The Ultimate DP Cart Design with Cinematographer Shane Hurlbut, ASC

[@INOVATIV]

We're honored to be the foundation of this awesome setup!

[@geoffwebb1]

Love it! I've also learned from DITs in Oz that additional 5 or 7 inch monitors for false colour etc for each angle under the main monitors can be really helpful too, especially if the DP is pulling iris like this :)

[@Holtenstein]

Another great episode of "Pimp my DP Cart". Very cool! I love my Hollyland headsets too.

[@chriscox7404]

I love the motion controlled lights, too. Such a cool add!

[@TheStoriesWeTell]

Love this, but felt sorry for the model, just standing there :D

[@soundbreaker2485]

I’m sure Kyra is happy to support her dad standing there lol She’s great!

[@12yfilms]

I always felt uncomfortable changinh my aperture so often while filming. It's good to know that it's totally fine! Thank you for sharing this with us!

[@amazofilms]

thank you very much Mr. Shane, everything to keep in mind.

[@BfoSHIZnats]

Finally a DP who can change his own light meter battery. Thank Christ.

[@corail53]

Just wait till he gets to set.

[@dissolution]

That’s awesome. All of my movie experiences are “off road” so I need to factor that in

[@jamesburton1050]

Do you need sequencing when turning the power on and off?

[@jespey_films]

Why do you pull the iris and not just remotely ND down ?

[@AobakweP]

❤❤❤❤

[@aov_james]

that is such a luxury cart... can you spare me a flanders monitor? hahaha

[@kiyashko86]

emmm... Calibrate screens? Reflection and ambient light are distorting vision more than yearly color shifts of screen. Having a hood/shades for monitors in a cart will be much more helpful.

[@ryanduan7402]

haha it feels nightmare for the sound team.

[@verebellus]

That laser is not eye safe