Badlands - Badlands | 80s Metal Album Review

In the twilight of the 1980s, a year that marked the end of an era and the dawn of another, a band emerged that would encapsulate the raw energy and spirit of rock's golden years. This band was Badlands, a powerhouse ensemble formed by none other than Jake E. Lee, known for his explosive guitar solos with Ozzy Osbourne. As Lee parted ways with the Prince of Darkness, he gathered a group of seasoned musicians: Ray Gillen, whose commanding vocals could rival the legends; Eric Singer, a drummer with a pedigree from Black Sabbath (later KISS); and Greg Chaisson, whose bass lines were as deep as they were intricate.
The year was 1989, and as hair metal began to loosen its spandex grip on the music scene, Badlands released their self-titled debut album under Atlantic Records. This album wasn't just a collection of songs; it was a revival of hard rock's foundational ethos-a gritty, blues-infused homage to the sounds of Led Zeppelin and Van Halen, yet distinctly modern and unapologetically fierce.
From the driving opening riff of "High Wire" to the soulful depths of "Dreams in the Dark," the album showcased the virtuosic synergy between Jake E. Lee’s guitar and the powerhouse vocals of Ray Gillen. These tracks weren’t merely songs; they were anthems, echoing through the canyons of rock history and calling back to a time when music was as much about raw emotion as it was about the spectacle.
As Badlands toured with contemporaries like Tesla and Great White, they carved out a niche that straddled the line between the flamboyant excess of the 80s and the introspective rawness that would define the 90s. The band's legendary live performances were marked by an intensity few could match. They were a bridge between eras, embodying the transition from the arena rock spectacles to the stripped-down authenticity that grunge would herald.
Yet, the story of Badlands is tinged with the bittersweet reality of what could have been. Despite critical acclaim and a dedicated fan base, their journey was cut short, and the band dissolved as quickly as they had arrived. Their music, however, continues to resonate. The rarity of their recordings-a result of legal entanglements and the elusive nature of their releases-only adds to their mystique, making their debut album a prized possession for collectors and a hidden gem for new fans discovering it through dusty record store bins or online forums.
Today, as we look back, Badlands is a monument to an era when giants walked the earth. Their music captures the spirit of a time when rock was heard and felt when albums were statements of artistic intent, not just collections of singles. For those who remember and those who wish they could, the story of Badlands is a siren call, reminding us of the power of music to define moments, movements, and memories.
So join us on this episode of "Dig Me Out 80s Metal" as we explore Badlands' legacy, delve into their iconic debut, and celebrate the enduring impact of a band that, for a brief, shining moment, stood at the crossroads of rock history.
Songs in the Episode
Intro - Dreams in the Dark
34:53 - Street Cry Freedom
39:41 - Dreams in the Dark
41:06 - Jade's Song
52:55 - High Wire
55:27 - Devil's Stomp
58:00 - Seasons
1:03:47 - Dancing on the Edge
1:05:43 - Winter's Call
1:14:19 - Winter's Call
Outro - High Wire
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[@patricktesta4177]

Way to go, guys! This record is the true definition of an album that needs "digging out"! Badlands is excellent and you guys really shook the dust off and showed us what is so different about this band in the wash of what the corporate hard rock industry was doing. Bravo!

[@kikiki4592]

Ray, despite his demons, is still imo, the best singer I have ever heard. I love all of the Badlands stuff and the Sabbath release of Ray's Eternal Idol, which also has a live set on it. He was perfect in both bands. Sucks that Paul O'Niel screwed this band so much, they could of been huge.

[@kikiki4592]

From what I recall, Atlantic refuses to re release the records for a couple of factors. 1. Ray was dating the owner's niece at the time and she got sick also. He never told anyone about his disease. 2. Ray's family doesnt want them out either. They do not want to go through the pain again, due to the families of those who he got sick, all are owned a lot of money from his estate, and the family would have to go through all the court proceedings and just do not want to rehash the tragedy of it all.

[@kikiki4592]

Eric Singer was in Olivia Newton John's band, then Lita Ford. When Lita was married or dating Tony Iommi he stole him from her band for Sabbath. I believe he did the Gary Moore tour somewhere in between. Also was in and out of Alice Cooper for years. Had a cool project with John Corabi (Motley Crue/The Scream/Union/Ratt, Brides of Destruction/Dead Daises) and Bruce Kulick (Kiss/Union/Grand Funk Railroad), called E.S.P. Eric Singer Project. They were basically Union with Singer on drums and a couple songs he sang.