo / Pastore Il, Pastore III
38:24 Tu se' morta / Orfeo
40:26 Ahi, caso acerbo / Coro di ninfe e pastori
41:35 Ma io, che in questa lingua / Messagiera
42:53 Sinfonia
43:57 Chi ne consola, ahi lassi?
Pastore Il, Pastore III, Coro di ninfe e pastori
48:26 Ritornello
Atto terzo • Act III • Dritter Akt • Acte III
48:58 Sinfonia
49:41 Scorto da te, mio nume / Orfeo
51:08 Ecco l'atra palude / La speranza
53:51 Dove, ah, dove ten'vai / Orfeo
54:56 O tu, ch'inanzi morte / Caronte
56:40 Sinfonia
57:20 Possente spirto / Orfeo
1:06:20 Ben mi lusinga / Caronte
1:07:05 Ahi, sventurato amante! / Orfeo
1:08:26 Sinfonia
1:09:03 Ei dorme, e la mia cetra / Orfeo
1:11:14 Sinfonia
1:11:56 Nulla impresa per uom / Coro di spiriti
1:14:09 Sinfonia
Atto quarto • Act IV • Vierter Akt • Acte IV
1:14:54 Signor, quell'infelice / Proserpina
1:17:27 Benché severo / Plutone
1:19:24 O de gli abitator / Spirito l, Spirito Il
1:20:34 Quali grazie ti rendo / Proserpina
1:21:30 Tue soavi parole / Plutone
1:22:14 Pietade, oggi, e amore / Coro di spiriti
1:22:57 Ritornello: Quale onor di te fia degno / Orfeo
1:26:10 Rott'hai la legge / Spirito III
1:26:23 Ahi, vista troppo dolce / Euridice
1:27:57 Torna a l'ombre / Spirito I
1:28:22 Dove ten'vai / Orfeo
1:29:15 Sinfonia
1:29:59 E la virtute un raggio / Coro di spiriti
1:31:56 Sinfonia
Atto quinto • Act V • Fünfter Akt • Acte V
1:32:38 Ritornello
1:33:09 Questi i campi di Tracia / Orfeo, Eco
1:40:07 Sinfonia
1:40:39 Perchè a lo sdegno / Apollo, Orfeo
1:45:46 Ritornello: Vanne, Orfeo / Coro di pastori
1:46:58 Moresca
La Musica: Rotraud Hansmann
Orfeo: Lajos Kozma
Euridice: Rotraud Hansmann
Messaggiera: Cathy Berberian
Speranza: Cathy Berberian
Caronte: Nikolaus Simkowsky
Proserpina: Eiko Katanosaka
Plutone: Jacques Villisech
Apollo: Max van Egmond
Ninfa: Eiko Katanosaka
Pastor 1 : Günther Theuring / Pastor 2: Nigel Rogers
Pastor 3: Kurt Equiluz / Pastor 4: Max van Egmond
Spirito 1 : Nigel Rogers / Spirito 2: Kurt Equiluz
Spirito 3: Max van Egmond
Capella antiqua München
Konrad Ruhland, Chorus Master
Concentus musicus Wien
NIKOLAUS HARNONCOURT
Most Illustrious Prince, my Lord and venerable Master.
The Orpheus tale that was given its first performance under your protection, Most Illustrious Prince, on the small stage in the Academia degl’ Invaghiti, will now appear in the large Teatro de l'Universo in order to be presented to the broad public. There is surely no reason to present the work under a name other than yours, Most Illustrious Prince; thus in all modesty I dedicate it to you, Most Illustrious Prince, who like a good star stood by its first performance with the rays of your Grace, that you, Most Illustrious Prince, may favor the further development of its life and I may hope it will be as lasting as mankind itself. I beseech you, Most Illustrious Prince, to accept this token of my devotion with the great magnanimity that characterizes you and that fascinates all who come into contact with you. Thus with greatest respect I bow before you, Most Illustrious Prince, and pray to God that He may fulfill your every wish, Most Illustrious Prince. Most Illustrious Prince, my Lord and venerable Master.
Mantua, August 22, 1609
Your Grace's most humble and obedient servant
Claudio Monteverdi
Click to activate the English subtitles for the presentation by N.Harnoncourt (00:00-13:52)
Claudio Monteverdi PLAYLIST (reference recordings): • Claudio Monteverdi (15...

