Good set, I played in that type of tent for a Wedding in NJ and we roasted, need fans around you

Squad - great episode!

lit 🔥🔥🔥🔥🔥🔥

🔥🔥🔥🔥🔥

80 songs in 1 hour 40 minutes. Get my set list for FREE djrickweb.ck.page/4f17ed9ee1

Wired microphones defeats the use of an acrylic podium.

I love subs. This is awesome 😊

I’d really like to be a part of this community to learn & teach. I’m a business owner & tech in CA.

My 2 Thump 15As are 6 years old and are still going strong!💪🏽

U can prob mod this booth to look like the furniture booth. Just build a box to sit on the table top.

When will you have single or 4packs?

I ran PA at an infamous metal bar in Chicago located near a police district…Every once in a while we would get some police radio in the PA. Was an A1 /AV geek and Operations manager @ a 5 star/diamond hotel property also in Chicago. Watching this video you are in the pocket with gear and organization. For the future digital mixer a db meter a nice lighting package for video (don’t buy a camera and lens x rent)shoots lighting package for ambience on the stage keep it warm n soft. Get some rigging experience. Cable covers and lots of 4”gaffers tape black white orange/yellow n brown. Learn everything you can about PP take classes and be a proficient typer n speller. Some type of teleprompter system.Now not to sound like that guy making the step from DJ attitude to corporate guy got to make the line dark n thick. Corporate event planners don’t understand the entertainment industry I was a road warrior that had to make the step to corporate. Company logo polos 3-4 Nice suits and a nice tux. Have a nice billing system that shows line by line cost of equipment for the corporate gig so you can trim the bill if they get sticker shock. This goes for tech time not just the equipment. Have a hard line about when & how many techs are required for an event. And always have them feed your crew and you. To add a few more plates at an event could be costly depending on venue so ask if venue has a crew meal option or add the option of a meal buyout and bring a cooler. Sorry I went off hope it helps in someway even a laugh. This all stuff I learned the hard way just passing it on not full time in the industry anymore.

I ran PA at an infamous metal bar in Chicago located near a police district…Every once in a while we would get some police radio in the PA. Was an A1 /AV geek and Operations manager @ a 5 star/diamond hotel property also in Chicago. Watching this video you are in the pocket with gear and organization. For the future digital mixer a db meter a nice lighting package for video (don’t buy a camera and lens x rent)shoots lighting package for ambience on the stage keep it warm n soft. Get some rigging experience. Cable covers and lots of 4”gaffers tape black white orange/yellow n brown. Learn everything you can about PP take classes and be a proficient typer n speller. Some type of teleprompter system.Now not to sound like that guy making the step from DJ attitude to corporate guy got to make the line dark n thick. Corporate event planners don’t understand the entertainment industry I was a road warrior that had to make the step to corporate. Company logo polos 3-4 Nice suits and a nice tux. Have a nice billing system that shows line by line cost of equipment for the corporate gig so you can trim the bill if they get sticker shock. This goes for tech time not just the equipment. Have a hard line about when & how many techs are required for an event. And always have them feed your crew and you. To add a few more plates at an event could be costly depending on venue so ask if venue has a crew meal option or add the option of a meal buyout and bring a cooler. Sorry I went off hope it helps in someway even a laugh. This all stuff I learned the hard way just passing it on not full time in the industry anymore.

I like your dj booth I was wondering if you are still hiring dj s

As a corporate gig guy, I highly recommend looking into NDI for projector and camera feeds. Combined with vMix, it's simple, rock solid and drastically reduces the number and type of cables you need. Everything simply runs on an ethernet network, which is infinitely expandable.

Charge up tha A$$!!!

#squad 💪🏾💪🏾 hopefully coming into the nc shop today to look at some tubes!!

14:38… everyone stops and looks at the DJ..”hey man” then lost the crowd.

love the video but no EV or JBL?

I would recommend getting a pair of CAT snakes if you can call them that. It is a snake with four xlr connectors that run over a single CAT cable. Good for long distances. Very cheap aswell.

Why price of driverack PA2 alot more expensive than dbx driverack 480? Isnt dbx 480 more usefull cause its 4in-8out?

song at 29:32? crowd going crazy

YOU ARE THE BEST BRO

Do you have the link to the laptop arm Marcellus has on his case?

Is it me or was this space too little for that many kids? I have done events like this and I quit doing them. Too much setup for too little money. The kids cant even dance, they only have room to jump up and down.

Not only rf signal but if your iPhone or any type of phone is on and with the person talking it can pick up the sound from there phone

For video: Black Magic for multi screens. Pro Presenter. Run STI not HDMI for anything over 16ft. You’re going to need at least 2 really good projectors. 16x9 tripod projector screen with drape. Audio: Feedback Suppression x1,000

Both Transmit Pro information???

Next step could be a digital mixer for your corporate gigs. You can set your compression and gates accurately. You can also set bespoke EQ per channel which is a godsend to control vocal mics. The Midas M32R is a good rider friendly entry point which is known industry wide. Really impressed with that Optima projector - HD with good output - puts our old bulb projectors to shame. We’ve have had loads of use out of our screens so yours should prove to be a great investment.

I would highly suggest not running your delay/fill speakers in the configuration that you have them, and instead running them as traditional delays. With a "4 point" sound system like you have, you're going to have every seat in the audience getting a different arrival time ratio between the tops at the front of the room and the back of the room, totally messing with your system's coherence. Not a single person in that room had a time aligned sound experience as you have it set up right now. If you simply pushed the delay towers forward by 30-40 feet, and had them all pushing sound towards the back of the room, with time alignment between zones, you would have a MUCH more coherent sounding system, which as a sound provider should be your main goal. I think you'll notice a HUGE difference just by switching that deployment up.

