TASCAM MODEL 12 TUTORIAL: Mixing a Song with Compression, EQ, & Effects | 424recording.com

[@saustindavis]

Your point about the compression is spot on. You had it dialed in just right, bringing fullness to the track while smoothing out the dynamics a little.

[@notthesame4935]

Thanks for doing a demo of the compression. You're the only vid I've seen so far showing examples. It sounds Great!!

[@jamierodriguez6210]

Another home run, Mike! Thank you so much for this video. I just purchased my Model 12 and I've been doing a lot of research on how to use it and get the most out of this amazing multitrack recorder. This video truly helps. Thank you and Godspeed!

[@424Recording]

Thanks, Jamie! My pleasure. Have fun! I'm going to be working on a lot more Model 12 vids for the rest of the year so let me know if any questions come up! I'm glad this video is useful! Godspeed, my friend!

[@InfinitelyQurious]

Excellent tutorial, and nice little song there. Thanks for uploading this, man. Great reference.

[@aaronflores-kh6lh]

I hate DAW after wasting two years. Your honesty is also afirming everything I was thinking that nobody wants to admit

[@nickparas7170]

I agree. Wasted about the same amount of time. So refreshing to get back the tactile feel of a mixer.

[@Axisjampa]

I'm here because DAW is distracting and over producing everything. I has to be simple: a good sound going in and that's it.

[@paulmccartney6386]

I really like it mate , very Lou Reedish , excellent!!!!!

[@424Recording]

Many thanks, Paul!!

[@DonMackie-gx8fy]

I’m aware this video is several years old but for the sake of those new here. If the scale of the “one knob” compressor is the same on the Model 12 as the with the Model 16 your understanding of the compressor is way off. The knob(for some) is counterintuitive. For example: when the compressor knob is set to the 9 o’clock position the compressor is darn near a limiter. Attack is roughly 3 ms and Release is roughly 40 ms. Threshold is early at 4.5 dB. And the Ratio is a whooping 100 to1. Conversely when the knob is maxed (all the way up) the Attack slows way down to 8 ms, Release is up around 50 ms, Threshold is -45 and the Ratio is a pretty standard 4 to 1. You appear to be using the compressor backwards and as a self proclaimed compressor fanatic, the compressor on the Model 16 is, despite it being pre converter, absolutely stellar. So much so I’ve recently retired my beloved 160A.

[@thomasgravas3215]

Please make a video on Model 12 as an audio interface

[@vacation_generation]

The quality of the recording is outstanding when you consider the value we get from the fantastic products available these days. Thanks for the tutorial. Very useful. I've just ordered a Tascam Model 24 so patiently waiting delivery. 🚚

[@jamessmiles6803]

I love this song. So beautiful and dream e. Nice words to it. I really like the Detuned acoustic guitar. It’s amazing how balanced the voice and the Acoustic guitar are on just one track.The vocals sound Awesome . be looking out for this song on the band camp. Nice work.

[@424Recording]

Thanks, James. I'm glad you're digging it. I really lucked out with the balance of the acoustic/vocal in that one mic and the overall performances/mix. Coming soon for sure! Thanks again 😎

[@John-s3k6m]

I'm trying to figure out how to send the reverb, eq, and compression from my Tascam Model 12 to the DAW. I can hear all of this stuff in the headphone mix but it doesn't come through when recording. How do I use the compressor, EQ and FX as a SEND so when I play back I can hear it? Thanks Any help would be appreciated. My PFL/AFL light is red is that helps.

[@TheTillmanSneakerReview]

Is it possible to stack multiple effects per channel? I just got mine yesterday still p;laying with it...

[@ryanmartin8557]

Thanks for Your Videos. They led me to buy a Model 12. Major issue on my end perhaps others are having, I can have a full song recorded, Set all the Faders, pans and EQ the way I want them, Use the "stereo mix export" function and hit enter. The Unit exports the Tracks as they are, at full volume with out any of my adjustments recorded. Even if I mute all the tracks and try again, It will do they same thing....Even if I delete the tracks and over write it again, It still does the same thing. I have tried all the settings....Post, Pre, Live MTR. Its like two things are happening, 1. The Unit does not take my settings when it mixes the track down to the stereo file,. 2. Even if I delete a track and the unit shows it is deleted, the deleted track still prints to the master stereo track with the mixdown function. I must be missing something. As a stand alone unit, It needs to be able to mix down a tracked song as you would like it to sound. If you have had this same issue, I would love to hear about it. Try it... Record two tracks. Mix them down to stereo mix export.. Listen.... Then, go back, delete one track and try to over write it using the mix export. Thanks, Ryan.

