Your lessons are the biggest treasure is possible to find for self education 💙 Big respect, sir 🙌
@RustyMadd4 ай бұрын
I have heard this sound many times without understanding the theory behind it. Now I see how simple, musical and logical it is. Thank you my teacher. You are a blessing to us that subscribe.
@nicolasforfant4844 ай бұрын
For the Love of God... go on producing such enlightening videos.
@chrisrosencrans4 ай бұрын
I still don't understand how you don't have more subscribers.
@alkaliforever90514 ай бұрын
This guy should be up there with the music KZbin legends like Rick Beato and Rhett Shull.
@RafCenterMyself4 ай бұрын
It will surely change over time. Let the YT algorithm figure it out as well 😂
@alvarolazcano38064 ай бұрын
One of the best guitar channels in KZbin… can wait to see 1M subscribers!!
@johnegan47623 ай бұрын
Just subscribed!
@jfo30003 ай бұрын
Def the best music theory for guitar channel that I've seen.
@radicalrecordings3 ай бұрын
ik kijk altijd uit naar een nieuwe video, jouw uitleg is ongeëvenaard
@QJamTracks3 ай бұрын
Dank je!
@ryanbartlett6724 ай бұрын
Excellent. Well illustrated and explained. Thanks.
@pariah2064 ай бұрын
You have, by far, made the most informative and clear videos with absolutely helpful examples. You understand it's not just explaining a concept, it's also how can this concept be used. And that is equally as important as knowing a concept.
@QJamTracks4 ай бұрын
Thanks!
@rsdguitarstories3 ай бұрын
gem of a lesson... thank you so much
@dangrather12803 ай бұрын
Such a simple concept. Yet it never dawned on me. Thanks. Almost sounds like something Vai would do.
@matthewmargetts85163 ай бұрын
Brilliant presentation and idea. The Lydian chain certainly did evoke Steve Vai. I am a seasoned guitarist but had never heard of this technique before. I will definitely use it in my compositions. Thank you
@skateebee3 ай бұрын
As always, fantastic content and very inspirational!
@alexokrayiii96894 ай бұрын
This video is definitely one of my favorites of yours. I will try this method this weekend.
@anandgodane80224 ай бұрын
Thank you so much sir ❤️❤❤❤
@slickwillie33763 ай бұрын
Wow! This gives me some great material to practice for several days. Gonna learn some intervals.😊
@cristobalholmgren74973 ай бұрын
Nice lesson...I read years ago a guitar magazine where Satriani talked about "pitch axis theory", in which the common note is the root instead of the "colour" note of the mode
@hecateswolf60073 ай бұрын
Very helpful many thanks for the upload. I don't play guitar I play saxophone and this is great.
@johnupdates24723 ай бұрын
This is why I love this channel. Just great ideas with great examples on how to implement them.
@johnmac80844 ай бұрын
What an amazing idea!
@geghardazarian38313 ай бұрын
Thx a lot🤘👏 this is a gem
@greenvelvet2 ай бұрын
Wow! I wonder if this is the technique that Erik Satie used for Gnossienne 2. He seems to be changing a modes every two bars and I have no idea how it does it, but now I think it might be modal chaining
@aliaskarpour66094 ай бұрын
Really appreciate for this deep and meaningful tutorial 🔥🔥🔥
@timshadgett4 ай бұрын
Awesome idea, thanks! I’m keen to test out some variations on this. Great way to get a song moving in a different direction or breakout of a pattern, I think.
@QJamTracks4 ай бұрын
Thank you Tim!!
@jpsilverplaylists3 ай бұрын
Wow interesting concept
@pierregaude15283 ай бұрын
Awesome video as usual. A breakthrough in my understanding of "modes" and a bit over my head at the moment. However being a long term fan of Joe Satriani I now understand where all of his music comes from. A further study in modal interchange using Melodic and harmonic minor scales would be greatly appreciated as well.
@nipu58403 ай бұрын
Thank you
@nickname37984 ай бұрын
THANK YOU FOR THIS LESSON
@cristinamarin90414 ай бұрын
Really interesting and beautiful!
