Mozart - Violin Sonata No. 28, E Flat Major, K. 380 [Szeryng/Haebler]

[@automatofix]

1. Allegro 0:06 2. Andante con moto 6:51 3. Rondeau. Allegro 14:25

[@borisswall6699]

Thank you. Helpful. : )

[@gimichi]

One more gem! Thank you so much to Bartje Bartmans for posting these fantastic videos!

[@gerardbegni2806]

The piano has a leading role in this sonata. Even when the voilin is featured, the piano repeats its materail just after it. The sontat is very beautiful and of a creative mood.

[@frankvenema]

the piano sounds like an annoying waterfall

[@captainmarvelous982]

I read somewhere that these sonatas are either meant to be listened to or were intended really as piano sonatas with violin accompaniment. I don't recall where I read it or whether it was valid, but if it was true, I think it would certainly explain some of the violin writing in Mozart's violin sonatas.

[@johnsarkissian5519]

@@captainmarvelous982Yes, all of Mozart sonatas have that inscription on their original title page: Sonatas for piano with violin accompaniment”. The reason for it was because wanted to show that the keyboard, which after the end of the baroque era had been pushed back to an accompaniment role, had once again an equally prominent role. In fact, it’s not just this violin sonata. I have played many of these sonatas in public, and I’m thoroughly familiar with the rest of them. Practically all of these sonatas have very prominent roles. I would go as far as saying that often the piano becomes even more important than the violin. There is even a sonata which was originally written for the piano (and is still listed among Mozart’s piano sonatas) which also appears here as a violin and piano sonata. The interesting thing is that Mozart hasn’t changed a single note in the piano part. In order to turn it into a violin and piano sonata, all he has done he has added (or rather superimposed) a violin part to it which is often accompanimental or simply doubles the melody in the piano part. Basically, the violin part is optional.

[@johnsarkissian5519]

⁠Yes, all of Mozart sonatas have that inscription on their original title page: Sonatas for piano with violin accompaniment”. The reason for it was because wanted to show that the keyboard, which after the end of the baroque era had been pushed back to an accompaniment role, had once again an equally prominent role. In fact, it’s not just this violin sonata. I have played many of these sonatas in public, and I’m thoroughly familiar with the rest of them. Practically all of these sonatas have very prominent roles. I would go as far as saying that often the piano becomes even more important than the violin. There is even a sonata which was originally written for the piano (and is still listed among Mozart’s piano sonatas) which also appears here as a violin and piano sonata. The interesting thing is that Mozart hasn’t changed a single note in the piano part. In order to turn it into a violin and piano sonata, all he has done he has added (or rather superimposed) a violin part to it which is often accompanimental or simply doubles the melody in the piano part. Basically, the violin part is optional.

[@amirmaimon9178]

Second. Mv is Breath taking

[@NichtWunderkind]

I really like the first movement, Really pleasant writting by Wolfg. there

[@rocky49able]

at 11:51, it reminds me of Vivaldi's Winter. Fabulous.

[@MrInterestingthings]

I hope the Salzburg has film of Haebler ! I don't know how she does some of the things she does on a piano. Fabulously clean trained pianists can do but her quiet ,shaped phrases are incredible !

[@matthewbak2040]

The middle movement feels like Bach’s Flute Sonata No. 2 in E-Flat Major, BWV 1031. Both of the middle movements are in G Minor.

[@SCRIABINIST]

I used to not often listen to Mozart and Other Classical Era/Baroque Era composers, and when I first heard some of Haydn, Mozart, Scarlatti, Clementi's pieces, I was sold

[@Mariana-q3x]

E o binecuvantare sa stai la racoare pe canicula aceasta si sa asculti Mozart!

[@andreisupervloguri8058]

Asa este

[@franciswheatgerm2082]

Mozart este întotdeauna o binecuvântare :)

[@agseu3668]

Ah, como eu gosto desta sonata!

[@andreisupervloguri8058]

Wonderful!

[@Fm-xu9id]

11:35 its fantástic

[@claudrebille178]

Mozart s ultimate chef d œuvre avec le concerto 23 deuxième mouvement Piano con 12 second mouvement

[@ykd5l]

The last movement is somehow connected to the third movement of K 365

[@laurenceroche8457]

Szeryng was a great violinist, with a very beautiful sound !

[@renan1033zinho]

16:48 Beethoven Vibes !!!

[@danal81]

Mozart used a very similar theme in K365, third movement. I believe in the C section of the rondo.

[@Swaroque]

Not Beethoven but Shubert in the longing.

[@anjastanojevic1341]

Does someone has a harmony analysis ( analysis generally) of this composition?

[@mihawkdrakule3869]

3:49

[@agseu3668]

Há uma passagem idêntica no Triplo Concerto de Beethoven, que deve ter ouvido ou lido esta sonata de Mozart...

[@caterscarrots3407]

I'm making a chart of how frequently sonatas(by which I mean anything with 3 movements or more in a Sonata structure, so not only those pieces titled Sonata, but also Trios, Quartets, Symphonies, and Concertos have their slow movement in certain key relations and this sonata is bringing me into a question. On the one hand, it starts on the Mediant, G minor. But it ends on the Dominant, Bb major. So where should I put it in my chart?

[@CalebCarman]

The slow movement also ends in G minor.

[@claudrebille178]

12.50

[@popmushee]

This sounds like Beethoven trying to sound like Mozart.

[@ぶろっこりぃ-e5h]

進研模試過去問から

[@cilabanfi3335]

🤣😘