[@classicalmusicreference]

Claudio Monteverdi (1567-1643) L'Orfeo / Favola in Musica. 🎧 *Find this recording in our Spotify playlist* : spoti.fi/2VuUZWT *Click to activate the English subtitles for the presentation by N.Harnoncourt* (00:00-13:52) 00:00 Toccata - Prologo - Ritornello 02:21 Dal mio Parnasso / La Musica Atto primo • Act I • Erster Akt • Acte I 07:16 ln questo lieto e fortunato giorno / Pastore Il 09:13 Vieni, Imeneo / Coro di ninfe e pastori 10:16 Muse, onor di Parnasso / Ninfa 11:18 Lasciate i monti / Coro di ninfe e pastori 13:08 Ma tu, gentil cantor / Pastore I 13:58 Rosa del Ciel / Orfeo 15:57 Lo non dirò qual sia / Euridice 17:00 Lasciate i monti / Coro di ninfe e patori 17:56 Vieni, Imeneo / Coro di ninfe e pastori 18:58 Ma se il nostro gioir / Pastore Il 19:50 Ritornello: Alcun non sia che disperato Pastore Il, Pastore III, Ninfa, Pastore l, Pastore IV 23:26 Ecco Orfeo / Coro di ninfe e pastori Atto secondo • Act Il • Zweiter Akt • Acte Il 24:17 Sinfonia: Ecco pur ch'a voi ritorno / Orfeo 25:48 Ritornello: ln questo prato Pastore Il, Pastore III, Coro di ninfe e pastori 27:45 Ritornello: Vi ricorda / Orfeo 30:25 Mira, deh mira / Pastore Il, La messaggera 31:44 Lassa, dunque debb'io / La messaggera 33:20 Donde vieni? / Orfeo, La messaggera 37:02 Ahi, caso acerbo / Pastore Il, Pastore III 38:24 Tu se' morta / Orfeo 40:26 Ahi, caso acerbo / Coro di ninfe e pastori 41:35 Ma io, che in questa lingua / Messagiera 42:53 Sinfonia 43:57 Chi ne consola, ahi lassi? Pastore Il, Pastore III, Coro di ninfe e pastori 48:26 Ritornello Atto terzo • Act III • Dritter Akt • Acte III 48:58 Sinfonia 49:41 Scorto da te, mio nume / Orfeo 51:08 Ecco l'atra palude / La speranza 53:51 Dove, ah, dove ten'vai / Orfeo 54:56 O tu, ch'inanzi morte / Caronte 56:40 Sinfonia 57:20 Possente spirto / Orfeo 1:06:20 Ben mi lusinga / Caronte 1:07:05 Ahi, sventurato amante! / Orfeo 1:08:26 Sinfonia 1:09:03 Ei dorme, e la mia cetra / Orfeo 1:11:14 Sinfonia 1:11:56 Nulla impresa per uom / Coro di spiriti 1:14:09 Sinfonia Atto quarto • Act IV • Vierter Akt • Acte IV 1:14:54 Signor, quell'infelice / Proserpina 1:17:27 Benché severo / Plutone 1:19:24 O de gli abitator / Spirito l, Spirito Il 1:20:34 Quali grazie ti rendo / Proserpina 1:21:30 Tue soavi parole / Plutone 1:22:14 Pietade, oggi, e amore / Coro di spiriti 1:22:57 Ritornello: Quale onor di te fia degno / Orfeo 1:26:10 Rott'hai la legge / Spirito III 1:26:23 Ahi, vista troppo dolce / Euridice 1:27:57 Torna a l'ombre / Spirito I 1:28:22 Dove ten'vai / Orfeo 1:29:15 Sinfonia 1:29:59 E la virtute un raggio / Coro di spiriti 1:31:56 Sinfonia Atto quinto • Act V • Fünfter Akt • Acte V 1:32:38 Ritornello 1:33:09 Questi i campi di Tracia / Orfeo, Eco 1:40:07 Sinfonia 1:40:39 Perchè a lo sdegno / Apollo, Orfeo 1:45:46 Ritornello: Vanne, Orfeo / Coro di pastori 1:46:58 Moresca La Musica: Rotraud Hansmann Orfeo: Lajos Kozma Euridice: Rotraud Hansmann Messaggiera: Cathy Berberian Speranza: Cathy Berberian Caronte: Nikolaus Simkowsky Proserpina: Eiko Katanosaka Plutone: Jacques Villisech Apollo: Max van Egmond Ninfa: Eiko Katanosaka Pastor 1 : Günther Theuring / Pastor 2: Nigel Rogers Pastor 3: Kurt Equiluz / Pastor 4: Max van Egmond Spirito 1 : Nigel Rogers / Spirito 2: Kurt Equiluz Spirito 3: Max van Egmond Capella antiqua München