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A great beginner guitar song for acoustic and electric guitar players! “Eight Days a Week” is fairly straightforward, but recreating the nuances in John’s strumming and George’s chord smacks make for a great lesson in two guitar arranging!
Recorded on October 6, 1964, the basic rhythm takes had John on his Gibson J-160E acoustic and George on his Gretsch Tennessean. The Beatles were experimenting with introductions to “Eight Days a Week”, at this point variations of harmonized/unison “Oohs” and acoustic guitar. It wasn’t until October 18 that the classic 12 string Rickenbacker fade-in intro was recorded and edited onto the rhythm track (Take 6).
John’s acoustic guitar powers “Eight Days a Week”, and he varies his strumming pattern throughout. I tried to recreate his slight variations in my video. During the intro, he stacattos the ends of the D and E chords and plays an 8th note transition to the verse during the final D chord. He then strums on the beats for the first D chord of the verse, then strums a syncopated E7. This is the only E7 chord John plays in the song, the rest being basic E chords. Pay close attention to the embellishments and accents John adds to his strumming throughout the song. For example, the E chord at (0:15) sees an added “dada dada”, while he accents the lower half of most of his B minor chords on the “and of 2” (0:21).
During the final A chord of the first bridge, John strums an A7, just hinting at the 7th note (G) at the tail end of the chord (1:14) instead of strumming it throughout. In the second bridge, John plays the entire A7 during the whole measure (1:56). He also plays some muted eight notes at (2:04) during the 4th beat of the D chord.
George’s Gretsch uses the middle pickup position and begins the song with triplet D note octaves. He adds an F# at (0:05) during the intro. For much of the rest of the song, he plays a syncopated chord part. This consists of him upstroking the chord followed by a light tap of the root note. The root note sometimes gets lost in the full band mix. An interesting note, during early takes of “Eight Days a Week”, Paul can be heard telling George to “Try and play that fingerstyle”. George then plays the syncopated phrase with his fingers, producing a softer, slightly awkward sound. Paul then replies with “Might be better”. However, the sharp attack on George’s guitar in the final recording indicates that he switched back to a pick.
Another notable aspect of George’s performance is his use of the volume knob to create swells. He had tried doing this earlier in 1964 when recording “Baby’s in Black”, but was unable to play and swell at the same time. John had to control the volume knob while George played during an overdub. In “Eight Days a Week”, George seems to have gained control of these swells and is able to do them while playing. The swells can be heard during the end of the verses (i.e. 0:48) and during the Bm chord in the bridge (1:47) pulsing on the beat. On occasion, he swells the volume while the chord is being strummed, other times he strums the chord then swells in the volume. I recreated these nuances in my performance for you to hear more clearly.
George prefered playing an E7 during the verses, the only time he plays a regular E is at (0:15) and (0:28). Notice the slides he sometimes adds to the low G note (i.e. ). Likewise, he occasionally strums the open strings as a transition from the D chord to the E7 (i.e. 0:16). He also does this during the A chord in both bridges (i.e.e 1:43). At the end of each bridge, he slides from the G chord to the A chord (1:55).
During the outro, George’s triplet octaves get crazy and very syncopated (2:35). About halfway through the E chord, George pauses for a split second and then rapidly plays the octaves. When learning this song, I considered the options available to create this sound that involved both the open D and 3rd fret B string playing at once. On of these as to do George’s hybrid picking style where the pick and middle finger play together. However, the high D note plays so rapidly that it would be impossible to pick that fast with the middle finger. This led me to believe that George muted the G string and strummed the D, G, and B strings together with his pick. His Gretsch part then ends with the octave Ds played together.
Description continued in the pinned comment below!
Instruments Used:
John Lennon Rhythm Guitar: Gibson J-160E Standard
George Harrison Lead Guitar: Gretsch G5120
George Harrison Lead Guitar: Rickenbacker 360/12C63
Amp: Vox AC15C1