Marshall Origin 20 H | Part 4 : But Does It Marshall? A Tech's Perspective

[@coolelbow123]

Just got my Origin 20C - I crank it using an attenuator along with an SD-1 for a clean boost; very happy with the 70s rock tones I am able to get. I love this amp exactly for that!

[@79Pedrosanchez]

Hi, which attenuator are you using ? A passive one or active. I am looking to buy one but don’t know what is best

[@kimedmond5377]

Indeed what attenuator do you have?

[@coolelbow123]

@@kimedmond5377 Bugera PS1 Power Soak

[@nedim_guitar]

@@coolelbow123 I use the same attenuator for other amps, 5W to 20W. Works great!

[@auntjenifer7774]

I was going to get the Bugera power soak but I was worried about the wattage rating because I don't have any amps under 30 watts that I would use an attenuator on. All me big dog amps are 50-60 watts or more !

[@zbaby82]

I think it sounds pretty good.

[@Phillipmann-2019]

I have the origin 20 head dude you have to dial your tone in. All I can say is mine sounds great.

[@liveforzepp]

I've had mine for quite a bit. Initially I was frustrated with the tone. However the key is master volume all the way up and gain to taste lol. I have the gain at around 8. I also use an attenuator. The secret key is the treble. Turn the treble all the way off or at 1. This gives you Clapton Cream tones, Zeppelin tones, Free tones, blues etc

[@willdenham]

Absolutely, this is what I do with mine and I think it sounds great with my LP's and Tele. The Tele gets great snappy cleans with it too.

[@michaelstankiewitch5391]

I'm scarrd by this video

[@tboneousmaximus7963]

I've listed to this video multiple times because I got my hand on an Origin 50C and i appreciate an honest review from a tech perspective. What im hearing is more opinion than tech. It's like comparing why my base Corvette isn't a Corvette Z06 and therefore, my corvette sucks. The truth is, though it falls short of being a Z06, the base corvette is still a great car. Maybe things are different with the 20 watt version, but the 50 watt is fantastic so much so that after I got the combo, I soon after purchased the head and got a 2x12 Jet City cab. If you want bass response, get a decent speaker cab. I play mostly progressive blues. I don't particularly want a booming, low-end response. Guitar is supposed to occupy the guitar frequency spectrum. Not compete with the bass guitar frequencies. All of that makes the Origin 50 sit really well in the live mix. The Origin doesn't do what my Bad Cat Lynx can do or my Fender Hot Rod Deluxe or my Two Rock Studio Plus, but none of these amps can do what my Origin 50 can do. The Origin takes pedals extremely well, has amazing clean tone and punch, and is plenty loud. While I appreciate this review, and yours are some of the best I watch, maybe try the 50 Watt through a decent speaker cab and focus on the tone you are getting from the amp as opposed to this amp not sounding like a Plexi. This amp will NEVER sound like a plexi because it's not a plexi so why draw the comparison and potentially miss out on what this amp is good at?

[@johnsmith-zf1fd]

@@tboneousmaximus7963this guy is talking bollocks the origin is a great amp, especially for the money. you could spend 4x as much on an amp and get at best 1.4x the tone

[@johnmarshall3903]

​@@michaelstankiewitch5391Don't be scared, this tech just doesn't like Marshall, that's all.

[@willdenham]

I have the 50 head and I think it's fantastic. Not to ruffle any feathers but I put it right up there with my 2 plexis, Super Lead and JTM50. It has grind. I crank the master and everything except tilt and gain and I get very satisfying tone.

[@stratolestele7611]

You have a JTM50??? A very rare amp that's worth around $10k? Hmmm... If you actually do have such an amp, I cannot for the life of me understand WHY, why, you would get a cheap Origin that isn't in the same hemisphere as a JTM50? And please, please tell me that you're not using another bargain basement product - a Bugera power soak with it. Someone who owns a JTM50 is a caretaker, in the vein of someone who owns a '59 Les Paul, or a '54 Strat.

[@richardshank9583]

​@@stratolestele7611 easy. Maybe he doesn't wanna take his expensive amps to a shady bar or wants an amp and he can throw around and be careless with. Not that hard to understand

[@seric4546]

​@stratolestele7611 Maybe he likes the sound of it and wants to leave his vintage amps at home. Nothing hard to understand here at all.

[@willdenham]

@@stratolestele7611 The JTM50 is a clone. I never said originals. Nothing wrong with the spec on that build either. NOS tubes, quality transformers. I saw/heard a vid with two guitarists doing a head to head demo of a vintage JMP with the OR50 and similar results. There's a similar vid from a youtuber with a popular channel, where he's comparing his OR50 with his JCM800 and the difference is slight. Also that attenuator you spoke about is not a bad product either and there are those who agree. Just because something is a bargain doesn't rule it out as a decent piece of equipment.

[@watersnortmoment3734]

@stratolestele7611 JTM50 clones are not rare lmao. “B-b-but it’s not official!!!!” So what? It sounds the same.

[@wazda6488]

I have an origin 20C myself and absolutely love it

[@PsionicAudio]

Good to hear! I'm not being snarky. If you love it, great.

[@dahliafiend]

I’d love to see a series on amps this channel loves because aside from an AC-15 (excepting the custom classic version I was about to purchase) the reviews tend to be negative. Not being snarky either by the way. It is refreshing though from the plethora of demo channels where everything is great and wonderful.

[@charlielapp2427]

A couple of things. For whatever reason, at least in my experience, this amp gets fizzy when the master is dimed like you have done throughout a lot of the video. It also sounds very thin with the preamp set low even with the master turned up. So it's finicky in terms of how the two volumes interact with each other. You also need the right cab for it. So as long as you have the amp set up right there are a few really great sounds to be found in this amp. Just look around youtube and you can find some examples. Anyway for an amp that cost me 380 USD new I think it's a pretty great amp for the price point.

