Paolo Bonomini, J.S. Bach Suite n.4 BWV 1010

J.S. Bach, Suite n.4 in E flat Major BWV 1010
0:00 Prelude
04:06 Allemande
09:34 Corrente
13:30 Sarabande
18:48 Bourrée I II
23:12 Gigue
Recorded in the "Salone Pietro da Cemmo" of the Luca Marenzio Conservatory in Brescia
Video and Audio: Francesco Mori, Alessandro Arianti

[@mariosaraceni-padova]

Il respiro del mondo. Grazie❤

[@vickylyons_elliott3181]

I think you absolutely captured the essence of this prelude. It needs space, and moments of silence. So moving. Thank you!

[@user-sv7ed8xm8e]

Вы замечательный, очень интересный музыкант, Паоло! Чрезвычайно убедительна Ваша интерпретация Сюиты И.С.Баха. Благодарю и с любовью слушаю Ваше прекрасное исполнение!

[@axelsohn1454]

Agreed.

[@NikolaiRogich]

Looks like Pirastro Oliv strings. And a baroque bow. Awesome setup and sound.

[@NikolaiRogich]

In A=440 too. Now that’s unique stuff

[@donisjordan249]

I admire Nikolai ( comment below) that he said the strings are Pirastro . I wonder how he sensed them. They could be Dr. Thomastik maybe ? Great sound great recording, hail to the new generation. What happened to the old folks like Casals who discovered this music, Feuermann, Rostropovich, good old Yoyo, they are all well retired or dead but they set the rules. The new generation is amazing and much more creative.

[@robertwaroff4303]

Beautiful playing! Thank you!

[@montanaricello]

Stupenda esecuzione

[@edwardwright3409]

excellent recording. very resonant. the saraband grew on me. inventive!

[@DaHouseKat100]

I really liked your shaping and melodic rhythm of the allemande. I thought it was really well proportioned and beautifully balanced. It just made sense. It is the first time I have heard it played like that. Nice bow by the way.

[@NikolaiRogich]

Exactly!

[@hannawagenknecht6378]

Wonderful playing , thank's so much ❤😮😊

[@koteletje]

Very beautiful interpretation

[@cellista1978]

Meravigliosa! 👏👏👏👏👏

[@jayseo6778]

awesome ! 🤩thank you for the video

[@maltezeller9223]

incredible!

[@esheed]

Amazing!!

[@righiray2573]

Bravissimo 👏👏👏👏

[@MarizaGuerradeAndrade]

Belíssimo!!!

[@elgatosucio]

Beautiful

[@chrisdwan937]

Thank you for this

[@SandroLaffranchini]

Fantastico 🙂

[@celdanviolin]

Bravooo ❤

[@pasquinichannel5897]

Fantastico! Eccezionale Paolo

[@idilcetintas7723]

Semih amca❤😊

[@user-qt9qj3kz3i]

❤❤❤

[@ViniciusSilva-7]

❤️😍

[@mnemosine7498]

❤

[@arnaudfrancois2681]

Très belle interprétation. Quel est votre archer ?

[@bass-player]

👍

[@nativeofLeningrad]

Bravo, Paolo! Ma solo un suono estraneo interferisce con la respirazione. Viene percepito come masticare a tavola quando si mangia.

[@Thikron]

Nice playing on the violin but did we have to hear him breath??????

[@Thethinker-cp5vw]

Violin? This is a cello

[@Thikron]

@@Thethinker-cp5vw I meant the violin hes playing not the tape on the floor

[@Thethinker-cp5vw]

@@Thikron The name of the instrument that he’s playing is Cello. Not violin.

[@beepst]

You aren’t even capable of distinguishing the instrument he’s playing, so shut up.

[@martinwerner1330]

This is a prime example of a performance (especially in the longer suite movements) that falls apart every few seconds, caused by an excessive interest in shaping every single phrase and its components to the n-th degree, at the expense of the overall arc of the music. The tempo waffles incessantly, note values are disregarded, and there is no sense of coherence. All of this may be an interesting didactic endeavor for the performer - for the listener, however, unless he or she also is into this fad-like manner of playing old music, this is abstract and unsatisfying.

[@tomlabooks3263]

I was going to say the same. No disrespect to the musician, who is clearly very talented, but this performance seems to lack an overall coherence.

[@MrAkifusion]

HORRIBLE.

[@antoninotroisi6585]

I wish I could play that NOT... horrible