9 ай бұрын
10 ай бұрын
11 ай бұрын
Жыл бұрын
Жыл бұрын
Жыл бұрын
Жыл бұрын
2 жыл бұрын
2 жыл бұрын
2 жыл бұрын
2 жыл бұрын
2 жыл бұрын
2 жыл бұрын
2 жыл бұрын
3 жыл бұрын
3 жыл бұрын
3 жыл бұрын
3 жыл бұрын
Пікірлер
@MuhammadIqbal-bb3vu 11 күн бұрын
I have a problem, the icon didn't show on my preview screen so i can't adjust anything, do you have idea to fix it ?
@lukerosspost 7 күн бұрын
Hey! On the bottom left corner of the viewer, there should be a dropdown icon menu. If you can't see your power window, make sure to click this dropdown and select Power Windows 😃
@MuhammadIqbal-bb3vu 11 күн бұрын
I have a problem, the icon didn't show on my preview screen so i can't adjust anything, anyone have idea how to fix it ?
@seanswee 12 күн бұрын
Hi Luke. Do you happen to know if baselight has any automated dust / digital dust / stuck pixel detection options, or is it entirely manual? Thanks!
@robbrown3543 15 күн бұрын
Thanks for a quick straight forward video!
@agudal8503 21 күн бұрын
Nice one, thank you
@ArcanePath360 25 күн бұрын
Very succinct. Appreciate it!
@mhmd5285 Ай бұрын
Bro how to hide this mini timeline in color page
@Mingo541 2 ай бұрын
THANKS!
@Gonchoboy 2 ай бұрын
Hello, will this profile pack adapts to different monitor resolutions?
@Gonchoboy 2 ай бұрын
Hello, will this profile pack adapts to different monitor resolutions?
@lukerosspost 2 ай бұрын
Hey! These packs are designed to work with specific Stream Deck units. In this case, the pack is compatible with the Stream Deck Plus! The pack doesn't interface with your monitor, just the Stream Deck software 🙂
@omroyukulele-007 2 ай бұрын
won't work in my MacBook
@kroesifantrom2837 2 ай бұрын
This video helped me so much! Thank you!
@raulgliderr295 2 ай бұрын
I need the software for Linux (Mint) ....
@PriestlyEdits 2 ай бұрын
is there a way to transfer graded clips from baselight to resolve without rendering timeline?
@princeamu 2 ай бұрын
DAAAAAAAAAAAAAMN!!!!
@brachysm 3 ай бұрын
Consolidate tool seems not support in Baselight LOOK.
@lukerosspost 3 ай бұрын
Yes, I believe that it is a restricted feature in Baselight LOOK!
@sightseerproductions 3 ай бұрын
Heck yes.
@marietafarfarova 3 ай бұрын
That's a clever use of parallel nodes. Personally, I prefer to do any secondaries after the exposure and white balance, not in a parallel that is feeding from the original source, so that I have maximum colour separation before I get into any qualifications (if needed). Then, at the end of my Clip node tree, I have a dedicated node for 'Shot Matching' so if anything is off, I don't go back to the initial balance and exposure, I just do it in a node at the end.
@lukerosspost 3 ай бұрын
Marieta - yes, that's a really great workflow! It personally takes me a few passes to lock in my initial normalisation and balance tweaks throughout a grade, so I put up with having a slightly flatter source image unless I'm struggling to pull a satisfactory key. I always love being able to go back to my first normal/balance adjustments and tweak 😊
@marietafarfarova 3 ай бұрын
Thank you so much for sharing your process, Luke. I love your teaching style and I also watch your content on Mixing Light. I always learn something new in every video! May I ask a quick question - when exporting to Quicktime DNxHR 444 12-bit, have you noticed there is a gamma shift when the graded file is imported back to Premiere Pro? For context, I'm on Windows too. And to my knowledge, Premiere interprets DNxHR 444 12-bit in full data levels, when in fact they should be video. Personally, I haven't been able to solve this and I use Quicktime Uncompressed YUV 422 10-bit or DNxHR HQ as a workaround. I'm keen to hear your thoughts knowing you're an absolute technical wizard. Thanks a million!