[@sixslinger9951]

it cost less than most Marshall amps being serviced. Incredible value.

[@Crunchifyable2]

Makes sense considering it's a master volume amp it's probably meant to raise the preamp volume and have the master on like one

[@marksvideochannel3592]

Totally agree, Gain up at least 65-80% and master volume to taste from there. TIlt to taste for brightness/tone. Pretty much all I ever adjust. Sounds great like that.

[@AudaciousAce1989]

Where are you finding these for $380 USD??? 😅😅

[@charlielapp2427]

@@AudaciousAce1989 Off of Amazon lol but this was a few years back. Not finding them for those prices anymore unfortunately.

[@Skman22]

"...a sense of authority" Beautiful. For me, that is almost the perfect description of that Marshall tone.

[@seanbrooks2583]

I had an origin 20h. I would turn the master and the gain all the way up. Then i would control the volume with the power switching. I always thought it sounded great.

[@jasonktong1]

Jason from Headfirst here, thanks for the mention. I agree with everything you set out here!

[@andrewcichon3037]

Like your work Jason and the company you keep. Burgs and Leslie, two old mates from Oz.

[@jasonktong1]

@@andrewcichon3037 hey Andrew, thank you. High praise coming from you mate. Top blokes those two are!

[@Skman22]

@@andrewcichon3037 👍🏻

[@andrewcichon3037]

@@jasonktong1 Lyle does all of my work. He's a wiz. Check out AC30 from Hell, Pacemaker, Park 150 and Laney Supergroup 50. HNY from NYC.

[@1thess523]

I, just heard maybe 4 demos from 4 different people on the origins 50 and 20 and they all sounded really good, they were also using 4x12 cab's

[@jayjayripoff]

ok... 2 things A. Doesn't sound bad in this video(or many others where people are using it thus-ly, as you are, master cranked. Hint: needs a PPIMV ;-) ). B. I have the 20w head, and I don't know how you can sit next to it and play it on the 20w setting without ear defenders/plugs, or an attenuator? Are you using an attenuator? I have to have it on the medium setting at band practice because I drown everyone else out, I blast my drummer out (tbf, he can tame himself quite well, but he's a rock drummer and can hit hard if he wants to.... Still, he doesn't like me been on the high setting, and tells me to turn down....) So, sorry, I disagree with your prognosis, based on my own experience, but I have enjoyed these videos, and have learnt a lot. Thank you, :-)

[@PsionicAudio]

Good or bad compared to what? Loud compared to what? I have a very large sample size of amps for comparison.

[@Fernando-ry5qt]

Yeah.... I have the problem that I just cant crank the master enough to get a good sound without killing the band at the rehearsal room.... And I do play medium clubs with the medium power setting. I don't know either how can he just sit beside the amp like that, mine would blow my ears ... Is it louder than a twin reverb? no.... but I cant even use the twin in 90% of the locations we play.... Its WAY 2 loud and sounds like shit at low volume lol

[@alexmurphy5289]

Seriously. I have this amp and since I suck and live in a quiet neighborhood, I rarely turn it on unfortunately. I think it sounds great turned up, but a quiet marshall is not a happy marshall in my experience. One day ill crank it up! Origin is good enough for me

[@colinmcnab6145]

@@PsionicAudio So do I most are vintage and there is nothing wrong with the Origin 20c that a tube change and Greenback 10 speaker won't put right.

[@chloewinkworthartist]

thankyou for providing a reality check on this post, it is loud enough , its a pedal platform ,and these days when the gig is big ,you mic it up....im tryin not to call this guy names ,but hes clearly being a dick about it.

[@Krashulka]

Sounds like you got a dud, I have the 20 watt combo and it sounds great, especially plugged into my 2 cheap Marshall code412 4x12 cabs suprisingly. Plenty of bottom end too when cranked, like being punched in the chest standing in front of the quadboxes.

[@SeasonedSalmon]

Yeah I agree completely I also have this amp and don't experience any of these problems at all. It's a great amp lol

[@alexmurphy5289]

I have a 1x12 with a creamback (closed cabinet) and the origin sounds incredible through it. It’s also LOUD.

[@robd754]

My O20H sounds miles above this one. i put a DB meter on it and it was saying 116dB through my Marshall 1965A (4x10). that should keep up with most bands.

[@edgaeta2001]

I agree with you, I have this head and I love it. I'm running it through a 4-12 cab and mostly on the low setting and I thoroughly enjoy it. And believe it or not when I want clean tones I A/B switch over to my Bugera 20 watt. I don't want to knock this guy but he found sounds a little spoiled

[@TatenomicsMoneyClips]

Yeah I have a mgfx 4x12 and honestly for have spending 200 bucks on the cab it's not too shabby

[@geoffwhitemusic]

Thanks for the deep info about this amp. I own one, and I think I’ll be taking it to the local tech to get any problems or potential problems addressed before they become catastrophic. Gotta say, every tone you’re getting from the amp sounds absolutely the business to my ears. It reinforces why I love the sound of mine!

[@AlexWBKK]

Surprised at the "lack of low end". Probably its my room and i also play it with pretty full sounding Custom 69 Fender Pickups/Jimi H. Stratocaster. The Music i play is mostly Jmi oriented with this gear and i have my bass in the lowest positions. Maybe 3 out of 10, otherwise its way too bassy. I mean way too bassy really. The shift i have at 12 o clock and presence too. Just now that i changed the strings to what Jimi seemingly had too (38ts on the low string) i can use like 12 o clock bass. Before it just made the whole room wobble and also the difference between lower and higher strings were way to big, if i put lot of amp bass in. Playing on 2x12 Vintage 30s (the Harley Benton tower). Basically i had to use the Fuzz on 0 to take bass out. SO not sure, maybe your guitar just reacts very different from a Strat. I really love this amp. Maybe one day ill get a SV20H but this should already be enough. Its so damn loud that i can basically never pay it even half up. Even more with a Fuzz or something, its abnormal loud. Its a pedal platform. TO anyone looking at this but has other guitars, please dont judge based on this video. Look at a few others too (especially Guitalian), where they use different gear and pedals etc. Its 450 Euro and i dont see anything comparable in this range, if one is looking for vintage vibes with a real Tube amp.

