The Modern Jazz Language of Mike Mainieri! (BEIRUT Solo excerpt)

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Күн бұрын

Пікірлер: 14

@louisdelisa9873 4 ай бұрын

Mike paints with the widest brush of any vibraphone players and the coolest grip don't know how he does it very nice video Tim insightful

@JJamJ 6 ай бұрын

10 seconds in and instantly recognised that solo from a brilliant ‘Steps Ahead’ vinyl album I bought in the 80s. Breckers playing of ‘In a Sentimental mood’ on that album is sublime. Thanks for the upload 👍

@AvantGothSparni 6 ай бұрын

my vibes teacher told me Mike Mainieri was his favorite player so i’ve been meaning to start learning some of his work. this is a rlly good place for me to start, thank you so much for making this video.

@TimCollinsVibes 6 ай бұрын

You have a good vibes teacher!

@VintageBassArchive 5 ай бұрын

Great version of Beirut, Darryl Jones has been the rolling stones bassist for 40 years, i think. Also love steps ahead @the queen Mary jazz festival 1986 California has even better vibraphone madness with Chuck loeb on Roland synth guitar and the bassist of weather report, victory bailey.

@brunodomiter4415 6 ай бұрын

Tim, you are the best... Thank you sooooo soooo much for your effortless work!

@danteferrari8032 6 ай бұрын

thx so much for the lesson, here a guitarist tryng to put on the fretboard all those concepts, thanks bro

@christophcloren4740 6 ай бұрын

Thank you very much !!!!

@WyattLite-n-inn 5 ай бұрын

Man, Darryl Jones was cooking on that !

@NilsRohwer-composer 6 ай бұрын

Great analysis Tim. Your are amazing.

@edwardaviles6665 6 ай бұрын

BRAVOOO, BRAVISSIMOO Thankyou Tim!

@insidejazzguitar8112 6 ай бұрын

I love Tim’s videos: fun, clear, and fascinating. When he implies a dominant chord a tritone up (Ab), is he putting that tension towards the end of four bar phrases to create resolutions back to D7 in rhythmically strong places? Also, doesn’t playing an altered D7 make your ear want to hear a resolution to, say, G or Db?

@jkdbobby 6 ай бұрын

I am working on this. D7 is part of the diminished chord Eb F# A C, lowering Eb to D. You can also lower one of the other notes to get F7, Ab7, and B7. These chords can be substituted for D7. F7 is b9 #9 sound. Ab7 is b5 b9 sound. B7 is b9 natural 13 sound.