@lukerosspost 3 ай бұрын
Hey, thanks for the thoughtful comments Marieta! I always appreciate hearing that people are enjoying the content that I put out. Simple answer: yes, I have stumbled upon this issue myself! DNxHR-HQ is my current workaround, so we're on the same page I think... I haven't had the time to explore it further, but it is on my list. Glad to hear it's not just me 😂
@MIHAO 3 ай бұрын
Useful info, cheers!
@leofiorito2328 4 ай бұрын
I’m following everything here and it’s not working
@lukerosspost 4 ай бұрын
Hey Leonardo, let's get you set-up - email [email protected] and I can help troubleshoot any issues 👍🏼
@leofiorito2328 4 ай бұрын
I just got it, but how do I install it?
@lukerosspost 4 ай бұрын
The set up video is here: kzbin.info/www/bejne/oHnWZHd8nLmmnq8si=Xa89ScvaVpTDEvvN
@siddharthagandhi 4 ай бұрын
Hi , so how would one track the bg if fg has a pan motion ? I tried tracking but bg seems to be not in line with fg motion . Am i doing anything wrong on tracking part ?
@4080tomalex 6 ай бұрын
why dont you just watch through the shot?
@lukerossfilms 6 ай бұрын
Navigating to the first, middle and last frame is the quickest experience that I've had conforming in Resolve. It does depend a little bit on the type of project that you're working on, but I work on a fair bit of documentary content. Talking head shots (interview shots) are so fast using my method 😁 at the end of the day though, it's definitely personal preference!
@rl-nh6fn 6 ай бұрын
How do i use the "legal to full range" "full to legal range" with red raw footage?
@LXXNEYBEATS 6 ай бұрын
I need to see a tutorial on how to use the Patch replacer to remove stray hairs sticking up on top of someone's head asap!!!
@moviereview-rw2xs 7 ай бұрын
this film graded in assilimate scratch..
@Boz1211111 7 ай бұрын
the problem is, i go to next clip, see i need edit i did on previous clip, i go back, but at that point ripple changes doesnt work any more
@yuryruban 7 ай бұрын
Nice tip
@yuryruban 7 ай бұрын
Omg man! It's gold! I think we'd know that if read the official manual 🤓
@JimRobinson-colors 7 ай бұрын
That is an interesting idea - I have jumped like that using active playhead markers, but that takes a liitle more effort but - you are able to park each on any frame - so if you want to have something comparable - placing the active playheads is more accurate. But I like this as well for use as described.
@lukerosspost 7 ай бұрын
Thanks Jim!
@maanharman5070 7 ай бұрын
very good video
@lukerosspost 7 ай бұрын
Thanks mate!
@hugolinaresimages 7 ай бұрын
Thank you so much for this documents!
@lukerosspost 7 ай бұрын
No worries Hugo!
@tomasliebel8731 8 ай бұрын
great video, very useful
@lukerosspost 8 ай бұрын
Glad it was helpful!
@PTFWWDB 8 ай бұрын
I ran scene cut detection and it made a million little cuts that I don't want. I don't want to manually delete points. How do I RESET the Scene Cut Detection for a video file??
@lukerosspost 7 ай бұрын
Hey! Adjusting the pink line upwards will reduce the amount of cuts in the file, so that's a great first step. If you've already clicked "Add Cuts to Media Pool" you can use Ctrl+Z to undo this action. There's no way to "reset" all of the marks, you can only manually delete points 👍🏼
@PTFWWDB 7 ай бұрын
@@lukerosspost I did Scene Detect on a file that had transitions and it ended up making a million cuts, manually erasing them would take over an hour, so that sucks that there is no Reset function or anything, using After Effects
@lukerosspost 7 ай бұрын
@@PTFWWDB The shortcut keys are "N" (next) "P" (previous) and if you use them with the "-" key (delete) you can trim tens of cuts in a few seconds. Transitions should be generally be supplied as separate files though, you may need to go back to editorial and ask them to supply you the footage with handles!
