Why the Drama in Cluster B Personality Disorders

Constant state of artificial crisis, emotional dysregulation, switching, chaos, disruptive behaviors, identity diffusion/disturbance, mixed signals, inconstancy, indeterminacy, capriciousness, arbitrariness, and unpredictability
Dramatic-erratic cluster
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Dramatization
n.
1. attention-getting behavior, such as exaggerating the symptoms of an illness to make it appear more important than the occurrence of the same illness in another person.
2. in psychoanalytic theory, the expression of repressed wishes or impulses in dreams. -dramatize vb.
Drama enhances self-efficacy and is a form of external regulation
Drama is addictive (a form of risk-taking and also a challenge or mystery)
Drama is an element of grandiosity, helps to distort cognition
Drama is a narrative that resonates with our sense of childlike wonder and fosters dissociation (like a movie)
Drama imposes huge costs in terms of mental resources (depletes) and renders its recipients more malleable and amenable to manipulation (defenseless), it is Machiavellian.
Reenactment of early childhood conflicts
Approach-avoidance repetition compulsion and the dynamics of insecure attachment
Attempts to generate theories of mind and internal working models by probing, testing, and dismantling the world, others, and relationships - the way a child does with a toy
Intermittent reinforcement and trauma bonding
Monopolizing the presence and attention of others (ersatz object constancy)
Channeling and sublimating aggression, projecting punitive introjects and then projective identification
But not all drama is created equal. The specific content of the drama ties in with the self-concept and is a derivative of the psychodynamics and goals of the underlying disorder. It is a fantasy in a paracosm, except in the case of the psychopath.
Like in codependency, in some cases drama allows to control from the bottom through displays of feigned power asymmetry, helplessness, dependency, and neediness (it triggers the savior/rescuer complex and involves regressive infantilization of the drama-making individual)
Psychopath: control, manipulation (creates information asymmetry, disorientation, anxiety and thus induces dependency on the psychopath in others)
Borderline: drowning out internal drama, recruiting participants and sharing the burden (drama loves company), intensity to avoid intimacy
Histrionic: ostentatious display of hyperemotionality
Narcissist: attention-seeking, self-enhancement, substitute to narcissistic supply in protracted states of reduced narcissistic supply or collapse (hunting for morsels): distraction and self-supply (e.g. in paranoid drama)
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