Sony a7S III Guide for Picture Profiles & Exposure

[@ReneRitchie]

I'm only 30 min. in, I shoot Canon c-log 2 not Sony, but this is just so epic I had to stop and comment. Just tremendously informative. It's great watching someone who's technical knowledge matches their enthusiasm and presentation skill. Thanks for making this.

[@geraldundone]

Thanks, Rene! That means a lot. 🤓🙏

[@ccarretero4]

@@geraldundone how do you get rid of green tint of a7siii? not sure if to get a7siii or S1h. Thanks so much.

[@ftapon]

For those who can't follow the technospeak, here are Gerald's final recommendations: If you plan to tweak things in post-production use S-Log 3 (43:28) with S-Gamut3 If you want a great video out of the box with minimal tweaking, then use: Cine-2 + Movie Color (47:16) Gerald has bought two Sony A7S IIIs, so I trust his judgment. Superb video!

[@etofok]

Also Detail -7. I wonder what would be the other options

[@loveU4everlouis]

its actually S-Gamut3.cine 48:40

[@UndecidedMF]

Gerald ... you rock. I just got my Sony A7S III today and this couldn't have been better timed. Your understanding of the technical side of filmmaking and ability to communicate is top notch. Thanks so much for making this.

[@breadmakingplays716]

crazy i pre ordered mine the first day it went live and it says might deliver by the 23rd not fair. lol

[@MrRedrum01]

BREAD MAKING PLAYS did you order amazon as well as me?

[@breadmakingplays716]

@@MrRedrum01 yeah

[@gregorsnell]

agreed. love that you offer these videos on the platform dude. Thank you!

[@breadmakingplays716]

@@MrRedrum01 it just came in today about an hour ago

[@Oliur]

Gerald has pretty much become the videography teacher I never had at school.

[@DanielTitchener]

💯!!

[@christopherm7741]

Great work as always. So... much.. information.. Brain.. Hurts.. But what can anyone expect from someone that goes above and beyond.

[@keagannelka5137]

Yeah , my film school cinematography only covers angles , lens , movement , and blocking. I learned a lot from this channel knowing how to expose and all of the kind of file and compression for better handling by the editor

[@AdamLoboTV]

Hey Oliur, hope you are healing well brotherman

[@WillCookVLOGS]

Hard facts

[@Brownboy42069]

Gerald is one of the only KZbinrs I get genuinely excited about seeing super long video uploads from

[@wjhazel]

Right? Kinda bummed he cut it down from 90mins! 😂

[@petervaleri4239]

I’m Gerald Undone, and I live above the noise floor.

[@24Steevy]

that's great ! :)

[@kingmuhu]

Question, on which number is the noise floor?

[@whoismatt]

Really enjoyed every minute of this! 😁

[@geraldundone]

Thanks a lot, Matt! 💜🙏

[@MichaelMiddletonTBH]

GU is simply on another level (but I love your videos, too, Matt! ;) )

[@benjaminmathews2258]

Love you Matt! It's always great to see creators supporting each other. ☺️

[@GoodcoStudios]

Someone give this man an award for how much dedication he has for data, research, and hard work. Bravo! Great content as usual!

[@Jessie286]

How is it possible for someone to dislike this. The sheer amount of effort put into this is just mind blowing. Thanks a lot for such a detailed and thorough explanation Gerald!

[@storybookfilms944]

Gerald, man! WOW. Been watching you for a few years now but you are unlocking your final form! HAHA.. Man this video is amazing and so informative.. and explained in such a way that 4 years of film school and all other KZbin videos in the world combined have never achieved. The fact that this video has 21 unlikes is what is wrong with the world. I wish I could like this video 10,000 times! When it comes to cameras... you aren't just the best thing on KZbin! You are the best thing ANYWHERE. Mad props! So happy to see that a ton of the masters I respect are posting how they are learning stuff from this video in the comments. Please keep doing what you are doing for as long as you enjoy doing it. I will be here for the ride! A deep and sincere thank you, brother! Some people go into insane amounts of student loan debt without ever learning the amount of information that you just fit into 49 minutes!

[@keskincandas]

I am not even a Sony user; however, I finished the entire video without even noticing. The knowledge and effort put into this video is beyond amazing. Thank you so much.

