🇨🇦 CANADA REACTS TO Kāliṅga Nartana Tillānā reaction

Рет қаралды 24,812

Күн бұрын

Пікірлер: 65

@ksgharry9269 11 ай бұрын

10:04 true bro, there is rules. This is keerthanai, its describe about lord Krishna dance.... This keerthanai based on raga...

@IJayReaction 11 ай бұрын

Thank you 🙏🙏🍁🍁❤️❤️

@mudrarakshasa Жыл бұрын

Beauty of mother of the languages... Beauty of our timeless Indian classical music.. grace of the eternal Lineage of gurus.. all this is possible only coz bhagawan Krishnas eternal dance.. who kills the great serpent of ignorance.govinda!

@MS-ov9sv Жыл бұрын

I am speechless and exhilarated.

@ojushealthcare5402 Жыл бұрын

this work is based on Lord Krishna's mythology. It describes him dancing on the hood of an evil thousand headed serpent who lived in the mythical lake kalindi. The song is set to a bharatnatyam(classical South Indian dance) number, hence the emphasis on rhythm. The vocalizations that are not words correspond to th percussion and the foot tapping and hand movements of the dance. This story is called kaliya mardanam which translates into bashing up of kaliya( the name of the evil snake)

@kratantmaps Жыл бұрын

Kalindi is not a mythical lake it is another name of river yamuna

@kratantmaps Жыл бұрын

@@shruthig7561 it's based on lord Krishna not lord shiva

@rajeshj9272 Жыл бұрын

Stop using the word mythical and mythology

@vaibhawc Жыл бұрын

if you don't know why comment. kalindi is another for yamuna ji

@harleyquinn4110 Жыл бұрын

It's not mythology, it's history

@psybhoogan.1078 Жыл бұрын

It includes that thaka tharikida thing ... Which is notations to classical dance steps .. thats why it had similarities with that bass instruments .. it denotes steps ..... Hehe

@YoouTubecom-g5e Жыл бұрын

Nice amazing indian song 🎶🎶

@naveennaidu9064 Жыл бұрын

I'm glad u've picked this. I appreciate it brother. Love from Telugu states i.e South of india

@mallikonduri Жыл бұрын

People have already explained the mythic context of this peice as Lord Krishna's dance on the hoods of a serpent. Only thing I want to add is this: Classical Indian performance arts take a unitive view - the story, the lyrics, the singings, the music, the expression, the dance - everything combines into a unified multi-sensory experience with a spiritual aim. When perfomed, these become both creative expressions as well as divine experiences. The dance of Krishna on the hoods of the serpent is actually a spiritual allegory - on one hand, it represents the whole manifest creation as the Dance of the Divine. And at a more personal level, the serpent represents our ego, our pride and selfish, which are removed by the almighty.

@sudhakarD599 Жыл бұрын

The two young are very curious in learning carnatic and perform. Very soothing voice. He is master in giving perfect vocal coach. He releases every rythmic notes for every step to dance. I think it would be perfect to watch with barathanatyam dance collaboration. Nice video from you.

@annieproudexol584 11 ай бұрын

In India songs were sung in a story telling way, thus the sudden changes.

@revathiananth4957 Жыл бұрын

Notes for the rthym called konnekol . If you listen closely wht he says you can hear it in the mrudangam.

@lataismail8852 2 ай бұрын

This a devotional song for Lord Krishna 🙏🙏🙏dancing the heads of the Snake(Kaaliya).. beautifully executed and the main thing is that they are enjoying it❤❤❤

@jaysanatan6012 Жыл бұрын

Indian and India is great, and unique ❤❤

@Kenny_klever Жыл бұрын

I love your videos, your saccha sweetest person, you genuinely appreciate everything❤❤

@mvrmec Жыл бұрын

It feels totally heavenly!