[@424Recording]

I'm glad you've been enjoying the videos! I think a dedicated mix down video would be a good idea. I've had a couple questions about the master EQ section as well. If you check out page 47 of the manual I think it will answer your question. Have you been recording your mix to 11/12 before using stereo mix export? There's an extra step in the process that isn' that clear in the manual tbh. I hope it helps. I'll plan to do a video on this soon! Cheers and happy recording!

[@ryanmartin8557]

@@424Recording Thanks... Still sitting here figuring it out.... Need to try the Mix to 11/12 thing. I will Update!

[@ryanmartin8557]

@@424Recording Wow! Looks like you fixed the time space continuum here in my Living room. I did the Record to the Invisible track 11/12, with panning and such to be sure it was working, Than did the stereo mix export and.....it worked. Yes, The manual does not do a good job explaining this. Thanks for your help. I owe you a Hat. I will email you! Thanks Again, this made my night.

[@424Recording]

Awesome. Yeah, I'm still working on it, too. This is definitely not well explained in the manual and I've had a similar issue in the past with the stereo mix export. I'm glad to hear the time space continuum is back to normal. Cheers!

[@a.o.marcos9555]

Any Tascam recommendations with full effects adjustability? Thank you

[@catharsis2073]

Great work! Thanks. Well done. And Model 12 is such a nice capable machine

[@zakaroonetwork777]

Was this all Tascam or Some DuKrane? or Apollo? Preamps anyway and or line Through?

[@jonremymusic5192]

Great demo!

[@pepuletrz]

so..how does it make a master ?with all the motion and stuff.think i am getting one in just a couple daze.there are no vids out thare on the matter.and nice track by the way.

[@akaixl83]

Nice ! So are the effects and eq post faded onto the sd card ? From what I read the 12 is the only one that can record post eq,fx etc. Can the tracks track out into a daw with the effects or without ? Or is it just the master mix on the sd and jnto the daw with the eq , effects applied ?

[@realsmokeyyy]

did you get an answer to this? I'm trying to record post fx onto my daw but it's only recording the raw signal without fx

[@akaixl83]

@@realsmokeyyy I bought the zoom instead L20 it can save your eq settings and everything I needed

[@realsmokeyyy]

@@akaixl83 Damn that looks like a charming piece of hardware. Sadly a little out of my price range so I had to go with the Tascam Model 12. I do know I can multitrack record but Im still tryna figure out how to record the fx aswell

[@akaixl83]

@@realsmokeyyy yea those tascams look nice , I also track out to a soundcraft mtk which sounds amazing compared to the zoom

[@areyoujelton]

I wish my band mate wasn’t asleep in the studio rn so I could go mess around with my model 16 :/

[@3dsmaxrocks699]

What are the benefits of using a hardware multi-tracker compared to a PC one? Thanks

[@mutzmusic5737]

Great video. I also recently bought a Tascam Model 12 and love it. I wanted to get back to some old school recording methods vs using a DAW. I now find myself far more productive. Plus, I can still transfer the track files to a DAW if I need to do more critical mixing. As far as track management, my only suggestion would have been to put the drums on stereo tracks 9&10 and the "vocal double" on track 3. This would have freed up track 4 for any other overdubs you might want to add or allowed the acoustic guitar to have its own track. Again, great video.

[@424Recording]

Great suggestions, Mutz! That's exactly why I enjoy recording outside of the computer as well. The track in the video would have taken a lot longer if I'd done it in the DAW. But you're right, too, there's the freedom to dump the project into the DAW and do some final processing and mixing. Great ideas, re: track management. I'll change the sub mixer to 9/10, Idk why I didn't think of that! Awesome. Thanks for watching and happy recording!

[@cfdemarco2]

Thought about buying one of these; looks like fun....

[@424Recording]

The 12 is a fun unit with a lot of versatility. You can use it as a standalone recorder or as an interface/controller in a DAW or live sound, too

[@Axisjampa]

I thought to compressor was pre, but I'm noticing is post, so we can change it in the Mix.

[@daisheyaku]

What is the name of that song? It sounds nice. The mix has a warm vintage quality.

