Panasonic LUMIX S1H ProRes RAW Recording Tested - Interview with DP Matthias Bolliger

We talked with DOP Matthias Bolliger to discuss the Panasonic LUMIX S1H ProRes RAW external recording capabilities on the Atomos Ninja V
Read more: www.CineD.com/panasonic-lumix...
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[@GerritSchulze]

@CineD, Matthias and Luise, thanks for bringing this comparison and your thoughts on it to us. 20:01 "Electro-Optical Transfer Function", I love it that Luise knows exactly what she is talking about. I wished more channels and their experts would talk in a fashion like she does when comparing RAW and log footage.

[@jermainewade7745]

I guess I'm pretty off topic but do anybody know of a good website to stream new movies online?

[@jaysonmiguel2078]

@Jermaine Wade Flixportal

[@jermainewade7745]

@Jayson Miguel thanks, signed up and it seems to work =) Appreciate it !

[@jaysonmiguel2078]

@Jermaine Wade No problem :D

[@ianzhao5693]

21:31 For teachers out there, this is the reaction you get when you know a student didn’t understand.

[@joyoffilming9500]

Very good guidance from first hand exploration by true professionals.

[@LUMIXSTUDIO]

very informative video!@

[@MrMegaSet]

Nino, thanks for this video. She made a lot of sense to me. So would it make more sense to do DR tests in linear? Because abviously, all manufacturers manipulate their curvs but if u test them in liniar... ?

[@JacobLCharles]

Great interview contribution by Louise Temmesfeld; I hope she can be credited in the video description someday @CineD

[@robocoontv3245]

On the right image of the clip I can see a bit more what's outside the window. I prefer that one

[@candyartstv]

What’s your interview setup? Lighting, etc. Are you talking straight into camera?

[@DennisSchmitz]

Are you going to measure dynamic range on the S1H using the noise reduction -1 setting? Expecting it to be less than before but the image is soo much better than before now.

[@CineD]

Good point, we'll look into it

[@michaelroberts8397]

Uploaded in Full HD.. ???????????

[@matafilms]

What's your point?

[@williamt6283]

Which software the colorist used to color grade the footage (obviously not Davinci Resolve as we can see in the screens) ?

[@visonaer]

Filmlight Baselight

[@cire30a]

isnt the s1h h265 6k. thats a pretty solid image. Would have liked that thrown in for comparision. not much difference in dynamic range as she points out. next test would be color manipulation to justify the raw.

[@71ojn]

Which camera was used for the interviewer? It looks great!

[@CineD]

Sony FX9 with Sigma 24-70 at f/2.8 on AF! S-Cinetone

[@71ojn]

@@CineD thank you, looks incredible!

[@CrescendoKeysChannel]

But the atomos website clears states ninja v records v-log raw here. Are you sure about this?

[@Photographicelements]

This is amazing! Can we have Louisa more on this channel? She knows SO much! (Maybe she can just walk us through a typical color grade; also a separate video on RED Code workflow vs ProResRaw vs BlackMagicRaw workflow). Thanks!

[@w.w.7148]

She talks a lot without any important content.

[@manchemram]

Its great to see a lady speaking about camera.. its lovely. 💘 😻 I see a great passion about her work. Cheers 🍻

[@sixsoxsex1]

Isi it externally a true ProRes RAW HQ? I mean true 4:4:4?

[@GabbyTech]

was going to get this camera then i skipped it

[@myleichy]

No entendí ni verga no se ingles....

[@ENJOY97]

She is so cute explaining something probably most of us don't understand 😂😂👍🏻

[@earthlevel4569]

she's a smart professional. it's 2020. keep these kind of comments to yourself.

[@blender_wiki]

I love cineD but this video is an embrasement : is full of bad and misleading information. Look like a bad advertisement for dumb consumer and not a information for professionals. Furthermore ProresRaw is at the moment is more a joke than a true raw format.