WHY was 'Running Up That Hill' the PERFECT choice for Stranger Things?

[@SeanVedell]

If any song deserves a second life it’s this one. Love that a new audience is discovering it.

[@Smaugyyy]

It deserves it, and it won´t be the last time, because it´s a timeless song, and like all outstanding art it will be rediscovered again, and again..

[@TorToroPorco]

A great analysis that’s even more nuanced than the one that Rick Beato did for this song. Kate is a brilliant artist, she produced her own work so her sound is totally of her own creation.

[@paulmorgan8254]

Like Bjork

[@warrenbridges1891]

@@paulmorgan8254 Kate even played lead guitar and bass on "Big Stripey Lie". Practiced for a week.

[@jdjohnson7299]

One of the few who actually are worthy of the moniker "genius" and "artist". I have been amazed with her from her first release. Her talent is so massive. Thanks Fil

[@angeliasharp4202]

Oh geez. I've loved this song since 1985. The lyrics, the vocal melody, and that pulsing rhythm, all combined to make a song I've always thought of as "haunting." Fil, you call it "unsettling," which is also spot on! That "Stranger Things" used this particular song for Max is beyond perfect. I love your breakdown, and I'll admit that I hadn't caught the Bluesy "call and response" of the chorus, but you are right! I love the Blues, which might explain why this song implanted itself in me. I didn't know why; I only knew it was a gem. Thank you! Oh for a return to the days of pure vocals. Autotuning Freddie Mercury should be an international crime. ☹️

[@markeggins890]

One of the few artists you can say are genuinely unique, even if you don't like her music you can't deny that, also she is timeless.

[@SG-tv5jy]

Kate’s voice in this is so sweet yet strong at the same time. She has a delicate soprano tone but with a smooth and powerful punch. A master at dynamics and very unique.

[@catherinelynnfraser2001]

It couldn’t have happened to a more amazing artist or dramatic song. It is surprisingly of its time and classic.

[@silgen]

After listening to this song for 37 years you wouldn't think there was anything left for me to learn, but you managed it, Fil. This was great live in 2014 as well, but then so was every song she did :)

[@silgen]

When you next visit Kate Bush again I think the song "Rocket's Tail" would be really interesting to see broken down. The first half is acapella with Kate singing over backing vocals provided by the Trio Bulgarka, Bulgarian folk singers with their wonderful shimmering voices. The second half is heavy and rocky, with guitar by none other than David Gilmour. It fits in with what you've just been saying about being brave vocally. Not many artists would be this brave.

[@Vinnie-cv5qv]

The song was first featured in the movie "The Chocolate Wars" in 1988. That was when I first heard the song. It is a fantastic movie and is available free on the internet. They originally wanted David Bowe's song Heroes, but he wanted $100,000 and with a movie budget of only $500,000, Kate Bush gave permission to use her song at a really low price. The movie is a gem and anyone interested in seeing it will not be disappointed.

[@michaeldeane9029]

Thanks Fil....Kate is a modern day Mozart, she hears the complete song and music in her head. She really is a genius. I've lost count of the number of times I've listened to this track in the past month or so. It's great the Americans have finally tuned into her. One runs out of superlatives to describe this amazing gift to music.

[@katesjanice]

Michael Deane. All of your wonderful comments also apply to an American songwriter, Kerry Livgren of Kansas. He doesn't sing, but he is an amazing composer, orchestrator, lyricist, and multi-instrumentalist. Never took music lessons, can't read or write music - it all comes from his brilliant mind. Then he would teach the parts to his 5 incredible bandmates. Please more 70s deep tracks from Kansas! Thanks Fil.

[@warrenbridges1891]

@@katesjanice Except Americans, in general, weren't as biased against Kansas as they seemingly were against Kate Bush. Americans aren't just only now tuning onto Kansas. They've always loved them . As did many of the rest of us. That's why Kate's current success means so much to us.