[@patkay]

a god amongst tech reviewers

[@TechnologyJock]

Dear Gerald 'Genius' Undone, thanks for making this! Didn't even feel like 49 minutes, and being an amateur, I am definitely gonna have to watch this a couple more times, there's just so much information! Thanks again🙏👊

[@geraldundone]

Thanks for the kind words! :)

[@TheLAexplorer]

🤯 I've been shooting with a Sony A7S for years and didn't know 90% of this stuff. I remember looking it up back when I first got the camera because I tried shooting something in low light in S-Log and the noise and the colors came out terrible. Now I recently upgraded to the A7S III, I took it for a little test run on the town and once again saw some funky looking noise and colors in S-log 3 when I tried to color it in Premiere. I'm gonna have to watch this video over and over until I finally learn how to properly expose my shots. I wish they would've taught me this stuff college. KZbin for the win! Thanks for sharing!

[@Storysium]

Perfect timing! Just received my A7SIII a few days ago. Thanks a lot for this very informative video. And opening line for the next one @ 41:00 : I am Gerald Undone and "I am kind of a pink person."

[@wulfrunian77]

Mr Undone only came into my life a couple of weeks back and already I don't want to think of that time without him Hands down the best channel out there

[@MotionTips]

I'm painfully aware of how much effort these videos take to produce and I am just in awe of your detailed testing methodology, technically knowledge, and ability to communicate effectively. Finally got my A7Siii this week and this video is incredibly helpful. Thank you.

[@_heynav]

Literally, a Master's level class in Photography, Videography, and Cinematography, all rolled into a 45 minute video! Kudos!

[@MrBowmanMakes]

Speechless. You've just demystified what I haven't understood for a decade of videography. I doff my hat to you sir!

[@grt49er]

"Remember how I showed you to expose (pause) I will just show you again". Nicely done sir. Because during that pause I was thinking I do not want to search through his videos and find that.

[@DustinHarrelson]

the man, the myth, the legend: Gerald Undone ladies and gentlemen. 🔥 So hype to watch through this now and then all over again when my A7siii actually comes in hahah. Thanks so much for this, man!

[@WatchItPlayed]

As someone who doesn't have formal training in video production, I often feel I have several gaps in my knowledge around all of these topics - but I have to say how helpful this channel has been. I often feel I need to watch multiple times to absorb it all (because I don't understand all the terms yet), but the investment of time is well worth it - thanks for taking the time to make these videos Gerald. You're impacting a lot of people's productions in a positive way.

[@dannywinget]

Thank you for the hard work. I learned so much and this will help me get the most out of my A7S III.

[@MarioSoMedia]

I have a confession to make. I have never watched a video longer than 25 minutes on KZbin until this one. Thanks so much for this Gerald. Have to pause and digest each section. So much info!

[@MarcTaraz]

Gerald I want you to know you have helped me and so many other creators more than you could ever possibly know. I know the comment section and the dislike button can be places of negativity, but you truly are making a difference in so many peoples lives and we are all improving because of the tremendously arduous work that you do. Thank you so much for always going above and beyond. I truly appreciate it, and I now I'm not alone. Keep killin it. Alright. Im done.

[@FilmLab]

Answers every question you had and then ones you don't even know you had and leaves you wanting more! Practical knowledge, explained in an intelligible way that just gets to the point without skipping over the parts actually matter. Gerald you are the best!

[@weareyesyesyes]

It says a lot about the teacher when he can keep a student interested in a subject their not remotely interested. You do a great job of describing everything in a clear, and easy to understand way. I don't shoot video, or have interest in the a7siii, but Im loving everything about this video for some reason.

[@rajeevkugan]

I never thought I would say this but, this is the only channel I don't mind videos over 8-10mins in length. Jeeze, I just took a crash course on everything I needed to know for my A7siii. Thank you sir.

[@stuhunter]

What kind of sorcery is it that we get this for FREE?! Can’t say thank you loud enough. This is incredible.

[@davidbroughton5237]

He's amazing. In fact, if you want to drop him a tip you can do it here: www.paypal.me/geraldundone

[@KingsCapture]

Honestly I didnt understand 95% of the things you said, but because you used actual demostration with the camera, picture and overall showing us I was able to understand more than i needed. Thank you from someone whos 3yrs in. I have a Sony A7Rlll by the way. thanks bro

[@ThisIsTechToday]

I'm gonna have to watch this again 3 times at least...lol.