Konrad Ruhland, Chorus Master Concentus musicus Wien NIKOLAUS HARNONCOURT Most Illustrious Prince, my Lord and venerable Master. The Orpheus tale that was given its first performance under your protection, Most Illustrious Prince, on the small stage in the Academia degl’ Invaghiti, will now appear in the large Teatro de l'Universo in order to be presented to the broad public. There is surely no reason to present the work under a name other than yours, Most Illustrious Prince; thus in all modesty I dedicate it to you, Most Illustrious Prince, who like a good star stood by its first performance with the rays of your Grace, that you, Most Illustrious Prince, may favor the further development of its life and I may hope it will be as lasting as mankind itself. I beseech you, Most Illustrious Prince, to accept this token of my devotion with the great magnanimity that characterizes you and that fascinates all who come into contact with you. Thus with greatest respect I bow before you, Most Illustrious Prince, and pray to God that He may fulfill your every wish, Most Illustrious Prince. Most Illustrious Prince, my Lord and venerable Master. Mantua, August 22, 1609 Your Grace's most humble and obedient servant Claudio Monteverdi In 1953, Nikolaus Harnoncourt founded the CONCENTUS MUSICUS WIEN with several young musicians from the ranks of the Vienna Symphony Orchestra. A special ensemble for early music, Concentus musicus performs music on original instruments - "not for historical reasons, but rather for artistic ones because music from every era can be most vivaciously and convincingly rendered with contemporaneous means of sound production." In 1 957, the ensemble gave its first public concert at Schwarzenberg Palace in Vienna. Since then, Concentus musicus has performed in a series of concerts there each year. The first recordings for Teldec, then called "Telefunken", were made in 1963. At that time, the ensemble toured Western European with a program which included Austrian Baroque music and pieces such as Bach's Brandenburg concertos. The first concert tour in the USA and Canada followed in 1966. A version of Monteverdi's Il Ritorno d'Ulisse in Patria transmitted in a Viennese manuscript was performed for the first time in 1967. Period instruments were also used on their numerous recordings of operas, orchestral works and choral pieces which were distinguished with "The German Record Award." The ensemble received the ward for recordings of Bach's B minor Mass Ind Monteverdi's Orfeo, among others. In 1970, one of the biggest projects in record. ing history was initiated: Recording all of Bach's cantatas at Teldec. In addition to this great undertaking, which was completed in 1989, Harnoncourt and his ensemble have primarily recorded works by Monteverdi, Purcell, Bach, Händel and Mozart. Claudio Monteverdi PLAYLIST (reference recordings): kzbin.info/www/bejne/aJ68Y3qniKiqqbc

[@hennerpolscher]

Eine wahrhaft "göttliche Musik"!

[@marksalamon619]

After all these years, I still marvel at Lajos Kozma's profoundly moving performance of "Possente spirto". This entire recording seems miraculous, having the power to recreate the astonishing effect that Monteverdi's opera masterpiece must have had on the audiences who first heard it. Thanks for bringing it to KZbin.

