I love watching this. I wish Alex were still making craft like this, but now, sadly, he’s an entrepreneur.

Why do they are have O’s next to them it means oxide right but what if your using an non oxide were would that go

Very helpful. Ceramic slips are an amazingly complex subject. This helps clarify the basics. Thank you.

Hi John. Just trying to get my head around this. I'm at the 5 min mark, looking at the black board, and on the 5th line, you are starting A (rutile) with 50ml of the glaze mix. However on line 1 and 3 it says 0 rutile. Are lines 5 and 6 written backwards ??? should it be pot #1 has 0 ml of the rutile glaze mix, pot #2 has 5 ml of the rutile glaze mix etc. Or am I totally missing something here :) Thank you

COOL NAME BROTHER❤😂😂

Does anyone know her recipe for this? Faience recipes seem to be few and far between and I'm trying to get a few together to see what works well and some simpler recipes and different variations that can be posted so others won't have to scrabble around like I have.

Thank you John. Great video. I am definitely going to adjust my firing for plates.

I bought both books cone6 and cone 10, and this video is so nice! thank you x sharing!!! anyway i use raw material from Chile and the results is great.

Thanks John - I do a lot of Nerikomi with mixed clay bodies and have been on a pinhole journey... cant wait to try this out.

How do you do controlled cooling like 500 degrees per hour? I don't think my kiln has a feature like that.

thanks so much John!

Thanks for another great video, John. Even though I know most of the material you covered, it's a fantastic refresher, and there is always some new bit I hadn't thought about before. Every time!

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Thank you very much

I always wonder and anticipate how many we are to make “for tomorrow”

Me encanta, gracias ❤

Me encanta, gracias ❤

you are so great. Thank you so much

Thanks John!!! Hi from Colombia I have heard using epsom salts can damage the elements of an electric kiln… I think the amount in the final glazed pot should be very small and it doesn’t make a big damage as other salt glazes for instance … what do you think? Thank you always 🎉

Thanks for sharing so much knowledge and work John 🙏🏼

John I just fount you, I'm a Bodie descendant in Oregon ❤ I have a Wheel and have gad it for serveral years, We don't have room for me to learn. I keep it to keep motivation to live my dream to actually learn and create. Money isnt there, but man, I know Im on the right path. So much to watch and learn, Thank you.

Great video. Thank John.

This is explained and demonstrated so well ❤ watched all your glaze chemistry videos and bought your books. I’m systematically trying each of your cone 6 crystalline glazes. Such a wealth of information 🤗

someone hold the camera for this man.. 😭 just bought your book-cant wait to start testing

Great video, John! Thanks a lot. May be a good idea is to prepare one tile with no additions to compare the original recipie (0%) with 2%, 4% and 6% in each case. Thanks again, and greetings from south america!

Fantastic!

I wonder what those rare earth element glazes look like under different light sources. Sometimes they can look completely different under black light.

John taunting potters by using custer :D

Thank you it completes Ian Currie's book

Thank you, it completes Ian Currie's book

What size are the black lidded jars

Hello John, Thanks! For the first test tiles form Selsor Chun, did you take away from the original recipe colorants and opacifiers( tin oxide and RIO) before adding the new colorants? Or you added the new colorants on the original glaze including original tin and RIO? Thank you

Brilliant John! I wish your course this summer in BC wasn't full up already, i'd be there in a heartbeat. Thanks for providing so much great information!

Thank you John! I enjoy your videos and your books. Your layout on the table is very helpful. It looks like these tiles were all fired cone 6 E1 right?

You're a treasure, John! Keep fighting the good fight!

Thank you John! Your book inspired me to start mixing my own glazes!

I am always excited to see videos your posts. Never fails to inspire me. Thanks John!!

Nice to see you back

Thank you John you really are punching the buttons on glaze formulation better than on those who just do glaze theory. I am now putting this the the Ceramic Materials discussion page at my college (College of Marin) Kentfield, Ca.

Do you have any tips for how to smooth out the seams from the cast item?

masterclass!

Thank you. You provided a multi-piece mold making session that involved an unsymmetrical item!

Hello, here in Brazil we can´t find Gerstley borate anymore, can I use Gillespie borate instead? Thank you for your time, and for your classes. I really appreciat your book Mid-range glazes.

Wow, that was fascinating!

Hi. I’m trying to wrap my head around why the middle grid Starts with A being zero first, but on the bottom grid, it starts with A being 5ml and Line B is 0. I’m at minute 1:36. Thanks for any insight!!

It must be genetic....a very famous last name! One of my favorite post-impressionists.

Here US your pedagogy is shared the spirit which invites everyone to flourish different from the elite compared to old Europe

Ici US votre pédagogie est partagée l'esprit qui invite tout le monde à s'épanouir différent de l'élite comparé vielle Europe

Hi! Do you recall how much clay you used for your example?

Indeed! Very good information for an aspiring potter! Loo mi my forward to trying out some of these things!