@andersistbesser 8 ай бұрын
Very well done video. Thank you very much
@DistinctlyMeFilms 8 ай бұрын
Do you colour grade animated works? Because from what I understand animated shows/films are colour graded to match the gamut of the projector being used and less for style.
@lukerosspost 8 ай бұрын
Hey! I haven't graded that many animated films, but the same principles and rules of colour management and colour grading apply 😊 there's a lot you can to do enhance the grade of an animated film. For example, I watched a colourist use power windows to add shadows from light sources while grading animated films, really fine detail work!
@guitarglue 8 ай бұрын
Unless something has changed in Premiere you’d need to force DNxHR444 to Full Levels for Premiere to interpret them correctly.
@moviereview-rw2xs 8 ай бұрын
why did you choose resolve over baselight? (i don't like resolve color science)
@nickgrant6767 8 ай бұрын
Wild🔥🔥🔥🔥
@deepmusic2456 8 ай бұрын
Sir any idea I have done short film in rec 709 color space now I want to trim pass in dci p3 in projection room..so I have to change odt rec to p3 dci ...any method u have ...easy
@dawstory168 8 ай бұрын
First go to resolve project settings>color management> video monitor lookup table> choose Rec709 to Dci p3. Do your trim pass. After trim pass turn off that settings. Not need to change your ODT..
@huggeebear 8 ай бұрын
More of these “how to use this useful feature (in new and improved ways) videos please 👍🏿
@electriccatvisualarts2397 9 ай бұрын
This is fantastic! Thanks for sharing this information Luke.. Subscribed.
@lukerosspost 9 ай бұрын
Thanks mate! I have done a few updated videos on the conforming process in the past few months (this is a few years old now), so feel free to check them out!
@stillcinematic3163 9 ай бұрын
Great video. However, you forgot to go into the advanced settings to select rec709-a or rec709 gamma 2.2 for web.
@lukerosspost 9 ай бұрын
Thanks for the comment! This is an interesting topic that I'm actually about to discuss in an upcoming Mixing Light insight! Make sure you're subscribed if you want to hear a discussion around this 😊 (www.mixinglight.com)
@948ccm 9 ай бұрын
Mouse pads 👍
@lukerosspost 9 ай бұрын
Love that. What kind of design would you like on a mousepad? 😜
@artmicca 9 ай бұрын
Good job! 👍
@lukerosspost 9 ай бұрын
Thanks mate!
@Soumyajit2.0 9 ай бұрын
You got a new sub 🙌🏻
@lukerosspost 9 ай бұрын
Thanks mate!
@SummerVibe-ve6vm 9 ай бұрын
bro in which platform you get client
@lukerosspost 9 ай бұрын
Networking and gaining clients can come in lots of different ways. I always recommend reaching out to local video production agencies in your area and introducing yourself. It's great to go grab a coffee without an agenda and get to know what their needs are. Online works well too though, as this video demonstrates! There's a few great film and screen production Facebook groups here in New Zealand and that's where I posted the message for this specific video. I'm not a huge Facebook fan, but it's a great tool sometimes.
@SummerVibe-ve6vm 9 ай бұрын
@@lukerosspost thnx for your recommendation a start to reaching out offline client
@thomasl4533 9 ай бұрын
Hello Luke, i love your channel and the way you share your knowledge. I would like to share a tip with you, maybe you already know it. If you scene cut detect in mediapool it creates a lot of sub clip, but if you remove them and instead drag and drop the native clip, it will relink all the offline cuts on this only media.
@lukerosspost 9 ай бұрын
Thanks Thomas! Oh yes this is a great tip, it's a valid workaround!
@jamied6166 9 ай бұрын
Looks great! Great tutorial delivery too, as always. I like to ask for a EDL to cut up the file so that I can Extract reel names from the EDL comments.
@lukerosspost 9 ай бұрын
Thanks Jamie! Yes, I need to start getting into a habit of requesting an EDL for this workflow! I like using an EDL better than using any of the two scene cut methods, but honestly, I keep on forgetting to request it 😂