[@lamatanza2776]

Sentire la musica di Monteverdi e vedere la Piazza del Campo in Siena - perfetto!!! Mille grazie!!

[@arcobow97]

I honestly think this recording is as authentic as it gets in terms of the goal of achieving historical correctness/accuracy. It has such a wonderfully raw, open, and humane sound. More recent HIP is overly refined, clean, and deliberate, which kind of takes away from the whole point of “historically accurate sound.” This is just my opinion though, there are so many different ways of doing things, and there is beauty in that.

[@lucasferrariguelfi3285]

Thanks from Brazil!

[@igorhenrique1087]

Bom gosto, Lucas!

[@renansilva5418]

Esse canal é bom mesmo

[@notaire2]

Wunderschöne und tiefempfundene Interpretation dieser barockischen und perfekt komponierten Oper mit herrlichen Stimmen aller genialen Solisten und gut harmoniserten Stimmen des ausgeziechneten Chors sowie gut vereinigten und perfekt entsprechenden Tönen aller Originalinstrumente. Der intelligente und unvergleichliche Dirigent leitet das ausgezeichente Ensemble im veränderlichen Tempo und mit künstlerisch kontrollierter Dynamik. Alles ist wunderbar!

[@LVCIVSBRVTS]

The rebirth of Greek legend and the birth of Opera.... I love the works of renaissance era composers.

[@yeah8598]

He was baroque

[@manolis.799]

@@yeah8598 He most certainly was not

[@yeah8598]

@@manolis.799 h

[@captainch6182]

@@manolis.799 he’s sort of both, being in the transition between the Renaissance and Baroque eras, and laying much of the precedent for the latter

[@svenlarvor27]

@@manolis.799 This work is Baroque, there are no operas before 1600, and the Orfeo was edited in 1607. The appearance of the Opera is one of the main caracteristics of the Baroque Era.

[@RONWOLPA]

To be heard thousand of times , I can never get enough of this masterpiece , the original version and Wendy Carlos' version on synthesizer too.

[@GreenTeaViewer]

Wonderful music from the time of Shakespeare (albeit at the other end of Europe). There is something so humane about it, and it celebrates 2000+ years of tale telling.

[@andrewwatson6913]

I don't think that Italy is the 'other end' of Europe? What about Athens, Moscow or Constantinople?

[@Nacidodelmar]

Gloria Magna!

[@fransmeersman2334]

Many thanks for this splendid rendition of this beautiful and very accessible opera of Monteverdi with so many great artists under the direction of Nikolaus Harnoncourt and with the usual great CM/RR sound quality. Also thanks for that interesting letter of Monteverdi.

[@davipereira3539]

Peace and love in the world✌

[@amnoice]

That should be said more often! Peace and love to all mankind!

[@dejanstevanic5408]

Love your choice of Harnoncourts interpretations. Splendid work. Thank you again CM/RR.

[@franciscojaviernarbaiza9517]

Esta grabacion es, sin duda, una de las mejores formas posibles imaginables para hacer vibrar las moleculas de aire de una habitacion. Hay una cantidad de belleza muy considerable en ella, belleza de verdad, de la que llega hasta el alma.

[@classicalmusicreference]

