The Postmodern Era | Modern Classical Music | Music History Video Lesson

The Postmodern Era | Modern Classical Music
In the fifth of our music history video series we'll continue to explore the developments of modern classical music as it evolved into the 20th century. Many musicologists believe the we're still in the postmodern period, with many of today's developments and trends being continuations or reactions to the three main branches of Postmodern concern: total control, minimal control, and historical reinvigoration (a return to past styles and aesthetics through modern composition). We'll introduce the main genres that developed to musically address these three areas, and touch on some of the many luminaries whose work came to embody the era.
Join us as we delve into the latest period in classical music history.
If you want to learn more about Postmodernism in music check out the LPM blog: www.libertyparkmusic.com/the-...
Timestamps:
00:00​ - Introduction
00:45​ - The Three Branches of Postmodernism
01:15​ - Total Serialism
02:19​ - Electronic Music
03:39​ - Chance Music
06:28​ - Minimalism
07:41​ - Neo-Romanticism
08:36​ - Conclusion
09:00 - Lists of Composers/Musical Examples
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Written by Michelle Aichele
Narration and Script Editing by West Troiano
Video Editing by Nick Vaky
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Here is a list of some of the major composers of the Postmodern Period:
John Adams (b. 1947), Louis Andriessen (b. 1939), Milton Babbitt (1916-2011), Samuel Barber (1910-1981), Luciano Berio (1925-2003), Leonard Bernstein (1943-1990), Benjamin Britten (1913-1976), William Bolcom (b. 1938), Pierre Boulez (1925-2016), John Cage (1912-1992), Elliott Carter (1908-2012), George Crumb (b. 1929), Vivian Fine (1913-2000), Philip Glass (b. 1937), Sofia Gubaidulina (b. 1931), Jennifer Higdon (b. 1962), György Ligeti (1923-2006), Gian Carlo Menotti (1935-1995), Olivier Messiaen (1908-1992), Pauline Oliveros (b. 1932-2016), Arvo Pärt (b. 1935), Krzysztof Penderecki (1933-2020), Steve Reich (b. 1936), Terry Riley (b. 1935), George Rochberg (1918-2005), Kaija Saariaho (b. 1952), Alfred Schnittke (1934-1998), Dmitri Shostakovich (1906-1975), Karlheinz Stockhausen (1928-2007), Michael Tippett (1905-1998), Edgar Varese (1883-1965), Iannis Xenakis (1922-2001), La Monte Young (b. 1935), and Ellen Taaffe Zwillich (b. 1939).
And here are some musical examples to help you explore the sounds of Postmodernism:
Messiaen’s Quartet for the End of Time
Babbitt’s Philomel
Boulez’s Piano Sonata No. 2
Penderecki’s Threnody to the Victims of Hiroshima
Crumb’s “From Where do you come, my love, my child?” from Ancient Voices of Children
Cage’s Music of Changes
Young’s Composition 1960 #2
Reich’s Clapping Music
Riley’s In C
Oliveros’ “Ione” from Deep Listening
Adams’ Short Ride in a Fast Machine
Glass’ “Knee Play 1” from Einstein on the Beach
Zwillich’s Symphony No. 1, mvmt 1
Shostakovich’s Piano Concerto No. 2 mvmt 1
Saariaho’s “Si tu t’appelles Amour” from L’Amour de Loin
Higdon’s blue cathedral
Chen’s A Set of Chinese Folksongs, No. 3 “Diu Diu Deng”
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[@Libertyparkmusic_LPM]

Did you know we aren’t just a KZbin Channel? Check out LibertyParkMusic.com for a full piano, guitar, music theory, and drumming course with lots of comprehensive lessons! Watch all music history lessons here: www.libertyparkmusic.com/courses/music-history/

[@simplyjustmono]

Modern music: A fixed key? No thanks. Electronic music: *I CAN DO ANYTHING*

[@srouawai4424]

Very interesting. I would highly appreciate it if you could maybe put the list of composers and musical examples in the video info so one could copy it instead of having to go back and forth to type it out again. It just seems redundant and like a unecessary obstacle for people who are interested. Anyway, doesn't take anything away from your very interesting, dense and informative video. /edit: Oh wow, and it really pays to go through your list of musical examples. Zwillich and Saariaho are two new discoveries for me that I'm definitely gonna dig into. Thank you!

[@Libertyparkmusic_LPM]

That is a great suggestion! I will update the descriptions for this and our other Music History videos!

[@tlewis84able]

Thanks for this series. It’s perfectly done for bite-sized understanding of music periods.

[@Libertyparkmusic_LPM]

Thank you, we are so glad you enjoy the video! You can also take a look at our composer bio series for quick overviews on the lives of great composers kzbin.info/www/bejne/p2jOpml_o81-opY

[@elizabethlau644]

❤❤❤...........👍👍👍 Thank you !

[@onisyissel]

It's A Great Content! Very well explained and resumeeeee to muchhhhh in such a gem video! Bravooo

[@akshaykchawla]

wow, very informative, thanks

[@Libertyparkmusic_LPM]

So glad you enjoyed the video!

[@tobiassolberg8814]

What recording of Cage’s dream are you using in the end of the video?:)

[@Aakhv]

What song is itfrom the start of the chapter Chance music which also runs at the end?

[@onisyissel]

🎉🎉🎉

[@javaally1203]

The Soma Laboratories - Lyra-8 Synthesizer brought me here

[@MutantsInDisguise]

Leo Bernstein was born 1918.

[@27mosquitoes]

hi guys

[@Questmetalband]

ZAPPA

[@ThaXbeatX]

Total serialism, especially Boulez and Stockhausen are very much opposed to the American post-modernism, and can therefore not be seen as post-mondernist music. They can rather be seen in line with Schönberg, Berg and Webern. Electronic music was heavily developed by Stockhausen, so generalising it as being post-modern does not do it justice. Post-modernism (especially in music) developed in opposition to total serialism, therefore total serialism cannot be seen as post-modern.

[@psijicassassin7166]

Total serialism is passe modernism, actually. Totally left out by contemporary music.

[@eyuin5716]

To be honest, I don’t think the 20th century should be divided in half into 2 separate eras. I think it should all be considered the Modern era since the drive to push the bounds of music through constant experimentation never went away or really changed.

[@bc4315]

This video is filled with misinformation.

[@johnoldland7841]

For me, the absolute howler was the definition of postmodernism at the beginning.