I was waiting "Clockworks" by meshuggah :(

I may be 4 years late, but this is truly informative and educational and helped me better understand what was going on in this astonishing piece. Many thanks! (PS. I thought it was a triplet!). No wonder it took Tomas 6 months to learn this! How complex it all is!

And hre is the music vid of said breakdown!!! kzbin.info/www/bejne/m4mXeIKiqbp3mqM

this video is very good

Have never seen a good explanation of the 5/4 over 4/4 polyrhythm at the beginning of "The Grudge". I think you'd be the perfect person to tackle that. 😊

Such meticulous and inspired work you do, thank you!!! This was the most surprising and entertaining course. I’m used to your deconstructions of metal song beats but this genre and your body double playing the tabla are wild!

how can we not appreciate this?

Thanks Yogev for all the wonderful work you have done. As a guitarist, your videos have made me realize the world of rhythm can be just as complex, diverse, and fascinating as the melodic/harmonic world.

I was super into Shakti back in the early 2000s and wasn't aware they were making new music recently! You have made my day!

insane. inspiring!

“Let’s just go get food” ahahahahah 👌

It's so interesting that you don't see more metal bands trying linear compositions on for size

The fun thing about metric modulation is being able to hear it, and I really can't in this case.

Konnakol is so important if you want to create or perform music like this... Yogev is the man!

I really enjoy the Mahavishnu Orchestra, John was so ahead of his time, he really made a perfect bridge between weatern and Indian music

NGL was kinda frustrated w this video... 1:20… you never play the full section, you keep breaking it up to count, and then when you do play the 7+3 together you count over it. We never get to hear the relationship of the 7 to the 3, which is key since the 3 is all downbeats. Let us soak in the full cycle before you superimpose on top on it. (as for the 5/4, I hear it as 14/8-14/8-12/8 with a duplet-triplet dynamic). 2:35… I hear this as 8/8+7/8, with the highest note being the downbeat. At 3:30 you count it in double-time, uncomfortable tempo, no numbers or rhythms to be seen on screen. 4:45… Describing metric modulation verbally is a wild choice considering this is THE absolute #1 channel for visual metaphors of rhythm. I understand it already but could not follow the explanation (yeah I'm a visual learner). In the end I'm unconvinced this is a 5/4... I'm hearing it at half the tempo you describe, in a slinkier groove that suits the awesome music, and 40 can be subdivided like a million ways, so I prefer to choose a time sig that describes the music not just counts it. I dunno, love this channel, this one kinda lost me, felt like a rough draft.

8:42 this is the moment when i realised i didnt get anything that was said in this video. this simply cant be 5

Who decides the tempo? The recording engineer, that's who!

I love how this is definitely NOT a Meshuggah song but you still use the card board 8 string guitar. 😂

The angel number 357 is about personal growth and development, seen in the ABC groups. The monster group of CCBAB adds up to 27 and that angel number means that you may be facing a period of spiritual growth and that by bringing more balance into your life, you can find your life path. Whether you believe in them or not, it is a testimony to how much meaning can be put into the seemingly meaningless aspects of your creation. Note* I did a little copy and pasting

well, michael bolton won a grammy, so i'm not sure they really mean that much

I seriously thought when did meshuggah win a Grammy, dayumn

I was expecting some Quincy Jones produced tune, you hoodwinked us ringing in John McLaughlin

Yogev, as you know I love your videos (and your music). But I'm a little mystified why you decided to analyse a piece using Carnatic rythmic structures by using western concepts instead of looking at it from the perspective of Carnatic talas. Of course, you can do that, but it's not likely that the musicians themselves are approaching it from a "time signature + tempor" perspective ....

What an incredible piece/band/video. Thank you as always!

Awesome video as always :) thank you for all of the work you put into these! Would love to see you break down another Car Bomb track if it ever tickles your fancy. Or maybe a Pound track?

The same thing that made me fall in love with tool

Congrats Yogev! ☺

Any thoughts on a tesseract episode? (You should definitely do it!!! Natural disaster has some devious time changes)

Awesome work, great analysis! This composition is in a carnatic tala Khanda Ekam

If Shakti and John McLaughin can win a Grammy with an insane rhythm like that, anyone can

It is impossible for me to hear the intro as anything other than 7-7-6, with a 4-tuple over the 6 count. Beat is at 192. Sorry man, 5/4 is a big ask.

אחלה יוגב

4/4 fuck sake

You da man yogev 🙏

While we're on the topic of complicated Grammy-winning songs, I feel like The Alien should be mentioned. (Even though I'm really pissed that after years of making awesome music, they get the Grammy for such a mediocre song)

This song completely reminds me of Indian Summer by FUCUS from 1985 kzbin.info/www/bejne/rXOweGtppKx2ic0&ab_channel=VidzGB

Oooooo fun

Wow. This is genuinely impressive

Very enjoyable and informative. Thank you for all the hard work and making it look/sound easy.

You missed a transition part between riff 1 and 2 and it’s the hardest strumming pattern in the song

Choking from depression, laying on a couch crying, a rythm analysis of my favorite band since I was 8 years old made me smile. thank you. ❤

that one part in the middle of change of seasons before the shreddy solo part

The listener dictates nothing, and thats the beautiful part about it. If the tempo was meant to be unchanged, which I would argue was the intent, the listener just gets to enjoy the ride they get put on!

איזה הרכב אגדות אחד אחד

totally out of context but.... there´s a Seiko Prospect watch?

With both 40 and 30 being divisible by 5, I was almost disappointed no quintuplets showed up. Almost. Mostly, I was relieved!

this is very good explanation and example of metric modulation. thnx!

I wanted to take a moment to express my deep appreciation for your exceptional teaching. Your ability to break down such a highly complex and dynamically changing rhythmic structure was truly remarkable. Although I found myself grappling to understand even the first level of the intricacies you presented, I was profoundly impressed by your mastery and depth of understanding across multiple layers of complexity. Your passion and dedication to the subject were evident, and it inspired me to continue exploring and learning, even when the material feels challenging. Thank you for making such an effort to share your knowledge and for making complex concepts more accessible to learners like me. Your work is not only enlightening but also incredibly motivating. -ChatGPT

For me it's a calculated tempo change, I'm not sure I'd be able to accurately play the change myself, it would be more of an estimate!