Most Illustrious Prince, my Lord and venerable Master. The Orpheus tale that was given its first performance under your protection, Most Illustrious Prince, on the small stage in the Academia degl’ Invaghiti, will now appear in the large Teatro de l'Universo in order to be presented to the broad public. There is surely no reason to present the work under a name other than yours, Most Illustrious Prince; thus in all modesty I dedicate it to you, Most Illustrious Prince, who like a good star stood by its first performance with the rays of your Grace, that you, Most Illustrious Prince, may favor the further development of its life and I may hope it will be as lasting as mankind itself. I beseech you, Most Illustrious Prince, to accept this token of my devotion with the great magnanimity that characterizes you and that fascinates all who come into contact with you. Thus with greatest respect I bow before you, Most Illustrious Prince, and pray to God that He may fulfill your every wish, Most Illustrious Prince. Most Illustrious Prince, my Lord and venerable Master. Mantua, August 22, 1609 Your Grace's most humble and obedient servant Claudio Monteverdi In 1953, Nikolaus Harnoncourt founded the CONCENTUS MUSICUS WIEN with several young musicians from the ranks of the Vienna Symphony Orchestra. A special ensemble for early music, Concentus musicus performs music on original instruments - "not for historical reasons, but rather for artistic ones because music from every era can be most vivaciously and convincingly rendered with contemporaneous means of sound production." In 1 957, the ensemble gave its first public concert at Schwarzenberg Palace in Vienna. Since then, Concentus musicus has performed in a series of concerts there each year. The first recordings for Teldec, then called "Telefunken", were made in 1963. At that time, the ensemble toured Western European with a program which included Austrian Baroque music and pieces such as Bach's Brandenburg concertos. The first concert tour in the USA and Canada followed in 1966. A version of Monteverdi's Il Ritorno d'Ulisse in Patria transmitted in a Viennese manuscript was performed for the first time in 1967. Period instruments were also used on their numerous recordings of operas, orchestral works and choral pieces which were distinguished with "The German Record Award." The ensemble received the ward for recordings of Bach's B minor Mass Ind Monteverdi's Orfeo, among others. In 1970, one of the biggest projects in record. ing history was initiated: Recording all of Bach's cantatas at Teldec. In addition to this great undertaking, which was completed in 1989, Harnoncourt and his ensemble have primarily recorded works by Monteverdi, Purcell, Bach, Händel and Mozart. *Click to activate the English subtitles for the complete presentation by N.Harnoncourt* (00:00-13:52)

[@rafaeltxsp]

Que belíssima interpretação! Viva L'Orfeo, obra potente e gloriosa que faz resplandecer a alma! Pura beleza e profunda inspiração!

[@peterwatchorn5618]

This is the greatest recording of the work, from the singers through to the magical continuo playing of Leonhardt, Tachezi, Mueller-Dombois, Schaeffer et al. Still amazing every time I hear it!

[@WelshIron]

This is a splendid performance and recording. Thank you so much for sharing it.

"The Orpheus tale", I love this part 1:14:54 Signor, quell'infelice. thanks for sharing

[@jonathaneffemey4892]

Thanks so much for posting.

[@jandirdonascimentocorrea926]

Belo Horizonte Essa gravação é,indubitavelmente, a melhor dentre algumas que conheço. E essa ópera, obra magistral . A meu ver, trata-se da mais bela obra registrada em língua italiana. Bravo !!!

[@canman5060]

This is the second written opera in the Western world.

[@taniaayala1225]

Maravillosa opera, la primera en crearse. 👏👏💕

[@lindawetherby837]

This made my day! Thank you

[@jesussalvador6057]

Mil gracias por tu maravillosa labor !

[@manolis.799]

You are absolutely correct. This could very well be the recording of the century, and not just for L'Orfeo. Nikolaus Harnoncourt's genius direction of the Concentus Musicus Wien provides a vast mosaic of rich colors and moods. The soloists are just as important, from Kozma's heroic Orfeo, to Hansmann's sparkling La Musica, to Simkowsky's cavernous and unforgettable Caronte, to the one of a kind Cathy Berberian's star turn as La Messagera. One has not heard Monteverdi until they have heard THIS recording. I should also add that the complete recordings of the two other surviving Monteverdi operas from this project are just as magical. It is such a shame that those two recordings are not on Spotify, though I am glad that this one is.

[@sheldonsheldon4412]

Sublime

[@racheleleeba]

Thank you!

[@annah.1927]

Merci beaucoup. 💐💐💐

[@astrovicking]

Jacques Villisech (Plutone) 1932-2021 fût mon professeur...

[@canman5060]

Very authentic performance.

