Thanks for your commentary. 主要手法是改變唱腔音樂的叮板和拉腔唱法,以達到不同的氣氛效果, this I can understand, like 三夕恩情同夢杳,劇憐生割鳳鸞情 changed to 自由板散板演唱, coupled with the artists' gestures and performance, 氣氛效果 quite effective. What i don't quite catch or understand is this part: 不會和其後宇文豹唱的[芙蓉中板下句]出現上下句不連接的情況? you mean 曲上下句不連接? because 宇文豹唱的[芙蓉中板 - 下句, so he changed to avoid repeating 下句?