[@JibaroTech]

We can watch party it 😅🤣 its great

[@Sam-mc2dk]

Yep...me too

[@chefandrewchung]

I'm on my third watch 😂

[@jaromirwr]

Me tooo.... so much information in 47 min (excluded "I'm done!" and Storyblocks story)

[@orelbitan]

It is my 4th time!

[@nashhall694]

I’ve just started videography & am ordering the A7s3. This is by far the best video I’ve seen on setting up the picture profiles, especially setting up the zebras with the grey card. It will be slog3 for me for everything because as you said using Resolve is so easy to correct in post. Thankyou so much for a making a very in depth & helpful video & for that I’m eternally grateful! 🥰🙏👍🤗👌

[@theeseananthony]

Watched and edited some footage set in slog2 from the A7III. You have now taught me how to expose using a grey card and now I know about the color transform tool in resolve. This is amazing about to reedit some footage but definitely will be using this for video work in the future. Like i said on twitter , This should be a QR code in the sony manual. Great work sir! Thank you. Best 49 minutes i have spent all day!

[@craigshields8806]

I'm watching this for the 2nd time now since I got my a7s iii and it's like a floodgate opened. I can't believe how much I missed before. Gerald, this is a masterpiece!

[@KonnorGann]

I don’t own any camera from the Sony system and I don’t plan to and yet here I am, watching geralds video on the a7siii and I’m actually enjoying myself.... this guy has the voice of a damn documentary narrator!

[@khalilmadovi.]

There's a reason this video (whether directly or indirectly) is referenced in every single video on KZbin on this camera. Beautiful stuff

[@fjhphoto]

Perfect time to drop this! I'm trying to get better at video and this video is no doubt going to help. Thanks, man!😁

[@geraldundone]

Awesome! Thanks for saying that. Appreciate you.

[@ChandanDas-jv5cx]

@FJH I always love your snaps... Love From India

[@matthewchute5514]

DUDE, anyone else been waiting for this like a season finale of your favorite show??? Gerald, well done! Thank you! Update: Cant thank you enough for the work you put into these. Youre in a league of your own my friend. Seriously. Ive learned so much!

[@KYLERHOLLAND]

49 minutes of a genius at work. 😎

[@JavierMercedes]

SO MANY THINGS! ALL OF THE THINGS! I know so much more now. You are amazing at what you do, and the best at explaining "WHY" things the way they are on top of just telling us HOW. That takes so much more effort, much appreciated.

[@mathieusamsonofficiel]

Hey thanks for your advices Gerald! I made a LUT that does the -1.7 stops + S-log3cine to 709 transform. I added it to my Ninja V and I can now expose properly on the go! It helps when you don't have the time to use a grey card :)

[@eltripproducciones]

NIce! Can you please send me the lut? thanks

[@mikemuponda1781]

Watched the whole thing and I don’t even have a camera, I appreciate this guy so much!

[@JorisHermans]

Sometimes I'm not sure if you're talking about cameras or if you're trying to explain the Heisenberg Uncertainty Priniciple... 😂 I get lost sometimes but I love it! And I'm learning a lot!! It's like watching a camera scientist in his lab 🙏🏻👊🏻 💥 Great work, Gerald!

[@BasicFilmmaker]

Wow! Was just ready to delve into this on my new a7S III - saved me a ton of time. After this beast of a video, I think the next episode should deep dive into DIYing a molecular transporter. 👍

[@throwdown515]

This man is to camera tech as Andrew Kramer is to After Effects. Genius at work. Thank you so much for your time, energy and knowledge in helping us become better filmmakers.

[@Deatarus51]

I LOVE YOU! I've been struggling with this since I got my A7SIII Monday. You made it crystal clear with your tests as always. I learned so much valuable and useable information here. You are a legend!

[@tayo5302]

The way you showed the dynamic range is possibly the best example I have seen by far.

[@HardIsEasy]

I rarely stop top click a thumbs up... Even being a KZbinr myself I just jump from one video to another... but this is def worth a huge thank You! You helped me to understand how to expose and grade Log footage finally it all makes sense!

[@DiveInto]

This is one of the best technical videos I’ve ever watched on KZbin. Trying to understand this topic from the myriad of videos available is so tough and whilst this is a long and highly detailed video, it’s filled with gold dust throughout. I paused and went back over so much of this to fully comprehend what you was saying, the 50 minutes turned into 3 hours but 3 hours well spent. Absolutely love the 55% approach for 1.66 stops. Ordering a more appropriate 18% grey card right away. Thanks Gerald

[@MarioTomicOfficial]

This video is just what I need to master using my new A7S III. Thank you Gerald, you rock!!

