Melodic Minor Arpeggios (Jazz Guitar Lesson 37)

Some ideas on how we can use arpeggios from melodic minor over What is This Thing Called Love.
Pdf:
drive.google.c...

[@tonybarnard8564]

These lessons are really good. Thank you!

[@Mikkokosmos]

tony barnard thank you glad you like them.

[@bjarnesegaard5701]

Need more volume, please. Your lessons are too good to miss :)

[@Mikkokosmos]

Yes I made this video a while back when I just had gotten new recording gear. I wasn't sure how to use it. Too late to fix now :/ I might have to make a new video in this topic /Mikko

[@alilotfi7974]

Hey men, that was one of the best Video lesson ive ever Seen ! thanks alot ;)

[@Mikkokosmos]

Ali Lotfi wow! Thabk you! Glad you like it! 😃😃😃

[@alilotfi7974]

I just didnt get how do you mean to get a half step idea in 13:14 ! you meant to move up the arpeggio half step to get altred sound of G7#5 ?

[@Mikkokosmos]

Ali Lotfi no I meant that I play the B maj7#5 over the G and then move it up a half step so that I end up on a Cmaj7#5. Even though I said earlier that I didn't like the melodic minor mode (lydian aug) over the C but in this case it kind of works 😁

[@alilotfi7974]

aha, got it ! i dont like it either but here sound extremly cool ! thanks alot again mikko ;)

[@Mikkokosmos]

Ibanezguitars hi there. I'm in the process of setting up do I can do that! I'll make an announcement regarding that and my Patreon account in my next video.

[@WBUSCH49]

Mayne obvious but there is another Palace on the root of the dominant to play half dim arp. Of course Mikko knows this this for guitarists that aren t aware OR myself to remind me the imversions on the Altered chord of those Bb m7 b5 Both Cm7 b5 are tricky

[@WBUSCH49]

Also I would recommend studying the arpeggio s of 4 Tones over the the hole neck but with a 6 paterns to it as FE C Ab FE( lower) and C Ab FE CAb this creaties a Nice hemiola so it swinhs against the beat

[@jazzercaster4749]

These are great mate but haven't heard someone say for example D split? are you referring to D-7b5? where does the term split come from?

[@Mikkokosmos]

Yes m7(b5) the old chord symbol is a circle for dim and a split circle for m7(b5) maybe it's a canadian thing they say it there it's easier to say than minorsevenflatfive

[@DimaKosinskyMusic]

Hi, what strings do you use on your godin?

[@MeraPyra]

If you don’t mind me asking, what strings are on this guitar? I just acquired one and not sure what to put on it.

[@Mikkokosmos]

I always use D'addario 😎👍

[@MeraPyra]

@@Mikkokosmos Acoustics, electrics, silk and steel?

[@Mikkokosmos]

@@MeraPyra those are nylon strings

[@StantsLOL]

Hey Mike great video thanks! Can I ask why you think only the 1 3 6 modes of the Mm scale work and the others don't? Is it just a matter of the ambiguity that the others make as to which notes to include in four note arpeggio to give it 'that sound' ?

[@Mikkokosmos]

Hmm I don't understand the question 🙄what dors 1 3 6 refer to? All the modes of melodic minor work. Is there something in the video that I'm saying that you're refering to? If so where? 🙂

[@StantsLOL]

@@Mikkokosmos My wording may have been weird sorry. At around 4:24 there's a chart of the diatonic 4 note chords to the melodic minor scale . You say that only 3 of them are really functional as arpeggios or "work" as arpeggios as you put it. The 3 you say that work are modes ImM7 III∆#5 and VIø. Why is that?

[@Mikkokosmos]

@@StantsLOL oh I see. Yeah the all work but yhe ones I picked are the ones that defines the melodic minor sound. For example: if you have C melodic minor. The notes you need are Eb and B! Those are the characteristic notes of that sound. If I play a Dmin7 arpeggio I don't get those notes. So it wouldn't give me the melodic minor sound. If that makes sense?

