Thank you! Always Vlog!

Thank you! We do a vlog to rec709 conversion and then apply a look lut. I think this was WIR Adagio 2

Thank you! Adagio 2 I believe.

Thank you! Yes, I believe we used one of the White in Revery luts for this (Although I can't remember which one I'm afraid!)

Thank you! We use a 709 transform lut (from Panasonic) and a White in Revery Adagio LUT.

Thanks

Glad you enjoyed it! We used a few different lenses which are listed in the video description.

Thank you!

All 4k at 24 or 60p (internal).

what kind of file? .mp4 .mov or ProRes? thanks alot!@@KismetCreative

@@Kapanalig999 Mov

Thank you! Those would be 85mm but often in APSC mode (so 128 ish equiv.)

It's all internal. Are you talking about auto white balance? If so, it's OK, but I find it shifts more than I'd like and can sometimes lean a little blue.

Thank you!

Vlog 100%!

great. And do you recomand a specific LUT? @@KismetCreative

Thanks so much! Really appreciate it. Hope you enjoy the S5iix. Such a great cam.

Thank you! The drone shots are with the mini 3 so not log, but D-Cinelike.

@@KismetCreative awesome! Been wanting to try d cinelike

Thanks so much!

Thank you! Mini 3 pro.

Thank you so much!

Thank you very much! Yes, lots of APSC. I do sometimes use optical flow and shoot in 30p for shots that don't have much movement (eg venue, room shots etc)

@@KismetCreativegive thanks!! :)

Hi! I don't deliberately over expose everything with vlog. I tend to use a mixture of the exposure meter, histogram and just seeing the screen to gauge things. It really depends on the scene. In general, I'm between not underexposed and keeping highlights from clipping on the histogram (but I break that rule from time to time).

Okay, thanks for answer. Interesting, cuz I've heard so much of exposing lumix vlog differently to, say, natural profile. But in any case, your image is spot on, perfect colors and contrast. =) @@KismetCreative

@@aleksivahapassiweddings No problem and thank you! Well, technically you might want to over expose to reduce noise and that would work great in an environment where you can control the lighting. Weddings are fast paced, so there's an element of keeping it simple so you get more shots in the ballpark of where you want them, rather than always over-exposing and accidentally blowing your highlights because the scene (which you couldn't control) was back lit. Also depends on your conversion lut. EG leeming lut requires over exposure (I believe) vs lumix lut which doesn't.

Thank you! This was shot in Vlog

ohh Nice@@KismetCreative

Thanks! I used to be pretty strict about now blowing out highlights, especially with older cameras as those overexposed areas looked like a harsh wall of white. With the S5ii I find the roll off is so much better, as well as there often being some details preserved that I can pull back, that I feel more comfortable blowing out shots a bit. So it's really a judgement call that I make on a scene to scene basis. If I'm not sure, I might get a couple of versions; one that looks better according to what I see on the screen and once that's exposed for the highlights, just in case.

Thank you. Not yet, but might be fun to try in the future.

Ha ha! Maybe you're just making a lasagne? (FOTC reference). Thank you for the kind words.

Thank you! S5ii(x) is a great camera. We shoot a lot in 4k60 (crop) and don't have any issues with it. Would love it if it were full frame, but on balance I'm OK with it in order to have the other benefits of the S5ii. I do sometimes shoot 4k30 and use optical flow for certain shots if there's not a lot of movement in them (details shots and venue shots for example).

Thanks! This was a huge help. And yeah, hopefully their next model will have 4k 60 full frame haha. Appreciate you for answering my questions 🙏🏽@@KismetCreative

We bring along our Aperture 60x and spotlight the couple (often backlighting). We set it pretty bright as we want to keep the background dark, so we're actually exposing at quite a low ISO (I can't remember exactly, but that's the reason there's little noise).

2 videographers and 4 cameras (gear in description).

@@KismetCreative if you where solo and only had 2 cameras do you feal like it would impact the end result or you could still get similar outcomes ?

@@edi18912 I'd still be able to make a great video, but obviously fewer shots to work with. There'd also be no opportunity to split tasks. EG one sets up reception while the other shoots cocktails. Also less redundancy which is important for a live event. I'd say about 70% of the shots in the video are mine (30% second shooters).

Very kind of you thank you!

Wow, thank you for the kind words! I really appreciate it. So yes, lots of hand held and that shot (looking down at her leg) is handheld. I added the push in in post. I actually keyframe pretty much all shots in our edits so that I can help with eye trace as well as draw a attention to subjects. I also like to add keyframes to change up the energy of the edit (so up to 15-20% post-zooms on shots on the dance floor, for example). I just like everything to be moving and flowing. I hope that helps!

Wow, thank you so much!

Really kind of you, thank you

Thanks so much for noticing!

For this one we plugged into the sound board and attached a sony tx660 to the hand held mic as backup. We normally mic the bride and groom, but the bride's dress was tricky to get a mic in and the groom requested that he didn't wear one.

Thank you!

Thank you. It’s a proprietary font made by a previous corporate client that they let me use.

Yep! Works great with e S5ii

@@KismetCreative Woah, What do you use the s5i for? How many shooters do you have tho? Im planning to make a team here in the PH but no one uses Panasonics xD

@@Filmsimulation The S5i is for a safety cam. Actually I just realized the info in the description is out of date. We now have 3 S5ii's and 1 S5i. There's 2 of us on a shoot. Everyone here uses Sony so very few Panasonic shooters as well!

Thank you!

That’s so kind of you to say! Glad you’re enjoying them and happy to say we have some great videos coming over the next few months. Audio wise, we use tascam dr10l’s. We put them on the bride, groom and officiant. We also plug a zoom f3 into the sound board and attach a Sony tx660 to the hand held mic. For the speeches it’s a zoom f3 in sound system and then we’ll tape a lav to the hand held mic. Hope that helps!

Thanks! We do love a match cut : )

Thanks for watching!

Thanks. We've started doing night shoots for many of our weddings now and really like the aesthetic.