[@randyg2922]

Gerald has pretty much become the videography teacher I never had at school.

[@AlexKovshovik]

I watched this before I got my A7s III and understood like 30% at 70% speed. Now after I had it for a few weeks and after playing a lot with picture profiles, ETTR, watching a whole bunch of stuff online, I watched this again at 100% speed and I got like 70% of it. Making progress, thanks Gerald!

[@AndreasAbb]

I spent a lot of time during the last two days to dive into this topic on my A7sIII - so this is exactly what I need right now. 👍

[@MK-Tech]

What’s wrong with people clicking the thumb down? Especially in this kind of master piece videos... Why not just skip to the next video and never look back... if you think something is that bad... Gerald you are as genius as always! Thank you!

[@thomasjoseph86]

Wow! This man is unreal. I feel like I should have paid to watch this

[@yogi-niphotos1106]

You did pay! TIME is MONEY!!

[@matthewchute5514]

@@yogi-niphotos1106 Wish I could pay rent with time!

[@yogi-niphotos1106]

@@matthewchute5514 You can, if you learn how to turn your time into money!

[@wolfgangk1]

I'm functionally literate in French. Watching this video was like being in a French Physics Graduate class where I only understood 3/4th of what was being said. But I was able to pick a few words from all you shared, like "the" and "clipping" and "profile". A kidding aside, it did go over my head but at least I know what I need to know. Thanks Bud.

[@holguin01]

I look forward to the day I’ll understand anything you just said.

[@mpoxDE]

Damn. That was all I was looking for the past 3 weeks in ONE VIDEO. Thank you so much, hope Storyblocks pays you well. Great job in so many ways.

[@techlessYT]

Next Intro: I'm Gerald Undone and if you're watching this on a vectorscope, I'm just a blurry beige blob.

[@richardnayfilms2812]

We simply don't deserve you Gerald, THANK YOU for all of that you do. Seriously.

[@attiyt]

Only Gerald can make me watch a 49 min video!! 🔥♥️

[@Herfinnur]

I’ve watched parts of this video at least three times a month four five months now. So incredibly useful

[@cameracravings3216]

Next intro: “Hi I’m Gerald Undone and I use time travel to make these epically detailed videos!”🤣 - Seriously though, this like many of your recent videos is phenomenal work, thank you so much for taking the time to put this all together and being able to explain everything in a way that makes perfect sense 👏🏻 👏🏻 👏🏻 👌👌👌

[@matto29]

I finally pulled the trigger and bought an A7Siii after years on the GH5 (which I plan on keeping). I don’t have a huge budget so in making the decision it was important to feel like I was informed to the maximum capacity my brain would allow. Thanks for all your hard work my man, truly grateful. Looking forward to watching the hell out of this multiple times.

[@dnorris1001]

Gerald, thank you for continuing to educate us! I would love it if you would actually make some PDF guides for download that I would actually purchase! Would love to have all this information printed out for reference. Actually I would buy every “guide” you would make and would recommend it as critical reading for all of us filmmakers!

[@AlfredMontaner]

Your a classic example of a KZbin creator that's not getting impressions. You have such a deep following that any advertiser that notices you'll make them rich.

[@soamjena]

Useful 50 mins. Saving it for my bed time video 🙂❤️

[@mrbritish]

Wow. I feel like I just took a master class in understanding gamut and gamut color, and how to get better quality images from the camera! And, importantly, how to validate the image quality between various curves and not just trust "random advice". Great stuff, I really appreciate the level of effort you put into these videos.

[@Livingwithken]

I cannot express my appreciation enough for guys like Gerald Who really make time for creating these in depth tutorials and reviews to help others, it just shows how much he cares to help others then the actual social status of subscriber counts and money.

[@RobRidesEMTB]

Legend man thanks so much! Only thing I need to nail now is white balance, seems a LOT warmer / yellow at 5500k compared to some other cams. Cheers Gerald, you're an absolute amazing resource for us all!

[@Vinkare]

These videos are incredibly useful!

[@TheCoolFactor]

I feel like I just took some advanced class in a camera academic course. Now that is the content we don't deserve but are blessed with by Gerald!

[@MichaelMiddletonTBH]

This is the video I’ve been waiting for since I preordered on 7/28! Very informative and answers most of the questions I’ve had, and with (mostly) understandable explanations of why. Thanks Gerald!

