Thanks Chris, love your videos!I hope you have a great Holiday.

🔥🔥🔥🔥🔥🔥🔥🔥

Thks for sharing, very helpful ur videos. I have a question, what will be the best Drum machine designer into Logic to make a nice beat. Cause I seep many drum machine designers. I don’t know which to pik .

Just got my pair today. Setting them up tomorrow. Thanks for your information.

A KIND PERSON WHO CAN SHARE THE PROJECT WITH ME? unfortunately I don't use logic 11, but I had the opportunity to listen to that project live on a computer and it's crazy

Hello I wanted to add my tip. Instead of duplicate the track and turning it off and hide, I duplicate as a track alternative then bounce the new track alternative. I find it is easier to come back to. Great channel first time I comment I think but I have been following for years now and wow that I've learned so much so I just want to say that I am greatful for all this info. Anyway this video's tip is great too.

The edit to zero crossing feature is amazing! But is there no way to just do that to all of your transients with one click using some kind of grouping technique? I'm guessing not...?

Great video, but can anybody tell me why i see so much variation between producers in regards to gain staging multi track drums. For example, these kicks appear on the "lower side" yet i've seen other producers with kick transients going as high as -3 dB, isn't the goal to reduce the noise floor by having your peaks as close to 0 dB as possible before clipping? How much of a difference would this make in an overall drum mix? I am genuinely asking because i'm still not happy with my drum mixes and i'm wondering if i'm approaching this the wrong way.

It seems pretty straight forward to sequence out built in instruments, can you do it with external instruments like diva cutoff

Hi Chris! I’ve been watching Take Folder tutorials for vocals and my dilemma is after a number of takes, how do you know where to select in the additional takes to find what you like better to replace? Thanks.

I can’t update it for some reason need help

Great video Chris! Thanks for showing some more options and how you work with this! It is amazing that this is just "built in" to Logic!

I've been doing this manually when I comp multi-tracked guitars. Game changer. Thanks again for the detailed example and clear explanation.

Wonderful!

I am looking for a banjo, a fiddle, a cello and a string section. In one case, I found a banjo, but one note works, and the rest do not. I like the voicing (it's an audio file in garage band). How can I convert to mid, pick the melody I want, but keep the same sound I found as it's an audio patch not a midi instrument?

Very helpful. 🎉🎉🎉🎉thanks

Another superb video. Thank you.

Chris you are awesome!! You are such a great teacher, thank you 😀

Plug-in text search! What!!?? (Pro tools yawns)

I mean, I’m so glad I decided to learn Pro Tools many moons ago instead of Logic.

so you cannot save your sample ?

Another very good video by Chris. He could have mentioned that if you turn on Cycle Mode when recording takes the program will continue to cycle the recording, creating a new take every time and all the takes will be perfectly lined up. Also if you want to keep your takes you can just copy the takes track and then flatten and merge the copy, Much easier than having to assemble the comps one by one.

When I drag a small wav file into the track header section it just rejects the files and doesn't open up that "Create New Track using" menu... what am I doing wrong?

I’m a rent convert to logic after 25 years of reason. I was looking for a great controller keyboard to manage logic and after finding your video it hadn’t even occurred to use the iPad remote app and now you can edit the key commands in the app ……I’m buying an iPad . Thanks 🙏 ❤

Very helpful, especially the part about changing the end length to get the group editing to work. Btw, there is a good reason to flatten and merge: Nudging elements without flattening/merging is a pain. (I think there is a way to kind of do it in Logic, but it's so much of a pain that I never do it.) It's much easier to make those sorts of edits to a flattened track. This is one of my major gripes about Logic: Making those small multi-track drum nudging edits is much more difficult than with the other DAWs I've used (Digital Performer and Pro Tools).

Hi Chris, I use flatten take because I can't fade in/out or create a cross fade between regions that have a take folder, is this possible do you know?

Awesome video! This is save so much time. Thanks!

Hi Chris, does Logic offer 'slip editing', like Reaper does shown in this video? kzbin.info/www/bejne/fZWkmoybj82Whpo&ab_channel=TexCokley

If I remember correctly, you can access a menu in the take folder (start of the top bar of the track)... where you can choose to create a new track from the active comp. Instead of the standard bounce you did. BTW you can't take (lol) people seriously that send such a messy session where drums don't even start at the same beat every time and where they refuse to record takes with the take folder. This is just a stupid way to waste money and (your precious) time. But I hope they watch and learn from this video!

Thanks for making this vid. I use the Take folders much the same way. I usually use “Export to a New Track” when my edits are finished. One thing i haven’t tried is grouping drums in this way. I have a bunch of drum tracks to put together and I’m gonna give this a try. If I can get them set up correctly the editing will be a breeze. Cheers! 🎸😎👍🎄🎅

Right on Chris as usual. Thx. Im a trumpet player/producer doing Latin House and want to try to see if keyboard session player can do the latin piano.

Why wouldn't you instead just record to the drummer or click and avoid all of this? It just sounds like a sloppy drummer to me when you match the drums to a guitar track that wasn't recorded to a click.

I watched the "overlap" section 3 times and could not understand what you were trying to tell us. I always go to your videos first but this time I got lost. Could you maybe do a short on overlap? I really can't see any use for it; except if for some reason one wanted to preserve original audio, based on the impression I get from watching this video. thanks. I need to look it up in the users guide I suppose

Love this…thank you

The little (i) Icon in the top left corner is not present in my newer version of logic pro . A different Icon is there now .

Your "choose a track type " pop up looks like the Garageband pop up not the logic pro pop up .

Don't be so quick to transfer Logic Pro Library to an external SSD because you may end up with problems . I ended up having to delete the Library and remove the external SSD and reinstall the entire Library to the Default location . Takes about an hour .

at 14:30 you can stretch the view horizontally and you can slow the tempo to make it easier to deal with that quick chord progression .

You Da Man !!!

Man , that singer is really screwing up at Posters lol . AND , as soon as he mentioned M series I know I'm out of the loop . :( "I would just have the guy sing it over and over till he got it right ."

Note, five years later in 2024, this demo project is not available in Logic (I’m using 10.7.9 currently ) - I still have it because I saved it back in 2019 (2017?) from a can’t-remember-which version of Logic when it first came out (and I’m just now ready to do a deep dive in it right now in 2024.) Same for the Billie Eilish Logic project. So save those demo projects to one of your own folders if you think you’ll ever want to look at it later.

How do you get to Alchemy ? There is nothing in my logic pro that looks like what you have on your screen !

This video is amazing! Thank you for this tutorial!

I love Logic but flex pitch has far too many artefacts to be professionally used on a vocal track. Melodyne is chalk and cheese in quality.

Will the track stack reflect if you crop the sample after dragging a long loop into DMD?

Thank you - a great video on Logic pro pitch correction 👍👍👍👍👍

Just so that you know, you make great Tutorials!👍🏾🎼😊

Very clear...and no nonsens... thanks for this one 🍀

I have my vocals all going to a bus with the comp, spread, chorus, hipass, loudness and glow. Should I bus that out to a parallel compression bus? Or should it only be the original?

Thanks! It was good to actually see pitch correction being used, instead of just being explained. Having done pitch correction in studio recordings over a decade ago, this was a great reminder of how to do it effectively. Loved the emphasis on perfect is not always better!