Where can I find the lesson for this and the various voicings

Dude Chill

Excellent lesson. New subscriber.

Can someone please tell me what are the names of the songs that he plays at 3:04, 3:22, 6:49, 9:58, 11:32 ?

🔥🔥🔥🔥🔥

This might be one of the greatest videos ever posted to the internet.

Great analisis, thank you 🙏🏽

accidentally read the title as ""George Bush's Secret of the 2 Chords"💀💀💀

What a great video, thanks so much. I'm curious whether anyone knows which archtop guitar Tim Lerch is holding in the still photo at 14:36. It's a beauty.

I might be wrong, not even being a musician, but phrase 2 sounds a lot like the guitar part at the start of Night in Tunisia as recorded by Charlie Parker. I never noticed that until now because it goes by so quickly in GB’s solo.

Great piece

La luz de tus ojos es algo maravilloso. Que Dios de bendiga siempre! 🫶trommpeta🎺

I'm always impressed at how you've organized the material. It's so easy to waste time practicing but being methodical works. Thanks as always for the info!

Great, useful info as always, and very clearly explained. Thanks!

Oh ! Parker's Tune. I like it ！

If you are starting the "CM7" arpeggio downbeat on its third (E), and ending on its 7th (B), then aren't you really playing the arpeggio of the first inversion of CM7, i.e. E minor flat 6th arpeggio, ending on E's 5th? Calling it the M7 arpeggio seems misleading because to my ear it sounds strongly minor, a Phrygian 6th. Of course its compatible with CM7, but it doesn't sound like a M7 to me.

First and last: Barry Greene and Cecil Alexander, who were both very inventive without ever losing the song, which was otherwise lost to my ears by a some of the other virtuosos.

would like to hear you play this technique of these two tunes

Purism at its finest and most fun ❤

If I could start over playing guitar I would tune E A D G C F, all fourths. Which is what I’ve done after playing for 64 years. Yep, more than 60 years a-tripping over that B-string! I’d remember for a time, and then - I’d forget again! Way less chords, arpeggios and scales, and a mathematical rigour that is satisfying in its predictability, and encourages an intervalic awareness. If improvisation is your delight, try it. The fretboard becomes your playground, rather than your gym. Harmonically, you can learn small chords which can be inserted easily into lines, dominant 7ths with root, third, fifth or flat 7 on top, for example, or any chord you want.

I´m pretty sure that kind of plans and concepts are the direct path into becoming dyfunctional. If you like we can have a bit of a conversation on that

What a fantastic video have a wonderful day also I have a stomach ache also a stomach flu ❤😢

An Artist putting down other Artist like this!!! Looses my respect, such a loser Peter

So you started as a righty and then 18 years later became a lefty? Showing with your course you can learn just as fast and being able to play both handed?

Looking forward to the release of the Daily Jazz Challenge! It’s gonna be awesome 👏

I am in! Pre-ordered since I feel this exactly what I was looking for 🎸

1 chord brain damage 😂😂😂 are you masplaing asking for a female friend😂😂

why do we even need this given how much energy it takes?

Fantastic! Many thanks!

It seems you two are using the same heading for two different concepts.

Already happening but through humans who have no worthwhile life experiences as compared to Innovators but who rely on fooling others calling themselves profound Jazz musicians.

Chase U are the only good thing coming out of Florida.

It seems you explain what would be charged by a certain other $hundreds, entirely for free in your summary, with exercises and application. I find it rather hubristic that one can assume ownership over the Bensonian brand/technique just because one is very good at it in practice.

What’s going on ?? I thought peter was the benson guy?!?

Thanks!

Gotta get that Stardust ,Teach. Thanks for posting this.

I agree that a casual listener would never know it was AI. Human musicians are an endangered species. :(

That first AI track "archtop odyssey" doesn't sound anything like Wes. The backing track is way too compressed, processed, and modern sounding. Just awful! To me it sounds like a very bad attempt at emulating Lee Ritenour in the '70's trying to emulate Wes. Yuck!

Is the emotional content of music so obscure and or user generated that we just don't talk about it in this context?

The melody is like average.or below..no personality..no flavor..

I think Archtop Odyssey is rubbish - honestly is my opinion and not based with any bias against it.…I have to say the whole point of “jazz” is it is somebody’s emotional outlet on an instrument and interaction with an audience etc - and the interpretation of ideas and life and chord changes which will be different choices every time a tune is played - what’s the point if it’s a machine doing it? Are people going to go to clubs to listen to a machine in the corner pretending to be musicians and applaud at the end or cheer for encores and call for another beer etc? …even people visiting nightclubs etc listen to real musicians that have been recorded so that’s a totally different thing to a machine devising “emotions” …..I don’t believe people are going to be fooled but then again I’m an old geezer who likes real people.

Band in a Box can improvise 24h of original Giant Steps lines at 350 bpm since 2007 and still people don't really give a fuck.

Just yesterday I watched Adam Neely's KZbin video "Why AI is Doomed to Fail the Musical Turing Test" which convinced me even more that while AI might be able to output high quality Jazz music within the next few years, it will definitely not be able to be musical in the sense of playing Jazz as an interactive process. At least not in the foreseeable near future. Large Language Models work can just interact with human beings on a very formal level. Playful interaction in a band context (i.e. jamming together) is currently not part of this game.

My guesses: 1. Benson? (First thought was Wes but didn't feel the music was very Wessy) 2. Miles. 3. This was just shit AI.

Really wanted to click play here and see Allen Iverson play Anthropology.

This is like leaps ahead of anything we have ever heard before from a computer. You can sometimes listen to the ai, and tell which album it is copying. For example, there are clear examples of Roni Cuber's baritone sax sound in there, from George's "Uptown" and "Cooking" albums. It has Miles' swing, phrasing, and cadence down. It is not coherent music yet, but holy cow, its getting very close to the peices of language.

Let’s see the GF vs AI 😂

Thanks

Great lesson Chase! Thank you !