Thanks for watching 😊 Remember that 16mm is the equivalent focal length of just over 25mm, which isn't super wide on an APS-C camera, so for vloggers who want to put more of the scene in the frame, a 10-18mm offers much more versatility. You're also going to crop into that with active stabilisation. If you look at 2:23, where Olivia is at 18mm, and 2:46, where it's filmed at 10mm, 10mm is much wider and much better for general vlogging. 16mm would be ok, but skip to 3:05, where we start the IS tests and imagine you're shooting at 16mm and need to use the enhanced digital IS function; at 16mm, you'll be VERY tight to Olivia's face. If someone needs an inexpensive prime lens for vlogging, the RF 16mm is a reasonable consideration. However, what sets this Sigma lens aside is its build quality, image quality, and flexibility, thanks to its zoom range. All this for just an extra 95g. Yes, it's a lot more expensive, but you're getting a lot more. It's going to come down to budgets and requirements (as for most things!) for the individual. So, for vlogging content, we recommend either the Canon RF-S 10-18mm, the Sigma 10-18mm or the Tamron 11-20mm (we haven't tested this yet), depending on the budget.

The Selphy is a great choice for 6x4 photos 😊

We'd really recommend asking your local specialist what the best options are for you and talking to a retailer you plan to buy from who can support you in your purchase. But if you have any questions about this specific video, then do let us know 😊

Sounds like you haven't personally tried the latest mirrorless cameras, but if you're happy with your Nikon D3 and it does what it needs to do for you, then that's all that matters and we hope you enjoy taking photos with it for a long time. But, a LOT has changed in camera technology in the 17 years since the launch of the D3, so when you do upgrade, regardless of the brand you choose, you're going to be impressed with how far AF and other features have come.

Glad it was helpful! Thanks for watching 😊

Thank you! We'll try our best 😊

Thank you! 😊

@@PuttBenis link in the description for the full lens review 👍🏻

Thank you! Personally, I’d recommend the Fujifilm X-M5. The video specs slightly outshine those of the Sony ZV-E10 II. The X-M5 offers 6.2K/30p, 4K/60p, and FHD/240p, which delivers stunning detail and you will have the added flexibility of slow-motion. You also have Fujifilms film simulations which are great for both stills and video! Hope this helps :)

@ thank you a lot ❤️❤️❤️

You're very welcome! 😊

Ahh we’re so glad you enjoyed watching it and also had the chance to see the location yourself! 😊

We hope so too, it would be a real shame if they were lost.

The R6 Mark II doesn’t have that feature unfortunately!

Thank you! We’ll certainly try our best. Sometimes we’re at the mercy of the products being released as to the types of locations we film in (also other people in the hides may not be too impressed with us vlogging 😅) but we will certainly do our best to keep up the vlogs alongside the regular review and product content - thanks for watching!

Thank you 😊 It was a very long day! We left our houses at 7am and got home around 10pm… and spent most of the following day (Saturday) recovering 😅 What we didn’t have the ability to safely film was the sheer weight of all the kit and the struggle to get it up and down the climb. Neither of us needed to visit the gym that weekend after that! - Alex

Glad you liked it! Thanks for watching 😊

The RF 50mm F1.4 is impressively sharp and holds its own very well, but the RF 50mm F1.2 still has a slight edge in ultimate sharpness and low-light performance. The F1.4 offers a great balance of image quality, size, and price, making it a strong choice for many photographers!

Aww, thank you! 😊

It really depends on how you’re planning to use it! 😅 From personal experience, the magnet is plenty strong for most content creation scenarios. Unless you’re doing something extreme, like dangling it out of a speeding car, I wouldn’t worry too much. For everyday use, it’s been rock-solid in my experience!

@@WilkinsonCameras Glad you like it. But I'll wait for a more system agnostic setup that doesn't come from a corrupt ecosystem. Usually those solutions work well, and they work for everyone, less divisive. Less bullying on BS patents.

Sorry, not sure what you mean - can you explain? Thanks!

Thank you! 😊

What are you shooting with currently? And what subject? We’ve tested a lot of cameras in various situations and can honestly say that there’s very few scenarios where anyone would truly *need* more than 20 frames per second, especially when you consider the modern AF capabilities of flagship cameras and lenses.

Understandable! Just pair it with the 24mm and 35mm F1.4L lenses instead 😉

The RF 70-200mm F2.8L IS USM is a fantastic lens-compact, lightweight, and incredibly versatile, especially with the RF teleconverters. However, the 100-500mm offers unparalleled flexibility for wildlife and sports. If those use cases are rare for you, consolidating to the RF 70-200mm with teleconverters could streamline your kit without losing too much functionality. It really depends on how much you value the extended reach and the specific scenarios you shoot.

Very blooming strong !! 🤣🤣

Hi Philip, Southport have a good selection of the Photogenic T’s and other nice items for you to see in store if you want a closer look. They’re all designed and made in the USA and are small batch, hand screen-printed - so they do cost a little bit more, but they’re something different and not mass-made so hopefully you’ll like them when you see them 😊 www.wilkinson.co.uk/brands/photogenic/

That would be cool!

The lens is 5.5 stops (which we do say in the video too) or up to 7.5 stops with a body with IBIS. Please remember that as an RF lens js it designed specifically for EOS R mirrorless series cameras and can’t be combined with Canon’s older DSLR cameras.

Much appreciated!

ProMaster Professional Carbon Fibre Tripod with the SPCH20 Cine head - links below 😊 bit.ly/3CYffBw bit.ly/3CXYPgx

Wow, thank you very much!