[@timphelan2873]

I have one of these, have had great luck with it. So much so, my buddy loved mine, and bought one. His was a dud that sounded more like this video. I wonder if there's some quality control issues, or the design has drifted over the years. Idk. I just know mine does great work in my studio, and isn't worth enough to sell off. Ha ha

[@timphelan2873]

For context, it sits on a shelf with a Friedman, a deluxe reverb, a matchless dc30 and a vox handwired ac30. The origin doesn't have much range in sounds it does well, but it does it's "thing" pretty decently.

[@WayneMemphisMojo]

I had one for about a week and it was a turd ... kind of made me go negative on Marshall amps

[@timphelan2873]

@@WayneMemphisMojo it seems they're hit or miss. Not a great attribute.

[@MrBallynally2]

Same here. I tried an Origen20 next to a 20w DSL in a shop. I could not get the fizz out of the DSL while the origen had none of that, was quite ballsy and only started to overdrive a good way up the dial which is what i like. The Origen in this video is very fizzy and does indeed sucks in tone. Go figure..

[@orionwarren4244]

"Plexi tone". The creamy overdrive harmonic overtone from chords played on a Les Paul plugged straight into a cranked Marshall 50 or 100 watt 'plexi'. That's pretty much it. That tone can be derived from any number of El34 based amps or from pedals but...plug it in to an old plexi and crank the knobs to 10. That's it. I think that's what people mean. I used to do that with my old JTM45. Just keep turning it up and as long as you're blowing through a Celestion vintage loaded cab? It just keeps sounding better till you 'blow' your eardrums. That's pretty much it, Lyle! LoL

[@darwinsaye]

Plexi tone is just pre hi-gain era Marshall tone - Zero dependant on a Les Paul, haha. To me the best Plexi tone is with a Strat neck pickup set to edge of breakup! 😃

[@tryten9]

Think you got a lemon. This sounded pretty plexi to me in person. However, even I can hear the low-end response over yt. The low end was woofy in person, but I was running through celestion 70/80s.

[@yeauld]

Its absolutly wrong to get the master all the way up in these amps, the master volume helps just a tiny bit to get a fat tone, instead get the gain knob pass 6 ( thats whats gets you a very alive touch sensitive fat tone ) and master to taste depending if you are shooting for clean or overdrive sound, get the treble not higher than 2, presence not higher than 2, bass around 5 -7 for humbuckers and 7 and above for single coils, and mids 5 and above for everything This is a Marshall Super Bass mini, not a Plexi, you can get it close to a Plexi but this amp was designed after a 1967 Marshall SUper Bass which in my humble opinion is the best Marshall ever tone wise, and according to many people is what Hendrix really used in the studio back in the 60s along with some Fender amps, but who knows for sure This amp clean sounds is wayyyyyy better than Marshall Studio Vintage made in England, and takes pedals better than any other Marshall I had over the years ( and I had a lot ) and the parts and built quality is EXACTLY THE SAME as the made in England ones, is like they use the sames parts in both amps just the Origin is assembled in Vietnam and the others in England, dont believe me ??? watch this video -------- kzbin.info/www/bejne/b2OZmKOYpM6VqZo This amp sounds AMAZING !!!! IF YOU KNOW HOW TO DIAL IT UP PROPERLY, just take sometime tweeking the damn thing and you will see Anyways thanks a bunch for taking the time to make this video

[@PsionicAudio]

If I could post GIFs here I would Willy Wonka you so hard.

[@yeauld]

@@PsionicAudio hey man thank you very much !!!

[@quickie1982]

You got yourself a dud there dude. I have the 50w combo, snarls like a beast with plenty of low end

[@PsionicAudio]

Wasn't my amp. A client's. This is after the fix. The one I tried in a music store sounded the same. I've heard people say the Origin 50 sounds better than the Origin 20. I haven't played the 50, but it could only sound better.

[@florisvanlingen]

@@PsionicAudio Got a good deal on a second hand Origin 20, bought it for 200 euros. It was an impulse purchase but I wanted a more vintage sound, which I could not get out of my Jubilee or DSL. I was not a fan at first so I had a tech do the headfirst(JCM-800 style) mod to mine. The mod was done by a tech who used to work for the Golden Earring and rewired their VOX after it had caught on fire. Anyways, after the mod the amp did sound a lot better but still had a weak EQ-section. I found out that I was looking for the spongyness a plexi has, which an Origin does not have. Using my Love Pedal Purple plexi and Greenback IR's I do get some good recording tones out of it, but the amp is still noisy though. All in all after the mod I had spent less money than a new Origin costs, but I should have just bought an sv20 instead. Did you have a look at the Headfirst Origin 20 Plexi mod, and what are your thoughts?

[@tamasbalog5641]

If that's not a Marshall sound, then what is? kzbin.info/www/bejne/l3fahYOEnLCcgqc

[@boctok55]

Lyle, I'm so glad that you shoot straight on these amps that fall very short of their heritage. I am also glad that you give shout outs to other channels that offer fixes (Headfirst) and companies that offer better alternatives (Ceriatone). It's about time people opened their eyes and stopped paying for nameplates and brand loyalty (not just for amplifiers). Because as long as folks pay for substandard, these companies will continue to produce substandard products in the name of corporate profit. As a side note, I have an Origin 20 head and 2x12 cab that I intend to perform the Headfirst mods on. It was for sale, head, cab and all for $200.