[@jonesvox1]

I think the Model 12 target buyer was live performers and small bands who wanted to track their shows. Zoom released similar devices (L Series) The “One Knob” compressor, while designed for simplicity, has its limitations, especially in the recording realm, was designed for quick live use to tame very dynamic sources like vocals. I’ve never heard a one knob compressor feature on any console that sounded great, although the Yamaha versions are a standout as better than most. Cheers to another great video. Looking forward to the latest BCC album!

[@davidreidy5750]

Catchy tune man the double vocals are legit.

[@lumberpilot]

Is there a video of mastering a song and getting it to some other device? That's my personal missing link right now. Cool sounds.

[@bigbird908]

Duuuuuuuude. Same. My mixes also aren't saving the FX at all.

[@lumberpilot]

@@bigbird908 I almost want to FILM what I'm hearing from the Model 12 because once I migrate it to my laptop, it has low volume I can't hear any dynamics. What is the final step to get the perfect mix migrated to the PC?

[@424Recording]

If you have a digital interface, John, I would say just bounce the mains outs to a DAW. Other than that, I'll have to make a dedicated video on this topic. It would make for a great video idea! You can also try making a stereo mix on 11/12: check out pages 32 and 39 of the manual. That file can then be transferred from the SD to the computer

[@lumberpilot]

@@424Recording I will continue to try but one persistent problem is I cannot get the Model 12 to interact correctly with my DAW (Mixcraft) so I would need a separate audio interface presumably. Thanks for all the info so far.

[@christopherpaladin213]

Great song and great video! Less is definitely more with mixing, and that’s another reason the Model 12 is such a great platform; very basic mixing tools, which means you can’t overcook tracks with plugins. That was always my problem lol. I also do a “one man band” and the 12 makes the workflow easy for that. Keep up the great music and videos! Cheers. -Chris

[@jdavison31]

Keep that guitar out of tune. Sounds great.

[@omelashomelas]

Nice tune. Once you've mixed each track, are you able to export/save wavs for each individual track or will it only save the stereo mix to SD?

[@424Recording]

Thanks! So the projects do get saved per track on the 12 at least. Idk about the other models but you can take the SD out of the 12 and pop it into the computer and each project is broken down by track as separate WAVs. There's also computer interconnectivity with this unit over USB, too (but I haven't actually tested it out!) I hope it helps and thanks for watching!

[@joylesstiger]

The concept of a single knob compressor is inherently stripped to the bone. Who knows what kind of settings it's based on. Your song is nice, but dude you gotta dump that acoustic track, it's a hot mess.

[@MrClkelly]

I got a 12 coming tomorrow

[@joylesstiger]

@@MrClkelly hope you enjoy it! It's a great piece of hardware for a home studio. I'm really happy with mine.

[@ktor538]

Killer tune, has a Nirvana vibe

[@napesdrk1174]

Makes me think of old Beck. It's the voice

[@424Recording]

Yes, love young Beck. Thanks, Nathan!

[@Govier]

Hey Mike - Is this model a 10 track or a 12 track? I don't see faders for tracks 11/12. Maybe 11/12 are taken up by the stereo master? Just trying to get my head around this as I am considering purchasing one of these machines. Thanks for all the content.

[@BluesBrethrenofPolishPeoplesR]

Enjoyed a lot watching this video. It sounds so clear & good. Love the sound of l&r guitars. I didn’t know the studio on-board effect sounds sooo good. Learned so much. Thank you.

[@424Recording]

Thanks, gtelefon! Yeah, I like that effect a lot. It has a good range and kind of reminded me of a plate reverb (though there's also that plate reverb effect, too). I'm glad it was helpful (and I'm glad your series is still going strong as well!)

[@tracyharms3548]

I've been hanging out waiting for delivery of my Model 12 back from servicing so your video was perfect use of this time. I agree with all your equalization decisions, and appreciate getting to compare 'with' vs 'without.' Your music is very different from mine but that actually helps me understand the EQ, compression, and other features that are oriented to less extreme signals than I tend to use. One complaint: when you showed compression on electric guitar you never let us hear what it sounds like with no compression. Oh, well. By the end of the video your song had grown on me. Feel free to take this as a good sign.

[@424Recording]

Thanks for the feedback. I appreciate it, Tracy. I'll keep that in mind the next time I do this type of video. I hope you're enjoying your Model 12 by now and I'm glad you're digging the tune. Cheers!