[@spindriftdrinker]

@@warrenbridges1891 I saw the band Kansas in the 1970s at the Palladium in New York. I must say, I am an American and was a Kate Bush fan in the 1980s - but I'm sure she was less popular than Madonna or Prince... (🙂

[@pookiepookie8669]

Sorry doll, we were listening to Kate in the 80's in the US. Glad you found her too!

[@warrenbridges1891]

@@spindriftdrinker Oh for sure! Kate was popular here in Australia since 1978, but I dare say Madonna and Prince sold more records here. I compare Kate more to artists like Peter Gabriel than Madonna. She took more risks artistically and didn't have the record company dictating to her.

[@kayosiiii]

The use of backing vocals to create dissonance towards the end of the song reminds me a lot of what is going on with the orchestration in "How to dissapear completely" by Radiohead. One of the things that I think makes Kate Bush still stand out is her willingness to use her voice in sometimes unflattering ways for emotional effect. "Night of the Swallow" would be a very interesting track to look at her use of pitch.

[@SandraBonney]

The live version Kate did with David Gilmour was magnificent too. David’s guitar replacing the synth is sublime and his vocals and harmony great too

[@johanna7502]

Woah, those sounds in the background were almost scary! I hadn't noticed them before either. Kate Bush is just such an extraordinary talent. As an '80s kid I was kind of impressed by her: it seemed like she wasn't trying to please anyone, just did her own thing. Thanks Fil!

[@DavidEVogel]

Early Kate works included the voices of the Trio Bulgarka. Voices that do not follow the Western modal scale. Definitely creepy. Give those recordings a listen. kzbin.info/www/bejne/fn29eHaFdrarm5o

[@katesjanice]

Those sounds in the background were background vocals singing softly by women.

[@warrenbridges1891]

@@katesjanice One woman. All backing vocals by Kate Bush

[@katesjanice]

Warren. Yes, you're right. My point was they weren't "sounds." They were women's voices, in this case Kate...my fav.

[@warrenbridges1891]

@@katesjanice I get what you mean. Numerous voices regardless of the source.

[@Ozymandi_as]

Although Kate made extensive, and innovative use of her Fairlight synthesizer, her song-writing, her vocal presence, and also her piano playing, always brought a very human warmth and passion to her recordings that rooted them firmly in the 'sensual world'. Your analysis really highlights not only how good a singer she was, but her musicianship as well. She was well advised and supported by her family too on the business side of things - she owns all the rights to her catalogue and recordings, so no lame producer is going to muck about with her vocals in order to 'correct' them. Or get any of the royalties she's earned from the revival of RUTH!

[@warrenbridges1891]

Ozymandias I believed she had her own management company as well, so she couldn't be pressured into to take on gigs she didn't want.

[@suehollar2578]

I love hearing about how keys make a difference in the mood of a song and to have such a great example, makes it more interesting.

[@lawrencetaylor4101]

There are musicians. There are artists. There are dancers. There are performers. There are singers. And there is Kate Bush.

[@Meezer]

Kate Bush and Lisa Gerrard.

[@lieslwindjulie3230]

Absolutely!

[@pookiepookie8669]

True!

[@thereagauze]

producers, song writers ...

[@221b-Maker-Street]

Amen. 🖤

[@scousewillo62]

One of my favorite evaluation/reactions. It is amazing how creative and unsettling this track is. You would miss so much if you did not get to watch a review like this where you can isolate different aspects of the song. It was very scary where Kate screams and chants. A very clever choice of songs for this fantastic show. They really knocked it up a gear for this season, not for the faint hearted.

[@daveluck5717]

Isolated ,,, unsettling ,,, turbulence ,, expressed concern ,, all contained to the Kate method and performance ,, Drama is the essence of her work.

[@alisonperry1786]

Hounds of love ...ive been listening to this brilliant work for 30years

[@melissah8415]

It may sound like she leaned into the mic on "God", but seeing her perform it live you can tell it sounded like that due to her incredible vocal control. One of those voices that is 100% an instrument and a singer who uses that instrument so well. I'm so happy that Stranger Things fans get to experience this awesome song and the talent of Kate Brush.