[@toddknaster9731]

Please don’t be discouraged by this review. I just got this amp today and plugged it into a peavy 1x12 closed back cabinet with a celestion vintage 30 speaker. Turned the treble to 3, mids on 6, base, tilt presence on 5, volume on 1 This is on mid output and gain all the way up. It sounds great! Add a tube screamer type pedal and it’s even better. You can Get any classic rock sounds easily. If you want soaring lead tones you will need a gain pedal. Plugged my reverb, delay and screamer into the front of the amp. Did not try using the effects loop, but everything sounded great straight into the front. On full power it is just awesome. Very full and dynamic. On mid power you can play at home levels without sacrificing tone. On the high power mode it is a little too loud for home, unless your neighbors aren’t home or you have good windows!!! My phone decibel app showed 60-86 on mid power on volume 1. On high power on a little less than one it showed 100 db.

[@adamwatson6916]

I am a bedroom/living room warrior and the origin did not make me happy

[@gphone9619]

I love my 50H that I run into 2x12 100w cabs but you do have to redial according to guitar and pedal combinations. Best bit was it was only £365 in a black Friday deal when it came out. Its also a million times better than the DSL40 Twin...

[@qua7771]

I would say the trouble with a plexi, is that it was later used in a way that it wasn't originally designed for, to achieve a certain sound. That being the case, everything had to be tweaked counterintuitive to a purpose built design. What Jason at Headfirst does makes more since to me. I don't think Marshall intended for this to be a plaxi, because the made another low wattage amp for that.

[@danieldesjardins6615]

I don't agree that a Blackstar would be a better choice for many reasons : I heard that customer support is bad, you can't find their schematics on the web and they are hard to repair...

[@jordan-c-bay]

I appreciate Psionic not gushing over this amp like most channels do. It’s important to know what you are getting. However, this amp “sounds” as good as or better than many competitors on a mic (at least the combo version does). The Blackstars Psionic is raving about here might sound great in a room, but mic one and record it, or through a PA live, and it’s mud and bass. Andertons channel inadvertently has a great example of this doing a shootout of small amps. It also tends to sound good even on amateur channels with poor recording gear and techniques. That’s worth a lot imho. Ymmv… I don’t own one, but it does tend to sound pretty good recorded.

[@PsionicAudio]

When have I ever gushed about a Blackstar? I loathe the things.

[@dominicisnthere9687]

@@PsionicAudio my thoughts reading this. Did this fella watch the same video as I did?

[@marksvideochannel3592]

@@PsionicAudio "some of the stuff Blackstar has out will kill this thing" is your direct quoted comment in the video. That is all he is referring to. For what it's worth, I like your work but like others here in the comments, disagree with your impressions on the Origin 20. I think in today's environment where 50-100 watt monsters are just not able to be used properly (for the most part) it is a great, versatile 20-watt amp. Having had the SV20, DSL 20, DSL 5, Slash 5, Class 5, AC4's, various AC30's, and many, many other amps over the years. Master at more than 8 also doesn't work. P.S I also don't like anything Blackstar to date. They just don't sound or feel right to me.

[@marksvideochannel3592]

Also just found this....Pretty good sound. To my ears anyway. kzbin.info/www/bejne/mpymfIOAq9p7iq8&ab_channel=SRGuitar

[@stratolestele7611]

@@marksvideochannel3592 I took that as in - no gushing over the Blackstar, but just saying that their 20w offering kills the Origin. I think he's entirely right about that. I'm not a Blackstar fan, but what they do in the 20w realm is a far sight better than the Origin 20.

[@NudnikShpilkus]

I am sensing a slight undercurrent of disappointment with this amp.... ;)

[@robd754]

none of these issues on mine. have to run my Bass on about 2. and it meters at 116dB through my Marshall 1965A.

[@kerrykurschinsky2451]

I use a 50 watt plexi when I play out,... but for in the house,... this is an excellant alternative,... it's 20 watt's,... not 50 or 100,... it isn't going to have the thud,... Marshall's 500 dallor attempt to start the younger generation with somethin',... they did well,... one should try a little harder... to look for the GOOD in thing's,.... don't ya think......

[@thomaskilby6872]

To be fair, turn the treble all the way down (it brings nothing good to the table). Master between 6-8 (power stage overdrive is pretty nasty) don’t put the tilt above half and they’re fine as a pedal platform. Took 5minutes of playing to realise all these things. I run a Friedman IR-X in the footswithable effects loop for crunch and heavy.

[@hkguitar1984]

Great breakdown of what the Marshall Origin 20 is and is not. For myself the Marshall tone I recognize is the result of the Cathode-Follower tone stack. I ended up converting a 1990s 1987x to older Marshall Specs by changing to a different Transformer which dropped my output to a measured 38W. Overall I'm very pleased with the single trick my one-trick pony performs.

[@LMacNeill]

I wonder if I have a newer revision of this amp circuit... I have a brand new Origin 20C combo-amp and I get no hiss and no bleed like what you're getting here. If I max everything out, it's too loud to be in the same room with it...

[@marekgitarzysta5193]

One thing Marshall has always been very open about is that this model was designed as a pedal platform. If you buy it for Marshall tones "out of the box" you'll be disappointed. But I think you can get good tones with this amp and your pedals (I mean gain pedals)

[@timphelan2873]

I agree on this. I almost never use mine without something in front of it. I've got some good "rock" sounds like late 70's Heart with a joyo (I know I know) sweet baby pedal, and got some pretty cool Police/Andy Summers tones when I back off on the gain and master volume a tick and add some modulation effects and a bit of delay. .

[@stratolestele7611]

Okay - if you say so, but while Marshall talks about using pedals with this amp, they do say "The classically styled single channel amps generate rich and harmonic tones that are ideal for players to explore new possibilities and craft their sound." They're just not good amps.

