The theory is one thing, but it's the fretboard awareness you have that really blows my mind
@rodolfoamaralguitar8 ай бұрын
Your channel really deserve more subscribers! Why the heck KZbin didn´t suggeested it me before? Top player and top information!
@AzSamad6 жыл бұрын
Hi Noel, this video is amazing. It makes so much more sense hearing you explain the material in the book. Thank you so much for writing the book & making these videos!
@robertmendzil57683 жыл бұрын
Fantastic lessons and has really helped me at my stage of playing to really discover tonalities that I never thought of creating. People teach modes very badly but you really capture and share the true meaning of them. Keep up the lessons you're doing the world of music a great thing. Btw you're a fantastic player :@)
@recabustira3 жыл бұрын
hey Noel very nicly put, good lesson. thank you
@jacquesancillon663511 ай бұрын
Wonderful Mr Noel ... Ok this is more difficult for a french guy with a poor english ... But , with google tranlater above video , and the 2 ears of course ...everything becomes clear . Many thanks for your book " Voicing modes " version 3,0,1 revisited . kindly regards .
@kinankaghosh51962 жыл бұрын
I finally found something worthwhile on modes....
@masterbuilder31667 ай бұрын
Excellent video. Its a lot to take in, but I definitely can see the benefit of finding our voice . Amazing stuff 💯
@ebmaj9644 жыл бұрын
my guy just referenced trogdor im hooked for life
@christianstrums2 жыл бұрын
Omg same
@Danilo8208SS6 жыл бұрын
Great stuff. I bought the book a while back but this is a very helpful companion. Thank you.
@nohjoh086 жыл бұрын
Danilo8208SS thanks so much!
@Vaughn68866 жыл бұрын
This opens the book up quite a bit for me....literally and figuratively. Also, you should TM the term "harmonic gravity"
@arturoelmamiferoz2 жыл бұрын
congrat, it,s amazing the explanation, i have the book and it,s magnífico , si señor. muchas felicidades por tu gran trabajo
@boxerfencer5 ай бұрын
Not a jazz guy, but as someone with more standard if not classical training, I like what you did here. Decades ago when I started getting into modes, it's not something I was formally taught, I realized the relationship between modes and keys, that one works off the other, which is what you've alluded to, only you've taken it on steroids. That said, I am of the firm idea that what you guys in jazz do is play scales, not modes. As someone who in his youth was a band leader and had to regularly transpose songs to accomodate varying singers vocal ranges, I take a structural perspective, in what makes it a mode is the relationship of the chords being played, not the notes you're soloing with at any one moment in time. That is, if a song, say a flamenco song, starts with E, goes into Am, F, and G, i know it's in the key of C or Am, but uses the Phrygian, not because a guitarist may play Am over what functionally is the tonic, the E, never mind the G# note, but because those chords make up the key of C or Am. That's where both perspectives diverge, and they're world's apart, IMHO. And yes, I know the counter might be, "but chordal structures are built on scales", but this again goes to my point that what jazz players do is just play scales ... And perhaps would necessitate having to redefine modes and scales. Just the same, I loved the video, and was interesting to see varying perspectives, and someone so honed with his instrument.
@henryomangelo557610 ай бұрын
You’re amazing 🤩 you have been my solution 😢
@letsdanceonhere5 жыл бұрын
Love the videos and your BOOK too!
@nohjoh085 жыл бұрын
Thanks!
@ShaloCantor2 жыл бұрын
This is pure gold 🤩
@YMESYDT6 жыл бұрын
This is amazing thank you
@anouarjai9536 Жыл бұрын
thank you so much !
@pianostudentsemper5 ай бұрын
Nice Trogdor reference.
@karlderdelinckx4 ай бұрын
Parallel diminished. Made it click for me. The scale is actually the combi of a major chord and a diminished.
@murk45523 жыл бұрын
Why the hell isn't your channel popular? Glad I stumbled on this. Beato is awesome, but confused the hella out of me bro. Yours is more accessible and understandable. Btw, do most modes outside of the main 7 diatonic have ethnic origins? Because I find out most of them indicate a main portion of that inherent sound. Like one day I was researching Melodic Minor and found it's called the "Hawaiian Scale". When I played in D# and improvised it had an exact resemblance to a specific guitar lick from Spongebob Squarepants!
@BradyMosher6 жыл бұрын
So, let me get this straight ... the sharp 9 on a Maj7 chord is the 6th toe on the left foot??? Got it - LOL
@amoblahblah4 ай бұрын
This is so amazing. 🙏🙏🙏 Do you recommend going through the book front to back or grabbing reference materials as you go?
@nohjoh084 ай бұрын
Feel free to skip around!
@amoblahblah4 ай бұрын
Thanks for the reply 👋
@pyschointellectual10 ай бұрын
Does your book have any chord scales with frett and fingering
@henryomangelo557610 ай бұрын
I don’t know which one must I buy firstly among your three books 🤔
@plantagenant3 жыл бұрын
Next time I tuck into a plate of "bangers and mash" I''ll be telling myself its really a plate of dominant 7ths...
@shanedefeo6881 Жыл бұрын
This.is pretty cool.Do you include tabs for the chord shapes?
@nohjoh08 Жыл бұрын
yep!
@piggyfly006 жыл бұрын
Genius
@10000rajaram2 жыл бұрын
Cool stuff ! What guitar is that ?
@nohjoh082 жыл бұрын
Thanks. That’s a Collings Soco Deluxe
@NS-no1li2 ай бұрын
Why can’t you just drop the 5 and the 3 ( determines quality) and just play the 1, #4, ^7…. That way you establish a real Lydian sound…. to which then you can add your extensions of #9 and/or ^13…. (#11 no longer needed as the #4 is used in parent scale .. providing a more fundamental solid Lydian chord ..
@nohjoh082 ай бұрын
And just end up with a 1-#2-6-7? Sure! There's no reason you can't do that. Did I say something that implied that that was not allowed? I do love that chord.
@nunolance236 жыл бұрын
well this made me hungry
@lizzardbrain81426 жыл бұрын
Where can I get the book?
@nohjoh086 жыл бұрын
Thanks for asking! There’s a link in the description