BWV 227 - Jesu, meine Freude (Scrolling)

Performer & Album Info - 24:06
1. (Chorale: Vers.1 - SATB) Jesu, meine Freude - 0:25
2. (Chor - SSATB) Es ist nun nichts Verdammliches an denen - 1:41
3. (Chorale: Vers.2 - SSATB) Unter deinen Schirmen - 5:28
4. (Chor - SSA) Denn das Gesetz des Geistes - 6:44
5. (Chorale: Vers.3 - SSATB) Trotz dem alten Drachen - 7:55
6. (Chor - SSATB) - Ihr aber seid nicht fleischlich - 10:45
7. (Chorale: Vers.4 - SATB) Weg mit allen Schätzen - 13:43
8. (Chor: ATB) So aber Christus in euch ist - 15:03
9. (Chorale: Vers.5 - SSAT) Gute Nacht, o Wesen - 17:07
10. (Chor: SSATB) - So nun der Geist des, der Jesum von den Toten auferwecket hat - 20:52
11. (Chorale: Vers.6 - SATB) - Weicht, ihr Trauergeister - 22:42

[@violinchen5]

Vielen, herzlichen Dank für diese Geschenke, welche mit sehr viel Arbeit verbunden sind! Wunderbare Mitspielgelegenheiten!

[@jiioannidis7215]

I'm so proud that I can still read tenor clef :)

[@sasaezorekomiaschi]

Super Hilfe für einen angehenden Chorsänger. Danke fürs Teilen!

[@emtee7632]

Very helpful indeed for choir singers who don’t have knowledge of German pronunciation.

[@BaptisteEscoffierAzp]

The most ironic thing, I assume, is that as this was a religious order like many works by Bach, people who listened to this for the first time probably focused more on the text, and we, people of 201(8), listen the beauty of the melodies, the genius of the harmony, and that is why Bach is so fucking timeless

[@SeenAGreatLight]

It's truly a masterpiece, the text and music together! Even the structure of the chords has deliberate meaning, like a bunch of sharps appearing in the music (German: kreutz [literally, cross]) whenever Jesus and his death and resurrection is mentioned. When you take the awesome text with the beautiful music, it tells an incredible, wonderful story, the best story in all history!

The text and the music are inseparable. For Bach, music is a conduit for the text. The poetry is quite beautiful here, too: Good night, oh nature, you exquisite world, you do not please me!

[@bastions_standing5343]

This is my favorite of bach's vocals. Thank you Geru!

[@martinnas2912]

Maravilloso! Ilumina mi espíritu y mi mente.

[@thomaslai5303]

Thank you so much for your hardwork and effor in aligning the subtitle for German for our enjoyment! God bless you and thank you so much!

[@TheMusicofKathleenVick]

The postmaster's wife meets Bach and the LORD Jesus Christ face-to-face. Praise God for His unspeakable gift.

[@ingelmo16]

BEST version i'd ever heard

[@obadian_]

slower (better)

[@SeenAGreatLight]

Fantastic! It must have taken many hours to get the bar to line up with the measures like that. Thank you so much! It still feels like the screen is moving to the right after watching this for so long. XD

[@RicardoGrion]

Wonderful♥

[@karenspivey9420]

Thanks so much for this!

[@peteacher52]

Brilliant!

[@declamatory]

In your translation, about 10:30, you have the word "weather" where I believe it should be "whether".

[@antonisalvador3047]

Fantastic

[@johannesgerneth9409]

Da kann man mal wieder C-Schlüssel üben. :-)

[@aucuneideejsp8891]

❤❤❤❤

[@videosmya]

Hi, what program do you use? I love these videos :D

[@theskoomacat7849]

He animates this note by note

[@shieldsluck1969]

2:28 (ff) _"who walk not after the flech"_ Phrases have changed in 300 years. It means some alike *_"who look not for 'distraction' by hookers"_* 🙂

[@Leoptxr]

Hey Gerubach, there is a mistake at the description: "So aber Christus in euch ist" is for a ATB chorus.

[@gerubach]

Thank you! The error has been corrected.

[@Leoptxr]

You're very welcome~

[@fdsdh1]

there is definitely some bits of BWV 4 and eine fest berg inser gott hiding in there!

[@declamatory]

Oh, and "yield" is misspelled. "'I' before 'E' except after 'C'." {8^)

[@pianoprof]

Cycle 2 niveau final en lecture de clefs : soprane (clef ut 1), alto (clef ut 2), ténor( clef d'u 4), il faudra savoir lire en même temps avec la musique

[@slubert]

Helps me with my German studies ... Like and Sub

[@chrisbel15]

Not available 😢

[@Macius5991]

...but only on mobile devices. Try on pc.

[@StrammerBursche]

i live in germany and it is blockes for me as well. I use proxys to watch these videos. it works!

[@Macius5991]

Aye, I know the problem.

[@MisterMalleable]

13:43

[@ruskibeaner5983]

23:08 shouldn't that be "to those, that love god" instead of "to those, god loves"? or am i just tripping?

[@lasperanza8850]

15:03 17:08

[@APPLEMELODIES777]

6 13:40

[@leonhardtdenis9829]

Le pupitre des sopranos est indigent . Voix forcées, pas toujours justes au demeurant à partir du la (octave supérieur). La version utilisée est celle d'amateurs sans doute. Pas trop grave !

[@L1102]

Thanks so much for your work. But unfortunately the chosen recording/interpretation is terrible in my opinion

[@markmcconathy6159]

first

[@ulfkenklies2776]

Hier das Gegenteil - mir viel zu breit und schwerfällig. Warum findet man nicht die Mitte, die das Werk von sich aus ausstrahlt? Jedes Musikwerk hat sein Tempo aus sich heraus und verträgt keine aufgesetzten Dramaturgien. Trotzdem schön gesungen. Aber es ist keine Oper!

[@ulfkenklies2776]

@@Edvahass "..verliert hinter übermäßig kontrolliertem und akademischem Gesang". (Dativ!) Gerade das scheint hier der Fall zu sein. Wenig Dramatik und etwas langweilig gesungen. Seit meiner Kindheit habe ich dieses Werk unzählige Male unter den verschiedensten Dirigenten gesungen. Wenn es im Internet auch das beste sein mag, so verliert dieses gerade an Drama und ist brav gesungen. Warum nicht... Etwa Engagement wäre gut.

[@vanessaja7337]

@@Edvahass i

[@mrsevy2000]

klingt nach einem Knabenchor :D

[@lkapo7047]

Ja eben, es heißt ja auch "Jesu meine FREUDE"!!

[@erikaskolovin-erven8136]

@@mrsevy2000 Regensburger Domspatzen, das ist oben zu lesen.

[@luisclaudiosouzadapenhapen4352]

Bach is a better compositor of listen

[@Tizohip]

15:55