[@timphelan2873]

@StratoLesTele I guess that's your opinion. They're inexpensive, no doubt, and I wouldn't call it magical, but mine is still on my amp shelf next to a Friedman ds mini, soldano slo, ac30 hardwired, tone king imperial and matchless dc30. It has its own thing that makes it worth keeping. I wonder if you've owned one. 🤔

[@richardshank9583]

​@@stratolestele7611 are they a plexi or 2,000 dollar amp? Lol no. But it targets a certain market and does a damn good job at it.

[@tonyr669]

When I got mine I thought is sounded shimmery and Fender like. That did not make me happy. Of course I did not play it full blast because You know, neighbors. But once I put a tube screamer and an overdrive pedal on it, oh my dear Lord this thing became a beast! I am thrilled with this amp, (i have six amps) and it is perfect. Now one day I will take it to my friends place in the country and play it naked at full blast (with a very long jack) just to hear it break up fully. Not a Plexi sound? Everyone else seems to think so but this guy. I think he is biased against amps made in Asia.

[@grippo1927]

“Plexi tones maaaan!” 🤣 Nice Gear Page burn, and totally true. It’s mostly nerds who don’t know how to play and collect musical equipment as trophies and parrot what each other says.

[@Kanthon]

Did we just become best friends?

[@adamwatson6916]

Whatever the origin is it sure ain't Plexi tone of any variety . Not that the DSls sound like vintage Marshall's but I had much better luck getting Quasi vintage Marshall tones out of My DSl 5CR and 40CR then i did out of my Origin 20 when I owned all 3 at once . I had the origin for 6 weeks and it's long gone.

[@HomenetAV]

Great Review! Thx, I swapped the first 12AX, or ECC for an older 12bz7 and it re defined the 2nd order harmonics. Which I believe is the sound most are going for and the most "Marshall" sound. Although I also think that this amp was created for users who like to use the FX loop, and or pedals. It simply does not have the DSL / JCM gain structure for sure, but I'm happy that it is a different breed. It's not a Plexi as you mentioned for sure. Even so, It's still a Marshall, just not as much as most people thought it was going to be.

[@onewireman]

The Origin series are _____. I did mod one for a friend with V1A and V1B cathode to 2k7 and .68, coupling cap to 2n2, and fixed depth 4n7 and 220K. It did make it better.

[@Magnetron33]

I have the combo version with110". Not fond of 10's so I run a 12" ext cab Love it. Sounds like my 78 50w and is 9 lbs less

[@ChrisMillerdoubleplanet]

What? ha ha... You should hear some of the shit I play. Those little class A amps.... Have HUMS, and RADIO STATIONS, and the GHOST OF TELSA in the background. That is a feature, not a bug....

[@jaredbader1415]

It's a good sounding amp for the pricetag. I use it as my theremin amp in a Zeppelin tribute and it's perfect. Loud enough as it gets 🎤 anyway and it competes well enough with a drummer even a heavy handed one. I have a 1959HW Plexi as my guitar amp and no the origin does not compare to that but I will gladly use the origin as a spare amp if my real Plexi ever goes down on stage. I can get great tone out of it especially when combined with an echoplex. Techs probably hate hearing the old phrase but I'm sorry, it's true: "Most of your tone comes from your hands, not your gear" you can play a cheap Epiphone LP into an Origin 20 and if you're a good player you can absolutely make it sound like an R9 into a vintage 68 Plexi. At least well enough to convince most people.

[@louaguado995]

Wasn't so bad. I bought the 50 watt version, found a used one for a great price, but I returned it after a week. Just couldn't get a good sound through my 212 or 412 Marshall cab's. I prefer the sounds from my Bugera g20 that has 2 channels, reverb, and cost less

[@honkytonkinson9787]

I’ve had a DSL 5 for a bit more than a year and wonder if this is a similar design, for the classic channel anyway. The problems described remind me of how I feel about my amp. However I’ve been able to dial in good sounds, just takes more time and effort than other amps I’ve had in the past, and changing guitars and/or pedals requires some pretty drastic knob turning. I upgraded the speakers and swapped out some preamp tubes and now it’s rounder, fuller, more bass and less fizz. I guess I don’t know what a real Marshall sounds like but I’ll never need more than 20 Marshall watts, but I do like what I get from my amp. It really gets those Hendrix, Beck, Clapton tones at a reasonable volume, and doesn’t cost half a year’s salary!

[@jeffkellogg76]

I got two of the Origin 20s with a pair of 2-12 cabinets to use as stereo affects right&left channels for my 1974 JMP Super Lead 100 as the main dry amp

[@yernickle]

How about those UK made Marshall 20 watt El34 amps SV20, Jubillee,etc.?

[@michelewade5415]

My O20 sounds great. I totally disagree with guy. If you can’t dial in a good tone with this amp, then there’s something wrong with it. And it’s more than loud enough.

[@petertimp5416]

I play my Origin 50 mid power settings, low power sounds 'not as good'.

[@philipm183]

Ehh. What do you know. Mine sounds just fine. It’s loud and that’s all I need. Even at half power. No mods or effects. That’s what I figured. A Blackstar endorser. Now I know you don’t know jack. Everyone is an expert.

[@snotmale]

Yeah, bit harsh. I run my 50H at the 20w setting at home and with a drive pedal it gets most of the 60s/70s rock tones I like. However, each guitar used does have a preferred setting - it's not ubiquitous across the range. Oh and full power 50w setting will kill the drummer issue! @£365 new it was a steal.

[@henriquevalverde7179]

Original plexos didn't feature pre-amp gain. Origins 20 and 50 feature a pre-amp gain.

[@cgavin1]

The only thing that I get from reading all the comments on this video is that a significant number of people have dysfunctional hearing.

[@golgothaassassin5035]

I think alot of the problem with these so called modern amps. Is that the consumer has been sold a bunch of lies, the difference is simple the manufacturer has basically went the cheapest way possible. When in truth if they would build that great sounding amp for extra cost they would sell more. There is no innovation only only profit margins.