[@mmm-uw1ep]

Kate has been brave since she burst on the scene in the 1970's, melding classical with pop. One of the most mesmerizing artists. Great analysis.

[@davidrauh8118]

All those background vocals and screams and grunts sound like a host of witches. Like you said it doesn't detract it just makes it more interesting and/or unsettling. Love it!!!

[@ellie698]

Another great analysis. So interesting to hear you talk about songs and see them in a different way, listen closer, because of the things you point out. Fascinating!

[@reinmenke1720]

The screaming, sounds like she put her voice though her Fairlight. Brilliant!

[@tammydoolittle6054]

I have never heard this song before, but I like it and Kate's voice is really beautiful! Your perspective in music is so refreshing. It was another awesome analysis, you're an amazing teacher! 😉👍🏻

[@rayname908]

The ghostly voices create havoc just before the end where Kate pitches her voice down. She has successfully swapped places with her lover and sings as a male vocalist.

[@pollywells3603]

She has unbelievable control , and sensitivity, not to mention her range ! A unique musician with a clear vision of what and how the music should be .. As a synesethic vocalist , - I “see”her voice and annunciation ,it is so elastic and colourful . Reminds me of those retro lava lamps .!

[@idankoos4156]

Kate is a genious..she wrote Wuthering Heights with 14....her dancing is also world class contemporary dance style

[@suzanne5971]

I was thinking of “Edge of Seventeen” by Fleetwood Mac, for the riff you played from Rocky, with the similar monotone drone.

[@paulmorgan8254]

Fil, I was still in school when her first single came out and she's only 2 yrs older than me and we all had the hots for her, an incredibly attractive woman physically and intelligently. That's the point, her music has always been lyrically & musically intelligent.

[@paulmorgan8254]

I just checked release date and I'd left school, Wuthering Heights 1978 - apologies but in my head i was still in school ...

[@warrenbridges1891]

@@paulmorgan8254 You're 2 years younger and I'm 2 years older. I had the hots as well. My wife wasn't too impressed.

[@lavenderbee3611]

Thank you Fil, I have loved Kate Bush since the very beginning of her career. Her work is genius, Kate takes me to beautiful places like no other artist. I'm so pleased that she's getting renewed attention, no one is more deserving. She was a birthday coming up in two days, Happy Birthday Kate.

[@michaelcarpenter1491]

That ghostly chatter was soo freaky man. It gave me shivers haha

[@gabrielleangelica1977]

Fil, thank you for your 👏🏽 bravo analysis. So nice to experience someone who does not insult your intelligence. In 1985 I visited England, and Running Up That Hill was playing EVERYWHERE! I bought the cassette tape when I returned to the States. Now it reminds me of England: the 🎭 theatre, fish 🐟 & chips, an outing at Oxford, the Tube, London shopping 🛍️...Kate does that you know.

[@zenawarrior7442]

Very cool voice she has. Didn't know who she was. Thanks for the breakdown again Fil...so informative 😊🥂🌇🌜🎸🎼

[@Hartlor_Tayley]

This is brilliant examination. Kate’s natural and beautiful expression of melody is so beyond perfect.

[@noelwalsh9166]

Exquisite! That pocket with her multi voices are deeply moving 🥰 A hiden gem! Absolutely blew me away Thank You 🙏

[@janetmcguffey1394]

a bit ofr topic- but...I was an early Kate fan ...I discovered her via her first couple of albums...I think those songs were far superior to later ones...try to analyse ""Wuthering Heights" or "The Man with the Child in His Eyes.."....absolutely stunning and unlike anything else being recorded...

[@spindriftdrinker]

Yeah, "The Man with the Child in His Eyes" has always been my favorite Kate Bush song - I think I first heard it as a video on "American Bandstand".

