You have, for some reason, managed to turn one of the inputs (bass drum?) onto Scene Down so every hit makes it go down a kit until it reaches Arena. Go to Menu / Utility / Pad Function / then hit everything until you find what is set to 'dec scene'. Change this to Off. Press Exit 3x.

​@@edruminfo.. I'll definitely check on that. The only thing I can recall as of now is that I set the kick trigger to a Rock sound. Could you also advise on how I can use the 'Studio One' DAW along with the EAD 10 to record. All the youtube videos on EAD10 , the DAW's all sound amazing. For an unknown nobody of a drummer .. it sounds like trash.. kinda feel bad for spending the money. I'm sure it's a great but of gear .. just wish I could figure it out

@@alexmanojmathews The DAWs dont sound amazing - thats the EAD being recorded onto the DAW. Connect the EAD to your computer with a USB cable, open up Studio One, set the EAD as your audio interface. Set one audio channel to record through the EAD. Set one midi channel to record MIDI from the EAD. Hit record. You should then have one channel recording the stereo audio data from the EAD and one recording the MIDI data from your kick channel.

If you mean the foldback coming into the EAD so I could hear the rest of the band, yes, it was all the rest of the band apart from drums. One load of drums is enough - two would be horrible!

It would sound like a Traps kit but louder I guess. Traps kits dont project very far so I'm guessing the floor tom would be quite quiet but everything else should be OK. At least the bass drum has a steel hoop so you could use a Ddrum Redshot trigger for that, but how you'd mount the Sensor Unit on the bass drum would take a little more thought.

@@edruminfo what about triggers on the floor toms 👍🏻

@@user-xz5bh5kt8c That would help

Hi. You can't empty them. You have 10 user trigger set ups (the ones starting with 'U') and 5 preset ones (the ones starting 'P'). Is 10 not enough for you? If you cant find the user ones, move the cursor so the P flashes and press the + button. That will get you to the User triggers.

@@edruminfo Thank you. This helps. Would be nice to use all 12 but 10 is enough. Keep up the great work!

Hi Ellie. none of them I'm afraid. The EAD uses microphones and having it in a small room with speakers, at a volume you'd hear it over you hitting the dB Ones is going to cause feedback, just as any microphone system would. You're going to have to use headphones or In Ears. Hope that helps.

Hi. I have a pretty massive sample library of my own, put together over years, but if I dont have something, I'll generally use Splice (www.splice.com). I'm pretty sure (99.9%) the trap hat came from there.

Not quite. When you put the knob into Data mode it actually changes ANYTHING on the screen so if the Scenes are on there, it will change Scene. If you have the tempo on the screen, it will change that. It will just change whatever is on the screen, not JUST the Scene. Try it - you'll see. Its actually must better as a default position that the knob just changing the Scene.

@@edruminfo I see. Ya it does sound like a better function than default. Thanks you. 🇨🇦👍🏼

I use many - Toontrack's Superior Drummer 3 and EZdrummer 3, XLN Audio's Addictive Drums etc. Depends on what sounds I need.

Not that I'm aware of. Are you on MIDI channel 10? Is your M12 set up to receive MIDI or is it set to USB? It needs to be on MIDI (which is how it comes from the factory) so you need to go to Utility / Midi / MIDI IN/OUT and change this to MIDI if it is not already.

Found the answer. The PSR-290 is off by one octave. I just have to set the keyboard voice to Standard Kit 1. It now will activate any kit the DTXM12 is set to by keyboard presses. So easy. Indeed, any MIDI voice set on the keyboard (Grand Piano etc) is captured by Pattern Recording.

Look below the video...

Not into the module. You will need a 'headphone splitter' or 'headphone distribution amp'.

Thanks a lot Simon!! Congrats amazing explanations, easy and quick!!

The reason very few do, is because there's not much to talk about (or hear). Also, on a video it is difficult to actually gauge how loud something is, so you could hear the pads being hit, but it would be impossible to tell if it were loud or not and if it would disturb your neighbours.

@@edruminfo A decibel meter test.

@@therookiesplaybook Indeed, but if you understand the result of a decibel meter test, then you are better than 99% of people watching videos on KZbin who don't know the difference between mono or stereo, and wouldn't recognise a realistic drum sound if it bit them, unfortunately.

You HAVE to use input 13. Its the only 3 zone input on the M12. You are probably using input 14/15 or 16/17 which would only work as mono (single zone) inputs with a 3 zone pad.

@@edruminfo thanks Simon I am using 13 just can't seem to get it right.

