Tristan et Yseut - Alla Francesca: Brigitte Lesne & Pierre Hamon

Ensemble: Alla Francesca
Album: Tristan et Yseut
Video: Harley MS 4389 (XIII secolo)
/ musicamedievale
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Much has been written, much has been said and just as much has been played about the story of Tristan and Isolt, yet no matter how beautiful and important it is, it is never enough!
This beautiful album by ensemble Alla Francesca, conducted by Brigitte Lesne and Pierre Hamon, was recorded in 2004 at the Chapelle de l'École Sainte-Geneviève, Versailles, France.
The program presented consists in the elaboration of the monophonic lai contained in the 13th century Viennese manuscript, together with two Italian dances and some compositions of the ensemble.
The result is truly splendid.
I wish you happy listening!
Mirko Virginio Volpe
MUSICA MEDIEVALE
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Anon.
1 Dance: Nota (instr.)
Anon., Ms Vienna 2542
2 Lai No. 17: D'Amours vient mon chant et mon plour
3 Lai "de victoire", No. 15: Après chou que je vi victoire
Anon.
4 Estampie (instr.)
Anon., Ms Vienna 2542
5 Lai "Voir disant", No. 8: Tant me sui de dire teüs
Anon.
6 Dance: Tant me sui de dire teüs (instr.)
Anon., Ms Vienna 2542
7 Lai du "Boire pesant", No. 16: La u jou fui dedens la mer
8 Lai No. 6: Sans cuer sui et sans cuer remain (instr.)
9 Lai "mortel", No. 1: Ja fi canchonettes et lais
10 Lai No. 9: D'Amours viennent li dous penser
11 Lai No. 10: A toi, roi Artus, qui signeur
12 Lai No. 9: Folie n'est pas vaselage
Anon., Lamento di Tristano, London, Brit. Lib., Add. 29987
13 Rotta (instr.)
Anon., Ms Vienna 2542
14 Lai No. 5: En morant de si douche mort
Anon., Lamento di Tristano, London, Brit. Lib., Add. 29987
15 Lamento de Tristan (instr.)
Anon., Ms Vienna 2542
16 Lai No. 2: Il solaus luist et clers et biaus
Anon., Chansonnier de Noailles, Paris B.N.F. 12615
17 Lai du chèvrefeuille (instr.)
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Brigitte Lesne - voice, harpe
Emmanuel Vistorky - voice
Pierre Hamon - flutes, cornamuse
Vivabiancaluna Biffi - vielle
Michaël Grébil - cittern, gittern
Birgit Goris - vielle
Bruno Caillat - tambourines
Brigitte Lesne & Pierre Hamon - direction
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Buy: sadly out of stock everywhere! cutt.ly/yweG5n0l
🌻 The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: paypal.me/volpe...
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#musicamedievale #medievalmusic #earlymusic #allafrancesca #tristan #yseult #yseut #pierrehamon #medieval

[@annibalesay8695]

Notre traditione chretienne et cavalleresque❤ Dieu et honneur

[@Senoncifossimonoi.....]

❤❤❤❤❤

[@Ditriy-y8h]

Спасибо за красивую музыку. Всем мира , Всем добра!

[@FC_Treeclimb]

È incredibile che una musica composta centinaia di anni fa faccia venire così tanta voglia di vivere e ballare...Siete grandi a trasmettere così tanta passione bellezza cultura e emozioni!!!! 👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻

[@Senoncifossimonoi.....]

Stupendi davvero , W l'Europa ma quella cristiana , nn quella di oggi

[@stefanchwalek7881]

Le premier morceau est d'une energie incroyable ; ça pulse ! Tous les modes musicaux sont adaptés pour les passions du corps et de l'esprit.

[@Piflaser]

But the music is not original.

[@libertytreebud5406]

So very lovely 🌹 Thank you

[@tiliastolarija4639]

Predivna srednjovjekovna glazba! Pozdrav iz Hrvatske! 👍😃

[@vavovidnica]

Stvarčina! Odlična glazba!

[@TOYEN37]

Wunderschön🌞

[@manoellaurent8468]

Avecque grâce et joie

[@ДддТтт-ю4ф]

Слушаю и восхищаюсь, храни нас Господь. Белгород, Россия!

[@stlouisix3]

Are you still in Belgorod right now? I hope Belgorod will get safer.

[@ДддТтт-ю4ф]

@@stlouisix3 Спасибо! Надеемся на милость Божию.

[@savavan7834]

Храни вас Господь.

[@jarethgerald]

Вас тоже храни Господь. Вы как во Вторую мировую... Жертвы преступного фашиста(((

[@HamsteresCricetidae]

Alla Francesca: mi banda favorita medieval. La voz de Brigitte es increíble.

[@fulgenjbatista4640]

❤ Absolutely beautiful ❤

[@antonellapavone3879]

Eccellente!!!❤

[@philsavage6186]

Wonderful. Deus Vult

[@GuillermoI71]

DEUS VULT 🏰⛵🗡️⚔️🏹🛡️

[@joalexsg9741]

Majestic, as everything you upload in this wonderful channel, much appreciated indeed. Shared for sure!