[@hattyburrow716]

Another perfect dissection. Loved her and saw her in Oxford back in the 70s

[@StratsRUs]

Brilliant

[@elizabethspedding1975]

Kate is a unique and very talented lady.♥️

[@johnwest7993]

This is one of those songs that I want to sit and listen to about 3 times in a row straight through before I feel like I can then stop and analyze it.

[@svanbold793]

I've never noticed the spooky noise in the background before. thanks, Fil!

[@nadinerogers5653]

Yay! I am so glad you did a video of this song! This has been one of my very favorite songs since 1985. As an American, I am so glad other Americans are FINALLY giving Kate the attention she deserves. She is a genius composer as well as a stunning vocalist. FIL, I am so glad you also pointed out the background vocals. Her background vocals are always complex and add so much to her songs.

[@carlamurray2370]

THANK YOU so very much for this request, I really appreciate it! I’m late catching up, but was so happy to hear it show up! Being first year Gen X “65”, I loved Kate so much then and still today! The meaning of this song back then was so strong and now today so many are enjoying her for the first time and finding their own reasons to cling to it and her. I have never watched ‘Stranger Things’, but it’s perfect timing for Women’s having rights. Her voice is just stunning. Thanks again, great job Fil!

[@justathought88]

Great job! Have always loved her performance of this song. You clearly have a thorough understanding of this piece. As well as massive respect for Kate, it's written all over your face. It's a joy to watch. Thanks sharing your knowledge and experience with us.

[@tonystoakley5816]

I love this Channel Phil

[@spindriftdrinker]

Did we call this "New Wave" or 'Alternative" music ? Kate Bush was also referred to as the "Witchy" look and feel - maybe a bit "New Age rock" ? The most fun thing about listening to a new Kate Bush tune in the 1980s was that there were always going to be SURPRISES - odd backing vocals, weird but catchy synthesizer riffs. This was also true of some other 80s artists - remember Lena Lovitch ("My Lucky Number is One") ? Gary Numan, Thomas Dolby - what fun and creative stuff. Kate Bush was one of those great artists you could count on to never give you the same old thing twice. BTW, why would anybody ever autotune Freddy Mercury ? If ever there was any singer who had no need for autotune it was Freddy Mercury. He was like a human autotune - I never heard him sing out of pitch.

[@thepagan5432]

One of my favourite female singers, got to see her in the 80's, fantastic performer. Cloudbusting is probably my favourite Kate Bush song. There were some really different female singers around that time Judie Tzuke and Tori Amos were also my go to singers. Thanks for posting, great song.

[@dawndeleon3765]

i have to make sure I don't start watching one of your videos when I have stuff to do. They are addictive! Yes, this song was PERFECT, and they used it brilliantly.

[@mtrimm1]

What's funny is that this isn't even my favorite song on the album (which is "The Big Sky"), and side 2 is such an accomplishment that this was overshadowed for me. Luckily, on repeated hearings, I came to appreciate it more.

[@5thgentexan95]

You’re an amazing teacher, Fil. ☺️ I’ve always loved this song and understanding it musically helps to appreciate it even more.

[@cadeevans4623]

Haven't heard this song before until now cool it's used in stranger things awesome certain songs are made and fit for tv shows loving the music in the song digging it it has 80s all over it man

[@JudyGarlandRulez152]

I had been a fan of Kate Bush already for about 7 years now, so when this came out in the episode, I went FERAL! Lol!

[@kaspinet]

Stevie Nick's Edge of Seventeen has that root note too. It gives the arrangement tension and energy or drama depending on the vocal.

[@DarrylSteele69]

I think the bits and pieces of Kates voice in the background during chorus sound lie they're backwards. I would've like of listened to more analysis of Kates backing voc during the song. Brilliant.

[@MountainMetal]

Great analysis of an iconic piece from a most unique and extraordinary artist.

