Trio on the Chorale 'Mitten wir im Leben sind' - Johann Ludwig Krebs

"Mitten wir im Leben sind mit dem Tod umfangen" ("In the Midst of Life we are in Death") is a Lutheran hymn, with words written by Martin Luther based on the Latin antiphon "Media vita in morte sumus". The hymn in three stanzas was first published in 1524. The hymn inspired composers from the Renaissance to contemporary to write chorale preludes and vocal compositions. Catherine Winkworth translated Luther's song to English in 1862. It has appeared in hymnals of various denominations.
The Latin antiphon "Media vita in morte sumus" dates back to the 11th century. A German version appeared in Salzburg in 1456. Martin Luther added in 1524 two stanzas following the same scheme. The hymn appeared first that year in Eyn geystlich Gesangk Buchleyn, (booklet of spiritual song), collected by Johann Walter with a melody that Walter adapted from the antiphon.[1] The same year it appeared also in Eyn Enchiridion in Erfurt, titled "Der Lobsanck / Mitten wir ym leben synd." (The song of praise /).
Johann Ludwig Krebs (baptized 12 October 1713 - 1 January 1780) was a German Baroque musician and composer for the pipe organ, harpsichord, other instruments and orchestras. His output also included chamber music, choral works and concertos.
Krebs was born in 1713 in Buttelstedt to Johann Tobias Krebs, an organist. At least three of his brothers were musically talented. Krebs was sent to Leipzig to study organ, lute, and the violin.
Krebs studied with Johann Sebastian Bach on the organ. Bach (who had also instructed Krebs's father) held Krebs in high standing. From a technical standpoint, Krebs was unrivaled next to Bach in his organ proficiency. However, Krebs found it difficult to obtain a patron or a cathedral post. His Baroque style was being supplanted by the newer galant music style and the classical music era.
Krebs took a small post in Zwickau, and in 1755 (five years after the death of Bach, which is normally referred to as the end of the Baroque period) he was appointed court organist of Saxe-Gotha-Altenburg under Prince Friedrich. Krebs had seven children and struggled to feed his family. Despite never holding a court composer post, and never being commissioned for a work, Krebs was able to compose a significant collection of works, though few were published until the 1900s.
Krebs's counterpoint is considered by many to be comparable to Bach's, but it was old-fashioned and excessively complex for the galant era, which espoused clarity and simplicity.
Krebs's Fantasia in F minor for oboe and organ is one of his best-known works, as is the Eight Short Preludes and Fugues that are sometimes attributed to him as well as to his father and J.S. Bach. He is also remembered for two large-scale concertos for lute and orchestra. Krebs's three sons became well-known performers in their day, and one of them became a noted Lieder composer.
Played on Hauptwerk sample set of St. Mary le Bow