Nice!

Where did you buy the screens from? Can you send a link?

Maila?

Corporate tech table is usually located at the back. In corporate the Main Character will always be the client. The tech team disappears. Since you have a dj background will give it a pass. Go get yourself a perfect cue system and some longer runs of cabling for videos. A lot of corporate events lives and dies by PowerPoint presentations so comfort monitors will be asked. Go get a much capable video and audio mixer. What you showed there are good starters and most often are used for smaller breakout rooms. If you want to cater to the bigger budget corporate gigs you need to get yourself at least a minimum of 8 lavs. One more of the stumpfl screen and another 6k projo. Corporate likes screens. And add some displays on stands. If you can mount em on truss for a better look then offer it. In terms of lighting leko’s with a couple options for lenses are the go to for stage washes with some stage uplighting for a basic package then add in some moving heads for some walk in stuff. That will depend on the type of event the show runner will want. But that makes the event a lot more lively. That back fill kinda looked awkward from where it was placed but from what you were using it for kinda makes sense. But that’s not where I’d put delays. And is that even dialed in for the delay btw? I didn’t even saw a GEQ? Was there one in the rack? I know you use the driverack but that only works for tuning the PA noh? But do you have any way of ringing out the mics? Or do you use that for both tuning and ringing out?

I have a question, have you thinking about getting a digtal mixer for corporate stuff and live events?

sennheiser IEM, could have been like you suspected, a dodgy cable buzzing. Also, check your headset buds out, plug them straight into a mixer in the headphones, as well as directly into the monitor out. Does your sennheiser have a headphone test socket on the transmutation unit? you could try the ear buds in that socket as well, just to rule out the belt pack receiver.

Thanks so much for that important share for me as a beginner in the business.

Hey Rick, So for my background. I djayed too but now I’m working for a Full Service Production company. I finished my apprenticeship in that company. Most of of the time we’re doing concerts. For example Ava Max, Toto babymetal etc… But we are also doing corporate stuff. For example Fashion2Night on a cruise ship. First thing nice setup. I would do some things differently. So it’s just my opinion, knowledge and of course how we would run things at our company. First things first 3:54 We bring a good monitor because it’s color accurate and contrast true very simple. And of course one of the biggest features is the connections. If you do bigger corporate stuff you will run into more sophisticated systems that don’t use HDMI. Most of our Video stuff is using SDI. So you don’t have to use any converters that could potentially degrade the signal. The important thing for why we are using such monitors is that there Panal is B rated and calibrated. You could probably colorgrade a movie on that monitor. We need such an expensive monitor so we can ensure that for example if we’re running cameras or even PTZ cameras that the Colors and contras is accurate Next thing I would recommend you buying a Digital Mixer. Yes they’re a little bit on the expensive side but the features that comes with it are enormous. I would recommend you buying a Yamaha QL1. They’re old but gold. They are running like a tank. Never had one going down so far. And you can buy theme second hand. Yamaha put out a new digital mixer and everyone is trying to get rid of the old ones. They have also feature like DANTE and 31band EQs and more. Don’t buy those cheap digital mixers like the Behringer X32 M32 or those Presonus stuff. You’re more flexible with those higher branded Digital mixers such as Yamaha QL/CL Series, Allan & Heath DLive/GLD Series or Digico. For this type of events I usually would run the Speakers in stereo and a matrix mono out to the subs. So I have control to every zone. About the back speakers I wouldn’t put them there. Put them like half the way into the room at the walls. Delay them in such a way that the sound perception is coming from the stage. It would drive me crazy if the manager is taking on the stage but the sound is coming from behind me and later delayed from the front. For the Delay speakers I would also run a mono matrix out. Sorry for that long text and my bad englisch. If you want to know more or you want me to explaine some things further. I’m more than happy to help you.

This is John from Touch of Class. We once had the same issue of picking up a Christian radio station through our wireless mic system at Legacy Stables. Have you had that issue there?

I would definitely recommend a digital mixer. The subs can be run in mono, allowing you to send only the elements that need subs (e.g., no vocal mics). You can EQ your mics, which is really important for feedback, and there are many other important features / possibilities. Last year, we ran some events with L-Acoustics KARA and SB18, which is excellent equipment for rider events. We had a band, DJs, a comedian, and a sort of talk show. None of this would have been possible without a digital mixer. If you want, I can share some videos or photos of these events or from events we hosted this year. Greetings from Germany, Jonas

1:12 pretty smart you keep track of all that if you know you have DJs with gear also.

God damn I think if this use in festival all will die due to 2000w 😂

💡Need Lighting? bothlightingusa.com/ How to run wireless Audio kzbin.info/www/bejne/h2izmKuZjbiisNksi=uLtsLtH6RSUxI664 📲Need advice or just want to pick my brain for an hour? calendly.com/fslmeeting/letstalk

Even if you were to get approval, why would you be comfortable using oil based haze in a room like that over water? No offence, but I find that pretty unprofessional.

@DJRickWeb would you ever use bassboss subs? Like the vs21 or makara

Man , I hate the tweeters on these speakers. I don’t own them personally but I often help this other DJ set up since he’s a bit on the older side and man , I can never make it sound clear and beautiful. No matter how much I tune them , I can never make them sound good so I just leave it as he has em and people complain bout how bad it sounds.

Gracias por decir la verdad, Pienso igual.

Send us some links for research purposes 😂

Hi guys Great video 👍 I was wondering if you could help me out. I have two tower speakers that have(6 tweeters, 1 midrange n 2-18” woofers) each. The brand is Polm Audio which I never heard of n it doesn’t tell me how many watts it can handle. I just need a good amplifier that won’t let me penny less n my kids can enjoy parties in my backyard. Thanks

Craaazyyyy prommm....