[@josephfriedman5009]

I ordered my A7S-3 a month ago and delivery is expected in December. Thank you Gerald for saving me a ton of time trying to figure out picture profiles and exposure.

[@KarlMeyer]

Simply excellent! I can see how much time you put into this. I want you to know that I deeply appreciate it. I would say that you're at your best when you make these longer videos. It seems like you can breathe a little more.

[@StankoBeronja]

Sony really should pay you a significant amount of money for doing this Gerald... Never watched a 40 min tutorial and was almost sad that it came to the end, just like with an exciting book... Excellent tutorial, just like always.... I was shooting HLG for the last year, but as I am working in Resolve with ACES anyway definitely switching to Slog 3... Before HLG I was using SLog2 and it was really that simple - just changed input in ACES to Slog2 and that's it... thanks a bunch man...

[@TheInfluenceStudios]

Is it weird that if I see a youtube video longer then 20 min I get mad but when I see Undone videos 25+ mins I get excited lol Thanks for the info. My camera is still on the way but I shoot a lot of night and dark scenes and was wondering if I should shoot them with PP off or HLG3 instead of SLOG3 but this helps me choose if I even need to change profiles

[@paulfairchild8942]

Try Cine2 to start for night scenes and remember the dual ISO at 1,000.

[@rsmith02]

I'd start with Cine 2 for everything and if you someday hit the limitations of that move up to S-log 3.

[@TheInfluenceStudios]

rsmith02 I’m already shooting slog2 not trying to go down to cine2 unless it truly has a benefit in low light but this explanation already proves that I should be fine with slog.

[@rsmith02]

@@TheInfluenceStudios As long as you stay in 10-bit, S-log 2 or 3 seem fine if you expose them as Gerald shows here. I think switching between profiles depending on scenes would get confusing when you go to edit them.

[@TheInfluenceStudios]

rsmith02 yeah I never mix them. If I feel like I need a different profile for the night scenes, then I’ll shoot the whole thing in cine or hlg. But I’m gonna try and shoot everything/most in slog3

[@bobsykes]

You did an astonishing amount of work here, but this is nuts. We can't be more that a year away from recording everything in RAW files in camera, and then we can get rid of all of this throwing data away in the camera garbage. Obviously, you'll still have to choose an exposure, but knowing the zone system as applied to your specific camera's sensor is all that you'll need. In the meantime, your video is amazing piece of work to help us get the best out of this excellent camera today.

[@Levi_Allen]

The 6 dislikes came from those really dedicated super fans who have notifications turned on, just so they can hit dislike. They watch every minute of every video you make and are just really jealous they can’t put out videos of their own and they think a dislike will help. Bless their hearts. All the dislikes after 6 are still fans but just not super fans ya know?

[@Levi_Allen]

Oh I almost forgot an obligatory comment about how the colour science of my USB web cam from 2009 has far superior colour science than this Sony crap. I’m going to shoot my next film entirely on potatoes from Idaho anyhow. Who needs this biased super helpful information anyways yada yada yada. You know the drill

[@jasonnowwhat5041]

🤣🤣💙🙏🏻

[@geraldundone]

Levi theories are may favourite theories. Ha. Thanks, man. Means a lot. 💜🙏

[@benjaminmathews2258]

Haven't watched yet, but I can already tell the tremendous amount of effort that you put into this video. Passion is the perfect motivator, and you've got a lot of it. Can't thank you enough. Keep creating. 🙏❤

[@mcriser]

Gerald Undone is like plugging into the Matrix [in Neo voice] “ Whoa I know the Sony a7S III”.

[@geraldundone]

🤣🤓👌

[@willcravens]

This is fantastic man! Detailed analysis for thorough examination, but also enough editorial commentary to be helpful for just about anyone looking to learn more about how to use their camera for better results. It’s just *chef’s kiss. 🤘🏻

[@JustVlads]

Thanks for the PP breakdown, perfect explanation - Still waiting for my S iii to ship..

[@parkercreative_au]

Currently switching to Sony and received my a7siii two days ago and have been so overwhelmed that I'm kind of regretting it but this has been a major help.

[@SidneyDiongzon]

Oh man, sooooooo thank you made this!!!