[@StantsLOL]

@@Mikkokosmos Okay yes that makes sense. But the VIø only contains one of those two 'needed' notes (the Eb) just like the VIIø only contains one of those needed notes (the B). So why does one have more applications than the other? To me those two arpeggios could both be a bit ambiguous to what they're implying and not necessarily jus the Cmelodic minor scale

[@Mikkokosmos]

StantsLOL A is also good. You want to avoid the B and F tritone I guess because that implies the dominant. The 1st, 3rd and 6th degree of a scale give you the tonic chords, right? I might make another video on this since the audio in this one is so bad anyway 😐

[@NicoRubioGuitar]

thank youu so much

[@andrevanscheers]

Do I see it correctly that in the last example (from Maj7(#5) to Maj7(b5)) you use the 6th (and not a maj7) in the written arpeggio's?

[@Mikkokosmos]

I hope not? Where do you see this? :)

[@andrevanscheers]

In the last example in your linked pdf. If I am correct I see under C7(b9) written: Bb Dd E Ab. I understand that as Emaj b5. So I read E G# Bb C#. For me de Db turns out to be a 6th in E major and thus not the maj7. So I don't understand the Emaj7(b5) as substitution.

[@Mikkokosmos]

Oh I see there is a mistake in the PDF..thanks for letting me know. Sometimes this happens when I copy and paste too much :/ Let me fix that over the weekend! The example showing on screen should be correct.

[@HarryBarry97]

hej. har du melodic minor arpeggios tabs? har sökt hela internet men kan ej finna? har jag missat något.

[@Mikkokosmos]

Jag förstår inte vad du frågar efter? Tabs på vad? Skalan? Kan du specifiera? 🙂

[@HarryBarry97]

Mikko Hilden nej jag tänkte på tabs till arpeggios i skalan i alla 5 positioner. tack för svar!

[@Mikkokosmos]

@@HarryBarry97 ok jag förstår det borde gå att hitta. Kolla efter Peter Fishers bok Rock Guitar Secrets tror jag den heter Frank Gambale technique book 2 borde också ha det

[@Ronno4691]

The French pronounce Tintin as Tan-tan! Many thanks to Guy Chaumette ;-)

[@WBUSCH49]

And Maybe for the super nerds it worth while to study 12 b5 as Wim Overgaauw( Godfather of jazz giitar in Holland Hilbers school) uses to call ir

[@aadityakiran_s]

Why do you have Tintin in Tibet framed behind you?

[@Mikkokosmos]

It's called a poster. People put them on the wall. Strange to be surprised by that

[@aadityakiran_s]

@@Mikkokosmos Not really surprised, just wanted to know. The first Tintin I read was Red Sea Sharks. You got any specific connection with the one you have?

[@Mikkokosmos]

@@aadityakiran_s oh I see. I love Tintin 😍 wasn't sure what you were asking me, why I had a picture on the wall 😃

[@aadityakiran_s]

@@Mikkokosmos Any reason for why that issue in particular? I'm also a TInTin fan that's why I asked.

[@carlodevivomusicontent2138]

Need more volume, can't hear you!

[@jfender8023]

cant hear anything

[@Mikkokosmos]

Yes sorry the audio is terrible here my bad 😐 I have a more updated version of similar topic called "using melodic minor arpeggios over the ending of Stella by Starlight"

[@trevortimoko7512]

Man not everyone can read music Uwould have been better to put it in tab

[@Mikkokosmos]

Man, this video is meant for those who understand music theory. Tabs are great for licks and stuff but not in this case. I often use tabs in my videos but when I'm explaining theory I don't. If you can't read music, how are you going to understand the chord/scale relationship? There are plenty of videos on KZbin for beginners. I make advanced videos.

[@vanman118]

all you vids are so quiet turn yourself up bro

[@rudismonsoonsvault6126]

Mix your audio buddy.

[@Mikkokosmos]

Yes I know. This video is two years old and I had just gotten new recording gear. Didn't know how to use it. I think I'm doing a better job now. Guess I should delete this video.

[@vincentbrennan3227]

@@Mikkokosmos dont listen to that idiot he just wants to maybe come off like he knows at least one thing in a given subject