Mozart: Piano Concerto no. 22 - K.482 - Hannes Minnaar - Live Classical Music

Pianist Hannes Minnaar and the philharmonie zuidnederland conducted by Kevin John Edusei perform Mozart's Piano Concerto no. 22 in E Flat K.482.
Recorded Sunday December the 3rd at Concertgebouw Amsterdam, the Netherlands.
Wolfgang Amadeus Mozart
Piano Concerto No. 22 in E-flat major, K. 482 (complete)
Hannes Minnaar [piano]
philharmonie zuidnederland
Kevin John Edusei [conductor]
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♬ Facebook: / avrotros.klassiek
♬ Twitter: / klassiekonline
♬ Instagram: / avrotrosklassiek

[@curtisgrindahl446]

It is remarkable how many orchestras use the Concertgebouw for their performances and that this channel captures them. This is a delight. I love Hannes. How amazing it would be to live in Amsterdam and be able to visit this august hall for performances like this. We are so blessed to have access through these amazing videos. Thank you all!

[@pmwidener]

This performance has been my refuge during the COVID-19 lockdown. Glorious.

[@anthonyhazlewood5788]

What a wonderful performance by this young man - Mozart would have been proud of this superb performance...

[@pianoronald]

An excellent performance of my favourite piano concerto by Mozart. I had never heard of Hannes Minnaar before - I will certainly follow his career.

[@jollosaify]

I love this K. 482 version. Mr. Minnaar takes a smooth texture....and the orquestra follow him with great Mozartian flavor. Bravo AVROTROS!

[@oreolic8209]

totally agree…daily streaming recently

[@AthSamaras]

An excellent performance, Thank you... Starttimes: _Part1 00:00 _Part2 13:43 _Part3 22:14

[@taki_val]

Thank you very much @Ath Samaras :)))

[@AthSamaras]

@@taki_val My pleasure dear friend...

[@juanlescano8627]

Nada para agregar , sólo para escuchar , bellísimo muchas gracias .

[@barnes577]

Simply superb.....Bravo to pianist , conductor and orchrestra.

[@tedwilks]

Uitstekend, zoals altijd; een onberispelijke uitvoering door Hannes Minnaar en het Zuid-Nederlands Philharmonisch Orkest onder leiding van Kevin John Edusei. Outstanding, as always; an impeccable performance from Hannes Minnaar and the South-Netherlands Philharmonic Orchestra conducted by Kevin John Edusei.

[@gavinwilshaw2312]

Remarkable - his expression remains relaxed throughout: so many star performers grimace or seem to be singing along. A wonderful performance all round - I keep coming back to it time after time. Thank you Avrotros.

[@karlmatsumoto9281]

Oh, of course the warm sound is unique to this wonderful world famous orchestra. Love the sound.

[@peterm8605]

Fine performance of a beautiful concerto. As always with Concertgebouw performances, the impeccable audio does justice to the great musicianship.

[@gavinwilshaw2312]

In the Concertgebouw, but the orchestra was the South Netherland Philharmonic.

[@richardnorth5821]

Beautifully read, and beautifully played :-)

[@antonwills-eve124]

Well, that last movement was a breath of fresh air! OK K482 is always interpreted differently by everyone who plays it, but the cadenza was really very entertaining, especially including the Figaro last act aria as it did. It's nice to hear young musicians giving us new takes on things we thought we knew backwards.

[@jamesbawden8676]

The light and airy notes, flowing from the keyboard, belie the superb musicianship of a virtuoso performance by a magnificent pianist. Everything about this performance, from the director, the orchestra, and the talented pianist, were amazingly professional, in every aspect, from the very first notes, to the conclusion. Herr Mozart is smiling at this performance of his genius. Bravo, Maestro! Bravo!

[@notaire2]

Fröhliche Aufführung dieses fröhlichen Meisterwerks mit klarem Schlag des Soloklaviers und perfekt synchronisierten Töne anderer Instrumente. Einfach wunderschön!

[@AVROTROSKlassiek]

Danke sehr!

[@janewrin1830]

The allegro is by far my most loved piece of music. I can't say why, perhaps the call and response? It is so beautiful and so well executed here.

[@francoisebitoun8831]

Magnifique ! Grande joie évidente chez les artistes, grande joie à regarder. Merci !

[@shigekiiwamoto6709]

Another brilliant performance by Royal Concertgebouw !! Thanks for Uproad !