[@polajenjo7793]

it's so nice to see the smile that rises ocassionally when the joy of music fills your soul....brilliant analysis! did you hear her album The Dreaming? it is the most complex and full of strange vocal effects

[@stevenblock9712]

As always, you are so insightful and interesting (and talented). I hope Kate sees this.

[@occultpriestess]

I've been subbed for years- THANKS FOR COVERING MY FAVORITE ARTIST- again!

[@occultpriestess]

wow - that vocal isolation is Hot!

[@granthurlburt4062]

Her lyrics also sound very honest, emotional, and true for a particular person; herself, or Cathy with Heathcliffe. These lyrics arent some cliches assembled by a couple of guys in Sweden.

[@moderndancer9071]

Such a perfect song! Thanks for doing this, and for mentioning the background vocals/sounds that she is a master at in many of her songs - I haven't heard anyone else mentioning that & I know that makes the song as meaningful as it is. Do more Kate Phil!!

[@josephwalther5979]

Thank you for doing this song that I have loved and been fascinated by ever since I heard it many, many, (and a few more manys) year ago. The whole is great. The B-side is a journey.

[@cherylhurst7093]

Really interesting with the vocal isolation and the screaming in the background. Amazing. It gives it a more haunting quality. Great job with what Kate did with her vocals. Your analysis was spot on.

[@theresahoward7216]

...I JUST GOT THIS SONG OUT OF MY HEAD 🙄...Lol. That said really a cool look at this ear worm and why perhaps it is one.

[@jjdecani]

This is great. I haven't watched your vids for a while, but I love that here you're basically talking about the *language* of music, rather than just showing off virtuosity. And you could hardly do better than use Kate as an illustration of that.

[@Corshellach]

A really interesting breakdown, thanks. I love Kate's work and never feel that I am just listening, it is such an all encompassing experience. So often there is another layer or sound even though I've heard a track many times. I had not consciously picked up on the background noises near the end, but as soon as you mentioned it I realised that I been aware subconsciously and that these felt right for the song.

[@ThisTrainIsLost]

In describing the mix you used the analogy of (paraphrasing) Kate's voice "sounding like she was alone, apart from the rest of the instruments." That is an excellent observation on a number of different levels. Not only do you speak of Kate's voice in the context of this specific song but, I believe that it can apply to her body of work in general. Not only does she sound apart from the instruments within this song but she sounds apart, in the sense of unique, when she is compared to other musical artists. I really enjoyed your analysis here. A great blend of the technical with the aesthetic, for which I thank you. 😎🎹🎤🎸✌️

[@marlachristensen2076]

If I could be so bold, and, I never thought about it until your analysis here, it sounds to me like she does settle in on the word "Hill", as opposed to settling in on the word "God". I can't be sure.

[@bethfreschi]

I am delighted that you analyzed this incredible song and Kate Bush’s extraordinary voice - thank you, Fil! 💜💜💜 For so long, I felt Kate Bush was a secret treasure, and I would play her album “Hounds of Love” to transport me to a dreamy, emotional place. Most of my friends didn’t know her music, or some would say she was “weird” or “too much”, based on the way her voice sounds in songs like “Wuthering Heights”. But I love how her voice is like no other, and how it can sound strange and beautiful at the same time. I find it so satisfying that a wide variety of people are hearing and appreciating the song “Running Up That Hill”, and Kate Bush herself, thanks to “Stranger Things”! Long live the 80’s! 💜💜💜

[@CorvoStivali]

Well done, Fil! I wish more people would (will?) take a truly close listen to Kate's music.

[@TheVigilant109]

Thank you Fil for a very thorough analysis. Kate had a unique voice and her own style.

[@lieslwindjulie3230]

Hieee! Kate Bush is an amazing singer, very talented and sensitive woman. I've always love that song. I'm glad it has a second chance. I've watched the first two seasons of Stranger Things. I'll catch up as soon as I can. Wonderful breakdown, Fil. Thank you 🖤🤘🏽

[@1Moonchild]

It's as if this song has waited all these years for the perfect moment to be reborn. Stranger Things was the perfect vehicle. Thanks for such an enlightened analysis on this exceptionally unique artist and her very thought-provoking song. It's a shame that she had change the title.

