Music Libraries | A Conversation with Kyle Hunter on Music Money Monday

[@DonClassico]

Musicians, Producers, Writers, a key element! Before you start submitting to these companies, GET YOUR PAPERS Right. What I mean by that? Make sure you are affiliated with a PRO such as BMI, ASCAP etc etc. Have your METADATA for your songs set up correctly. If you are an independent writer/composer and is not represented by any publisher company, make sure you state this in your metadata by adding "One-Stop". This means you are THE ONLY person that represents all the rights to your music. Make sure you provide information's such as your REAL NAME and not pseudo name. Is there more participant on? Provide this info as well and make sure they too have their papers worked out as well. Provide as much protocol metadata as possible. And once you start getting enough placements, sign up with a admin publishing company to collect that mechanical royalties. It ain't much but trust me, that money is also yours to collect, so don't let it sit there for too long because after 3 years, it is GONE. Cheers.

[@VibeWalker]

Best interview regarding Music Licensing I've watched in a very long time! This brutha dropped alot of jewels and he sounds as though his company is a great company to work with. A Music Library that splits Publishing & Sync Fees? Every Music Library I've come in contact with wanted 100% Publishing and you probably wont see any upfront sync fees. Some Libraries today are even asking for half the writers share smh. Great interview once again. Thanks for sharing! Loved It!!!

[@diquecannon]

Omg thanks so much for this info 🙏 💓

[@XcaliberZeroSync]

One of the best videos I've seen about Sync Licensing to this day. Great question and super transparent and genuine responses

[@iq2mixvh9]

Transparent communication lovin the collaboration!

[@thomascapel7628]

Good day to you and to yours lovely lady, thanks for that i appreciate it ❤️

[@bandotrax]

Super glad to see you back

[@e.kharimbrazille-ohe]

Great stuff Tynia.. God bless you for bringing content like this!

[@ms.jujubeatzproduction]

Thanks, Ms. Tynia. Great interview! I especially appreciated the conversation about what Kyle believes are equitable and fair money terms. That was extremely helpful. I now know what to ask for in my placement deals. It was also good to learn about his company. It’s seems to be a good company to connect with. I love your channel and appreciate you! 👍 Thank you for all of the great advice!

[@Raggadonbonezklan]

How do you know when your song is registered with BMI ofter your upload the audio??

[@CraftyShawn]

Very insightful

[@muziqvault7082]

Very Intelligent!! Appreciate your knowledge.

[@nimroddagreatofficial]

Fact Sis... Us independent Artist need this knowledge 💯

[@tyniacoats]

Yesss & it's good that you are searching for it!

[@derrickwashingtonsr898]

thanks, this is so informative!!!!!!!

[@DaPanistA]

Thanks for the info!

[@sbrown9020]

Very helpful 👌

[@kanyekubrick5391]

Thanks for the content. Can you make this a series? Maybe next time bring in a lawyer to explain how the artist-lawyer relationship works. When do you pay the lawyer? Etc

[@tyniacoats]

I am going to bring on more guests moving forward! :)

[@burnercomented]

Heeeyyyyyyy....Diamonds is back

[@MrThematrix1]

Thank you I really enjoyed this video. I’m glad subscribed to your channel !

[@Ahn-Ree]

This was a great experience in the music industry.

[@tyniacoats]

I'm glad you think so! I really enjoyed the conversation and he is very knowledgeable.

[@orlandojones384]

@@tyniacoats Can someone register your work on BMI without your authorization?If so how can it be remedied?

[@SamiGerard]

thank you for real! for all that info sweetie! I just need to know if you can apply to more than only 1 music library?

[@dafingaz]

Had to rewatch this.

[@Ibantar]

Truly informative and so genuine!!!! I dig the energy from you both and the MAIN THING was there was NO HYPE!!! Not all of that fast-talking where your mind is telling you "SOMETHING AIN'T RIGHT HERE🤔!" Definitely stepping my game up to see what I can get moving in this direction!! Thank you both again👊🏾!

[@dafingaz]

Great insight! Thank you!

[@icyboiproductions]

These two are truly paying it forward💯love the authenticity

[@Buck2219]

Publishing as a composer If I do it myself is that basically just setting up a website and or creating a KZbin channel

[@prsticks74]

Fantastic information this helps a lot to know that there are honest people in the licensing business, very informative ,thanks keep it coming !!