[@dananthony6258]

To be perfectly honest I haven’t heard anything good about these amps. I would definitely stay away from them. I guess if someone gave me one I might use it but I’d never pay for that. Pro get better Marshall tones out of a spark 40 amp.

[@Crunchifyable2]

My theory with these amps is a lot of people don't even know what a marshall sounds like anymore. They probably get it confused with Peavey and Tweed fender, and whatever else existed in the 1970s and 80s on various records. That's my theory behind it because none of these cheap Marshalls have the snarl. But when you get that snarl it's good for one thing and one thing only. Like I built a 2203 style preamp played with it for like an hour and put it away. It's not a bad sound but it's almost cliche.

[@richardshank9583]

I mostly agree with your assessments on most things and or opinions. However I think as an amp tech you are being way too critical. I'm an amp tech myself I've built my own as well. I've heard good and I've heard bad. How in the hell you believe a blackstar would do better than this I have no clue. I have never heard a single blackstar sound good. Imo their cleans suck. Their distortion channels sound like something from a solid state amp you picked up off the side of the road that's been rained on 5 times and probably sat in a humid basement to where the speakers are basically mush. Never heard a good blackstar tone and I've tried all of them time and time again. So no going to have to do a hard disagreement there. I think you're reviewing this very critically from a mind set of a tech that could likely build a dumble level amp. Thing is it's a 650 dollar marshall. It's not a plexi no but I and many others feel it comes close enough to satisfy so clearly you're coming at this way too biased. I'm actually quite impressed with their tone when cranked up they sound amazing. You said mushy like it's a bad thing. That's a subjective taste some people hate tight amps and love mushy and vice versa. Me I prefer tighter Amps and could easily see fixing the mushiness of this amp simply with an overdrive that cuts bass a bit. I've played dumble ceriatone built amps, played tweed 5e3 clones, owned a 76 twin reverb. Played a myriad of many other high quality and owned a myriad of high quality amps and know my way around one and even have successfully designed and built a couple and carelessly thrown together a couple with good results in either approach. I will agree with you on the master thing. They could have done something way better with the master that was dumb on their part. Makes it useless as a bedroom amp without a power soak and it does have hum. At this price point I would say the hum is acceptable but albeit it's there and it should be noted that it could be better m but at 650 its far from a bad amp and I think next time you do an amp review you really should possibly look at things less from the standpoint of someone who likely has played owned and built several high quality amps and more at that level of it is what it is. A cheap entry level tube marshall that would make someone very happy for at least a couple years until the next amp.

[@TheAxe4Ever]

I see you mentioned Ceriatone. I am waiting for delivery of a Ceriatone and so many Marshall acolytes shunned me on “why would you want a clone of a real amp like Marshall”. Well, because I want a “modern made” amp that actually sounds good and is serviceable. Something I’ve yet to see from Marshall. Then I ask them what they mean using the word clone. They then say a copy cat that can’t come up with their own stuff. To which I reply “Oh! You mean like Marshall since Jim Marshall just modded then copied a Fender. So that makes Marshall a Fender clone”. That usually throws them into a tizzy.....then I laugh. 😂

[@TeleCaster66]

This is exactly why my Blackface Deluxe clone is being handwired as I speak by a guy who's been building amps for several decades. The Fender handwired version is very nice but twice the cost and this guy's amp sound exactly the same without a fender logo. But I'm tired of old amps that are always in the shop, I want new stuff.

[@thecoverstory1]

I think you got a bad 1 there... when you pull out the boost, that crackle is awful... mine doesn't do that... honestly, it seems your amp is not a good example of the sound you can get from the origin 20...

[@dcguitar357]

I have a feeling all of those saying this thing sounds like a plexi or sounds “so good” have never played a real plexi. It’s like that old saying cheeseburgers are great until you have steak. If you are a beginner or one with plays as a once or twice a week hobby I guess it could be ok but if you want a “plexi” don’t be fooled by the cosmetics this amp is not a plexi. For a serious musician you will likely be disappointed by this amp get the Studio Vintage instead. You get what you pay for and owning one of the finest amplifiers ever created is not going to come in a cheap package there is a reason the most affordable true “plexi” the SV20 costs $1000 more but it is the real deal and a much higher quality English made true Marshall as it should be.

[@MrBallynally2]

Sounds nothing like the O20 i tried which sounded better than the DSL20 next to it in a shop. Less thin and harsh. So, i think this amp has issues. It sounds terrible..

[@PsionicAudio]

This amp had no issues when tested. I made sure, because it sounded awful. But it's working exactly as the schematic indicates.

[@adamwatson6916]

I see comments all over the internet about the origins that make shake my head in disbelief. There seems to be a specific type of origin owner that think they are the only ones who know how to dial an amp in or think they are the only ones who know how a vintage Marshall is supposed to sound . A comment I see alot is if you don't like the Origin amps then you don't like vintage Marshall's or if you don't like the origin you don't like Marshall's period. It's like saying if you don't like 1 flavor of ice cream then you don't just don't like ice cream or better yet if you don't like non dairy ice cream then you don't like ice cream. Because the origin is like the non dairy ice cream veriosn of a Marshall amp . It's the non Marshal Version of a vintage Marshall Another one that blows my mind is all vintage Marshall's sounded that way or the low end always sounded like that on a vintage Marshall . None of the people who say those things have first hand experience with any vintage plexi type amps

[@gregparker1012]

I know that "warm" and "Marshall" aren't allowed to be used in the same sentence but it's a sound I have heard, sought, and found. You might call it "brown" or something but the older I get the less I like guitars that sound like broken glass or chainsaws. I should do a couple of amp demos sometime. That Origin sounds like a cheap practice amp you get in a guitar/amp package for $150.