[@alejandromonestier7710]

Beautiful and clear voices. Appreciated the contrast between the female voices with different timbre, beautiful to follow the alternate melodies....

[@WarinPartita6]

Love this rendition, especially the slow movement. Thank you! :-)))

[@gavinwilshaw2312]

His graceful flowing left hand movements, along with his swaying, enhance my enjoyment of the andante.

[@helioenriquesuarezgodoy2899]

Excelente interpretación... alegre muy propia de esta preciosa obra maestra con solos de piano de sonidos muy bien sincronizados con el resto de la orquesta.......... Simplemente bello...

[@leonidassiridis8233]

W-A -M- forever!

[@sakudou01]

素晴らしいです！

[@XAVER9192]

Mozart, wie immer, unübertroffen

[@user-dp7xy2rc7c]

The orchestra is very good!

[@krokigrygg]

I like the tempo it is not to fast or too slow. Good performance from both orchestra and pianist. Sound engineer has also done a good job.

[@ajeyamatilal5567]

Beautiful Mozart concerto, Enjoy

[@elisaluisasabato7207]

Qué bellezaaa por favor!!! Gracias por la recomendación!!!!

[@mumuchat9475]

Majestueux

[@fortinolopez9739]

Magnífica ejecución.

[@gurthbruins6411]

Exquisite, sheer magic...

[@gurthbruins6411]

... bound in the spell of the Andante ... plumbing the depths of beauteous sadness with strong mind and firm resolution

[@gurthbruins6411]

Great pianistry!

[@peterrobertson5559]

The pianist and orchestra are superb.

[@user-gnvb0q3uVFN]

gooooooooood

[@perpardorf9917]

❤️❤️❤️

[@mackenzietison3127]

I rate this a 40/10😉

[@mariojoaquimwelter2672]

Nie mehr gelung es jemanden komponiren wie Mozart.

[@roberte.andrews4621]

A magnificent performance! Out of respectect for your artists and the overseas audience, you might consider rolling the credits a little more slowly, as we are not all familiar with this wonderful, talented group.

[@lucasgigante5966]

Minnaar minou Mozart, vai fazer arranjo com qualquer porcaria.

[@heinstormvanleeuwen7587]

The cadence is very interesting (in the first part) and quite beautiful, with the winds, as well as unusual. By whom is it?

[@knd1940]

It's certainly audacious the way he brings in wind instruments to accompany him. I don't know any traditional cadenzas that do that. My guess is that it's Hannes Minnaar's own cadenza.

[@pedroalasia]

It would be nice the name of the concert hall could be seen somewhere

[@donaldlonhart2681]

google Concertgebouw Amsterdam Netherlands

[@pedroalasia]

THANK YOU , Donald

[@mikekeyes6102]

Very nice performance. The more I hear Mozart played on Steinways the more convinced I am that they fail miserably to equal the sound of a good forte piano for which the music was written.

[@pepeolivares2792]

This is one of my favorites Mozart's piano concertos. Although it always depends upon the quality of the recording, I think that the way of playing the piano must have a special brio, funny lightness and strong dramatic expression, at the same time, with the perfect balance of softness and "forte" dialogue with the orchestra, this version I think it has it. There used to be here in KZbin a magnificent version which by disgrace its not anymore. Unfortunately, I don't remember the name of the performers, but it was unique. I just remember it was played with instruments of Mozart's time and that the pianist was superb and he was also the conductor. Does anybody know that version and where could I get it? I recognized some members of the Zefiro Ensamble performing among the members of the orchestra, as well. Thank you.

[@moein-lifestyle]

🎹 Best performances of Mozart's piano works (With Original Instruments) are from these artists : Ronald Brautigam - Viviana Sofronitsky - Robert Levin 🎹

[@muajibb]

0:04

[@chopin65]

He's a child! Plays well.

[@pureeschaap]

What do you mean by 'He's a child"?

[@Discrimination_is_not_a_right]

Under 30?

[@thomasstanford8456]

This 'child' is 33.

[@daanbrouwer8690]

A child ? ... you are a Snob!

[@user-fr9dx1wt3x]

18:39 さっぱりしてる

[@ekmke96]

25:00

[@DoubleGauss]

I thought the conductor was Dave Chappelle.