@@pigsfromagun4050 mono (TS) or stereo (TRS) cable?

@@edruminfo think it's a mono Roland cable

@@pigsfromagun4050 There is your problem. If you want to send more than one signal down a cable it must be stereo (TRS). Using a mono cable means only the head will work at the moment.

Thats because not everyone will be using it with a Yamaha hi hat stand. Some hi hat stands have a much thicker (and softer) bottom felt, which can slow the open and close response. Yamaha stands generally have a thin bottom felt and I've found it makes little difference whether it is left on or not. You might find different and prefer the feel without it, but try it and see. The bottom washer already has a neoprene bottom, so its not essential to remove the felt. As with all these things, try it and see for yourself. See what works for you.

@@edruminfo Thanks Simon! I really appreciate the detailed explanation.

@@edruminfo Hello! How to remove a hi-hat lock from a cymbal? I wanted to try to remove the bottom felt, but the lock got stuck. I'm afraid to use force

kzbin.info/www/bejne/jXWxeqiVj7eAbZIsi=FwEQ43J0sRjcurUy Read what it says underneath

Mine says nothing underneath.

@@johnnosawyer6423if you are watching the video on KZbin (which I'm guessing you are), look at the description below the video and all the settings are in the text. If you are watching on a phone and you cant see the description for some reason, you'll have to look on a computer.

Hi. A few things here. No, it doesn't need mic inputs as the (mic) signal is already being processed in the EAD and the outputs are jack plugs (normal), not XLR (the 3 pin connectors found on the bottom of microphones). But also, you don't need to connect the EAD via an audio interface - it has one built in so just connect the EAD to your computer with a USB cable and find the EAD as an audio interface. Much simpler.

@@edruminfo Thank you so much!! 👍🏻 If I connect it to my computer, how can I add both my Avid MBox Studio Interface and my EAD10 to Pro Tools so I can have a track from the EAD and the other things connected to my MBox? Thanks again!! 👍🏻

@@tonyvalenti6614 Are you PC or Mac?

@@edruminfo 🤦🏻‍♂️ Sorry. Windows 11.

@@tonyvalenti6614 In which case, carry on as you are doing at the moment. If it were Mac you could set up an Aggregate Device and run 2 or more audio interfaces at the same time.

It can be anything - my one is a SubZero SZ-HC1 but anything from Behringer, Fischer etc. It doesn't do anything apart from allow you to turn the band up or down and protect the EAD. My one in nothing magical.

Its just a generic Chinese headphone amp. This one is branded SubZero and its the SZ-HC1 but there are many similar from Behringer (P2), Fischer (Mini Body Pack 2) and many others.

@@edruminfo Thanks!

Thanks Richard. In the video, the band are coming in on the XLR provided by FOH. I've got that going through a passive headphone mixer, and I can adjust the volume of the band by turning the volume control of that up or down. To get the mix correct, you have to balance the monitor feed, with the click, with the kit, which takes a couple of minutes, but once its done its pretty quick to nudge volumes up or down as required.

It will feedback - the microphones in the EAD Sensor will pick up the monitor - that's physics. This is an advantage of IEM - they lower the stage volume (no drum monitor) and much less likely to feedback unless you have them incredibly loud.

Some people like loads of drums(!), but yes, you're correct. I sort of assumed people wouldn't go for double drums (unless they're in a Genesis tribute act of course...)

I knew someone would question this so I timed it. Assuming I have the case with the EAD open in front of me and the stand base I put the module on already standing, then putting the Sensor on the kick, tightening it, mounting the module, plugging the power in and connecting the two with the double cable and powering on, then yes. Perfect for when you're late to a gig!

Thank you. It's that lack of... what's it called.... time! Hopefully there'll be a few more soon.

Hi. Many of the samples are stereo and already panned more one way than the other which for a left hander is a problem, as you've found out. You can not universally flip the stereo field of the whole kit, but there are 2 options. Firstly (and I know this sounds stupid but it works) wear your headphones the other way around. However, that doesn't always work, depending on the headiness or in ears. The other is to get a small mixer (more than 2 channels) with panning. Then plug in the master outputs and flip the pan with the pan controls. This is the much better option.

Hey, do you have any recordings of you playing this module with a band? I would love to hear them. Can this module sound like Mic’d acoustic drums or acoustic drums in a mix? I only had maybe 20 minutes with the kit two years ago and I definitely liked Roland stock cymbal sounds better.

Yes, you could play 12 different loops if you wanted.

Good! Thank you.