[@hkguitar1984]

I agree with you Greg, as I get older (going to be 60 next year) I tend to gravitate more towards the 5e3 tone and less of the (as you say) "broken glass or chainsaw) tones. And to be honest, those tones can easily be had with just about any amp good or bad by using a pedal (RAT Pedal comes to mind). For myself, cranking my amplifier till the side-harmonics start getting amplified and passed along with he main signal are what I prefer. When single notes sound musical and multidimensional with bloom. Each amplifier has a sweet spot and that is about it, trying to make one amp do it all is just not possible (from my point of view).

[@motorrebell]

kzbin.info/www/bejne/l3fahYOEnLCcgqc sounds AWESOME to me !

[@saturnskull1242]

Thnx for demonstrating how great this amp sounds, even if you don't mean to...

[@jbh219]

You definitely got a dud. Mine sounds much nicer than that stock, even though a 1x10

[@sixslinger9951]

so does mine. it's an incredible amp and I own 2 vintage Marshalls that were much more expensive.

[@stratolestele7611]

He didn't get a dud.

[@RDEL54]

The other demos that I have watched on this amp sounded good I was interested until watching this video.

[@whiteon5627]

Don’t trust this video at all… I have the 20 combo version, some good pedals and 57 classic Gibson pickups and you will never regret it!! It’s just the Classic hard rock sound in its nature!!

[@poesybeat]

you'd be better off with a Fender Pro Jr plugged into a 2x12 extension cab with a drive pedal in front of it

[@HiHello-ku1fl]

I played an Origin 20 head and though it was decent turned up over half then plugged in the 50 and it surprised the hell out of me. I had it plugged into a studio vintage 2x12 vertical closed back. Great sounding head. The 50 was much better and a great value especially on the used market. You do have to dial them in right. The 50 was very loud so maybe an attenuator is needed.

[@michaellacasse4180]

My sounds awesome with a boost 👍

[@TheKevinNewsom]

Really nice job on this series. I had a 20H for about a year. It was fine for bedroom playing. And it sounded pretty good with high-end pedals for gain, reverb, and delay. There were no technical issues. But the amp was just kind of sterile. It seemed to lack the spirit that most amps have.

[@reno145]

Ah, the good old plexi tone argument. A lot like saying a pickup has a great PAF tone.

[@Chris37Harris]

Maybe if you played your guitar I could tell what it really sounds like. Hitting a few cords especially when your not playing the same test riffs. Hard to get a real impression. Thanks for trying though.

[@dustinthiessen]

Had a punk rock band come through one of the venues I mix at (550 cap theatre), and one of the guitar players had the 50 watt combo in mid power mode, master up at 8, pointed directly at me at FOH. There was absolutely no bottom end to the amp, and it was so loud that I couldn't really put much of it in the PA and fatten it up that way... all in all, not a great time... lol

[@seric4546]

I think the point is vintage Marshall tones vs. the high gain sounds typically associated with Marshall.

[@PsionicAudio]

Doesn’t sound like either. I restore real Marshalls.

[@seric4546]

@@PsionicAudio Maybe yours didn't, but there's a lot of people that work on those amps and a lot of people that disagree with you.

[@PsionicAudio]

Have fun with that master volume that eats up all the preamp gain then. And enjoy the sound of the dropping resistors not being rated for the current through them. See my other Marshall videos and the two others I did on that Origin for a more complete picture.

[@michaelcline7458]

The mushy fuzzy bottom end is what kills it for me. Marshalls need to have that tight percussive bottom end

[@Nick-ej3qe]

Glad I never became an amp technician. Seems to suck all the fun and magic out of playing guitar.

[@raulabellan6533]

Coupling cap 22n to 2n2 and go to heaven... Or hell! Very easy mod, no muddy sound

[@tradbowseven]

There is no fair shake because the average person can’t fix these issues

[@scozz6139]

I ran across your channel a few days ago and I've been mesmerized ever since. I'm really enjoying watching and listening to you doing your work. I'm a 63 year old man and I've been playing guitar since I was 13, not great though I'm afraid, lol. I'm not an amp tech, far from it, I know very little about amps, I change tubes that's about it. But I love tube amps and have owned them and enjoyed all my life. I am perhaps a fanboy for Marshall amps going back to my teenage years. I was in a Rock band in high school in the 70s and loved the Marshalls from that era. I own a few low wattage Marshalls currently, unfortunately they are modern Marshalls not vintage. I do own one of Marshalls newer, (2019), Studio amps, the Jcm800 Studio Lead Series. It has brought back some fine memories for me. I'm assuming you haven't seen one come across your bench as they are just coming out of warranty this year. These Made in England Studios, two in particular, the SC20, Studio Classic 20, (which I own), is a 20/5 watt Jcm800, modeled after their 2203 model. The other one, SV20, Studio Vintage 20, is a 20/5 watt Plexi, modeled after their 1959 SL. These Studios are great replications of their big brothers, Thet really do sound like the originals, as much as possible being only 20 watts. I can tell you these are the LOUDEST 20 watt amps I've ever heard! I'm looking forward to hearing your impressions of these newer Studio offerings from Marshall.

[@stratolestele7611]

You're on the money brother. Those 20w SVs are in an entirely different world than these Origins. And of course, for those of us who understand Marshalls, they are only made in England Fer cryin' out loud! They have that beautiful, unmistakable smell. I love it!

[@unclecrusty9]

I've heard that amp sound better on other videos. Will it sound clean and loud?

[@PsionicAudio]

No, loud and distorted or clean but pretty lowish volume. I could have used a bunch of processing, added reverb and delay, etc, made it sound really neat. But it doesn't in the room. I try to record as closely as possible to what the amp actually sounds like. Note there are three previous videos on this amp before this one. People tend to take this video out of context.

[@Mike6StringsIn]

Lots of Led Zeppelin coming through.