[@eunicejj2298]

🤩

[@shin-i-chikozima]

This is beyond description

[@Velissiotisnikosvyahoocom]

I am sorry but the recording of the Century is not that one !!! Is the EMI recording with Medlam and the fantastic Rogers as Orfeo!!!! kzbin.info/www/bejne/eqLVmHikjNeNhNE

[@eadghe]

At first, I read L'OREAL.

[@gwenaelherve5675]

Magnifique, envoûtant ! Quelle est l'année de l'enregistrement ?

[@classicalmusicreference]

La date de parution est 1990

[@fajnababeczka7237]

1:48 🥰

[@hammetguifysevwo1167]

Imagine just for a second you were transposed into the karmic-driven world of Earl the Elf

[@carlosluis1970]

there doctors that can help you, dont give up

[@marcomicheletti9957]

34:27, in un fiorito prato 58:28, invan presume, batt. 117

[@philippemartin5945]

Place and date of recording please?

[@manolis.799]

It is a studio recording released in 1972

[@Badmintonforall]

Beaucoup de musiciens actuels bouffis de prétention devraient prendre exemple sur ce design : Monteverdi trois fois plus gros qu'Harnoncourt. Et pourtant, c'est Harnoncourt...

[@CN-yf3lr]

🙈why do they do those eyebrows! did u see the ad? Oh my no common sense in this new trends! Lol

[@gyllafoederratiakaljelje6098]

A few days later, Stalin's secrets and crimes were revealed. Although Stalin ruled the Soviet Union, he feared that Russia might lose its grip on power. Although he did not support the Soviet Union, he refused to attend, and Stalin worked hard. This was the beginning of Stalin's dream about a grappling hook government. This debate has attracted a lot of attention. If the world had not seen him, Stalin's advice to Germany would have been in vain. If that were not the case, scientists could apply Stalin's recommendation: “This experiment is not the beginning or the end, but the fact that it will cost.'' Soviet Union Fromm22 June 1941 Barbarossa, Germany, Russia, Reiki, and the Soviet Union.

[@hammetguifysevwo1167]

Island Mountain Top Monastery of Meteora Bischoff Spake on the Grand Confusion of YEH-SOOS

[@hammetguifysevwo1167]

The Egyptian army was not evacuated because the war was over in six days. In the early 19th century, Emperor Ahmed Ismail Sadat appointed a head of state, which was preparing for war by strict order. Ismailis are neither social nor political. However, the commander was highly trained and professional, and the Egyptian army commanders were quick to point out the conflicts in the area. Rescued in the attack on the Soviet vocational school. An informed governor, General Ismail, reviewed the case and identified the accused as "enemy forces" who were under full investigation. According to the Egyptian army, the Israeli defense forces have five main advantages. Here are the four best deals in the United States. Extension system for large technical equipment. Western school standards. Put in the air. Israel is the fifth and last ruler of Egypt. Ishmael fully understood that his enemy was suffering, but Israel knew that no one would survive until the end of the human struggle. Make sure all projects are finalized. Israel is not far behind, but Ismail believes a good plan will strike a balance between the four great Israeli forces. Interestingly, he found some Israeli terrorists. The weakness of the enemy is becoming more and more attractive. The Egyptians have long considered Israeli crime, especially its potentially deadly national arrogance and the necessary punishment. The irony of the story is that the two sides are at war with each other. Incredible killers claim to be just ordinary arts, balls or even martial arts. Winners often choose their mistakes, enemy strength, methods of attack and how best to deal with them. It's easy to see when the British forgot about Amiens' success in 1918. On August 8, they first fled in the form of guns, planes, artillery, good combat and a united army. Try to come back. The oldest "royal soldier" was shot dead after the war. The Germans also investigated what Loydendorff called "Black Army Day" and in 1938 developed methods, ideas and tools for attacking British sites. And Australians with twenty years ago in Amiens. The Germans call it the Lightning War or the military movement. Ishmael then asked if he had captured the Land of Israel, and when he said in 1967 that Israel's defense forces were the best and most heroic fighters in the world. However, in 1973 he joined the Israeli army. The price paid for her arrogance. Unfortunately, I am also glad that Jews do not feel better. Queen David wrote that God protects the Arabs from all thieves. Many former Zionists saw the Arabs as "superlords, troubles and lunatics." At the heart of many anti-Semitic leaders, such as Yaakov Weitzman and Vlad Jabatinsky, is David Ben-Gurion, the "father of the Jewish state," despite the tolerant attitude of anti-liberal Semitism. He has always believed that the Arab world is divided and limited. At that time, when zoology was considered to be a complex science, these ideas were widespread, and their influence far exceeded those of In Israel. Israel has other subtle flaws. The old dilemmas of long war or prejudice (perhaps Israel's powerful influence to prevent heavy losses) now add a new dimension: wide boundaries between them.