@Arthur_My_Dear4 ай бұрын
I love this and also The Fast Show
@craigpetterson39623 ай бұрын
Suits you Sir!😁
@ryanhass87163 ай бұрын
Oh my goodness, I'm so happy this came up in my recommended feed! It's not often that something makes me so inspired like back when I was first learning guitar, but this did the trick! Can't wait to start using this more in my music! Thank you!
@TerebiJoke4 ай бұрын
Cool idea! I'm excited to try this
@claudiotrivino13644 ай бұрын
oro puro !!! muchas gracias ! espectacular canal
@QJamTracks4 ай бұрын
Gracias!
@mackermaldrill26564 ай бұрын
Excellent video.
@GuitarooMan933 ай бұрын
Very inspirational ! Now it would have been nice to see an example of a chain between different modes. For example, to say whatever, from Dorian to Phrygian.
@lisapatscheider3 ай бұрын
Amazing video! Thank you!
@AlejandroGonzalez-wo5fk3 ай бұрын
You gave me the missing puzzle piece i was looking for
@svenjansen21343 ай бұрын
Yo Dutchy lol. Thanks!
@QJamTracks2 ай бұрын
Graag gedaan Sven ;)
@gilmardgilmard4 ай бұрын
Two things at this time at this age are fantastic for me : KZbin and You
@QJamTracks4 ай бұрын
Thank you !
@j.a.9494 ай бұрын
very good.
@axismusicman4 ай бұрын
Great examples! However I still dont get how do we decide on the last note of the phrase? Like in lydian we end the phrase on major7 but in dorian we end on a root? How do I choose the last note of the other modes?
@QJamTracks4 ай бұрын
It's not important what the function of the end note is in the active key or mode. Just make sure the end note is the characteristic note of the mode in the next bar.
@johnegan47623 ай бұрын
So taking that concept further, could you end on any chord tone and then rethink the note in the context of the characteristic note of any mode? So going from Dorian to Mixolydian to Lydian and then Aeolian for example. Or it is better just keep it at one mode?
@johnp.johnson15414 ай бұрын
Lydian modal chain was gorgeous sounding. The trick then is play the Lydian "scale" for each named chord getting your tones in so you can be on the next chords' root tone, which is shared with the Lydian scale of the previous chord.
@QJamTracks4 ай бұрын
You should end your line on the characteristic note of the mode of the next chord...
How do you figure out trigger notes for other scales like for example Phrygian Dominant and Hungarian minor?
@QJamTracks4 ай бұрын
Always compare the scale to a either a minor or major scale depending on the quality of the scale itself. Sometimes a scale has more than one characteristic note. The double harmonic minor (Hungarian minor) for instance is obvious a minor scale. The major 7th is a characteristic note, but not unique. Think of the harmonic minor scale and melodic minor scale for instance. Both are minor scales and have a major 7th. But the combination of the augmented 4th and major 7th is unique. So, both notes are characteristic for this scale and especially the combination.
@Ingchao4 ай бұрын
Not sure how much i followed, but is this a more advanced form of pitch axis theory ?
@QJamTracks4 ай бұрын
Yes, it is connected with no doubt, but pitch axis means that you evolve modes around one and the same note. This is different, because you'll use target notes for the modes that are all different. In pitch axis the modes change and the pivot note stays the same, while in modal chaining the mode stays the same and the pivot notes change...
@asrafulhaque35984 ай бұрын
❤🎉
@robertosicam62404 ай бұрын
Great way to change to mood of a song using Music Theory math. oGreat way to change to mood of a song using Music Theory math. Like your series in Negative Harmony
@Arthur_My_Dear4 ай бұрын
Really novel (to me) and interesting
@alkaliforever90514 ай бұрын
How did you learn all this, did you have to get the infinity stones or aomething cause I swear your knowledge is endless.
@QJamTracks4 ай бұрын
This is not something you would learn on a music academy, but maybe more by experimenting and of course listen to others and try to get the same effect :)