[@tyniacoats]

It really is good to know that.

[@richistan]

Hi there, could you please give us informations on contracts, where and how to get them, should I ask a lawyer or can I get a template online ? Thank you!

[@victoriousakadiceproductions]

Hi Tynia thank you for this video, I believe I watched all your videos if I am not mistaken, except for the new one you just recently put out after this one. Which I will watch after this one. I thank you again and hope your studies are going smooth. - Victorious ps. Nice to see you back and 2022 sounds like a great year.

[@mauricebutler7194]

Priceless information here. Iron sharpens iron!

[@staydownpromo]

Great info 💪🏾 #StayDownPromo ⚓️..

[@SoundDiggerFozo]

Useful content 👍, very uneven audio levels, she's loud and hi's extremely quiet compare to interviewer but it's common problem for a lots of KZbin channels. I believe that you get it right by the time. Subscribed.

[@malineli3266]

Always great to get a video from you🥰🙏🏽

[@MellowMelodiesHub612]

Loved the interview.Came to know a lot of things exsists.Will see your posts without fail.Keep it up.

[@BenCaesar]

This is an amazing story. Really inspiring thank you 🙏🏽

[@ronpatton9424]

Well worth viewing. I certainly did learn and relate to a lot of what was discussed. Thanks for posting this!

[@tyniacoats]

Yay, I am so happy to hear that!

[@TOMBS4ART]

@@tyniacoats hi tynia how much just for a basic publishing at bmi? Great interview. I have over 100 instrumentals

[@gottech5601]

Dope interview I bookmark his site I hope he can help me I have a team of artist I work with from rnb/pop house music and so on

[@kcmusic1586]

Thank you, knowledge is power

[@lizkelley9852]

Loving your content, thank you so much for your work!

[@marianudo2]

This kind of interviews are gold. Thank you 🙏 for this type of content. It is really insightful and inspiring.

[@netjet7778]

Wow. Thank you so much for sharing.

[@tayd9590]

Great video gave me a better outlook and direction I need to go before approaching music licensing with my music also was kyle Hunter Link in the subscription so I can submit music

[@ninachanelle1214]

Make more videos! ❤️❤️❤️

[@vtunz1298]

Great content 👍

[@quinceythomas779]

Thank you so much for this interview. Your videos are always a value to my business, company, and circle. Thank you

[@tyniacoats]

That's amazing, I love that!

[@45richardpurcell]

Awesome. 50 50. Be blessed.

[@devonmgmt3926]

can you please make a video on how to get the best of BMI contract? Any BMI-available services or resources that aren’t very obvious?

[@orlandojones384]

Can some one register your work on BMI without your authorization?If so how can it be remedied?

[@Thesingertina]

Thanks soo much for this guy's!!! I think this is what I'd love to do! I want to be with my family above all else, but I've been really into building up multiple streams of income and this may be the beginning! Thank you again!

[@mondomusik]

Hi Tynia, Great interview. If you have not already done so, you might consider joining the Copyright Society of the USA. You can join as a student member. Might be some good networking for you.

[@ThannyNTracyne]

Thanks

[@travispalmer5025]

Is this the same info for producers? Thank you for your content. I just started watching you today and I'm subscribed and will tell others

[@travispalmer5025]

sorry, I commented before listening to the whole video so you answered that. lol

[@PartyTimeXLR]

Been waiting on your next video, really have learnt alot watching your channel 🙏💯

[@tlarocksdaoriginodjlouielo9004]

How do I get my music into the library?

[@tiberiustime2425]

this was some really good gems you guys are dropping i really wanna work with you both.

[@awalkwithrobinsonwave5144]

It was very knowledgeable

[@danthemanpro4272]

Great Interview!! Thank you for all your great content. Question in your experience I think 50/50 is fair on the license , do you think 50/50 is fair on the publishing and did he also mean 50/50 of the writers too???

[@d1nmx721]

Hey tynia, love your content, love your info as it's basicly priceless, thank you!! 💯❤

[@sbrown9020]

How could we work with them

[@tyeknoxmusic]

The email does not work. Do not submit.