[@mauanderuk]

Great analysts and demonstration thank you I have learned quite a bit.

[@sharon3470]

I have always loved this song. Kate is amazing. I have no musical skills or talents, so hearing your breakdown and insight is fantastic. I'm so happy that so many new people are appreciating the genius of this song and artist.

[@michaelv151]

Great break down of this song FIL! Kate Bush is a very unique artist . You also mentioned compression, they do that more today on modern pop rock music. Even thing is up front, nothing in the back ground. It's all in your face.

[@idankoos4156]

Kate is a rare voice type...soprano sfogato...actually a dramatic mezzosoprano with an agile light( falsetto) head voice coloraturasoprano

[@GabrielaZapataMusic]

I've been a fan of Kate for many years, she's a very interesting and unique musician. Great video!

[@iankelsall25]

hounds of love is Kate at her most creative, making it into a concept album with themed musical narrative is genius. Kate ALWAYS did it her way, she never sold out and went 'mainstream' and followed the crowd. I have her first live concert on dvd she did at the Hammersmith, proving that she was even better live with masterful arrangements that keep you engaged the whole time. I didn't like her later stuff, but that's ok because that's the point, she's not just doing the same old same old to keep you happy. take it or leave it.

[@sabocikotic7632]

Kate Bush is a genius. ♥Great analysis. ✂

[@marlachristensen2076]

My first listen at your analysis on this song. @ 2:45, or, just prior, you introduce something about her vocals I had never really heard or thought of before. You mention about subsequent short bars of vibrato ...

[@christinechambers8608]

This is fascinating. I find I have to listen with my eyes closed to really hear the complexity of this song. Thanks for the analysis.

[@wingsofpegasus]

No problem!

[@warrenbridges1891]

@@wingsofpegasus Being a guitarist, you might be interested to know that Kate swapped her piano for a Fender Strat and bass on "Big Stripey Lie". She practiced for a week before recording.

[@frankenfurter58]

You actually made me love this song with your brilliant analysis.

[@cheneyrobert]

Thanks Fil…..you always give me new perspectives and ways to appreciate the music….your enthusiasm is infectious 👏👏👏👏great video 👍🏻🥂

[@henrysiegertsz8204]

How you explain such a technical subject so even a complete music illiterate such as me can understand, just Brilliant Fil.

[@mightyV444]

Is that a new Intro?! The beginning sounds more 'major' than I seem to remember it!? 😊 And I believe it's actually _five_ chords and not just three; C-min, Bb-maj, G#-maj in most of the parts but then also G-min and F-min in the "It's you and me, won't be unhappy" parts 🙂

[@rayjulien4739]

Awesome Fil. I seem to remember a story told by Kate, that when she was playing with her synth (Fairlight ?) she accidentally recorded her dog/s and became intrigued/ delighted by the manipulated sound, and featured it in this song. Adding an unsettling dogs bark suits the song. Is this why your software is picking it out so clearly?

[@wingsofpegasus]

I'm not sure, it's only really.designed to recognise voices!

[@paulmorgan8254]

@@wingsofpegasus but a dog's voice is in our vocal range?

[@wingsofpegasus]

@@paulmorgan8254 It may well be, but so are the instruments. The AI isn't isolating audio according to pitch, it's learned and is constantly learning to recognise a human voice in amongst other noises that aren't human.

[@paulmorgan8254]

cheers for the answer!

[@aryansigrid]

Thanks Fil, another Great analysis, This song sure makes me miss the 80's.

[@lindadescafano3749]

Great analysis. Kate's vocals are both interesting and unique. I enjoyed this video and your Eye of the Tiger example.

[@urasam2]

Many thanks for this video, Fil. This song never fails to deeply resonate with me. I don’t know exactly what it is but it sounds other- worldly. But your analysis helped me to understand it.