[@sstteevveenn77]

Has this changed your opinion on Slog3? I saw your video on it last week

[@DavesGarage]

Great info. The coup de grace is "If you underexpose you're putting your image down into the noise floor". A great way to look at it. Would like to suggest an end to end video where you take the A7SIII, the Atomos Ninja V, put them in ProRES RAW SLOG3, ETTR the scene properly, and then set your contrast (not a full color grade). I don't think you've shown that workflow straight through.

[@nothingtodo9283]

Gerald Undone... Thank you sir, thank you very much for this masterclass :)

[@lizeth_films_peru]

If before I was in love with my Sony a7S3, now I am crazy for it after all this explanation! Best teacher ever!

[@skymakai]

I knew this was coming and was waiting with bated breath. 🙏🏼

[@olly5896]

I've been playing around with my 7siii for a week, trying to sort all this crap out, the whole time thinking "Gerald's going to sort this for me, any day now...", and so he has.

[@jonzombiepro]

Dude, your dedication and delivery is worthy of applause. thanks Gerald Undone

[@lovefirst6157]

Gerald Undone, makes me want to get a sony a7siii.:)

[@filmingjapan4k]

Finally got my hands on the a7Siii and this video is hands down the most comprehensive and helpful video on the Sony picture profiles on KZbin. Thank you for your hard work Gerald!

[@kustoo]

I guess this means you don't want my intro??? 🤣🤣🤣 Cool cool cool.

[@attiyt]

Loool

[@geraldundone]

Haha. I considered it. 😜💜🙏

[@nimeshkumar8743]

Mosj

[@nobananaman]

This is without a doubt everything I wanted to know about this camera. It's genius and granular and I thank you a thousand times over for going through this topic SO thoroughly.

[@EvanWasHere]

I just did a night shoot with the a7SIII and one of the biggest things I "learned" was not to shoot SLog for dark scenes as this introduces noise, so instead shoot in a Cine or HLG mode. Your video basically says they are all wrong and shoot Slog3 at night as gammas don't introduce noise (If I'm understanding you correctly). I will trust you over everyone else with no issue.

[@storybookfilms944]

Seems like exposing correctly and using both native ISOs should do the trick tor reduce noise using s-log in dark scenes!

[@rsmith02]

It just means get the exposure right and keep parts of the image that matter well above the noise floor. It's more intuitive to expose Cine 2 than S-log, so practice if you want to use it.

[@JoeyAndersonMusicProducer]

Ok, you are BY FAR the BEST at teaching this on KZbin. I've been doing this a long time but I had a stroke and needed to refresh my memory on what the heck I always used to do. Thanks for your spirit of excellence. You have a new subscriber and fan.

[@MonicaHolly143]

This channel has the most comments from verified accs in camera community

[@ToastedSynapseGaming]

Regarding people that shoot events and want to expose for middle gray correctly in their Run and Gun situation where a Grey Card can't be flung out in each situation. I have a Tip: Exactly like you showed at 23:00 you get your gray card out, next to the main subject's face. You expose exactly like you showed, with zebras... And then you keep your exposure, but you go back to the Zebras and you Look for the IRE value of the face (maybe between key and shadow). So depending on their skin, it could be 45, 50, 55 etc. But now you know, and you keep that Custom Zebra. The subject will now be your new Gray card in any situation. You know that if that face is at 55 in your new shot, then middle gray will surely be at 41. No need for the gray card again for that event/day.

[@geraldundone]

Yeah, this is a good tip. Zebras have a ton of utility. Good comment!

[@amitanand498]

Do you have a7siii : NO You are watching long video : YES WHY? because of G.U.

[@tomproneur9689]

INCREDIBLY useful information!! That was the fastest 49minutes in my life!! I'm not only feeling ready to get the max out of my A7sIII, I now understand so much more about noise, profile behavior!! THANK YOU SO MUUUUUUUCH!!!!

[@voltvisuals]

Who else is watching this knowing they will never afford the camera 😂

[@davidbroughton5237]

Keep grinding brother. You'll get there before you know it!

[@storybookfilms944]

I thought the same for a long time... but once you go all in, and put in the work to learn and get better daily... you will get there sooner than you think!!! Wish you the best of luck!!!

[@voltvisuals]

@@storybookfilms944 I learnt alot from this actually. Since I haven't owned a camera. Always good to be educated before you start

[@rsmith02]

I don't own need or want it but this video applies to all Sony cameras.

[@storybookfilms944]

rsmith02 not necessarily. This is the only So y mirrorless camera that shoots in 10 bit. And also the only one with dual native ISO. a lot of these concepts don’t apply to say the a7iii