Source Audio Collider Stereo Delay+Reverb Pedal Demo

[@odyssey6684]

Best review by far Mitch. Not overly scripted sounding with a great explanation. Please replicate this in future reviews - much more natural and easy to listen to.

[@neonether]

Yes, seems way more succinct and easy to listen to this time.

[@nixonreece3339]

instablaster.

[@sourceaudioeffects]

Excellent demo, Mitch - you nailed it! Great guitar playing, too. Huge THANKS to all the good folks at Sweetwater for all that y'all do.

[@Bluebear2016]

sourceaudioeffects when is it out?

[@skyviewdesign]

When running it in stereo, is the delay true stereo, or is it the same signal sent out of both channels?

[@johncbeer]

@@skyviewdesign You've probably got your answer by now, but just in case: All one series pedals are true stereo, routable however you want. By default they auto-sense - sum to stereo if both jacks are used, sum to mono if one is used - but you can change routing in the Neuro editor, say at a live gig you wanted to split the same mono signal to two external devices. On a side note about the Neuro Editor; I love how with the One Series you can download and/or create presets from other similar pedals. You can put anything from the Ventris or Nemesis on the Collider. Plus I have effects from the LA Lady and Kingmaker on my Aftershock.

[@skyviewdesign]

@@johncbeer brilliant! Thanks for answering!

[@fjk1138]

Mitch is an awesome presenter and reviewer - keep up the great work guys!

[@jacobcardiff8757]

That might be the best looking PRS I've ever seen.

[@danielpolanco6708]

It'll be a perfect combo with the HX Stomp.

[@thesphericalguy9018]

Daniel Polanco my thoughts exactly!

[@xeroblade012]

That's a killer combo in your pocket.

[@m.g.kroger]

It will fit with many other pedal sets too.

[@RDtattat]

The most comprehensive and concise review I have ever seen well done good sir

[@lardosian]

ambience sounds really nice!

[@davidtexmex1616]

Mitch would do well in the courts, swift, direct and very convincing👨‍⚖️

[@chrisanderson1515]

concise demo. I know exactly what it does now. thank you.

[@Shredsofeden]

Opinion between this pedal and a EHX Grand Canyon?

[@LiveInThatSound]

Lush stereo is literally a top selling point of this pedal. Why in the wold would demo it entirely in mono?

[@EternityRecordsUSA]

Another great video. Thanks Mitch. I'm saving for one.

[@colemandickson4390]

Never clicked on a video so fast! 😁

[@philipdonovan5127]

Does the delay and reverb act independently or are there any provisions for "delay into reverb" or "reverb into delay", or any kind of cross mixing them? Thank you, nice device, nice video.

[@sweetwater]

Hi philip. Each of the Collider's independent engines can either be a Delay or a Reverb. So, not only can you change the order, you can also have two Delays or two Reverbs in a preset. -_Daniel_

[@sweetwater]

Hey, Philip! Thanks for your interest, and great question. It depends on exactly what you mean, but you definitely can change the way they interact with one another. Changing the pre-delay and trail settings will give you more separation or interaction between the two to start off with, but you can additionally change the order that the engines are processed by using the unlock button on the Neuro Desktop Editor. Default is delay before reverb, but you can switch that to reverb to delay, or you can run two reverbs or two delays instead. I hope this helps! Let me know if you have any other questions. Connor Smith, Sweetwater Sales Engineer, [phone] ext. 1793, [e-mail]

[@devtank]

I picked up one of these used from a local store, previous to it I only had digitech Polara, Polara & Nautila, for use on a synth, and while the Obscura and Nautila the Polara just downt do anything for me. However, this Source Audio Collider, really is utterly gorgeous reverb and delay independent of eachother, and combined.. well... watch the vid.

[@kevinmusso2397]

Mitch and Don are really good at these reviews. It’s so helpful

[@Elraurko]

Sounds great, only thing that kind of annoys me is the side mount input/outputs. Dual pedal makers have been using top mount for so long now!

[@jancreighton]

good review - pedal sounds great, thanks.

[@BluesLicks101]

NICE review, Mitch!

[@rameshperalil5217]

Is this pedal useful to the microphone users

[@Strangel72]

This dude need a red and a green sock when we walks so he can get a clue what is right and left.

[@pdbordelon]

Wow it sounds amazing!

[@-jk-2580]

Definetely interested. Hopefully they have fixed constant midi switching problems that Nemesis had.

[@allectocerebrum5462]

Awesome sounding pedal. But will someone turn the heat up? That man has to wear his jacket inside?!?!

[@bessiebraveheart]

Hi from England, I like it, just sent for one. Thank you, just subscribed.

[@KunchangLeeMusic]

More pedal videos please 🙏

[@trebleclef4889]

Its also can be preset reverb-reverb or delay-delay right?

[@MrmelodyUs]

I'm assuming you 're running delay into reverb?

[@NebulaStudios1]

If i use a volume pedal swell into swell does the universe wink out?

[@kenmasters007]

My local music store tells me to take off my jacket when playing their guitars.... why? because the zippers and buttons will scratch that nice PRS there :)

[@jepatawaran]

Does the Collider has the Helix Delay engine hidden in the Editor? Thanks!

[@sweetwater]

Hi Derp Senpai. You can use the Neuro Desktop Editor to "Unlock" the 12 engines so that both the Delay side and the Reverb side each can use any of those 12 engines. But there are no additional engines (like there are in the Nemesis Delay). You can also hold the CONTROL INPUT button while turning the Engine Selector knob to "Unlock" the choices. This allows you to have two delays or two reverbs at once. Thanks for watching! -_Daniel_

[@jepatawaran]

​@@sweetwater This. This is a very cool and awesome feature. I'll buy the Collider and a midi controller and go have some fun :) Thanks Sweetwater!

