Thank you so much! 😊

They are cut on a Taurus ring saw

@@FiredGlass Gracias !!

Great question. Firstly, I'd' not recommend using superglue or any of the variants as they are mainly methyl 2-cyanoacrylate and can cause throat and eye irritation when heated to kiln temperatures. You could try the more fluid Glastac fusing gel, the red version to see if that works. Mixing it in with your powder could work. We've not tried it but in theory it should give you a more transportable option. The other one is to transport your frozen pieces in a cool box / ice pack type affair to keep them frozen until you get put them in the kiln. Link to Glastac red version: www.warm-glass.co.uk/products/bullseye-glastac-fusing-glue?

Hi Nina, not sure what paper you are referring to here. Jill is using boron nitride liquid here painted on.

It’s the sheet on your worktop. I can’t find it!

@@ninaoakman7423 That paper is the discarded packing paper that comes sandwiched between the glass sheets we order from WarmGlass. We re-use it on our workspace rather than bin/recycle it.

Me too!

Thanks!!

Thank you! 😃

Thank you Judy. We will add this item to our to-do list!

No it's not something we have done when making our murrine and pulling from the vitrigraph kiln. .

@@FiredGlass i did google if copper oxide and copper carbonate were toxic to heat.. and it says it is. but i dont know if pulling it in the glass where it is sealed inside would be toxic however thank u

Copper Oxide is stronger as it’s 100% oxide whereas carbonate has less oxide in it. Both can be used to generate bubbles. Oxide will give lots of blue bubbles and carbonate can give green bubbles. Both are best mixed either with a touch of clear powder or a coloured powder to tint the bubbles. Both need to be capped to work & will give best results at full fuse. I have used on a tack fuse but sometimes this can leave a residual of the black powder behind

@@FiredGlass so far both the copper leaf and the carbonate have rendered super blue bubbles in the Bullseye glass. not sure if it is green in some other coe thank u

That't a great idea for stands! You are a regular Georgia indeed.

Thank you, glad our videos are helpful.

Glad it was helpful!

Thank you

Over time you may find the bottle clogs up or the glassline is too thick. Firstly try standing the bottle in warm water for a few minutes then shake. But if that still doesn't work just add a few drops of water into the bottle, give the Glassline a very good shake and it will revitalise the product without fading the black after kilning

Hope you enjoy it!

Yes it is fused glass with enamel painting. No we’ve not done a video on it. We have done other videos showing the same techniques.

We use Glastac Gel www.warm-glass.co.uk/products/bullseye-glastac-fusing-gel?_pos=2&_sid=577722902&_ss=r

Sure, but don’t make them too thick either.

They are cute. It’s a straightforward pattern with simple curves, a freehand cut is all that’s really needed.

Dove or UCG (Unique Glass Colours). UCG do a kit for glass pour available at The Creative Glass Guild, UK based.

Many thanks!

Glad to hear it was helpful and concise.

The torch, oxycon and storage boxes were ordered from Tuffnell Glass www.tuffnellglass.com

No we don't I'm sorry to say.

our web address is on our KZbin homepage its www.firedglass.biz we supply UK only BTW

What size did you have in mind?

You will find the larger the mould the more difficult it will be to extract the piece without it breaking. There's also the risk of it cracking during firing.

We have done an under the sea lantern kzbin.info/www/bejne/onvac4SJYqpleLMsi=K6b9GqrHcWRNmUME which follows the same sort of approach.

Glad you liked it.

Yes, so long as they are made for glass fusing.

@ thank you.

Thank you

Sounds great!

Thank you! 😊

Glad you enjoyed it!

We've not heard about that before, do tell us more. Like many things there's always claims about who invented it first. Interested to hear.

Great to hear you love the tool. We use a tack fuse which is 760ºC in our kilns, it may be different in yours. A full fuse or a tack fuse will work just as well. We only use 1 layer of glass for those ornaments. Firing a single layer will not distort, it will round off, but that's about it. Obviously this will be more pronounced on a full fuse over a tack fuse.

@@FiredGlass Thank you again for your feedback, I have been using my cutter, a perfect tool for making these circles very quickly, could do this all day! (in fact I have...) thanks!

No mould used, handcut flat glass. See parts 1 & 2 of this series which covers this from the beginning. This is part 3.

The Brown trout was a piece for the Southern Nature Art exhibition. It took ages. We’ve done long unedited step by step video on a fox project which was painted in enamels. Same process, although a different subject.

It's just an old paintbrush, nothing special.

@@FiredGlass Jill, Good Morning. so i made river rock with the sludge from my table saw. The slurry/sludge is more course and after firing grainy, not shinny. I made them before but added color, so when making mine i did put a little color on them before firing. I do have a question, do u let them dry out before putting them in to be fired? I cant remember if i did before when i made with color..didnt make notes. Elaine

@@elainefuehrer5739 no we don't let them dry out. Once they are on the bisque tile they go in the kiln and fired as and when it's full. That can be immediately or later that day.

@@FiredGlass Thank u Jill, Ill give that a try

My pleasure!

Bless you thank you Robert - that's very kind of you.

Good tips - thank you.

Have fun, being free it makes it more enjoyable we find!

It should be okay with most brands.

Great tip!

No reason why not. So long as it’s stable.

Studio is 5m x 3m. Yes it’s where we film our videos. The storage units are really useful, expensive but worth it.

Good idea on adding enamel

@@FiredGlass Jill when im watching u, I make NOTES.