[@zachariea]

Another great video and song! Thanks a lot. Just realized that your microphone sounds like it’s de-essed; which is great. How do you achieve this effect? Is it the Art Tube mic preamp you previously mentioned? Or is it simply the Model 12’s processing? Thanks 🙏

[@424Recording]

Thanks, Zacharie. I appreciate that and thanks for watching. Hmmm, I'm not sure what's causing the de-essing effect. It must be the mic. I kind of had it pointed between the guitar and where I was singing, so I guess I was singing over the top of the mic more than dead-on, if that makes sense. It was running thru the MP but I think it was more of the singing angle than anything else. I think I was using the SM58... I actually bumped the highs on the Model 12, too. Must have just gotten lucky!

[@Audiorial]

I have enjoyed the part 1 and 2 + the song is actually good, which is kinda rare when it comes to watch a tuto, thank you. I am sort of brainstorming bout that mixer to work with my band (we are 2), can we do overdubs (like if we bounced 2 tracks together) or the overdub here will overwrite the already recorded audio ? And does overdubs works too on puch in/out ? ?

[@424Recording]

Ha! I'm glad the track was enjoyable along with the tutorial. Yes, you can do overdubs and bounce tracks. On these units, that is referred to as "swapping" tracks. You could also bounce the mix down to a stereo track and reload that to a new project (so you can save your original project). There's ways to save everything as you go but you can also overdub and overwrite if that suits your workflow, too. Yup, you can punch in/out just like you would on any recorder that supports that feature. Cheers and thanks for watching!

[@Audiorial]

@@424Recording Excellent, thank you ! This thing looks like a no brainer, mine should be up and running next week, I simply can't wait :)

[@424Recording]

@@Audiorial Enjoy and happy recording. If you're getting the 12, definitely check out the video I put up yesterday on hooking up the monitors and playing sound through the monitors and headphones. This is one of the biggest questions people ask (by far) so in case you run into questions about that, check out that vid! I also highly recommend using a headphone amp with the sub output and bypassing the internal headphone routing altogether. You seem like you know what you want to go for though, so maybe you already know this stuff haha. Cheers

[@Audiorial]

@@424Recording I already know of that kinda stuff, but I admit I watched it :D

[@424Recording]

@@Audiorial I figured! Thanks for watching it though!

[@bonzology322]

solo switches are for listening in solo, you muting everything to listen in "solo" is a waste of your time

[@joelpoitras6226]

Very nice content simplifying things that are teddiously complicated in the manual. Just got my Model 12 this week. Question! I saw drumsticks on the side of your desk. How do you record real drums on your Model 12? I had multiple recorders before and can't figure out how to monitor a bass, a guitar, a piano recorded on seperate tracks while recording a 4 mics acoustic drumset EQd and panned onto stereo track(7/8) How do you assign 4-5 inputs to a stereo track? Or how would you go around recording an acoustic drum set overall?

[@cfdemarco2]

I like the song...vocals sound clean. I must admit, the Pre-amps in my Tascam DP 24 are better than the pre-amps in my Focusrite 18i20...which are a bit more noisier than my Tascam Preamps. I'm using inexpensive AKG and RODE-1 condenser mics. There seems to be a percussive distortion when I use the Focusrite. You only hear it when you solo the tracks, but it bugs me. But the Tascam DP 24 produces 100% clean tracks. I guess I should invest in a better mic, and dedicated pre-amp, for the DAW setup

[@424Recording]

Thanks, Carla! Yeah, the preamps make all the difference, and some are superior to others. It amazes me how different the same mic can sound through different preamps, what frequencies get emphasized, etc. If the DP works for you, maybe that can be integrated with your DAW?

[@AppAxis]

That was wondwrful

[@pib1609]

Love the sound of that acoustic. Which one did you use on this?

[@424Recording]

Thanks! I'm not sure the make of it. It's a 3/4 scale nylon string acoustic that I got at an antique store for $19. I wasn't able to tune the strings up to standard tuning so it's B E A D G B

[@sellosinfin]

song reminds me of Beck!

[@424Recording]

Thanks!

[@robbiehenderson9582]

Sounds like Beck

[@jasonhill3514]

I don't have a Model 12, but I'm curious...as long as you have everything tracked on tracks 1-8, could you mix out through the sub bus, bring that stereo feed back into channel 9/10, use the compressor on that channel as a gentle bus compressor to glue the mix together, and then put that result down on 11/12?

