J.S. Bach Partita No.2 BWV 826, Scott Ross

J.S. Bach Partita No.2 BWV 826, Scott Ross
Sinfonia, Allemande, Courante, Sarabande, Rondeaux, Capriccio
Scott Ross, Harpsichord
Rec.: 1988

[@renato45222]

Scott Ross, il poeta del clavicembalo, la sua genialità interpretativa resta ineguagliata...............Attraverso il suo magistero il clavicembalo - per le musiche scritte in origine per questo magnifico strumento - impone la sua netta superiorità sul pianoforte.

[@notediclasse]

I think this is the performance that Bach would have preferred. It's astonishing!

[@EruannaArte]

Brain melting!!

[@aakarshitsingh1535]

Scott Ross has the best renditions of these partitas in my opinion

00:04 - I Sinfonia 04:22 - II Allemande 09:10 - III Courante 11:35 - IV Sarabande 14:35 - V Rondeaux 16:10 - VI Capriccio

[@brentdobson5264]

....Catchs one right up .... and tosses one all about ....right up in the clouds ....with sun light ❤ !

[@thomasciul8932]

Any man that could write music like that could easily father 27 children! Bach, my man!

[@msotil]

Credit where credit is due, but JS Bach fathered 20 children, of whom only 10 survived to adulthood. His first child was born when he was 23 and the last one when he was 57.

[@historicwine1283]

@@msotil What a guy

[@angryjalapeno]

@@msotil If we want to give credit where credit is due, then 99.99% of the effort required to have children belongs to Bach's two wives not Bach.

[@reviewsvoiceontube]

...but not every man who can or in fact did father 27 or more children could compose such a masterpiece or even compose at all...

[@lavmar8331]

Thanks to the wives

[@stutti42]

Beautiful rendition!

[@josepgilgonzalez6273]

Transcendent musical interpretation, great creativity !!

[@vincentdemurcia7160]

Tout simplement magnifique !

[@gerardbegni2806]

The right and proper vision of rhythms and tempi in the first movement is especially noticeable

[@camilloflaim7242]

Le 6 Partite composte da J.S.Bach furono concepite per clavicembalo. Tuttavia oggi si eseguono anche al pianoforte con un risultato differente naturalmente conferendo alla musica un contenuto non barocco ma leggermente romantico come il pianoforte suggerisce.

[@aristopleb]

love how the covered grand takes second row in the photo

[@husastra]

Judging by its feet, I'm pretty sure it's another harpsichord.

[@stinkydice7100]

Thank you for sharing. This is the best version.

[@verenigingvandemagogen4548]

A good rendition on harpsichord and well recorded in decent sound quality too. Thanks, recordings like these are hard to find on KZbin!

[@mmbmbmbmb]

This rendition outshines many others. Thank you my friend Ria, hugs !

[@lucazani7619]

beautiful

[@GeorgePapadopoulos1984]

The Master !

[@Freawulf]

Έτσι ακριβώς! \m/

[@ronwalker4849]

SCOTT ROSS PLAYED EVERYTHING SO WELL. BUT HIS RENDITION OF DOMENICO SCARLATTI WERE LIKE NO OTHER. SOME MAGIC OF STYLE AND PROPULSION OF MUSICAL FORCES, PLAYING THE COMPLETE 550 SONATAS WITH BRILLIANT STYLE. HE RECREATED THE STYLE OF ITALY, PORTUGAL, AND SPAIN IN ALL THE SPARKLING SCARLATTI SONATAS WITH A MARVELOUS AND DELIGHTFUL ENERGY.

[@sheldonbazinga3985]

Encenser Scott Ross parait désormais dérisoire, mais de là où il est j'aimerais qu'il sache qu'il reste toujours LE claveciniste sans équivalent...La clarté de son jeu toute destinée à l'auditeur et non à lui-même. Prouvant qu'il faut toujours savoir se mettre à la place du public. Le savant dosage de puissance entre la main gauche et la droite, indispensable, surtout chez Bach, est parfait chez Scott Ross qui a su faire sonner à merveille le clavecin, ébauche imparfaite du piano. Reliefs, rythmes, sentiments, effets sonores, respirations, sont suffisamment mis en avant tout en permettant aux mélodies de ne pas etre noyées. Peut être faut il effectivement être organiste avant tout pour bien interpréter Bach. Chapeau Mr Ross!

[@33skippy]

Il y a Karl Richter

[@sheldonbazinga3985]

@@33skippy Alors là tout à fait d'accord avec vous! Le grand Karl est aussi le plus digne représentant.

[@floriandevuyst]

FANTASTIC

[@simply.darius]

Un pur plaisir !

[@tatianagelfeld]

Thanks!❤

[@lucyyoung77777]

THANK, YOU. ENJOYED. VERY NICE.

[@HarpsichordA6]

You are always welcome!

[@carluusosx4501]

That Roundeaux... OMG

[@kuwi-co8lc]

The instrument, too, had been chosen the most carefully ...

[@DjGr0gg]

recorded in 1983, crazy

[@jimbo2629]

Good grief I am not familiar with these. I shall play this over till I know them.

[@TheGloryofMusic]

You mean the six keyboard Partitas? They are some of Bach's greatest works, and perhaps the finest is the E-minor, No. 6.

[@soaringvulture]

I played them over and over and still didn't know them. The Partitas are works of genius on every page and I think you need to be a genius to play them. But even playing them poorly elevated my spirit; they are not of this earth.

[@faktablad]

You can play Bach’s keyboard pieces over and over for a lifetime and still find new joy in them

[@thomasciul8932]

Glen Gould? Bach on a piano is a transcription!

[@ruperttmls7985]

Después de esta maravilla todavía hay quien quiere oir a Gould? 😷

[@reyesgonzalezedermauricio4137]

Si

[@ssdelacruz_]

porque no te gusta glenn gould?

[@christianrenaud-dit-louis6863]

T-h-a-n-k-s

[@HarpsichordA6]

You are always welcome!

[@rdubb77]

As much as I love Gould, I think in many cases, including this one, Ross is better.

[@TheFero20]

i absolutely prefer gould's version over this. but this is amazing too.

[@lucienvergez1565]

C’est sûrement bien meilleur que gould ,surtout que cela a été écrit pour le clavecin et non le piano et pour cause le piano n’existait pas du temps de Bach !!!!!!

[@rdubb77]

@@lucienvergez1565 I can still read French, I think, and I gather you're saying that the piece is written for the Harpsichord, not the piano, and by implication the original instrument will be better. I can't say I completely agree. I mostly agree. But, you'd have to at least admit that there are some good interpretations by pianists.

[@jayelm5392]

Ross and Gould have unique styles. Both are quite magical. Otherworldly technical prowess.

[@amitmarkel]

Rameau tuning?

[@evanofelipe]

Exemplary in every sense

[@GICM]

big fna

[@mtv565]

This harpsichord is too harsh. Not delicate enough for Bach.