[@bardmathiasbergersen5068]

Great analysis, thanks Fil! 👍🏻

[@bartonone2005]

Hi Fil, brilliant analysis!! This song is found on Kate Bush's "Hounds of Love" album, which is my favorite. Coming late to her work in the early 90s, I initially thought the CD was defective when I heard this song's outro for the first time. It finally dawned on me this was only another example of her artistry. Her ability to alter the timbre of her vocals is stunning. And you are right, all that screaming and shouting is quite unsettling. Are you familiar with "Under Ice" and "Hello Earth" from the same release?

[@fergo7010]

i really liked Kate back in the day it's good that you took me back Fil thanks 👍👍✌🤘

[@perseapolaris9015]

Hi, Fil...I missed the. analysis of Kate Bush.! Complex for uninnitiated...!lovely moment with You and this great artist..👍🌹Superb, Fil..kisses.💌👌👌

[@marlachristensen2076]

@ 2:17, I like your discussion of the Suspended 2 here. Interesting.

[@taniareads8751]

Love this song and love this album - and I have it on vinyl from back in the day!

[@Richarddraper]

Brilliant video and analysis. I've never noticed those voices in the background before.

[@scottmcgregor4829]

As much of a fan of Kate Bush as well as Hounds of Love, I am as much if not more of a fan of her earlier work. I think Ariel is one of my favorites. But her quirkiness on songs like Suspended in Gaffa and Army Dreamers made her stand out miles from any other artist. Fil, I would love to see your software reaction on some of her earlier songs. Hell, even Wuthering Heights. Kate is a wonderful example of what is possible when an artist is just left alone to create without outside interference from the suites and bean counters.

[@aucourant9998]

Aerial is my favourite Kate album also.

[@DavidEVogel]

Your compliments are understandable. Kate has always been a household name in England. Not until the release of Hounds did she breakthrough in America.

[@scottmcgregor4829]

@@DavidEVogel as a teen in the states, I was smitten by Kate when Kick Inside first came out. Where I lived we had an excellent FM radio station called WMMS that had a one hour Import Hour program every Sunday night. The first song that I ever heard was James and the Warm Gun. I went to my local record shop and snapped it up.(in the import section, naturally). Kate was the first celebrity crush that I ever had. She was only two years older than me (well, you know how teenage boys think) a friend of mine that worked at the record shop gave me a nice big poster of Kate in her sexy lion apparel to which I planted over the top of some other posters that already covered every square inch of my bedroom. When I heard that The Tour of life came out on VHS, I quickly started becoming a very polite real pain in the ass at my record shop. I literally wore it out. I bought everything that Kate has done. I actually like 50 words for snow. I guess I feel that I have to make up for the too many people in the states that don't know about our favorite superhero.

[@DavidEVogel]

@@scottmcgregor4829I am also an old fan of Kate. I bought The Kick Inside on vinyl when originally released, and copied it to cassette. I listened to The Kick nonstop in the car. Something was different about the album. It can only be referred to as "performance art."

[@irmaoksanen6830]

Thanks Fil. I appreciate you bringing the guitar into the mix.

[@rk41gator]

Nice to hear the subtle voice qualities and added sounds which are used to build tension while creating that delicious unsettled quality. As we appreciate Kate's voice and her creative choices, your dissection just helps us understand her genius all the more. As you talk about the sustained notes and isolated vocals up front, I can't help but think of Phil Collin's 'In The Air Tonight'. You must analyze Genesis and how they create the moods and tension in their music. It seems they use similar devises as Kate does here. Maybe look at Kate and Peter Gabriel in 'Don't Give Up'?

[@wingsofpegasus]

Yes I mention that in my first video on Kate 🙂

[@Patrizia180471]

Thank you for giving such great insight into this remarkable piece of music. I’ve always love this song and your analysis just makes me appreciate it more. Really enjoyable and enlightening video.