[@YoMyNamesJakeG]

An odd question, but do you know if the digital compressors introduce any aliasing to the signal? I'm kind of torn between the model 12 and model 16. The model 12 has some great quality of life features (track swap, use of eq/compression post AD conversion/DAW Control), but I'm also very tempted to go the full analog route of the model 16, limitations and all. I'd be curious if you're able to measure this at all with yours and a sine sweep/spectral analyzer.

[@ticketstomars]

thanx for tutorial. can you record multitracks with internal effects? - (compression and send eturns)

[@davidreidy5750]

I use a Korg volca sampler for digital drums when I don't feel like recording my acoustic kit.And yeah the sampler drums sounds are sweet and punchy.

[@jasonelambeth]

Dude, I don't even have a Model 12 and this video is sick AF.

[@424Recording]

Hahahaha thanks, Jason!

[@jasonelambeth]

@@424Recording yeah man. I just love this song and your voice is pretty comforting.

[@424Recording]

Awww, thanks, man!

[@SunsetRC]

Love the video. I'm just wondering if you can have different effects on each channel?

[@StankoAx]

Can I assign 2 different effects for two different orange columns? Like the upper column is reverb and the lower is delay

[@rorz999]

You can't stack two internal FX. But you can use an internal effect (via aux 2) and external effect (via aux 1) at the same time

[@bigbird908]

Hey boss. Quick question. Is there anyway to simply pass the mix live to a pc/laptop and save that audio? My mixes aren't being saved right and lack the fx is frustrating x) Sorry, I'm naive to recording, and just started. Already got a banger I want to annoy people with!! Haha

[@424Recording]

If you have a digital interface, an easy way is to bounce the main outs to the interface, so take the cables coming out of the main outs and plug them into the interface and record the mix in a DAW as a two channel bounce. This will retain anything you're hearing on your mix. You can also try making a stereo mix on 11/12. This is too complicated to explain here but check out pages 32 and 39 of the manual and you'll be able to figure it out. The other thing is, if you have the Model 12, you might want to change the mixer function to "Post EQ" for future recordings: check out page 45 of the manual. Good luck and happy recording!

[@bigbird908]

@@424Recording You're a hero!! Thanks, boss. 🤘🤙👌👍✌

[@gameloozer731]

I just bought one of these and am excited to start with it. Have you tried using the midi functions for syncing synths or anything yet? There isn’t a lot out there on it. Great video!

[@YellowJelloMusic]

Watched the whole thing even though I don't have a Model 12 but learnt a thing or two anyway! Great song. Are you singing "I'm your man if you need a dude"? 😂

[@424Recording]

Yes and yes haha! Thanks for watching all the way, Yellow!

[@woodge4248]

Thanks for your tascam tutorials they have been really helpful 👍

[@leogolive]

Dope! The acoustic sounds kind of out of tune, like my brother’s guitar usually sounds lol! But in a cool way! Your vocals I like too, reminds me of Jerry Cantrell, especially with the harmonies. And you’re right about getting sounds right before you ever press record. That’s the number one principle for me.

[@424Recording]

Yeah, I just wanted to get something down when the inspiration struck and wound up working with it. I definitely need some new guitars. Yeah, it's so much easier when you record like that; I'd say the track is always like 90% done and there's very little to do if you get the sounds right at the source. Cheers!

[@MikeFoerster]

Sounds good, yeah, that acoustic sounds out. Can't wait until it's released!

[@424Recording]

Thanks, Mike! I'll have to get some new guitars this year

[@marcwolff1921]

Damn! This Model 12 bridges the gap between my Tascam Portastudio and my computer. Best of both worlds. Btw, very Nirvanaesque song!

[@424Recording]

Yup! My sentiments exactly. It'd definitely a Portastudio for the modern age but with DAW/computer functionality. It's especially fun to track stuff on the 12 and then load the project from the SD into Logic or similar and mix from there. Best of both worlds for sure. Wow! Thanks for that, re: Nirvanaesque!

[@676bun]

Yeah,.. you have a good ear Mike. Now I want to go listen to Sea Changes because I forgot that album. Love your stuff man... great job.

[@424Recording]

Dang, thanks for that bun. Yeah! That's a great album

[@jmanbgg]

like the song and the sound of it

[@lucidalebeats]

Great song and great video!

[@rocknutters52]

Thanks for your videos on the M12 your very thorough and I've learnt a lot can't wait for the next one 👍

[@424Recording]

Glad to hear it, Rocknutters. Thanks for this feedback I appreciate it. More to come for sure 😎

[@desmondmoller1670]

This is my favorite bcc song to date! I’ve never had a good handle on compression so this was helpful.