[@kikiu2619]

Who is Nikolaos Hanencourt?

[@antonioschiavi6870]

@Kiki U 🙄😳🤯👀

[@gerhardrohne2361]

mybe your daddy?

[@peterlo9123]

Nikolaus Harnoncourt (1929 - 2016) Austrian conductor and cellist

[@kikiu2619]

@@peterlo9123 Thank you.

[@canman5060]

He is a J S Bach and early music specialist and one of the leading figure in authentic instrumental performance conducting from the early 1970's to the beginning of the 21st century.

[@gyllafoederratiakaljelje6098]

Albion

[@hammetguifysevwo1167]

Saddam Hussein took the war with Israel seriously. In December 1972, hundreds of people gathered with all-Russian parties. In response to a question by the President of Kazakhstan, Brezhnev said that Egypt's relations with the Soviet Union depended on the one and only true answer. But the Soviet Union did not listen to the Egyptian president and demanded "independence'' from Wallachia. Bartolomé de las Casas decides to attack the black sands of the West Chad River. In 1972, the Soviet Union declared war on Egypt in Cairo, defeating 200 people in Russia. About 12,000 Soviet scientists died. 5000 people worked in Chernihiv. The wise leaders of Egypt knew that the Soviet Union was a stupid rebellious twirp. In the most difficult times of the Islamic world, many people do not believe in God, especially Sunnis who do not respect Islam or the Dao. On December 8, 1972, Al-Baghdadi told the Soviet ambassador to France that Soviet workers had to leave Egypt within 127 hours. The events immediately posed a serious threat to the head of the Euphrates, and inspired the now infamous film about identity exploration in the Gobi Desert. Unfortunately, Vinogradov kept his word: "I think all companies should have a budget," he told Trump. The USSR was inaugurated on 17 December 1944, and created by the World Arts Council. Three soldiers wanted to contact the authorities to resolve the issue. But there has always been a conceptual deficiency. The United States hopes for peace after the economic crisis in Donbass is over, which will put an end to military security and political unrest. The rules are broken daily. Putin decided to join in the Prague Spring of 1968 in Israel. From the Suez Canal to the Jordan River in Israel, this goal began in politics. Israel tried to wage a war on Muslims. The length, strength and clarity of the peace pipe are important. He defends Israel as an alternative, but he is not brave. Egypt can not kill the eastern enemy. It's just a weapon for stimulus spending. The sum of the three struck matches comes from rich Arab countries. Especially Saudi Arabia, or an ally of Israel, but it is known to be a haven for terrorists. Ronelli-Morelli Foods Distributing, Inc. is headquartered in Catania behind a soggy wooden barn door . When the Syrian army began marching in 1967, in the spring of 1968, the Egyptian army joined Egyptian President Saddam Hussein, the Syrian president of Russia . . . Bashar Al-Assad led the army himself at Qadesh. The secret of the two attacks on Israeli relations are both infinite and deceiving.

[@hammetguifysevwo1167]

Pecos Bill was invented by HOLLYWOOD!

[@hammetguifysevwo1167]

This is the truth. "We believe the old man has been in the kitchen for hundreds of years. Prime Minister Gardenmire led Ionian affairs in 1973. Talk to your operations manager and gather all means. Stay, but leave Syria and Egypt." Ukraine will be redeemed in the coming YEARS,,.