If i can falsetto a b5 then does that count towards vocal range?

Tengo el biscocho frio 🥵🥶

So bad i cqn barely even reqd the notes as a violinist. MAKE THE QUARTER NOTES IN THE FREAKING SPACE

Pfft I make that sound everytime I stub a toe

So… Will we do Erika-

Baba yetu, this 2018 video is perhaps the most watched choir group on KZbin. The music, the choir and the conductor put on a beautiful show of a very well prepared performance. For me, this video is a celebration of the best in the human species. I've watched it dozens of times. The composer is Christopher Tin.

It does get squeaky, but only hen I make it, otherwise I can make myself sound like a little girl with near 0 squeakiness

Among other things, Spyres is a skilled vocal impressionist, and I suspect that's where his desire to add the extra vocal acting elements comes from . I also suspect the sillier voices come off better here than they would in the theater because he's not trying to do it unamplified. So I'm not sure it would necessarily be a *good* idea for a baritone to try this sort of thing on stage in a production. Also, while Spyres has been singing occasional baritone rep in concert and in studio recordings, I don't believe he has actually been doing those roles in the theater. He's still a tenor!

Dimash vocal range is A1 - D8 or 6 octaves and 5 semitone You can react to "Unforgettable day" or his other performances

Back when I still did musical theater (more than 10 years ago now) we were all seperated into age classes. My group was then between 12 and 15 year olds. When our recital was coming up and our teacher was going to pick the songs we were going to perform, he first had us practice 'Food, Glorious Food' from Oliver Twist, but as we were a few weeks into practicing, our teacher decided it didn't fit the vibe of our group. So then he switched it up and gave us: Revoltin Children from Matilda. It was the best thing ever and we had the best time of our lives performing that number. So whenever I see the movie or musical, I am reminded of that performance we did 😂😂 (Ps. YAY! Starkid in a video!)

Definitely the finest performance of all time of this aria! (Haven't heard those before around the 1930s but suspect that none would be at this level.)

Me too

I love stay wars!

No is âáà

wow😁(미카엘)

lilia was otherworldly

You sing the choir in the church by yourself.

hi am a fan i want ot be an artist

Thank you, such a nice baritone. Silky and sweet. Excellent job!

epic

I would have given you a couple of quid but my phone requires a password which I don't remember: though it's in my phone. Love your education!

why bar did he die?

now sing the first stanza

#HOMEFREE....fantastic!

Of course the very next aria is the exact opposite--and also a much-,performed classic. Sarastro's "In Diesen Heiligen Mauen" is calm, warm, reassuring, and balances the Queen's high f with his own f 4 octaves lower. I love that Mozart placed the highest pitch and the lowest pitch of the entire opera right next to each other.

Even her walk off is humble.🙌🏼🙌🏼 Truly a great.

Thank you so much nick

What key is this in?

You need to listen to the "If on you would listen Reprise" the one with the spanish sub built in the video, that girl was going off

Beautiful

how to hit heart attack high note?

Bravo 👏

STARKID!!! BLACK FRIDAY!!!!!!! I'm so thrilled this was included! That kid was amazing

It’s not baroque music though, it’s music from the renaissance period. Get your facts straight you expert!

If it makes you feel any better, there is no AI without humans.

Bach

You should've uploaded this on Canada Day

Buena tarde definitivo el uno ya estrañaba sus clases Me despido Shabbat Shalom!

I played this song in my dads car, its a warthog now.

Just saw your reaction to Voctave and you mentioning liking choral music. How is that you've never reacted to Jacob Collier? He's a one man choir or multi-instrumentalist band alone. Every one of these below are mind blowing in different ways, two of them using (*) microtonality and even tuning system changes A432 vs A440 vs A456, ending in G Half-sharp as I recall.). By the way, sort of like AI, when Jacob was visiting MIT they created a "harmonizer keyboard" which does real time conversions of his voice to multiple notes to create the chords played on the keyboard. That's in the last link below with Snarky Puppy. He also created a plug in to replicate the sound of his audience choirs where he directs the audience to sing harmonies. * Moon River: kzbin.info/www/bejne/jIGvdJ5je7mJrNk World O World: Kennedy Center, where I first saw him: kzbin.info/www/bejne/p6jbg6yLo9qdrMk Miami high schoolers: kzbin.info/www/bejne/oHeteqpnn8iCj6c Bridge Over Troubled Water: kzbin.info/www/bejne/d5nIpqV3j5JnobM * In the Bleak Midwinter: kzbin.info/www/bejne/o4G9n2euaNqCl8U Don't You Know: kzbin.info/www/bejne/m6K8ZHmXj9KbY7s

Domingo's rich, dark tones, paired with his intense emotions and acting ability have always made him my favorite tenor. Especially when paired with Sherril Milnes

Live singing this song with my choir

I am yet another Emma Kok - Voila fanatic, and have watched at least fifty reaction videos, all of which were very positive about her and the performance, as you were. But here, unless I am too late to comment under this video, I would like to offer a suggestion: a duet by Ekaterina Shelehova and Nathan Pacheco entitled "L'Assenza," on her channel, EkaterinaShelehova. If you're not familiar with her, I suggest listening to her studio version of "Beyond the Quiet River."

You remind me of something I saw on a t-shirt once: "If my mouth doesn't say it, my face will!" LOL! Your face expresses the surprise and pleasure of listening to the music you're reacting to.

This is a cover of Chris Tomlin's Amazing Grace (My Chains are Gone).

Positively wicked my friend.

My auntie is from Canada. I think she lives in Ottawa or something. I am a Filipino, 😊

What style of song is this? Can anyone answer? I mean, it's classical, but, is there any classifications? Or is it just opera, and that's all? Also, how and types of singings are there in western classical? All i know and see everywhere is one opera.

6:59 the part yall have been waiting for .... HELLO FROM THE OTHER SIDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!!!!!!!!!!!!!!!!!!!!!!!!!!!

I've watched a few singers perform this aria, all spectacularly well. But Damrau conquers them all in the way she inhabits the role. I think a lot of singers seem a little vague about what those staccato segments really mean; they're just trying to achieve them with perfection, and technically absolutely do. But Diana Damrau knows exactly what she means when she sings them at Pamina. She's not "laughing." A lot of reviewers/analysts talk about those sections as laughter, but not here. She's threatening. She's like the knife she wants to put in her daughter's hands, killing her hated husband. She's absolutely lethal. God, I love this performance.