[@424Recording]

Great to hear, Desmond. I'm glad the compression explanation helped and made sense!

[@tonygraham4939]

The best one I've heard ... Great job!! Your right about those compressor s

[@424Recording]

Thanks, Tony! I need to figure out what the built in settings are for the compressors; maybe it's in the manual. Cheers!

[@morten1]

Nice Beck-Nirvana ish music. Get it out there

[@424Recording]

Been trying haha. Thanks, Morten!

[@Ryan-zz2pj]

Great song!

[@godofspacetime333]

Awesome to hear another track off the album before it’s out, can’t wait for the cassette. Bumbler and Hideout were enough to sell me on it but this is great. When it started playing I was thinking about how I love the sound of your acoustic, then a minute later you mentioned needing to get a new one ha. Sounds good to me. Also, man you’ve got that Tube MP running HOT! I’ve never gotten both the knobs on mine anywhere near that high. These videos really make me want a Model 12 more and more, even after all the money I just spent on repairs and tapes for my 488mkii...

[@jasonelambeth]

duuuuude. I was going to mention the same thing about Tube MP!

[@godofspacetime333]

@@jasonelambeth haha mike just must know something we don’t. I mean his stuff always sounds great, so.. I usually just have to dial mine in to a point where it doesn’t buzz.

[@424Recording]

Hahaha thanks, Godof! I'm glad you're digging this one, too! Haha I like that acoustic a lot it's just that I know someone will comment on it being out of tune! Oh, yeah, you gotta crank the input. I like doing that. I think it's also a combination of the mic I'm using. But, yeah, crank it and then adjust the gain on the 4-track/recorder... 488 sounds dope, too, though!

[@goldensalmon3122]

It's cool! Love the harmonies and chorus. Did you play the nord live or is it quantized?

[@424Recording]

Thanks, GS. I play the Nord live. I recorded the acoustic/vocals live and not to a metronome so I had to play the Nord along to it! Not usually the way I go about it but I thought I was just messing around when I started and wound up digging the final outcome 🙌

[@goldensalmon3122]

@@424Recording great when that happens. It has the right vibe for sure! I'd love to do a track just on the model 12

[@424Recording]

Yeah, I lucked out for sure! It's definitely a fun machine. Go for it!

[@brndgtl]

Love these videos. I’d be interested in seeing how you’d master a track on the M12

[@424Recording]

Noted! I'm working on that one for sure, Pete. Great idea 😎

[@brndgtl]

@@424Recording sweet thanks 🙏🏻

[@424Recording]

@@brndgtl you bet!

[@thedeepshiningsea]

Hey Mike! Love this track, its so laid back also, your electric guitar tone is so distinctive. Looking forward to hearing the new Album!

[@424Recording]

Hey, thanks, Steve! Haha the pedal I actually use for the guitar sound is acting up; I'm glad it sounds cool! How's the music video coming along btw?

[@thedeepshiningsea]

@@424Recording ahh thats right, I remember you mentioning that a visit to the wizard is required to get the pedal fixed. The music video has taken a backseat. There's a scene that i need to film in a shop and I don't want to be wearing a mask. I'll wait until masks are optional and finish it off.

[@424Recording]

Oh, gotcha! Yeah, hopefully, that will be soon so you can finish that off. Yeah, there's something with the output of the pedal; there's always something, right? Stuff getting busted and stuff getting fixed haha

[@thedeepshiningsea]

@@424Recording hopefully its an easy fix for you and yeah, there is always something. Just as long as it doesn't stop you pumping out albums and making videos 😎

[@whiteshedrecordings]

This sounds awesome Mike! This will be a great reference video for years to come.

[@424Recording]

I hope so! Thanks, Joe! P. S. The Model 24 vids (and all your vids) have been killing it!

[@whiteshedrecordings]

@@424Recording Thanks man but they are pure rubbish haha. One thing that stuck out on the compressor portion of the vid, are you able to apply compression on the recorded tracks? The model 24 only allows compression on the way in.

[@424Recording]

I believe so. With the Model 12, you can set the recorded signal to three different settings: pre comp, post comp, and post EQ but I guess you would still have to re-record or bounce out of the mains

[@suburbansymbolism]

Sounds great Mike!

[@424Recording]

Thanks, James!

[@fauldurand]

groovy doobie.

[@424Recording]

Thanks, Faul!

[@morioh6505]

Sounds pavement-ish