@kalyanisubramaniam5441 Жыл бұрын

Great, Iam happy that you liked this song,awesome 🎉🎉🎉🎉🎉🎉🎉

@purple6822 Жыл бұрын

It' s not Thabala, it' s Mridangam

@dilipaweeratunga Жыл бұрын

The tempo did not change! It was constant throughout😮

@திருமுறைபண்ணிசைபயிற்சி Жыл бұрын

Honest review and loved your reaction

@सफलताExpreesकाStudent 3 күн бұрын

This is India ❤

@arunsathya5820 Жыл бұрын

Hi, in my thought they play the song based on tala not raga like arunagirinathar sung thiruppugzhal ( the thiruppugzhal song were sung by saint Arunagirinathar in 15th ce in tamilnadu. Which was all songs were not based on ragas but talas)

@yashwanthyash6364 6 күн бұрын

It’s called thillana..comparing sa re ga ma pa..thillanas are composition of song for the classical dance or its can be listened music too

@sowmitriswamy6718 7 ай бұрын

The "solfa" syllables that you heard are dance syllables meant to emphasize rhythm. They are rendered using a raga scale. Look up Konnakol to see something similar.

@meret99 Жыл бұрын

Outstanding❤

@mishra.pritam Жыл бұрын

These are base of Indian music.

@URaggedybetch Жыл бұрын

Not improvising. These are swaras which are musical notes. Also you can see with their right hand they keep tala (rhythm). Usually it is aadhi tala in cycles of 8 beats.

@zoomcam7706 Жыл бұрын

giving u huge Favour.

@JayantoSingh-jx7cx 2 ай бұрын

❤❤❤❤❤❤❤❤❤❤❤❤❤❤

@sudhi8517 Жыл бұрын

They not languge it the way bharathanatyam syllables and fyi they are all memorised

@anandhummani1340 Жыл бұрын

It's called jathy ❤

@Mazalover-uz4wy 4 ай бұрын

Yes its not a sargam its called thillana... Its a branch of carnatic music notation whivh uses... Thakita thai... Dhim tharana tham and else... This cant usually don't have a raga... Its singed in a special tune which gives the song more life beauty

@rudrasanwale4565 Жыл бұрын

Its also based on sargam

@ashvinsivadas Жыл бұрын

its not improvising. other than sargam of sa re ga ma pa da ni, the percussion notes also have their own language.

@uc1bs Жыл бұрын

Jathi

@malakmhmd5119 Жыл бұрын

جلسات وناسه 2013 كاظم الساهر عبرت الشط 🙏🏻

@PawanAggarwal-yc7vl 7 ай бұрын

First of all, there is a story being told here .. in great detail, i.e. by describing the incident of a five-year-old's battle with Kaliya (often Kali), the resident 100-headed serpent in the river Yamuna and representing evil, where the 5 year old KRISHNA, and Indian God, conquers Kali and subdues him, and then prances ecstatically on his 100 hoods, breaking into a magical dance! The details include the sounds of the deadly battle, the roar of the waves of the mighty Yamuna river, the battle sounds of the huge serpent, and the sounds and antics of the baby-God, post-victory. The sounds are expressed in the form of illegible (scatting??) phrases, and the descriptions are expressed in the legible notes. Read those. And I must admit you are a brave guy to get into a very deeply classical, ancient, spiritually laced, ultra-perfect performance by GURU Pai and his illustrious and young disciples. Carnatic (south Indian Classical) music is difficult to interpret for north Indians like me as it's different from Hindustani (north Indian classical) music, both being unlimited and vast subjects! The accompanying musicians are extremely talented and have belted out a flawless performance to the T using some of the most ancient instruments of India. That's why it's so perfect! All Indian classical artists are allowed to and do improvise within a very clear perimeter of rules that just cannot be breached. Their training is lengthy, sometimes constantly learning throughout their lives, and meticulous. In the Indian tradition, the GURU is God himself. There is nobody more loftier or sacred than the Guru. So view this performance slowly and READ the story as it is relayed. You will understand what's happening and can even imagine the scene by listening to the sounds of the description .. sounds that do not have a literal meaning. Enjoy .. oṃ sarve bhavantu sukhinaḥ sarve santu nirāmayāḥ sarve bhadrāṇi paśyantu mā kaścidduḥ khabhāgbhaveta। oṃ śāntiḥ śāntiḥ śāntiḥ॥ May all sentient beings be at peace, may no one suffer from illness, May all see what is auspicious, may no one suffer. Om peace, peace, peace.