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It’s a song that reached the Top 5 all over the world and went to #1 in 8 different countries. It was also one of the early warning shots of the Second British Invasion. and the Human League frontman Phillip Oakey had only learned how to play an instrument months before And although Don’t you Want Me has gone down in history as one of the most pivotal tracks of the 80s, singer Phil Oakey actually hated it. Hoping that no one would ever hear it, he made sure it was the last track on the album and begged his label not to release it. But it wasn’t enough. The song was pure pop gold and they weren’t going to pass on a surefire hit. It’s the story of one of the greatest new wave songs ever by one of the most influential synth pop bands of the 80s... NEXT on the Professor of Rock.
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Hey music junkies, Professor of Rock, always here to celebrate the greatest artists and the greatest songs of all time. If you ever word a stonewashed jacket or jeans you’ll dig this channel. Nostalgia all of the time. Make sure subscribe below right now. click the bell So you always get the latest and greatest interviews. We also have a patreon you'll want to check out. There you can get full interviews and be an honorary producer.. Also get our new merch…including our vintage years collection shirts below
I’m excited to return to another one of my favorite shows that we do on this channel. It’s called Breakthrough. In this show we breakdown songs, albums or events that kicked open the door to an artist or band’s career and gave them the momentum to rocket to long term success. On previous episodes we have covered Boys Don’t Cry by The Cure, West End Girls by Pet Shop Boys, and Centerfold by J. Geils Band. Today we are showcasing the rise of UK band The Human League and their breakthrough #1 hit Don’t You want Me.
Often credited as synth pop's first international superstars, the Human League was at the forefront of a long line of New Wave acts to hit the pop mainstream in the early 80s. With a combination of catchy melodies and state-of-the-art tech, they proved to be incredibly influential on countless 80s acts following in their wake. The Human League came out in the industrial UK city of Sheffield in the late ’70s.
Initially, Computer operators Ian Craig Marsh and Martyn Ware put together a group called the Future. Their intent was to fuse pop with stark, expressionist electronic music. With more of an emphasis on the latter. But Ware and Marsh needed a singer. So, they turned to a high-school friend, Philip Oakey. Although Oakey had no musical experience, he was a handsome, flamboyantly dressed for success, and willing to give it a try. So, they brought him aboard.
After becoming a trio, Ware changed the group’s name to The Human League... taking the moniker from the sci-fiction boardgame Starforce: Alpha Centauri. Not long after, the group recorded a demo and started playing their first live dates. By 1978, the band signed with the Edinburgh indie label Fast Product. Their first single, ‘Being Boiled’, sold 16,000 copies and paved the way for a tie-in contract with Virgin Records. Also in 1978, they added non-musician Philip Adrian Wright to the lineup. Wright took on the role of 'Director of Visuals', which had him working the lighting and slideshows during live performances.