[@ekmke96]

18:40

[@helmutdienstmann9696]

Ich kann seiner Interpretation des 3 Satzes in k e i n e m Punkt zustimmen. O.k., akzeptiere, dass er das voellig -- voellig anders sieht.

[@paolo.s1756]

a lovely performance from orchestra. But...i really never understand why changing so much the partiture.

[@benzandpour]

Never heard of this…Mozart guy. Must be new….

[@sergevadimov8346]

Моцарт есть Моцарт и Амстердам есть Амстердам…

[@lyndonji]

great playing, but wish there were some credit given to the cadenza writers. First mvmt is by zacharias, and so I doubt the third mvmt cadenza is the performer's own either

[@QuatreMasques]

Thank you, Lyndon Ji, for answering the question I was going to pose to the "floor" here. I thought the first cadenza was extraordinarily wonderful. Mozart's original is fine, of course, but this was like a blast of new, fresh air, with its concertante surprises.

[@Max-qd3rb]

3rd mvmt is by Paul Badura-Skoda I think

[@ZemljaZarnetskaja]

Ищу "правильное" или "адекватное" исполнение 2-й части этого концерта и не нахожу пока. Вот и в этом нет какой-то объективной отстранённости взгляда отрешённого в результате какого-то печального потрясения человека, погружённого в некую прострацию или очень глубокую меланхолию, в устойчивое длительное состояние попытки внутренне согласиться с некоей морально убийственной для него печальной, скорбной или сильно разочаровывающей реальностью. Нет этого чувства ни у оркестра, ни у солиста. А ведь музыка такая потрясающая, великая. Но ни в одной попавшейся мне записи почему-то. ((

[@CostaSwagger]

Как вам это исполнение? Вчера по радио услышал.... kzbin.info/www/bejne/hai4pKZrjq2hg6s

[@ZemljaZarnetskaja]

@@CostaSwagger У меня сейчас нет на чём нормально прослушать, но на допотопном ноутбуке удалось расслышать, что исполнение хорошее, "есть что послушать, что почувствовать", так сказать, но всё равно слишком поверхностное относительно того, что слышу в нём я, а потому даже как-то не очень логичное по драматургии, так сказать, т. е. оставляющее всё равно в некотором недоумении "О чём оно было-то?". В некотором. Как бы есть о чём, но как-то несклеенно, разорванно (на непонятно чем связанные эпизоды). Пианист в этом плане тут показал себя менее глубоким, так сказать. Ну и дирижёр тоже в контрастирующих общему потоку моментах - в мажорных фрагментах и фрагментах с "драматическим форте". Вот такие впечатления от первого прослушивания на очень плохой "аппаратуре" - на старом-старом и дешёвом ноутбуке без наушников.

[@CostaSwagger]

@@ZemljaZarnetskaja Понимаю Вас. Аппаратура позволяет прочувствовать всем телом, когда вибрации проникают сквозь и каждая клеточка входит в резонанс - не сравнимые ощущения.

[@liptacfamily851]

ballsak

[@moein-lifestyle]

🎹 The pianist seems to be performing Chopin, not Mozart ! Also in the slow part of the third movement, The pianist and the conductor simplified their work . This is one of the hardest and most beautiful parts of this piano concerto that many famous pianists can't perform well . Not bad . The orchestra performed better than the pianist 🎹 27:05 - 27:54 🎹👎

[@emanuelezazzero4450]

Un'esecuzione un po' troppo patinata e di routine per i miei gusti. Bravi comunque tutti i musicisti e spero che il giovane solista saprà maturare una visione più personale di questo concerto.

[@Discrimination_is_not_a_right]

Beautifully played, but he needs to get in better shape physically. His body language is showing the stress of performing, at far too young an age.

[@garrethrobertson6466]

Pointless

[@Discrimination_is_not_a_right]

@@garrethrobertson6466 What, getting in better shape?

[@gavinwilshaw2312]

His body language shows self-assurance which is confirmed by the excellence of his performance.

[@Discrimination_is_not_a_right]

@@gavinwilshaw2312 Didn't say anything about his self-assurance.

[@fvandernoordt8041]

Kan dit niet geweldig vinden

[@zBeestBeest]

Why don't the ladies get the matching neckties, too? That's trash and made me unable to concentrate on this. Except I want to talk about this genius move to include orchestra instruments in the cadenza, even if it's not the world's most amazing cadenza ever. But let's start with neckties for ladies, OK?