[@tacocity4161]

Hello Miss Tynia, I have a question. I recently have gotten in the sync licensing. My question is this “ if I get a song on a KZbin podcast, who pays for the royalties. A promising customer is inquiring and I don’t know the answer. I think they think they have to pay a lot of money

[@baritone]

Hello Tynia , I was so happy to come across your channel and this interview on this subject. I recent discovered my music used on a nation commercial without my knowledge and no music licensing agreement. Any advice would be appreciated Thanks Baritone

[@scottmcculloch4217]

how can our company contact you .

[@bourgeoisbrats]

I know that "becoming a lawyer" is still at the top of your achievements list, but you really are very good at this :-) You have a knack for "listening" while also "saying what you want to say in as few words as possible" :-) Letting Kyle "tell his story" (without interrupting him) is something a lot of podcast people simply can't do! Lol Anyway, Kyle may not be a "household name" in the producer/music publishing world, but he is a walking-talking example of someone that has been successful in a very lucrative part of the industry...which "we" usually aren't told much about. There's a reason why Danny Elfman (leader of a 80's band with a mass underground following) has a net worth of over $50 million...and is the "go to" guy for every movie that Tim Burton has (and probably will ever) do. $50 million from 27.5 hours of music (e.g. 2.5 hrs times 11 films = 27.5 hours), is not bad for someone that's not a celebrity :-) For those that don't know who Danny Elfman is, he wrote the them for "The Simpsons", and a couple of the "Batman" movies.

[@adwoakoranteng]

Wow

[@bornagainers-music2654]

Hi thanks for this useful video. I need help! I started a publishing bussiness and most of my customers are Christians friends and musicians from Cuba. We haven’t earned any royalties yet and we really don’t know if we ever will. Since they are located in Cuba they want to transfer their earnings to relatives that are US Citizens.

[@tydboo]

I’m one of those who work with “myself”. I’ve never worked with anyone else. Maybe it is/was in thinking it is not good enough or maybe that my tracks aren’t really finished and just not fully happy with what I’ve done. It’s been a hobby for me for some years and I only recently decided to release some and try to make money from it.

[@tyniacoats]

Well maybe this video is the push you need to branch out & try to collaborate! It really does open up a lot of doors.

[@tydboo]

@@tyniacoats Thank you and I do appreciate the content. Will take your advice.

[@APent]

Great interview Mr 🥜 set i mean nutshell..my bad auto correct 🤦🏿‍♂️

[@mikewilson9236]

Im.here for all the information

[@ansar714]

Sync licensing is cool.The only thing is if you're artist there is no "guarantee" you will get a placement. Your music has to be good though.

[@tyniacoats]

Nope, there is no guarantee. However, you have a much better chance of getting a placement when you are part of a music library who has connections with all of those companies already and their sole focus is to get placements.

[@kathleenhudson3812]

What are your views on the publishing split of a retitled song? Is 50-50 a fair split?

[@themelongourddevelopmentbo4963]

Enjoyed the video. But retitling a master for the sake of some accounting loophole doesn’t seem legit. Am I missing something?

[@tyniacoats]

You're not re-titling it for accounting purposes, they re-title it so all of the royalties you earn on other platforms stay with you under that original title & you maintain complete ownership under that original title. Under the new title, it is only connected to the royalties that come from placements that the music library actually procured for you and they take some of the publishing share, so that new title is registered with new publishing splits.

[@Prodbykkeys]

💎❤💯

[@rockeystl]

🔌🔌🔌

[@funkytownjedi]

😎

[@tipamormusicpublishingllc5615]

👍🏼

[@HRRaju]

hi

[@HRRaju]

how are you everyone

[@iyonlionofficial8372]

Hey Tynia thanks as usual I'm gonna message you on instagram for some help on master royalties audit and tracking

[@isaiahcansang]

It’s so stressful

[@KevinLewisotg]

Idk why he’s saying giving up publishing is crazy. The library literally is publishing the song on your behalf so why wouldn’t they get the publishing? 🤦🏾‍♂️ The writer can get the writers share of the royalties and the library can take the publishers share of the royalties and everything is even. Everybody eats.

[@mikewilson9236]

Youve been gone 5 months

[@louiehasit]

🔥🙏🙌