[@pbosche]

7:39 Did this fella just say “..and member..” instead of “and remember..”?🤣🤣 Mmmm, member berries…

[@Sep45]

Mitch Gallagher has never stuttered or stammered.....EVER!!!

[@cmath8577]

what is the guitar and amp or sim used in this video? thx

[@pauliusmm]

When is it shipping?

[@joeschlicht]

How do the reverbs compare to the TC Hall of Fame? Because I have the Hall of Fame and it's not cutting it for me.

[@Fenderlin6]

Good Video!! Next time switch the Ventris with the Nenesis in the background 🤷🏽‍♂️🤷🏽‍♂️🤷🏽‍♂️

[@donwalker7518]

Can you control the presets with an external switch? Thanks!!!

[@sweetwater]

Hi, Don. Yes, the Collider has MIDI capability so a MIDI foot controller could be used to access presets. The Matthews Effects Futurist or Tech 21 MIDI Mouse pedals would both be good ones to check out for that. Thanks for your interest! Charlie Davis, Sweetwater Sales Engineer, [phone] ext. 1320, [e-mail]

[@alessandrocalefato9912]

While you switch the preset with an external midi controller, the pedal maintain the trails?

[@donwalker7518]

Thanks Charles!

[@sweetwater]

@@alessandrocalefato9912 Hi, Alessandro. When switching presets on the Collider, there will be cut off on the trails of the previous preset. Thanks for your interest! Charlie Davis, Sweetwater Sales Engineer, [phone] ext. 1320, [e-mail]

[@mikeriesco6174]

Awesome Mitch, but you do have to learn Left from Right...(1:01) ;-)

[@greendrinkguy1882]

Will this thing also do "ping-pong" delay?

[@sweetwater]

Hi, GreenDrink Guy. It won't do a ping-pong by default, but it is possible. It has a mode called Split Stereo. When you're in that mode, the two sounds you have selected are sent to different outputs. You would basically need to assign a delay to the reverb side of the pedal so that you would have two delays running together. Then one would be sent to the left out, and the other would be sent to the right out. Thanks for your interest! Charlie Davis, Sweetwater Sales Engineer, [phone] ext. 1320, [e-mail]

[@greendrinkguy1882]

@@sweetwater I appreciate the response! I think it may be partially incorrect though because here is a video of a guy using ping-pong delay with reverb at the same time... (considereing what U described) How do u reckon he is doing that? kzbin.info/www/bejne/n4OzhYuBqJ6rrdE

[@SkeeterMcBeater]

350 is a little rich for my blood

[@neonether]

Sell some!

[@tortillaman2491]

For what this pedal costs, I'm wondering if you're better off buying a reverb pedal and separate delay pedal. This thing seems like you'd have to spend a lot of time programming and messing with it.

[@sweetwater]

Hi Tortilla Man. I own the Source Audio Collider as well as their separate Nemesis Delay and Ventris Reverb, so I can say with complete confidence that it's simply a matter of toggling the chrome switch between Delay and Reverb. Once you've made that choice the knobs behave pretty much the same way they do on the individual units. The biggest difference is that you're eliminating a pair of audio cables and a power supply. Thanks for watching! -_Daniel_

[@LewWelchThePoet]

👍🏿🤘

[@jeffhingpis8691]

Venemesis.

[@DrMars781]

love this pedal but the reverse mode its awful... sounds nothing like a reverse delay.

[@shckltnebay]

That pedal show made it sound great

[@fjfrancois]

Damn I just bought a few months ago, the Ventris Dual Reverb ☹️

[@lancecass8997]

This pedal doesn't make your ventris any less valuable, as a reverb, the ventris does more than this This is for folks that maybe don't want a separate delay and reverb, and want a little more simple package. It's awesome, but I'd take the ventris. Or both 😀

[@fjfrancois]

Lance Cluff thanks Lance I see your point 😊

[@Jayyy_Wav]

Fj Francois I have the nemesis and ventris on my board and still gonna use them even after this cool new pedal.

[@fjfrancois]

Jay cool, I see that there’s no replacement for Ventris even with this new pedal

[@Jewdly]

Unnamed knobs that changes per mode is a crap user interface design.

[@neonether]

:(

[@jpotts345]

Seriously who's plugging there pedal into a computer to fine tune it.

[@lancecass8997]

Nearly everyone who's using it in a studio format, which are 95% centered around a computer and DAW. Most high quality digital pedals, especially with midi, all have computer editor functions nowadays. It's crazy

[@Honking_Goose]

I think you are living in 1999 not 2019. The short answer is loads of people at home use computers and involve that in there music

[@jpotts345]

@@Honking_Goose yea maybe but that just seems like too much tweaking..the knobs on the pedal should be enough but if you prefer to play with your computer more than your guitar then have at it!!

[@ryanpwm]

Music producers. Little audio secret but a pedal like this with 56 bit processing is going to make reverbs that outdo most plugins. Lots of people are using insert loops with guitar pedals as FX plugins because they still work better than computer modeled FX in a plethora of specific cases. I have a rack shelf dedicated to guitar pedals that I run vocals, synths, drums, really anything through. Works really well.

[@jpotts345]

@@ryanpwm interesting..I wouldn't think stomp boxes would be used in such a way. 👍