[@stlouisix3]

Brilliantly wonderful mediæval music 🎶 🎉🎉🎉

[@adolflazary5864]

Que belleza. Muchas gracias por tu trabajo. Vive la France!

[@ryan.1990]

11:52 Sublime

[@MsLeenite]

Thank you for sharing with us, this rich and beautiful musical feast. ❤

[@AnneBeggs]

Another excellent one. So many variations to the tale, and so much beautiful music =----->

[@RafaelFernandes-mt3td]

Timestamps: 0:00 - Dance: Nota (instr.) 1:43 - Lai No. 17: D'Amours vient mon chant et mon plour 3:30 - Lai "de victoire", No. 15: Après chou que je vi victoire 7:47 - Estampie (instr.) 11:55 - Lai "Voir disant", No. 8: Tant me sui de dire teüs 16:55 - Dance: Tant me sui de dire teüs (instr.) 18:45 - Lai du "Boire pesant", No. 16: La u jou fui dedens la mer 22:49 - Lai No. 6: Sans cuer sui et sans cuer remain (instr.) 25:18 - Lai "mortel", No. 1: Ja fi canchonettes et lais 29:14 - Lai No. 9: D'Amours viennent li dous penser 33:31 - Lai No. 10: A toi, roi Artus, qui signeur 35:02 - Lai No. 9: Folie n'est pas vaselage 38:35 - Rotta (instr.) 40:39 - Lai No. 5: En morant de si douche mort 44:32 - Lamento de Tristan (instr.) 48:11 - 16 Lai No. 2: Il solaus luist et clers et biaus 55:01 - Lai du chèvrefeuille (instr.)

[@Bryan-cb3xd]

Thanks!

[@gustavogorgoneArt]

Fantastic! I love it!

[@MarcoSimple1Videos]

nice music

[@tommypotts1838]

the pure craytur, perfit pitch

[@ИннаЛит]

💐💐💐💐💐💐💐

[@myriamgaiotto2430]

Quiero ver los bailarines 🥰

[@tatvag47]

👏👏👏🌺🌺🌺🌺🌺🌺

[@juanzulu1318]

Interesting music. Thx! Just wondering, from what source and time are the images. It looks like they painted their helmets.... Never thought about that...

[@tiliastolarija4639]

From 13. th century.

[@justforever96]

Well when you think about it, we are talking about a period of almost a thousand years across dozens of cultures. They did lots of things

[@juanzulu1318]

@@justforever96 thats not the point. The point is that this habbit is not very often mentioned even though we have at least this historical source for it.

[@justforever96]

Always wish i knew what the story was when i look at these images. What's supposed to be happening here, who are these people supposed to be? They are very clearly intended to be specific individuals in most cases. And the artwork is sometimes movingly effective. The one with the king raising his sword, apparently to strike the young man standing before him defenseless, while the unhappy woman tries to restrain him by grabbing his arm and robe. I assume the symbol over the man indicates he is a holy man of some sort, or martyr, and i assume the woman is the kings daughter, not sure who else would be grabbing the kings arm, and the queen i assume would be indicated by a crown. And she just appears quite young.

[@Piflaser]

Richard Wagner made a remake.

[@thomasmaguire834]

Someone straighten me out, please. This music sounds middle-east influenced. What's the story here, if there is one?

[@alexgabriel5423]

You must listen to more mideast music...I play such music on 2 instruments. The scales used here and the makeup of the scales[distances between tones or intervals is western...none less than 1/2 tone(Western)and 5 tones distance used here too(Western)]. There are some wind instruments that resemble the zurna (Ottoman). There is some melisma used here(a vowel passing through several tones). There is some slight resemblance because of the instruments present. A mideasterner would not consider it similar to what he listens to. The Fifths or 5 tones distance is actually disliked.

[@alexgabriel5423]

To realize gradually the distance between east & west I d say listen to Gregorian chant pure Western then Ambrosian chant that has some traces of Byzantine music and then last to Byzantine music that s eastern and used as basis for Ottoman music. Finally listen to Classical Ottoman music [Sanat Müziği]. Arabic and Persian have less pitches than Byxantine or Ottoman.

[@alexgabriel5423]

The lyre used here is close to Ancient Greek practice...maybe even an ancient mode was used. Thanassis Cleopas can be seen on KZbin playing ancient Greek therapeutic music...a practice going all the way to Pythagoras in 637 BC...the Ottoman continued in the Darüş Şifa System. All very amazing stuff. And resurrected recently in psychiatric wards in Turkey.

[@thomasmaguire834]

@alexgabriel5423: Well, I didn’t expect such an erudite “straightening-out”! Thank you so much. You effectively explain complicated music history, theory, ideas and instrumentation using few words and in understandable fashion. You also suggest research and “experiential” listening. Thanks for a good path toward to exerciste a better understanding of (ancient?) music. Much appreciated.

[@justforever96]

All I know is that I can highly recommend Byzantine music, and Orthodox music by extension. Fantastic stuff..

[@tatvag47]

👏👏👏🌺🌺🌺🌺🌺