[@lowdownfender]

Ahah TGP…. egads have I had some enlightening convo’s on that site…… mmmmmm…. mebbe not

[@deanmccaskill5495]

This idea of effects loops…… I know they’re where it’s at.. just not where I’m at.

[@pedrolicks8316]

I don't know, why your origin 20h amp sounds teribble like that? since i watch the others sound demo in YT throught these things sounds amazing, but I appreciate your opinion about these amp..cheers

[@PsionicAudio]

It's not my Origin 20. It was a client's in for service. This is what they sound like. I confirmed all voltages, measured output, checked all tubes, etc. It's performing exactly as designed. The schematic is emphatic that this shall be the sound. I could have EQd it, compressed it, added some delay, just the right reverb etc, and made it sound "great." But that would be all frosting, no cake.

[@michaelshields6585]

All of the comments in the review are totally on point. To further it you can dump the treble eq and get a somewhat better sound out of a Les Paul bridge pickup as others have done, but sonically it falls apart when you move to the neck pickup. In fact I defy someone to arrive at getting a really good neck pickup sound on a Les Paul out of this amp. Generally with an old school Marshall you will want to do this then adjust your bridge pickup by backing off the tone control on the guitar. Never going to get that far with this amp. Have given it considerable effort. I agree it’s not the real deal

[@sixslinger9951]

@@michaelshields6585 I've Slash Bucker Pros in my Les Paul and the neck pup sounds incredible with this amp.

[@michaelshields6585]

@@sixslinger9951 - Great that you are happy with it. If it works for your needs that’s all that matters really. However, all things being equal, and being an old Plexi guy myself, this circuit can somewhat imitate that sound but does not really at all perform like the real deal. Again I applaud those that are happy with it, in this case it represents an incredible value, but the comparison to a Plexi cannot be justified beyond the atheistics of the amp

[@michaelinglis567]

I just can't see why anyone would go with an Origin when you could get a DSL100HR or DSL40CR? Those are really solid amps and they are super versatile. And there's no doubt they sound like a Marshall. I've found a few design flaws with my DSL100HR but overall it's the best iteration of DSL yet. And of course there's the 20 watt and lower DSL's if that's all you want or can afford. I just personally never felt like the Origin was a worthwhile amp to buy sadly. But if someone bought one and they love it to pieces that's wonderful and I'm thrilled that's the case. And I could be totally wrong but this is just my opinion without having owned an Origin. In fact I've only played through one at lower volume briefly before moving on to test out a used Orange TH30 which held my attention MUCH better.

[@doyrayburn2668]

I like mine. I built a closed back cab and loaded it with 2 G12M's. I gotta say the thing rocks with the 20 head. Throaty, silky, whichever one ya want.

[@emilioangeles5283]

Con todo respeto, haces sonar horrible ese Origin , se nota que no eres un guitarrista de nivel y también tu toque hace que suene feo!!!

[@adamwatson6916]

I wish I could get 3 years out of a cellphone let alone 4 or 5 .

[@ronjinks8932]

You know NOTHING about early Marshalls! Much less what constitutes a "Plexi".

[@BradsGuitarGarage]

You: "This channel doesn't have any content"

[@GraphiteandCigars]

It is sad that in today's market we cannot get a decently made amp from any of the big names. Boutique are the only option and that will run 3k for the head..... wish I never sold my JCM 800.

[@daynnethedrummer684]

...sounds kinda Vox-y.

[@BradsGuitarGarage]

Who keeps coming up with these new meh models and why do they keep releasing them. Marshall, Fender, Vox, Orange, just do what you do and do it well for f***k sake. I really wish they'd stop looking for new shapes to reinvent their wheels to.

[@matthewf1979]

Yes on the Headfirst mods. Just don't kill yourself doing it.

[@retread1083]

icwutudidthar

[@Mike6StringsIn]

So how does the intheblues guy get so many more tones out of it than you do? You seem to be stuck on one trick, one tone.

[@jimdevries9479]

Id get a solid state Orange Crush for gigs in the 20 to 50 watt range if You want to do 80s stuff.

[@TheBluesman511]

Clean sound is not clean. It's distorted.

[@tsvetanpopov8714]

I had one of these, tried really hard to like it, luckily got rid of it. Got a Ceriatone 50w plexi clone for my Marshall tones and it proves that nothing beats the classic topology of a plexi.

[@jasondorsey7110]

The V and Palomino series Crates are still one of the best values on the used market, besides the fact that they get hot as heII

[@massimozirilli3282]

...Ceriatone costs only $ 1k More 🤣

[@johnwade3476]

Just put a volume pot in the effects loop

[@jackblack2321]

This guy talks too much

[@frantisca]

Thank you for this series. At least, you prevented me of buying an Origin 20 ! :-)) Maybe you're being a little harsh on that one: if it were branded other than Marshall, you would have found it not that bad... at least for the price. I'd say it plays in the Bugera league rather than Marshall and paradoxally, the name on its facade turns out in an antagonist marketing tool, as one expects so much out of it. Marshall made a great series with the 50th anniversary 1Watters, also the mini jubilee and SV/SC 20 H. You can't win them all... can you ? Cheers !

[@PsionicAudio]

I get what you're saying, but I don't think I was harsh because of the logo. Though it is insulting. But regardless of the logo, that circuit design and those sounds are not specifically good.

[@frantisca]

@@PsionicAudio Yep. Gotcha ! What about the 20 watter Mini Jubilee 2525: any thoughts?

[@PsionicAudio]

Haven't had one on the bench, so no opinion. I know what I know, but I won't pretend to know everything. KZbin is weird for the ego. I have X many people calling me a genius and Y many people calling me an idiot. None of that is healthy. I try to tune all that out, the good and the bad, and just get on with the work.

[@frantisca]

@@PsionicAudio I like your vids: very helpful ! Happy 2020 :)

[@colinmcnab6145]

I'd go and try one for yourself and not take any notice of the bs people come out with on here.